CHAPTER TWO

IMAGINEERING CULTURAL HERITAGE FOR LOCAL-TO-GLOBAL AUDIENCES

NOEL B. SALAZAR

In 1994, the Walt Disney Company was taken by surprise when its plans to develop a lucrative American history park near Manassas, Virginia, the site of a major battle during the Civil War, was met by protests from various organisations, advocacy groups and thousands of concerned citizens (Synnott 1995). Part of the reason the plan was abandoned, according to the company, was that the people of Manassas and surrounding areas had fought the development of the theme park claiming that the "true" history of not only the Civil War, but of all of "America", would not be told there. These were some of the first public (i.e. non-academic) protests against Disney's alleged co-optation and perversion of heritage in the creation of its products. The company's department responsible for such reinventions of the past is aptly called Disney Imagineering, a neologism denoting the combination of creative imagination and technological engineering in the "theming" of goods, services and places, so that visitors develop memorable experiences of their visit (Imagineers 1996). A perfectly imagineered attraction makes you feel like you are on a journey that transports you to a different place or time and completely engulfs you in a new world. It makes a story convincing by engaging all senses and moving peoples' emotions within a fantasy environment in which, paradoxically, the fantasy feels completely real. Disney's innovative methods have been successfully copied elsewhere. Some of the key elements of the imagineering process-easily consumable images, the presence of icons, spatial definition and coherence, and the management of traffic flows-have been applied across the globe to create attractive landscapes of leisure. Depending on the theme, the images, imaginaries and representations relied upon and manipulated differ. Interestingly, the myths, histories, and fantasies imagineers draw upon to people.

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51

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111:

Ill 52 Chapter Two Imagineering Cultural Heritage for Local-to-Global Audiences 53 and a fauna museum, all examples of the country's rich natural heritage. It (Boellstorff 2002). As Adams notes, "all of the regional exhibits display would take a week to visit everything. To make the park available to the material from the same set of categories (weapons, dances, marriage Indonesian public, the entrance fee is low (9,000 IDR or less than 1 EUR, garments, baskets, etc.), regardless of the relevance of these categories to with only nominal extra fees to visit the gardens or museums). The the local groups in question." (Adams 1998, 85). Adherence to this additional recreational facilities (especially for children) make Taman uniform set of categories conveys the message that in spite of superficial Mini a fun place to visit and a popular destination for a day out with the differences, there is inherent commonality between the diverse ethnic family. Indonesian visitors far exceed the numbers of foreign tourists. groups (cf. Acciaioli 1996). In Boellstorff's words, "after all, what is The rationale behind the national heritage section of the park was to Taman Mini if not model for a human zoo where ethnolocalities are give visitors a glimpse of the diversity of the Indonesian archipelago in a habitats-cages for culture-and the state a zookeeper?" (Boellsdorff single location, as a symbol of the country's motto of Bhinekka Tung gal 2002, 31). Ika (Unity in Diversity). Taman Mini is one of the most deliberate and overt efforts of the Indonesian government to make use of "local traditions" to display Indonesia as "a nation of cultures". Even before the park was opened, scholars were already analyzing the ways in which the project revealed state-imagineered conceptions of culture and power (Anderson 1973). Anthropologists too have, each in their own way, tried to make sense of Taman Mini (Pemberton 1994; Acciaioli 1996; Errington 1998, 188-227; Hitchcock 1998; Bruner 2005, 211-230). Many have focused on how the park represents the past as an integral part of the future, through a present which is continuously rendered as cultural icons of regional tradition and serves as a tangible expression of modernisation (Anderson 1991, 176-177). Major General Suharto's New Order government ( 1965-1998) sought to identify one single cultural type for each province, and to play down the extent and breathe of the actual ethnic diversity they had inherited from the Dutch colonial era (hereby erasing the difference between past, present, and future). 1 The obsession with connecting the past and future in the form of the present finds prolific expression at Taman Mini through numerous so­ called monumen (monuments): miniature replicas of ancient monuments, Fig. 2-1: Taman Mini Indonesia Indah (Beautiful Indonesia in Miniature) memorial monuments, and commemorative inscriptions (Pemberton 1994). The name of the park is significant too, "as in it the cultures of From the very beginning, Taman Mini was envisioned as a twin project Indonesia's constituent provinces have been extracted as objects of of raising national consciousness and developing tourism. Unfortunately, 'beauty'." (Yamashita 2003, 44). In the logic of Suharto's New Order (to most scholars have focused on the former and neglected the study of the distinguish his policies from those of his predecessor ), a latter. Suharto himself strongly believed that tourism would increase flattening of both time and space, the simulacrum of Taman Mini actually (foreign) revenue, enhance the nation's international status and foster exceeds the real Indonesia because it is less confusing, more ordered, and domestic unity. In the period that Taman Mini opened, his government can be understood and experienced as a whole. 2 allowed the Directorate-General of Tourism to play a more active role in Diversity is represented for the most part as differences between the management of cultural heritage, including both historical monuments domesticated different-but-same administrative regions rather than and traditional folk art (Dahles 2001). The link between domestic tourism between local cultures or societies. Taman Mini thus draws together and nationalism was clearly encoded in Indonesia's 1983 fourth Five Year ethnicity and reinvented locality so that each presupposes the other Plan. As Adams points out, the fact that Indonesia did not have a Ministry reflected

The experienced forward that forward of the which through Taman and, ahistorical 54 sponsored Taman families 's master Order how production, Since nationalism overseas The products were

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outside

of

traditions,

artificial

around

catering

in

Village

departure

maintain

wood-workers

its

Festival). sharing

(2006, a

many

undertaken

with

of

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this

Tanzania

the

Schneider

segregate

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live network

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of

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(cf.

at

the

cultures

premises

the

and

and

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modernity"

was

the

program

Nyumba

the

the

designs,

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presentations

Village

114).

Museum,

Village different

Scott

As

of

feel.

to a

vernacular

well-trained

to

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This

from

also

physically

realised

During

houses

statement

current under

for

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joining one

beings

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from in

and

on

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2006,

In

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1998).

,

goes Occasionally

enjoy

overcome,

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original

coming

the

ya

held

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which

finds,

the

fact,

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and

traditions,

the

Museum.

and

and

these is

house

lived

of

with

could

Sanaa

museums

114).

house

1960s architecture

back

striking

that

in

administrative

interpretation,

a

museum's

time it

As

traditional

and

of

staff

move

it

the physically

performances.

Conference

was

festivities,

the

from

database,

building

the

experience

twinned

often

such

At

one Schneider

not

to

Moreover,

displays

rhetorically,

Tanzanian

and (House

units, not

was

pose

help

,

over

always

President

the

them

and

centre

Audiences

the

be

in

there

particular

traditions

least

hosts

life"

Sweden

same

marked

with

of

patronage

preserved

cuisine.

a

gives

the

materials

Makonde

the

twenty

tourist

taken

to

there

of

big

the

the

signposting

have

challenges.

on

through

of

'traditions' points

have

(Schneider

traditional

latter

climate

museums, major

extremely

state

Art)-an

time,

Some

Nyerere,

the

Swedish

problem

explicit

Dar

African

was

are

had

out

traffic ethnic

ethnic

and

by

In

been

park been

with

and,

was

out,

like

and and

and

not

the

57 an

no

its

es

an

"a of

of

of

in Imagineering Cultural Heritage for Local-to-Global Audiences 59 58 Chapter Two

entrepreneurs have seized the opportunity to commoditise the nostalgic the Skansen Open-Air Museum in Stockholm.6 Such twinning programmes potential of daily rural life. The imagineering, i.e. the production of reinforce the idea that the construction national heritage parks follows of visions, of images and of representations of the villages and their globally diffused patterns. Inhabitants, was largely initialised by external actors. The focus on the Nowadays, the Village Museum attracts very few visitors. There are power of imaginaries in the new economy is also linked to another field, the occasional visits by expatriate families living in Tanzania or that of storytelling (LOfgren 2003). Not simply showcasing national or backpackers who landed in Dar and are waiting to travel elsewhere. ethnic heritage, but being able to narrate it has become an important asset International volunteers visit Makumbusho as part of their cultural (Salazar 2010a). In what follows, I describe how these general trends took immersion package. The park administration is convinced that taking shape in Indonesia and Tanzania. Tanzanian people in the Village Museum. back to their histories enables them to see what was good or useful in their (imagined) past and which is worth incorporating in contemporary life and living (Mwenesi 1998). Desa Wisata However, there is only a very rudimentary culture of visiting museums ''By Desa Wisata (Tourism Village) we mean a village which offers whole among the Tanzanian public (and, honestly, most cannot afford to do so). atmosphere of village seen from its socio cultural life, customs, which is The decision by the managers to allow the use of their premises for potential to be developed into tourism components, such as: attraction, traditional performances such as initiation ceremonies and wedding accommodation, food and beverages, and other tourist needs. The dances, and for organising events to promote indigenous cuisine and development of a tourism village does not mean to alter what already exist, traditional dances, seems to be a step in the right direction. Among locals, but more of calling forth its potentials which already exist in the village Makumbusho is particularly popular in the evenings as a place where they and cannot be separated from the village itself. In general a village one can have their nyama choma (roasted meat) and beer while enjoying some which can be developed into tourism village is a village which has already life music, often Congolese musicians playing Souk music. ' good conditions in economy, social cultural, physical natural surroundings, non-urban, and possess uniqueness in tradition." (Suherman 2001, 105).

From display to experience, from village museums The economic crisis of 1997 and the fall of Suharto in 1998 radically to tourism village changed Indonesia in many aspects. After more than three decades under a centralised (and autocratic) national government, the country embarked on While, to a certain extent, both Taman Mini and the Village Museum a democratisation process that quickly gave rise to regional demands for still fulfil their role in nation-building, through time this has become less decentralisation of power. In order to finance their new bureaucratic of an urgent preoccupation of the respective governments. What is clear is duties, local administrations needed money. Not surprisingly, many turned that neither of the two national heritage parks ever brought in the expected to tourism as an easy way to obtain the required funds. Although some of foreign tourist dollars. Given the precarious economic situation in both the desa wisata (tourism village) programmes were originally launched by Indonesia and Tanzania, other strategies were developed to reach this the central government (which saw them as fundamental tools of national second goal. This happened in a rapidly changing national, regional and development: Pariwisata Inti Rakyat or Tourism for the People), local global context. In the 1990s, helped by the end of the Cold War, the world authorities were quick to appropriate the initiative. In central , for witnessed the rapid rise of the so-called "experience economy" (Pine and example, many tourism villages were launched around the same time in Gilmore 1999). Imaginaries became a key vehicle in what is now called which the policies of regional autonomy became effective. Various experience tourism. Instead of promoting places to see-sightseeing­ villages jumped on the wagon, seeing the concept of a tourism village as tourism shareholders across the globe started developing experiential an alternative to big-scale tourism developments over which they had packages, marketed in multi-sensorial languages. Museums and heritage virtually no control and from which they benefited little. parks were seen as old-fashioned. Instead, otherwise lived spaces were There is certainly a growing market for village tourism, especially readied for easy tourism consumption. As developing nations such as among international tourists and those Indonesians and expatriates living Indonesia and Tanzania are going through a process of democratisation in big urban centres. Tourism villages invite visitors to see and experience and the central governments have much less grip than before, shrewd the developed chosen of

visiting national Fig. tourism and (The

implement have seems experience, physical some their Indonesian

everyday,

memorialised souvenirs. industries the 60

high-end handcrafted

On

daily

3-3:

village

Culture,

of

proximity

Jakarta

different

to

World

the

Desa

expatriate

development

and

the

be and

life

who

the

the

to

picturesque By

experience

houses

old

to

others

international

Wisata

Marzuki

of

let non-physical

Post

Tourism

alternative,

concept

focus rethinking

produce

in

and grades

the

to

(foreign)

guidebooks

friends

in (Tourism are

1999).

other

new

villagers:

on

in

Usman,

Dutch

of

becomes

village

Day local

only

of the products

Tembi

ways

a

awards

what

the

from

tourism

tourism

visitors

Over

tourism

domestic

characteristics

Villages)

in

food

places

colonial

intangible

the

as

in

inaugurated

1999,

counts

and

Chapter

was

Bali

available

(James

for

the which

the

cycle

and

village

attractions.

stay

involvement,

to

an

sustainable

official

base

market

or

the

years,

medicine,

style

as

Two

stop

various

Australian

of

Jakarta

2003).

overnight

and

then

to

cultural

of

in

of

a

Tembi

first.

the

had

his central

rice

this

over.

that

histories,

the

Minister

His

Some

shareholders

and

tourism.

visitor.

lucrative

and

fascinated

field,

which Below, I Below,

project

respective

heritage

depending

for

as

entrepreneur

A

renovation

Java.

this

craftsmen

model

successful

offer

200/300

the

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of

another

has

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is

export

received

briefly

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to

visit

how

many

a

not

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villages

desa

man

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of largely

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to

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business

yet

the

kind

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strategy

villages

discuss

tried

behind

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of

home

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idea

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and

per

his

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on

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of

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employed

enjoy

source Tanjung representatives 1urrounding offers decided "best village activities. businessman's learning night. making villagers ull

Importantly, how un guiding market rate

in represented Increase called architecture

discussions, without resources,

such international by structures. provided visited

ro

official

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nature

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the

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guarantee

of

a

as

practice"

During

the

community

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local

community-based

Japan

tourism

of

urban

is

monument

traditional

to

much

the

how

visitors

in

was

lmagineering

Instead

officially

all local (school) income.

committee

but 125

by

development. make

as

The in

visitors

rental

NGO

and

youngsters

tourists.

heritage

and

his

International to

flight

25

the

pass

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a

time-frozen

Sleman

training

UNESCO, presence

also

people),

of

to

cultivate

tourism

food,

poor

his

programmes

around

traditional

of

day,

the

whole

local houses

is

community

"authentic"

textiles,

of

by

National selected

groups

of

has

community-based

give

being

model

declared

and,

to

village

deemed

Cultural

This

bicycles

the

farming

Borobudur,

visit

is the

to

authorities

dropped

oversee

it

by

are village

.

rice.

often

and tourism.

process

craft

knowledge

after

do

is

used guests and

Cooperation

included

from

Candirejo

While

knowing

house

producing

the

Candirejo

daily

government signed

very

unclear

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so).

worthy

These

narrating

to

their

pre-modern.

group view,

mentioned

and

workshop

village,

for

nearby a

tourism

(cf.

larger

tremendously.

learn

could

private

proud

Interestingly,

couple

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and

life,

involved

as

many

tourism.

horse

a

the

programmes

more

village

to Ardika

the

what Village

for

meetings.

and

one

tourism,

village

crafts

cultural

village villagers

in cities

be

Agency school

relax

development

beautiful

rice

development.

the

Local-to-Global

of

and

owner

officials

again,

carts,

by

of

preserved.

villagers

Magelang,

about

of the

they

their

Word-of-mouth

stories

cultivation

2006). the

(at

Tourism

as

multiple buy years,

around

(cf.

ten

was

experience

was

this activities

for

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and

and the

in

hereby

gained

In

one bought

Indonesian

Javanese

desa

village

are

souvenirs rural

Janarto

villages

introduced

1999

dancing

is

chosen

present

2003,

of

the local

UNDP,

prepared

Like

benefited

Financially

point,

not

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of

are

more

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nearby

Charter

wisata.

the

workshops, Audiences

scene

virtually

from

micro

and,

foreigner

being

the

such

only

swimming heritage

usually

2006).

accommodation

its

architecture,

principal

to

Candirejo

of

for

an

his at

village

and village

authorities

led

and

rice

in

the

develop neighbours,

recreational

the the

the as

and

and example

new

enterprises,

its

to

the

workshop

from

to

2001 In

supported

gamelan

stopping

expertise

dancing,

the

Tanjung

paddies

gallery.

tourism

and original

idea

formed

heavily

a

receive

finally

natural

major life

(often

skills

target

2003,

pool,

rapid

panel

ones

,

was

the

the

the

so­

61

of

as

of

or

is

.

existence. existence.

training training

of of

tour tour

international international

other other

CTP CTP

aspects aspects

food food

developed developed

operating operating heritage heritage

German German

becoming becoming

and and network network

sites sites

project project

name name

Dutch Dutch benefit benefit

more more

Year Year

of of

government government

are are

selected selected

Candirejo Candirejo

Tourism Tourism

visitors. visitors.

officially officially

62 62

schools schools

village village

Helped Helped

The The

authentic authentic

the the

rituals, rituals,

"Cultural "Cultural

wildlife wildlife

in in

different, different,

and and

modules, modules,

operators operators

in in

and and

CTP CTP

on on

hand, hand,

guiding guiding

way way

aid aid

near near

of of

from from

Cultural Cultural

2003 2003

for for

(forests, (forests,

(GTZ) (GTZ)

It It

by by

the the

visits visits

of of

inaugurated inaugurated

and and

Tourists Tourists

tourism. tourism.

tales, tales,

in in

beverages, beverages,

or or

tour tour

their their

and and

refers refers

independently independently

has has

of of

is is

by by

agency agency

local local

cultures cultures

the the

the the

past past

and and

tourism tourism

travel travel

local local

other other

vogue, vogue,

was was

(Wahyuni (Wahyuni

tourism. tourism.

noteworthy noteworthy

life life

the the

beach beach

Culture. Culture.

controlled controlled

the the

to to

tourists tourists

packages. packages.

art, art,

and and

Kenyan Kenyan

attracted attracted

daily daily

and and

same same

Tourism Tourism

private private

to to

than than

waterfalls, waterfalls,

tour tour

healers, healers,

of of

Cultural Cultural

contribute contribute

work work

responsible responsible

agencies agencies

development development

fact fact

handicrafts handicrafts

communities, communities,

the the

combining combining

Stichting Stichting

is is

based based

Finnish Finnish

the the

CTP CTP

independent independent

life, life,

as as

on on

trained trained

NGO, NGO,

guides. guides.

a a

through through

In In

involvement involvement

that that

Given Given

people people

border border

2003). 2003).

people people

entrepreneurs entrepreneurs

desa desa

of of

the the

These These

their their

Programme Programme

tourism." tourism."

far far

story story

that that

experienced experienced

co-operation co-operation

from from

culture culture

and and

cultural cultural

and and

experiential experiential

(Finnida) (Finnida)

to to

present present

Tourism Tourism

to to

and and

nature, nature,

wisata wisata

Nederlandse Nederlandse

more more

The The

guides, guides,

expenditures, expenditures,

while while

the the

a a

tourism tourism

showed showed

Here, Here,

its its

tellers, tellers,

for for

their their

Chapter Chapter

include include

tour tour

announce announce

projects. projects.

caves) caves)

village village

each each

hospitality-giving hospitality-giving

mainly mainly

and and

(Tanzania (Tanzania

Tanzania Tanzania

Minister Minister

proximity proximity

low low

of of

promoting promoting

scenery, scenery,

offering offering

international international

operators operators

preservationists preservationists

or or

by by

attractions attractions

too, too,

(CTP) (CTP)

aid aid

and and

clearly clearly

local local

history. history.

that that

artisans, artisans,

a a

the the

Two Two

the the

other other

and and

campsites, campsites,

I I

development development

with with

budget budget

Programme Programme

"meet "meet

The The

great great

Gde Gde

the the

Maasai Maasai

agencies, agencies,

the the

possibilities possibilities

enables enables

future. future.

Vrijwilligers Vrijwilligers

local local

Tourist Tourist

people people

cultural cultural

folklore, folklore,

chose chose

a a

Tourist Tourist and and

was was

representational representational

projects projects

modules modules

to to

Ardika, Ardika,

complementary complementary

overlap overlap

(DeJong (DeJong

and and

start start

SNV SNV

boom boom

and and

while while

CTP CTP

the the

organised organised

tourists. tourists.

launched launched

a a

tours tours

Although Although

tourists tourists

tourists tourists

in in

Sambi, Sambi,

Board Board

home-stays, home-stays,

· ·

in in

a a

of of

World World

offering offering

cooking cooking

people" people"

ceremonies, ceremonies,

CTP CTP

attractions attractions

Board Board

financed financed

fund fund

unique unique

and and

organizing organizing

in in

to to

northern northern

showing showing

the the

in in

Indonesia Indonesia

already already

are are

for for

involving involving

1999). 1999).

its its

2007, 2007,

the the

(SNV). (SNV).

both both

was was

then then

to to

for for

the the

Because Because

visited visited

another another

local local

in in

than than

some some

(TTB), (TTB),

Heritage Heritage

insight insight

first first

the the

mamas). mamas).

experience experience

product product

tourism tourism

development development

construction construction

individually individually

1995 1995

emphasis emphasis

interests interests

2). 2).

the the

set set

Minister Minister

started started

them them

traditional traditional

dances, dances,

local local

(historical (historical

Tanzania, Tanzania,

intentions intentions

people people

domestic domestic

the the

Heritage Heritage

years years

minimal minimal

by by

A A

up up

various various

into into

natural natural

village village

on on

by by

to to

tours tours

SNV SNV

pilot pilot

both both

their their

Site, Site,

as as

The The

was was

and and

the the

the the

by by

of of

of of to to

of of

is is

a a

youngsters youngsters

of of

factor factor sponsored sponsored

heritage. heritage. promising promising

TTB TTB safari safari

average average

providing providing

are are

for for

tourism tourism people people

arisen. arisen.

most most

quality quality packages packages the the

villagers villagers

success; success;

ones access access

benefits benefits

Lonely Lonely

are are

communities communities

tourists. tourists.

sustainable sustainable

year year

240). 240).

Since Since

Ecotourism, Ecotourism,

in in

village village

institutional institutional published published

various various

the the

the the

Local Local

As As

escalating escalating

them them

development development

waiting waiting

. .

project project

villagers villagers

Because Because

assigned assigned

driver-guides driver-guides

The The

then, then,

in in

of of

tourist tourist

In In

roads roads

seems seems

participating participating

standards standards

in in

Planet Planet

context. context.

In In

for for

interaction interaction

the the

villages villages

Some Some

international international

to to

and, and,

lmagineering lmagineering

tour tour

2009, 2009,

order order

with with

two two

widely widely

their their

some some

the the

modules modules

villagers villagers

soon soon

development development

there there

the the

put put

from from

sustainability sustainability

representation representation

to to

CTP CTP

to to

involved involved

to to

conflicts conflicts

experience, experience,

like like

CTP CTP

tourism tourism

guides guides

themselves themselves

or or

villages villages

communities, communities,

a a

education. education.

not not

join. join.

community community

wide wide

CTP CTP

the the

be be

protected protected

places, places,

realised realised

about about

of of

nearby nearby

and and

has has

the the

full-time full-time

the the

was was

in in

only only

as as

to to

with with

beauty beauty

and and

their their

are are

to to

Indonesia, Indonesia,

communities communities

has has

very very

However, However,

are are

been been

Cultural Cultural

lose lose

a a

to to

Rough Rough

knowledge knowledge

consultants. consultants.

over over

(van (van

heralded heralded

the the

awards. awards.

whole whole

the the

with with

dealing dealing

tour tour

often often

also also

address address

by by

locals. locals.

26 26

very very

Arusha Arusha

that that

tourism tourism

have have

the the

(and (and

The The

start), start),

face, face,

areas areas

of of

success success

or or

a a

revenues revenues

CTP CTP

land land

(Salazar (Salazar

the the

der der

participating participating

declining declining understanding understanding

guide guide

Guide. Guide. Heritage Heritage

whom whom

widely widely

a a

they they

length length

novelty novelty

badly badly

did did

important important

ethnographic ethnographic

not not

community, community,

because because

accessibility accessibility

World World

SNV SNV

with with

Duim, Duim,

the the

as as

and and

Guiding Guiding

are are

SNV SNV

the the

In In

coordinator coordinator

(Tanzania's (Tanzania's

packages, packages,

about about

not not

The The

is is

could could

of of

travelled travelled

Tanzania's Tanzania's

schools schools

needed needed

2010a). 2010a).

far far

natural natural

various various

are are

many many

its its

Due Due

tourists tourists

2002, 2002,

of of

became became

praised praised

for for

CTP, CTP,

happy happy

return return

of of withdrew withdrew

Tourism Tourism

organisation organisation

cooperation cooperation

Peters, Peters,

own own

stay, stay,

it it

more more

not not

Local-to-Global Local-to-Global

in in

their their

the the

earn earn

therefore therefore

communities communities

to to

had had

marketing marketing

CTP. CTP.

the the

professional professional

the the

resources. resources.

and and

distributed distributed

examples examples

extensively, extensively,

is is

the the

Ideally, Ideally,

activities, activities,

invested invested

in in

to to

modules modules

its its

with with

spend spend

involved involved

and and

in in

local local

to to

"safari "safari

popular popular

environments environments

more more

a a

been been

and and

good good

project project

importance importance

the the

Organisation Organisation

Arusha. Arusha.

in in

from from

perceived perceived

major major

guidebooks guidebooks

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constitutes constitutes

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communities communities

between between

recognised recognised

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practice practice

the the

capital") capital")

heavily heavily

problems problems

resulting resulting

below below

offer offer

was was

and and

again, again,

factor factor

and and

than than

properly properly

presence presence

are are

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management, management,

it it

However, However,

project project

guidelines guidelines

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is is

time time

not not

economic economic

often often

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nominated nominated

of of

by by

more more

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very very

the the

into into

2005). 2005).

illustrate illustrate

not not

such such

determining determining

this this

(2002, (2002,

example example

guiding guiding

by by

the the

everybody everybody

a a

guides guides

that, that,

or or

as as

becoming becoming

economic economic

that that

and and

Year Year

than than

different different

strategic strategic

the the

in in

possible possible

of of

that that

villages villages

a a

sending sending

time time

cultural cultural

remote remote

similar similar

quality quality

a a

on on

as as

wider wider

2001. 2001.

since since

these these

there there

Each Each

nosy nosy

five­

have have

237-

only only

and and

had had

and and

the the

the the

the the

the the

the the

are are

for for

for for

by by

63 63

of of of of lmagineering Cultural Heritage for Local-to-Global Audiences 65 64 Chapter Two importance of local guiding for the representation of the ethnic groups identify himself as such). His knowledge about Maasai culture is limited to the point that tourists sometimes become aware of it. I witnessed this on visited. The lack of cooperation and consultation between the various CTP one of the tours I observed. One tourist was a general practitioner and very modules has a baleful influence on the way different ethnic groups interested in knowing more about how the Maasai use local plants for represent one another. More often than not, the Maasai, CTP's main medicinal purposes. The guide told her that the plants they (the Maasai) "attraction" are the ones who suffer most from stereotyping and use have no real healing value but are just used because of tradition. When misrepresentation (cf. Salazar 2009).7 During CTP tours in Tengeru, for visiting a Maasai boma (homestead), he was unable to explain how the example, the local Meru guides clearly distinguish their ethnic group from settlement is structurally organised. After a very brief introduction, he the Maasai by denigrating the latter and depicting them as backwards. The invited the group to "walk around and take pictures". The situation looked Meru guides explain to foreign tourists that only the Maasai wear blankets; like a human zoo: Maasai and tourists staring at one another, without a the Meru wear clothes. They are proud to say that the Meru are more cultural broker to facilitate communication and exchange between the two developed compared to other "tribes" because they have adapted quicker parties. The next day, the group went on a camel safari. At the start, the to modernity, and that the Maasai are certainly more primitive. Such tour guide introduced all the camels by name. The accompanying Maasai comments partly have their origins in the guides' frustration that men (one per camel), on the contrary, were never mentioned, let alone foreigners think all Tanzanians are Maasai. In the CTP of Il'kidinga, a properly introduced. Because the tourists did not understand Swahili, they settlement of Arusha people, the village guides use the opposite strategy; never noticed that their "local" guide was not a Maasai but a Meru. Of they capitalise on the perceived similarities with the Maasai to attract more course, they also did not know there are growing tensions between Meru tourists. and Maasai people in the area because the land they share around Mt. Meru is becoming overcrowded and overstocked. The Maasai visited, on the other hand, had no clue about how they were being represented by the Meru guide because they do not understand English.

Conclusion

"The so-called 'museum' or 'culture park' view of heritage as something that has only to be preserved and tended, only to be kept pristine, isolated from the alterations going on all around it, is not only utopian, it is mischievous. In trying to freeze a living tradition in the name of authenticity you produce the worst sorts of inauthenticity-decadence, not purity." (Geertz 1997, 19).

Bruner notes that heritage-themed environments "are an excellent setting for anthropological inquiry as they are sites where the ethnic diversity of the nation or the region is represented for the visitors in a single locality in one panoptic sweep." (2005, 211). In this chapter, I have described how various periods have given rise to different tailor-made types of heritage environments for domestic and international visitors in Indonesia and Tanzania. Taman Mini and the Village Museum were built around the 1970s to develop a feeling of national unity and nationalism in Fig. 3-4: Cultural Tourism Programme (CTP) young postcolonial states, though they were clearly inspired by earlier Western projects (as varied as Disneyland in the USA and Skansen in In the Maasai CTP of Mkuru, one of the main tour guides is not a Sweden). To a certain extent, these hybrid open-air parks were an attempt Maasai but a Meru from a neighbouring village (although he does not

environments, environments,

ironically, ironically,

of of

usually usually imperialism, imperialism,

imaginaries imaginaries

contrast contrast villages villages

tourism tourism

2010a). 2010a). national national

drawing drawing

otherwise otherwise

rather rather

message. message.

unchanged

and and

but but (often (often

international international

went went (Echtner (Echtner

national national

villages villages

century century

the the

crowds. crowds.

audiences, audiences,

into into

dance dance

feature, feature,

modern modern

heterogeneity heterogeneity

Paradoxically, Paradoxically,

promote promote

are are

exhibited, exhibited,

these these

to to

66 66

world world

make make

Whereas Whereas

Since Since

public public

have have

recreational, recreational,

spatial spatial

recreational recreational

through through

than than

countries countries

performances, performances,

by by

reduce reduce

continue continue

along along

Clearly, Clearly,

villages villages

ago, ago,

unity. unity.

on on

in in

with with

way, way,

sense sense

become become

decentralisation decentralisation

fairs fairs

and and

Nowadays, Nowadays,

unity. unity.

both both

and and

lived lived

, ,

the the

such such

inward. inward.

this this

Indonesia Indonesia

widely widely

Othering Othering

without without

the the

ethnography ethnography

demand demand

in in

unity-in-diversity unity-in-diversity

to to

is is

national national

Prasad Prasad

with with

great great

private private

centralised centralised

peoples peoples

in in

these these

them them

Indonesia Indonesia

of of

villagers villagers

myth myth

put put

parks parks

environments environments

is is

quite quite

after after

Typical Typical

exhibition exhibition

this this

tourism tourism

feed feed

the the

they they

that that

much much

the the

distributed distributed

ethnic ethnic

In In

happening happening

in in

efforts efforts

national national

to to

late-nineteenth-

type type

the the

for for

really really

of of

and

of of

2003). 2003).

multi-ethnic multi-ethnic

sector sector

this this

and and

the the

the the

independence. independence.

its its

have have

are are

heritage heritage

romantic romantic

are are

artifacts, artifacts,

less less

those those

the the

logic logic

experiential experiential

themselves) themselves)

, ,

place-fixed, place-fixed,

house house

reduces reduces

costumes, costumes,

and and

opposite opposite

objects objects

context, context,

of of

power power

to to

of of

Tanzania Tanzania

in in

also also

presented presented

(Bruner (Bruner

been been

to to

of of

important important

unrestrained unrestrained

A A

heritage heritage

attempting attempting

tourism tourism

some some

power power

imaginaries imaginaries

developing developing

Tanzania Tanzania

of of

living living

strategically strategically

show show

these these

at at

ideologies ideologies

parks, parks,

Chapter Chapter

seriously seriously

visit visit

both both

types types

and and

mainly mainly

(neoliberal) (neoliberal)

(cf. (cf.

on on

living living

reality reality

the the

the the

is is

cases, cases,

2005, 2005,

aspects aspects

is is

developing developing

and and

tourism, tourism,

the the

exhibit exhibit

to to

in in

promotes promotes

happening. happening.

and and

as as

parks parks

Selected Selected

national national

as as

Anderson Anderson

tourismification tourismification

nostalgic nostalgic

where where

-

both both

same same

aligned, aligned,

Two Two

(reconstructions) (reconstructions)

gained gained

rural rural

the the

peoples peoples

unique

people people

successful successful

early-twentieth-century early-twentieth-century

modern modern

an an

and and

to to

with with

political. political.

212). 212).

of of

regional regional

and and

a a

countries: countries:

makes makes

visually visually

of of

countryside countryside

a a

Orientalism, Orientalism,

exotic exotic

include include

response response

globalisation globalisation

newly newly

(re)present (re)present

time time

often often

the the

areas areas

indigenous indigenous

heritage heritage

consequence consequence

practices practices

which which

, ,

aspects aspects

local local

their their

domesticated-and domesticated-and

Aimed Aimed

have have

countries countries

tourist tourist

separate separate

to to

1991). 1991).

The The

myth myth

side side

use use

food

They They

based based

writing writing

that that

in in

(cf. (cf.

display display

journey journey

formed formed

diversity diversity

independence independence

real real

long long

colonialism colonialism

heritage heritage

the the

attracting attracting

of of

of of

at at

parks parks

of of

to to

of of

of of

. .

Fabian Fabian

Cultural Cultural

dreams dreams

are are

is is

the the

actually actually

While While

are are

a a

colonialism colonialism

symbolise, symbolise,

arts arts

people. people.

to to

on on

and and

their their

all all

three three

understood understood

the the

the the

is is

diversity diversity

multiplicity multiplicity

myth myth

and and

told told

difference difference

of of

look look

governments governments

still still

the the

to to

forcing forcing

and and

world world

a a

and and

fixed, fixed,

rather rather

theming theming

uncivilised uncivilised

ethnicities. ethnicities.

increasing increasing

the the

nation, nation,

2002). 2002).

museums museums

the the

recurring recurring

dominant dominant

the the

domestic domestic

temporal temporal

and and

tradition tradition

(Salazar (Salazar

in in

outward outward

existing existing

heritage heritage

tourism tourism

had had

In In

culture, culture,

of of

turned turned

recent recent

half half

parks parks

place place

past, past,

were were

both both

(and (and

than than

both both

and, and,

sold sold

in in

and and

left left

the the

the the

yet yet

of of

of of

In In

in in

a a

a a

m

production production

anthropology) anthropology)

mitigate mitigate

However, However,

of of

imagineers imagineers

an an popular popular

in in

protection, protection,

menace menace

significance significance Salazar Salazar

more more more, more,

vast vast

hand, hand,

- an an

will will

diversity diversity heritage heritage

invented invented

dimensions dimensions

Anderson, Anderson,

the the

Adams, Adams,

i well

Acciaioli, Acciaioli,

all all

nowadays nowadays

s s

a

heritage heritage

. .

.

the the

nagement nagement

characterised characterised

urgent urgent

As As

.

communication. communication.

development development

Sulawesi. .

nationalism. nationalism.

image image

1991. 1991.

. .

. .

responsibility responsibility

population population

be be

in-depth in-depth

For For

regional) regional)

it it

various various

global global

flights flights

used used

Kathleen. Kathleen. to to

the the

threats. threats.

experiences. experiences.

can can

2005). 2005).

of of

Imagineering Imagineering

Imagined Imagined

cultural cultural

Gregory. Gregory.

cultural cultural

return return

regional regional

Benedict Benedict

and and

tourism tourism

conservation, conservation,

can can

of of

(Salazar (Salazar

the the

any any

of of

source source

clearly clearly

tourism tourism

Indonesia Indonesia

to to

be be

ethnographic ethnographic

parties parties

is is

places places

of of

consumption consumption

heritage-be heritage-be

potentially potentially

movements movements

standardisation standardisation

sustainability sustainability

2nd 2nd

be be

particular particular

in in

On On

a a

Instead Instead

moving moving

fantasy, fantasy,

to to

by by

heritage heritage

heritage heritage

of of

1998. 1998.

contemporary contemporary

for for

predominantly predominantly

positive positive

ed. ed.

1996. 1996.

and and

Indonesia Indonesia

communities: communities:

R. R.

2010b). 2010b).

empirical empirical

need need

of of

the the

continues continues

The The

pluriversality. pluriversality.

Heritage Heritage Cultural

involved, involved,

a a

and and

domestic domestic

New New

1973. 1973.

and and

historically historically

global global

particular particular

interpretation interpretation

other other

Domestic Domestic

in in

towards towards

Pavilions Pavilions

to to

central central

of of

place place

steal steal

tourism tourism

(Bruner (Bruner

peoples, peoples,

tourism, tourism,

studying, studying,

the the

the the

of of

Bibliography Bibliography

it it

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force force

While While

pay pay

Notes Notes

16 16

one one

of of

natural natural

the the

studies studies

hand

to to

people's people's

Malay Malay

factors factors

and and

context context

each each

or or

and and

closer closer

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Indonesia. Indonesia.

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heritage. heritage.

expand

Reflections Reflections

influenced influenced

past, past,

mobile mobile

Verso. Verso.

to to

people people

is is

the the

and and

2005, 2005,

community community

tourism tourism

, ,

universally universally

local local

on on

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international international

While While

the the

the the

with with

global global

because because

for for

a a

of of

retain retain

or or

World World

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of of

management management

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of of

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own own

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cultural, cultural,

, ,

challenges challenges

differentiation differentiation

imaginative imaginative

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are are

their their

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present present

Those Those

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on on

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local local

accepted accepted

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the the

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tangible tangible

audiences audiences

circulating circulating

1: 1:

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in in

and and

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border border

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of of

as as

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force force

become become

into into

national national

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not not

in in

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future future

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performances performances

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take take

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intangible­

One One

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of of

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account account

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tourists. tourists.

political political

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cultural cultural

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the the

on on

shrewd shrewd

itself itself

usually usually

actors, actors,

create create

worth worth

for for

needs needs

, ,

South South

help help

ever ever

new new

and and

and and

one one

and and

and and

the the

for for

the the

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clothes: clothes:

. .

53 53

analysis

conceptual conceptual

of of

: :

dissertation, dissertation,

Boston: Boston:

heritage heritage

ed. ed.

education education

of of

The The

representations representations

W. W.

: :

Culture Culture

How How

(1):101-131. (1):101-131.

2005. 2005.

in in

the the

Policy. Policy.

International International

The The

"Beautiful "Beautiful

heritage heritage

J. J.

Tanzania: Tanzania:

experience experience

A. A.

Recreation Recreation

Routledge. Routledge.

d'Etudes d'Etudes United United

A A

identity identity

heritage, heritage,

. .

certain certain

C. C.

In In

global global

Heritage Heritage

Harvard Harvard

Audiences Audiences

University University

Darity, Darity,

through through

6 6

In In

developmentalist developmentalist

Paris: Paris:

in in

Scott, Scott,

approach approach

evant evant rel

(2), (2),

Heritage Heritage

interpretation? interpretation?

University University

International International

tourism tourism

Republic Republic

schemes schemes

241-262

within within Indonesia" Indonesia"

display display

Aesthetics Aesthetics

Africaines Africaines

Journal Journal

UNESCO UNESCO

economy: economy:

man man

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223-261. 223-261.

Business Business

172-173. 172-173.

and and

tourism: tourism:

tourism, tourism,

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Press. Press.

(

Case Case

and and

and and

and and

the the

the the

the the

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of of

of of

to to

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Nations Nations

country country

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5 5

seven seven

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facilities. facilities.

international international

currently currently

destination destination

3 3

had had

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aimed aimed

stayed stayed

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Yamashita, Yamashita,

Wulandari, Wulandari,

WTO. WTO.

Wahyuni, Wahyuni,

Vander Vander

TTB. TTB.

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Teo, Teo,

Village Village

Synnott, Synnott,

70 70

From From

Indonesia Indonesia

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anthropology anthropology

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a a

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Africa Africa

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profits, profits,

similar similar

million). million).

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Jakarta Jakarta

at at

until1949. until1949.

is is

Peggy. Peggy.

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1884 1884

2007. 2007.

and, and,

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2002. 2002.

creating creating

part part

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and and

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located located

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project project

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home home

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largest largest

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Shinji

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2003. 2003.

with with

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encounters. encounters.

29. 29.

2003. 2003.

Taman Taman

imagined imagined

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1946

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Journal Journal

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of of

http://villagemuseum.homestead.com/

of of

to to

the the

past? past?

interactions: interactions:

over over

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colonise colonise

Madrid: Madrid:

Agung Agung

1999. 1999.

or or

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"villagisation" "villagisation"

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tourism. tourism.

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highly highly

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cultural cultural

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to to

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education? education?

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world's world's

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capital's capital's

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trust trust

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conflictive conflictive

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Jaya Jaya

course, course,

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Bali Bali

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tourism tourism

archipelago archipelago

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unique unique

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tourism. tourism.

Germany's Germany's

lar

territory. territory.

Chapter Chapter

Notes Notes

Ancol

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2005

gest gest

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imagineering: imagineering:

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village village

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as as

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MA MA

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programme programme

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beyond beyond

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1998). 1998).

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mand

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l l

17 17

which which

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Dreamland), Dreamland),

hotels hotels

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Salaam: Salaam:

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territory territory

(4):43-59. (4):43-59.

of of

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286-305. 286-305.

meeting meeting

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compilation compilation

2005. 2005.

in in

independent independent

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Jakarta Jakarta

Chinese Chinese

popular popular

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as as

boasting boasting

1966 1966

27 27

recreational recreational

century century

of of

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part part

Tanzania Tanzania

War, War,

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Penang. Penang.

in in

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the the

its its

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different different

foothills foothills

centuries. centuries.

have have

northern northern 7 7

system system 6 6

became became

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Republic Republic

agriculturists agriculturists

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1961. 1961.

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first first

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lived lived

Maasai, Maasai,

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more more

open-air open-air

of of

Tanzania, Tanzania,

clans clans

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group group

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Mt. Mt.

Tanzania. Tanzania.

in in

other other

years years

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in in

Meru Meru

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speakers speakers

parts parts

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northern northern

heritage heritage

symbolic symbolic

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elements elements

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people people

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industrial. industrial.

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park park

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arid arid

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linkage, linkage,

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ancestry, ancestry,

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highlands highlands

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originally originally

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subsistence subsistence

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in in

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they they

from from

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1891 1891

country country

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United United

houses houses

widely widely

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have have

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base base

two two

and and

age age

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71 71

as as to to