Suggested Readings for the Exhibition AMERICAN NEOCLASSIC SCULPTURE AT THE BOSTON ATHENÆUM February 26–May 17, 2015

BACKGROUND

Phyllis Pray Bober. Renaissance Artists & Antique Sculpture: A Handbook of Sources. New York: Oxford University Press, 1986. +N6370 .B62

Vinzenz Brinkmann and Raimund Wünsche. The Gods in Color: Painted Sculpture of Classical Antiquity. Cambridge: Harvard Art Museums, 2007.

Francis Haskell and Nicholas Penny. Taste and the Antique: The Lure of Classical Sculpture, 1500– 1900. New Haven: Yale University Press, 1981. +NB85 .H34

Hugh Honour. Neo-Classicism. London: Penguin Books, Ltd., 1968.

Robert Rosenblum. Transformations in Late Eighteenth Century Art. Princeton, NJ: Princeton University Press, 1967. N6410 .R66

Johann Joachim Winckelmann. Reflections on the Imitation of Greek Works in Painting and Sculpture. La Salle, IL: Open Court Press, 1987.

HISTORICAL SOURCES

Sarah Burns and John Davis, eds. American Art to 1900: A Documentary History. Berkeley: University of California Press, 2009. +N6505 .B87 2009

Lorenz Eitner, ed. Neo-Classicism and Romanticism, 1750–1850. 2 vols. Englewood, NJ: Prentice- Hall, Inc., 1970.

METHODOLOGY

Nicholas Penny. The Materials of Sculpture. New Haven: Yale University Press, 1993.

AMERICAN SCULPTURE

Joy S. Casson. Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. New Haven: Yale University Press, 1990. +NB1210 .M3 K3 1990

Wayne Craven. Sculpture in America. Newark: University of Delaware Press, 1984 (revised edition). Ref +NB205 .C7 1984

Jean-Pierre Cuzin, et al. D’après l’Antique. Paris: Réunion des musées nationaux, 2000. +N7432.5 .C6 D37 2000

Melissa Dabakis. A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome. University Park: Pennsylvania State University Press, 2014. +NB210 .D33 2014

David B. Dearinger, American Neoclassical Sculptors and Their Private Patrons in Boston. Ann Arbor, MI: UMI, 1994. NB235 .B7 D28 1993a

William H. Gerdts. American Neo-classic Sculpture: The Marble Resurrection. New York: Viking Press, 1873. Ref NB1210 .M3 G47 1973

Henry James. William Wetmore Story & His Friends. Boston: Houghton, Mifflin, 1903. U9 .St75 .j

Theodore E. Stebbins. The Lure of Italy: American Artists and the Italian Experience, 1760–1914. Boston: Museum of Fine Arts, 1992. +ND210 .S73 1992

RELATED FICTION

Louisa May Alcott. An Old Fashioned Girl. New York: Grosset & Dunlap, 1912. PZ7 .A335 Ol

Louisa May Alcott. Diana and Persis. New York: Arno Press, 1977. PZ3 .A355 Di 1977

Louisa May Alcott. Jo’s Boys. Boston: Little, Brown, 1938. PZ3 .A355

George Eliot. Middlemarch. Edinburgh: Blackwood, 1913. PZ3 .E43 Mi 1913

Anne-Louise-Germaine de Stael. Corrinne, or Italy. New York: Oxford University Press, 2008 (translated from the original of 1808 by Sylvia Raphael). PZ3 .S778 Co 200

Nathaniel Hawthorne. The Marble Faun, in Hawthorne, Novels. New York: The Library of America, 1983. PZ3 .H318 No

Thomas Hardy. The Well-Beloved, A Sketch of Temperament. New York: Harper Brothers, 1897. PZ3 .H222 Wel

Henry James. Roderick Hudson, in James, Novels, 1871–1880. New York: The Library of America, 1983. PZ3 .J234 Wa

Edith Wharton, “The Duchess at Prayer” and “The Pot Boiler,” in Wharton, Collected Stories. New York: Library of America, 2001. PZ3 .W555 Co 2001

D. Dearinger / 02.25.15