DOCSLIB.ORG

21-23 August 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

#EDTVFEST Official Programme sponsored by 21-23 August 2014 AEN_EDINBURGHTVFEST_WRAP_AW.indd 1 01/08/2014 14:43 Over the past two years Crime + InvestigationTM has commissioned over 100 hours of UK original content, with hit series including: Crimes That Shook Britain, Nightmare In Suburbia and Britain’s Darkest Taboos. This makes CI one of the biggest commissioners of crime content in the UK. The new series of Crimes That Shook Britain launches this August on CI, investigating some of the UK’s most shocking and significant cases that include Jimmy Savile, Lee Rigby, Rose West and The Marchioness disaster. Recent Emmy-nominated docu-drama series The World Wars is an epic look at three decades of war. The story is told from the perspective of the most iconic figures of World War Two, including Mussolini, Hitler, Patton and Churchill, whose views were forged over 20 years earlier on the battlefields of World War One. They went on to command a world on the brink of disaster. This six part programme has its UK premiere this September on H2®. AEN_EDINBURGHTVFEST_WRAP_AW.indd 2 29/07/2014 13:11 Pawn Stars UK scoops up hundreds of years of historical riches as it puts an English spin on the massive global hit HISTORY® series Pawn Stars. This successful UK commission follows the antics of Mark Manning (aka Big Mark) and his team from Regal Pawn in Chester, who will be returning to HISTORY this coming season. Enter Jennifer Ellison’s explosive world of competitive dance. Dance Mums with Jennifer Ellison is the first format adaptation for A+E Networks of its hit US show Dance Moms, featuring a mix of talented kids and larger than life personalities. This eight-part series has its UK premiere this autumn on Lifetime®. AEN_EDINBURGHTVFEST_WRAP_AW.indd 3 29/07/2014 13:11 THURSDAY AUGUST 21st 10:30-11:30 11:30-12:00 12:00-13:00 13:00-14:00 13:00-13:45 14:00-15:00 How to Make Coffee and Controller NEW: Screening: Gogglebox Money Out of Danish – Through the Come and Catastrophe and Masterclass YouTube Welcome to Keyhole: meet the Q&A with Sharon Edinburgh from Edinburgh Commissioners Horgan and Rob The World View: Meet the Creative Europe Special at our Delaney HBO’s Mike Controller: Danny Networking Lombardo in Cohen (BBC Two) Meet the Lunch Conversation Controller: with Stuart The Bridge to Cassian Harrison Murphy EU Funding (BBC Four) Meet the Who Wants to Controller: be a Quiz Show Jay Hunt Millionaire? (Channel 4) the schedule at a glance the schedule at BAFTA Rocliffe New Comedy Showcase How do you do Digital? FRIDAY AUGUST 22nd 09:00-10:00 09:30-10:30 10:30-11:30 12:00-13:00 13.45-14.45 14:00-16:00 How To Be A Breakfast The Post We Still Need MOTD: 50 Years Screening: Better Indie and Bloody MacTaggart To Talk About of Football Showrunners Marys on Interview: David Commissioning and Q&A with Breaking the Terrace with Abraham The Richard Ronald D.Moore News - How to NBCUniversal Nurturing the Dunn Memorial and Des Doyle Attract a Young Desperately Showrunner Role Interview: Tessa Generation to Seeking 16-34s in the UK Ross (The Filmhouse. News Ticket-holders Meet the Meet Discovery’s Meet the only, see p18) Meet the Controller: Ben Lee Bartlett, Controller: Controller: Adam Frow (Channel 5) Liz McIntyre and Charlotte Moore MacDonald Sarah Thornton (BBC One) (Sky One) Jed Mercurio: Line Of Duty, Sizzles that Sold My Big Fat Gypsy The Future A Masterclass the Show Benefit Title of Features: Debate: Live! 8 o’clock and Is TV the New Revolutionise Beyond Film? the World of TV Tales from the with Skype TX Casting Couch: Ones to Watch Technology How to Find the Live Pitching British Peter Session Dinklage SATURDAY AUGUST 23rd 10:00-11:00 11:30 – 13:00 12:00-14:00 13:30-14:30 Question Time: Ed Talks The Network Live Frankie Boyle: An Edinburgh Meet the State of the TV special Controller: Phil Nation Edgar-Jones (11.30-12.30) (Sky Arts) THURSDAY AUGUST 21st 15:30-16:30 16:45-18:00 17:00-18:00 18:00-18:30 18:30-19:15 19:30-21:00 Minority Report: Screening: Game of Thrones: Pre-Mac- The James Screening: Is TV racist? Dr Who: Deep A Masterclass Taggart MacTaggart Dynamo: Breath Drinks Memorial Magician Based on a (The Filmhouse. How to Have a Lecture Impossible, True Story: A Ticket-holders Global Hit (The Lennox) Series 4 Factual Drama only, see p18) and Q&A with Meet the Masterclass with Coaches Dynamo Jeff Pope and Controllers: Peter depart the Sheridan Smith Fincham and EICC at 19.15 (The Filmhouse. Paul Mortimer for ITV Opening Ticket-holders Meet the (ITV Digital Night Drinks only, see p18) Controllers: Multi Channels) Reception Channel Sleeping with the 19:30-22:00 The Rise of Enemy - You’ve the Ad Men got the Access ITV Opening but who’s got the Night Drinks New Editorial Control? Reception Platforms New (National Museum Opportunities The Future of TV of Scotland) is Now FRIDAY AUGUST 22nd 15:15-16:15 16:15-16:45 16.45 – 17.45 18:15-19:00 21:30 – LATE BBC: The New Sandford Dynamo The Edinburgh The SuperIndie? St Martin Masterclass: TV Awards Edinburgh Trust Drinks The Art of hosted by Speakeasy Inside The Reception Astonishment John Bishop with UKTV Minds of Steve (The George Pemberton Meet the Hotel) and Reece Controller: Peter Shearsmith Fincham (ITV) Meet the You Create Controller: the TV Shows Emma Tennant - BEARDYMAN (UKTV) Makes the Music God: TV’s Holy CCTV Grail? Champagne Drinks Reception eicc Room codes ■ The Pentland ■ The Tinto ■ The Moorfoot ■ The Sidlaw ■ The Fintry ■ The Lennox ■ Festival Terrace ■ The Atrium ■ The Cromdale ■ Platform 5 Cafe ■ Non-EICC events (named) Abraham, David Cavannagh, Pam Frow, Ben Thursday, 18:30 – 19:15, Lennox Suite Thursday, 12:00 – 13:00, The Moorfoot Friday, 10:30 – 11:30, The Sidlaw Friday 10:30 – 11:30, The Pentland Chadha, Gurinder Friday, 12:00 – 13:00, The Pentland Ahmed, Aaqil Saturday, 11:30 – 13:00, Friday, 13:45 – 14:45, The Moorfoot Friday, 15:15 – 16:15, The Tinto The Pentland Georgia LA Alfano , JoAnn Clarkson, SJ Friday, 10:30 – 11:30, The Fintry Friday, 10:30 – 11:30, The Tinto Friday, 10:30 - 11:30, The Tinto Gladdis, Steve Ansbro, Lucy Clews, David Thursday, 15:30 – 16:30, The Moorfoot Friday, 16:45 – 17:45, The Fintry Thursday, 17:00 – 18:00, The Moorfoot Glover, David Ashbourne, Victoria Clinton-Davis, Jo Thursday, 14:00 – 15:00, The Pentland Thursday, 12:00 – 13:00, The Moorfoot Thursday, 17:00 – 18:00, The Moorfoot Gorman, Justin Bampton, Nick Cohen, Danny Thursday, 12:00 – 13:00, The Moorfoot Thursday, 15:30 – 16:30, The Fintry Thursday, 10:30 – 11:30, The Sidlaw Gray, Marianne Bartlett, Lee Friday, 12:00 – 13:00, The Pentland, Thursday, 10:30 – 11:30, The Tinto Thursday, 17:00 - 18:00, The Tinto 15:15 – 16:15, The Pentland Harcourt, Tim Friday, 12:00 – 13:00, The Sidlaw Cox, Sara Thursday, 14:00 – 15:00, The Pentland Beardyman Thursday, 12:00 – 13:00, The Pentland Harris, Pippa Friday, 1645 – 17:45, The Moorfoot Crawford, Kahleen Friday, 10:30 - 11:30, The Tinto Bedell, Elaine Friday, 13:45 – 14:45, The Tinto Harrison, Camilla, Friday, 09:00 – 10:00, The Pentland Davis, Doug Saturday, 11:30 – 1300, The Pentland Cooper, Ben Thursday, 15:30 – 16:30, The Tinto Harrison, Cassian Friday, 10:30 – 11:30, The Fintry Delaney, Rob Thursday, 12:00 – 13:00, The Sidlaw Bennett, Zai Thursday, 13:00 – 13:45, The Tinto, Hartwick, Amy Friday, 10:30 – 11:30, The Fintry 14:00 – 15:00, The Moorfoot Thursday, 14:00 – 15:00, The Moorfoot Biddle, Dan Diaz, Lourdes Havard, Ed Thursday, 14:00 – 15:00, The Tinto Thursday, 15:30 – 16:30, The Sidlaw Friday, 13:45 – 14:45, The Tinto Bishop, John Dolan, Paul Hebden, Kat Friday, 18:15 – 1900, The Pentland Saturday, 11:30 – 1300, The Pentland Thursday, 14:00 – 15:00, The Tinto Blomgren, Lars Dynamo Friday, 12:00-13:00, The Tinto Thursday, 10:30 – 11:30, The Tinto Friday, 16:45 – 17:45, The Fintry Friday, Herd, Richard 19:30 – 21:00, The Filmhouse Bolton, Roger Thursday, 14:00 – 15:00, The Tinto Friday, 15:15 – 16:15, The Tinto Edgar-Jones, Phil Hill, Geoff Saturday, 11:30 – 12:30, The Sidlaw Boston, Emma Friday, 09:00 – 10:00, The Fintry Thursday, 15:30 - 16:30, The Tinto Edge, Steve Hincks, Tim Saturday, 11:30 – 1300, The Pentland Boyle, Chantal Thursday, 17:00 – 18:00, The Fintry Thursday, 14:00 – 15:00, The Pentland Edwards, Rick Hockaday, Mary Friday, 10:30 – 11:30, The Fintry Boyle, Frankie Friday, 09:00 – 10:00, The Fintry Saturday, 13:30 – 14:30, Elsley, Brian Horgan, Sharon The Pentland Friday 12:00 – 13:00, The Fintry Thursday, 13:00 – 13:45, The Tinto, Brogden, Chris Ennett, Will 14:00 – 15:00, The Moorfoot Friday, 12:00 – 13:00, The Moorfoot Thursday, 15:30 - 16:30, The Fintry Hunt, Jay Brooke, Dan Fea, Victoria Thursday, 14:00 – 15:00, The Sidlaw Saturday, 10:00 – 11:00, Friday 12:00 – 13:00, The Fintry Friday, 12:00 – 13:00, The Pentland The Pentland Fincham, Peter Issacs, Dan Browning, Mark Thursday, 15:30-16:30, The Pentland Friday, 10:30 - 11:30, The Tinto Thursday, 17:00 – 18:00, The Tinto Thursday, 17:00 – 18:00, The Sidlaw Jones, Dan Friday, 12:00 – 13:00, The Pentland Thursday, 10:30 – 11:30, The Fintry Byrne, Dorothy Friday, 16:45 – 17:45, The Sidlaw Friday, 09:00 – 10:00, The Fintry Friday, 12:00 – 13:00, The Tinto Flynn, David Jones, Heather Catliff, Nick Thursday, 12:00 – 13:00, The Moorfoot Thursday, 17:00 – 18:00, The Moorfoot Thursday, 15:30 – 16:30, The Sidlaw The speakers Jordan, Matt Moore, Ronald D.
Recommended publications
  • Broadcast Bulletin Issue Number 285 17/08/15

    Broadcast Bulletin Issue Number 285 17/08/15

    Ofcom Broadcast Bulletin Issue number 285 17 August 2015 1 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Contents Introduction 5 Notice of Sanction Yoga for You Lamhe TV, 17 June 2014, 09:30 7 Note to Broadcasters 9 Code on the Scheduling of Television Advertising Standards cases In Breach Britain’s Got Talent ITV, 31 May 2015, 19:30 10 News Geo News, 7 May 2015, 08:00 and 14:00 17 Different Anglez New Style Radio 98.7 FM, 7 May 2015, 10:00 19 News ARY News, 7 May 2015, 11:10 and 14:05 21 News Samaa, 7 May 2015, 14:30 23 News Dunya News, 7 May 2015, 17:30 25 Resolved Off Their Rockers: Blue Badge Special (trailer) ITV, 30 May to 1 June 2015, various times pre-watershed. 27 Funded Factual Programmes cases Funded Factual Programmes: managing risks to editorial independence and ensuring viewer confidence 30 Assessment of programmes produced by FactBased Communications and other funded content BBC World News, CNBC and CNN International 33 FBC-produced programming BBC World News, various dates between 14 February 2009 and 2 July 2011 34 2 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Sponsored programmes BBC World News, various dates between 23 October 2009 and 4 June 2011 49 World Business CNBC, various dates between 17 December 2010 and 22 July 2011. 77 Marketplace Middle East and Quest Means Business CNN International, various dates between 6 March 2009 and 13 July 2011 95 Sponsored programmes CNN International, various dates between 14 August 2009 and 4 August 2012 115 Advertising Scheduling cases In Breach Advertising minutage
  • Mediating Class, Place, Gender and Race in the Moorside

    Mediating Class, Place, Gender and Race in the Moorside

    This is a repository copy of Erasing diversity: Mediating class, place, gender and race in The Moorside. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/145269/ Version: Accepted Version Article: Forrest, D. and Johnson, B. (2020) Erasing diversity: Mediating class, place, gender and race in The Moorside. Journal of British Cinema and Television, 17 (1). pp. 91-111. ISSN 1743-4521 https://doi.org/10.3366/jbctv.2020.0509 This is an Author’s Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2020.0509. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Erasing Diversity: Mediating Class, Place, Gender and Race in The Moorside David Forrest (The University of Sheffield), Beth Johnson (The University of Leeds) Keywords: diversity; class; race; women; broken Britain; television Advertised by the BBC as a two-part factual drama ‘based on the kidnapping of Shannon Matthews’i, The Moorside (BBC One, 2017), written by Neil McKay and directed by Paul Whittington, aired in Britain on 7th and 14th February 2017 respectively.
  • The Speakers and Chairs 2016

    The Speakers and Chairs 2016

    WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy
  • 1 BBC Four Biopics

    1 BBC Four Biopics

    BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers.
  • The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)

    The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)

    The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed.
  • Annual Report 2008-2009

    Annual Report 2008-2009

    BERKSHIRE RECORD OFFICE ANNUAL REPORT 2008-2009 INTRODUCTION The two highlights of the year 2008/2009 were our sixtieth anniversary and the completion of the catalogue of the Broadmoor Hospital archives. Both gave us welcome publicity as well as opportunities to celebrate with and to acknowledge the work and support of staff, colleagues and friends over a number of years. They are described more fully in the following pages. At the same time we achieved a record number of catalogue completions; we received and accessioned over seven cubic metres of new material; we continued to make excellent progress on our two existing externally-funded projects and secured funding for a third; and we completed our service review, and prepared and began to implement an action plan arising from it. All this was carried out alongside the core work of maintaining the public research and enquiry service, of preservation and conservation work, and of supporting educational and community use and enjoyment of the records. During the year also we secured excellent results in both the national visitor survey and the third national archive self-assessment exercise. None of these achievements would have been possible without the hard work of staff and the support of our colleagues in Reading Borough Council and the other Unitary Authorities in Berkshire, members of Archives Board, our depositors, our volunteers, and our many friends. It is, as it always is, a pleasure to record my thanks to them all. Peter Durrant County Archivist September 2009 THE 60TH ANNIVERSARY 10th August 2008 saw the beginning of the 60th anniversary year of the Berkshire Record Office’s genesis.
  • SATURDAY 16TH JUNE 06:00 Breakfast 09:00 Saturday Kitchen

    SATURDAY 16TH JUNE 06:00 Breakfast 09:00 Saturday Kitchen

    SATURDAY 16TH JUNE All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 10:10 The Gadget Show 06:00 The Forces 500 Back-to-back Music! 09:00 Saturday Kitchen Live 09:25 Midsomer Murders 11:05 Revolution 10:30 MOTD Live: France v Australia 11:20 Long Lost Family: What Happened Next 11:55 Brooklyn Nine-Nine 13:15 BBC News 12:20 ITV Lunchtime News 12:20 Star Trek: Voyager 13:30 Bargain Hunt 12:30 The Best of the Voice Worldwide 13:00 Shortlist 14:30 Escape to the Continent 13:30 FIFA World Cup 2018 13:05 Modern Family 15:30 Britain's Best Home Cook 13:30 Modern Family 16:30 MOTD Live: Peru v Denmark 13:55 The Fresh Prince of Bel Air 19:10 BBC News 14:20 The Fresh Prince of Bel Air 19:20 BBC London News 14:45 Chris & Olivia: Crackin' On 19:30 Pointless Celebrities 15:30 Jamie and Jimmy's Friday Night Feast A special celebrity impressionists edition of 16:25 The Only Way Is Essex the quiz, with Alistair McGowan, Ronni Ancona, 17:10 Shortlist 09:00 America's WWII Jon Culshaw, Jan Ravens, Rory Bremner, Matt 17:15 The Simpsons 09:30 America's WWII Forde, Francine Lewis and Danny 17:40 Star Trek II: The Wrath of Khan 10:00 Hogan's Heroes Posthill. 19:25 The Crystal Maze 10:30 I Dream of Jeannie 20:20 Casualty 20:15 Shortlist Argentina v Iceland. 13:00 Mannix Connie and Elle are forced to go on the road 20:20 Marvel's Agents of S.H.I.E.L.D.
  • No to Hull Tigers

    No to Hull Tigers

    Mr Neil Prescott Financial Regulation Officer (Club Governance) The Football Association Wembley Stadium PO Box 1966 London SW1P 9EQ 5th May 2015 NO TO HULL TIGERS Proposed name change from “Hull City AFC” to “Hull Tigers” Consultation response from HULL CITY SUPPORTERS’ TRUST HULL CITY SUMMARY OF OUR RESPONSE SUPPORTERS’ TRUST A note on this submission: some of this material was presented to the FA in our written submission of 2014. It has been updated to reflect developments over this past year. • Last year the Football Association received a submission • The Allams’ relationship with Hull City Council has from campaign group City Till We Die opposing club owners deteriorated to the extent that the Council has threatened Assem and Ehab Allam’s application to change the name legal action against the club after its owners, who manage of Hull City AFC. Following the FA’s decision to reject the the stadium complex, evicted community sports groups from application in April 2014, City Till We Die merged with the a community-use arena, a move that has severely tarnished existing supporters’ trust to form the Hull City Supporters’ Hull City’s reputation locally. There was no consultation with Trust . This submission is from the Trust. those community user groups. • It is our belief that the Allams' continuing obsession with • Likewise, the owners do not consult or engage with supporters, pushing through a name change is symptomatic of a toxic despite being castigated for this in the FA Arbitration Tribunal relationship with the local council, a refusal to bow to the report.
  • F15-Picador.Pdf

    F15-Picador.Pdf

    PICADOR SEPTEMBER 2015 PAPERBACK ORIGINAL A Clue to the Exit A Novel Edward St. Aubyn A beautifully modulated novel that shows Edward St. Aubyn at his sparkling best Charlie Fairburn, successful screenwriter, ex­husband and absent father, has been given six months to live. He resolves to stake half his fortune on a couple of turns of the roulette wheel and, to his agent's disgust, to write a novel—about death. In the casino he meets his muse. Charlie grows as addicted to writing fiction as she is to gambling. FICTION / LITERARY Picador | 9/1/2015 9781250046031 | $16.00 / $18.50 Can. His novel is set on a train and involves a group of characters (familiar to readers Trade Paperback | 208 pages | Carton Qty: of St. Aubyn's earlier work) who are locked in a debate about the nature of 5.5 in W | 8.3 in H consciousness. As this train gets stuck at Didcot, and Charlie gets more Other Available Formats: passionately entangled with the dangerous Angelique, A Clue to the Exit comes Ebook ISBN: 9781250046048 to its startling climax. Exquisitely crafted, witty, and thoughtful, Edward St. Aubyn's dazzling novel probes the very heart of being. MARKETING National Review Coverage Digital Marketing PRAISE Online Advertising and Social Media Campaign Praise for Edward St. Aubyn Targeted Outreach to Literary and Reading Group Sites Backlist Promotion "Perhaps the most brilliant English novelist of his generation."—Alan Hollinghurst "One of the great comic writers of our time."—The New York Review of Books ALSO AVAILABLE Lost for Words: A Novel "Gorgeous, golden prose…St.
  • 2020 Social Purpose Impact Report

    2020 Social Purpose Impact Report

    1 6.4 million 217 million extra Contents people talking portions of veg Britain Get Talking, page 9 Eat Them to Defeat Them, page 12 Welcome 3 ITV’s Social Purpose 5 70,605 more 29 million people kids exercising saw the campaign Better Health 7 The Daily Mile, page 14 Black Voices, page 26 Diversity & Inclusion 21 Climate Action 37 Giving Back 49 Awards 57 What’s coming up in 2021 59 Colleague 26.6% emissions The Data 60 engagement doubled reduction Network Groups, page 34 Climate Action, page 37 5,000 £9.3m raised Watch our Video colleagues trained for Soccer Aid of the Year Climate Action, page 37 Soccer Aid, page 51 2 Welcome We spoke to Carolyn McCall, ITV’s CEO, on the extraordinary year that was 2020, and how ITV’s Social Purpose activity has been having an impact. 2020 has been a year like no other. What has been the biggest changes in society? All of us will remember 2020 as the year our lives were turned upside down by Covid-19. It’s hard to overestimate the impact that had on not just our physical health and our daily lives, but also on our mental health, with rates of depression doubling during the first six months of lockdown. The Black Lives Matter movement also stands out, shining a light on the systemic issues facing Black people and people of colour around the world. And of course, climate change is ever-present. 2020 showed that we can all mobilise to change. What impact have these issues had on ITV and its Social Purpose? I think it shows that purpose-driven business is more important than ever before.
  • The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates

    The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates

    THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
  • Production Designer C.V 2021

    Production Designer C.V 2021

    1 DAVE ARROWSMITH – Production Designer C.V 2021 Mobile/ Cell: 07967 020229 e-mail: [email protected] Website: www.davearrowsmith.com Agent: Amber Thompson Worldwide Production Agency Tel: +44 (0)207 287 9564 Mob: +44 (0)7393 376 975 [email protected] https://wp-a.co.uk/clients/dave-arrowsmith#narrative Production Designer Credits SCREW 6-Part drama TV Series set in a UK Prison Director: Tom Vaughan, Jordan Hogg Producer: Brian Kaczynski Featuring: Nina Sosanya, Jamie-Lee O’Donnell, Faraz Ayub Production Company: STV/ Channel 4. ANNIKA 6-Part Drama set in Glasgow’s marine homicide unit. Director: Philip John, Fiona Walton. Producer: Kieran Parker, Arabella Page-Croft. Featuring: Nicola Walker Production Company: Black Camel Pictures. THE SEED Sci-Fi Horror Feature Film set in LA. Director: Sam Walker Producer: James Norrie Featuring: Chelsea Edge, Lucy Martin, Sophie Vavasseur Production Company: Camelot Films. DARK AGES – MIRACLE WORKERS 10-Part comedy TV Series set in the Dark Ages Director: Steve Buscemi, Jarrad Paul, Andrew Mogel and Dan Schimpf. Producer: Lorne Michaels, Katy Jenson and Margo Myers. Featuring: Steve Buscemi, Daniel Radcliffe, Geraldine Viswanathan & Jon Bass. Production Company: Broadway Video/ TBS. 2 DEADWATER FELL 4-Part Murder mystery TV miniseries. Director: Lynsey Miller Producer: Caroline Levy Featuring: David Tennant, Cush Jumbo, Matthew McNulty & Anna Madeley. Production Company: Kudos Film and TV, Channel 4. WHISKEY CAVALIER Contemporary Action & Adventure series about FBI & CIA agents. Directors: Peter Atencio, Jon East, Amanda Marsalis, Romeo Tirone, Daisy Von Scherler and Michael Spiller. Producer: Seth Cohen and Robert Bernacchi. Featuring: Scott Foley, Lauren Cohan, Josh Hopkins, Ana Ortiz, Vir Das and Tyler James Williams.