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Boston Symphony Orchestra Concert Programs, Season 20,1900

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Boston Symphony Orchestra Concert Programs, Season 20,1900 ACADEMY OF MUSIC, PHILADELPHIA. Boston Symphony Orchestra. Mr. WILHELM GERICKE, Conductor. Sixteenth Season in Philadelphia. OF THE FIRST CONCERT WEDNESDAY EVENING, NOVEMBER 7, AT 8.J5 PRECISELY. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. (i) tablished Established [823 1823 v -' ( 1 *J GJfjtctortng PIANOFORTE MAKERS RECIPIENTS OF One Hundred and Twenty-Nine first mb:dals and awards These Celebrated Instruments are To-day better than ever R I. r R ESEN I I I) liV ( ) I I N Philadelphia, Pa | WANAMAKI'R. Mob r «£ Boston Academy of Music, i Philadelphia. Symphony ft •^ * w "TP Twentieth Season, igoo-igoi. Orchestra/"V -jj j 1 Sixteenth Season in Philadelphia. fir. WlLHELfl QERICKE, Conductor. FIRST CONCERT, WEDNESDAY EVENING, NOVEHBER 7, AT 8.15 PRECISELY. PROGRAfiriE. Hector Berlioz - Overture, " The Roman Carnival/' Op. 9 u ft Raff - - - - - Aria, Traum Konig u Jules Massenet - - - Esclarmonde/' Orchestra Suite (First time at these concerts.) I. Invocation: Andante maestoso (D minor) - 3-4 II. The Magic Isle : Andante moderato assai (A major) 4-4 - III. Hymen : Andante cantabile tC major) - 9-8 IV. In the Forest. a. Pastoral: Andantino sans lenteur (calme et pastoral) (F major) - 2-2 - b. Hunt : Allegro (A minor) 6-8 Richard Wagner - - Adriane's Aria from " Rienzi ff - Robert Schumann Symphony No. 2, in C major, Op. 6 \ I. Sostenuto assai (C major) - - 6-4 Allegro, ma non troppo (C major) -.-.-•- 3-4 II. Scherzo: .allegro vivace (C majors - 2-4 Trio I. (G major) 2-4 Trio II. (C major) - - 2-4 III. Adagio espressivo (C minor) - 2-4 IV. Allegro molto vivace <C major) - 2-2 SOLOIST : Miss GERTRUDE MAY STEIN. There will be an intermission of ten minutes before the symphony. (3) EVERETT PIANOS GRAND AND UPRIGHT DISTINCT ART CREATIONS IMITATING NONE. BUT POSSESSING INDIVIDUAL QUALITIES WHICH MAKE THEM THE BEST NOW MANUFACTURED Everett Piano Co. BOSTON, MASS. New York Wtirerooms, 141 = 143 Fifth Avenue CHICAGO CINCINNATI " Overture, The Roman Carnival," Opus 9 . Hector Berlioz. (Isere), on Dec. (Born at la Cote-Saint-Andre France, 11, 1803 ; died in Paris on March 9, 1869.) " The subtitle of this overture is : Second Overture to Befivenuto Cellini, to be played before the Second Act of the Opera." Its principal theme is taken from the Saltarello, danced on the Piazza Navona in Rome in the closing scene of the first act. The overture begins, Allegro assai confuoco, immediately with this theme, given out in forte by the violins and violas, and answered on the second measure in free imitation by the flutes, oboes, and clarinets, the horns, bassoons, trumpets, and cornets coming in on the third measure with a second response. Then follows a measure of sudden silence • light trills in the strings and a sudden flaring- up in the wood-wind and horns lead to a long-sustained E in the horn, which is answered by a low G-natural in the clarinet. The move- ment now changes from Allegro assai con fuoco, 6-8 time, to Andante sostenuto, 3-4 time ; against a pizzicato accompaniment in plain harmony in the strings, the English-horn outlines a tender melody ; soon the vio- las take up the song, against a counter-theme in the flutes, the move- ment developing later on into a duet between the English-horn and violas. Then some of the wood-wind and brass, together with the ket- <A Tonic and Nerve Food Horsford's Acid Phosphate. Half a teaspoon in half a glass of water affords quick relief when depressed, or weary from overwork, worry, insom- nia or other nerve-destroying conditions. Imparts new life and vigor to brain and body. Sold by Druggists in original package only. (5) My dear little friend, 1 am so happy you called around. I got the piano of my heart at last. Now, Mary, don't forget the name. When your papa is going to buy one for you, remember it is the MATCHLESS CUNNINGHAM And I wish to say to you it is matchless in tone, matchless in touch, and m.it< hless in artistic beauty. Fifteen years' warrant} - is given with every piano, and the standing offer of $25,000 by the Company for a better made Instrument ought to be sufficient without going into further details. Il is manufactured in I'hila delphia. .1 fa< t of which this city ought to be proud. It no! convenient to call at their warerooms, write foi list. Cash it you \\.w <• it. time it you wish it. The Cunningham Piano Co, I 105 Chestnut Street. tledrums, triangle, and tambourine, strike up softly a lively dance- rhythm,— as of dance-music heard in the distance,— while the bassoons and 'celli, on one part, and the flute, oboe, English-horn, and violins, on in. the other, play the preceding tender love-melody close canon ; as the further development of this melody proceeds, the distant dance-music is hushed after a while, and, just as all is about to sink back into silence, rapid ascending and descending scales suddenly flare up in the wood- wind, — like a sudden irruption of a torch-bearing crowd into the silent square,— the tempo changes again to Allegro vivace, 6-8, and the strings begin softly to sketch out the theme and rhythm of the Saltarello. Here the main body of the overture begins. Berlioz does not follow the regular sym- phonic plan of the overture form at all ; he here begins by building up his theme, as it were, out of small fragments, and then proceeds immediately There is no proper second theme with the development and working-out. ; but, about the middle of the movement, as the wild dance-music grows softer and softer, the love-song of the introduction returns (not as a second theme, but as a counter-theme worked up contrapuntally against the principal one), first in the bassoons, then in the trombones and other wind instruments, and is made the subject of some quasi-canonical imita- tions, while the strings continue the rhythm of the Saltarello. The latter IOZ^ MORE THAN THIRTY-SIX YEARS | AAA OOu. UNDER ONE MANAGEMENT. 1 Vl/U» TH E HENRY F. MILLER PIANOFORTES. SPECIAL DESIGNS. MUSICAL QUALITY UNSURPASSED. A NATIONAL REPUTATION. Warerooms, 1123 CHESTNUT ST., Philadelphia. (7) mes back in all its vi^or. and is worked out afresh. The overture ia scored for 2 flutes (of which one is interchangeable with piccolo), 2 oboes (of which the second is interchangeable with English-horn), 2 clarinets. 4 horns, 4 bassoons, 2 trumpets, 2 cornets, 3 trombones, cym- bals, 2 tambourines, triangle, 1 pair of kettle-drums, and the usual strings. "ES : UWONDE," ORCHESTRAL SUITE JULES MASSENET. at near Saint-Etienne, France, on 12, still living.) I Horn Montaud. May 1S42; monJe, romantic opera in a prologue, four acts, and an epilogue, the text by Alfred Blau and Louis de Gramont, the music by Massenet, \\a-> brought out at the Theatre de l'Ope'ra-Comique in Paris on May 15. 1S89, with Miss Sibyl Sanderson in the title part. The following account of the opera of Esdamumde is abridged from Edouard Noel and Edmond Stoullig's Annates du Theatre et de la Musique for 18S9. " The curtain rises. The audience has before it the interior of a Byzan- tine basilica, with the iconostasis at the back of the stage ; the doors are closed. The emperor Phorcas is on his throne, surrounded by all his court. "The emperor Phorcas explains to the assembled people the will of Fischer's Music House Represents exclusively The MASON & HAHL1N IVERS & POND . J.& C I ISCHER . niiRl-DIIH . PIANOS \\ li.. ^it of an instrument is wanted, you can get ii at Fischer's, a the instrument 1-. 1710 Chestnut Street. (8) f> HML&!D>& THE /EOLIAN Is an Opera Company, a Symphony Orchestra, a Jenny Lind, or a Patti in your own home. Anybody can play, and every- body can give it their own individual expression by the use of "stops." It requires no musical knowledge but taste, and improves that. Price, $75 to $1,500. /EOLIAN PATRONS. Mr. A. J. Drexel, Jr. (3) Mr. W. W. Fitler Mr. H. L. Townsend Mr. J. R. Drexel Mr. Daniel Baugh Mr. Sam Y. Heebner Mrs. George W. Childs Gen. E. Burd Grubb Mr. William H. Joyce Hon. John Wanamaker Hon. Charles F. Warwick Mr. A. Bonzano Mr. Rodman Wanamaker Archbishop Ryan Mrs. G. L. Harrison Mr. Thomas B. Wanamaker Mr. Samuel H. Cramp Miss H. S. Benson Mr. Richard Filbert (2) Mrs. John R. Fell Mr. Edgar Scott Col. E. Morrell Mr. C. A. Griscom Mr. S. Castner, Jr. Hon. E. H. Fitler (5) Mr. Andrew Carnegie Mr. H. B. Curran Mr. E. H. Fitler, Jr. Mr. George Pullman Mr. James W. Paul, Jr. And thousands of others. Three 1115=1117 Chestnut, C.J.HEPPE&SON( Stores ) 6th, and Thompson, Philadelphia, Pa. mm (9) ; heaven. Having deeply studied the mysteries of magic, he finds himself constrained to renounce his court splendours, to withdraw to a solitude that is known only to himself, and to abdicate in favour of his daughter Esclarmonde. "Having thus spoken, Phorcas commands the golden doors of the iconostasis to be opened. Esclarmonde appears, veiled, the tiara on her head, studded with precious stones like an idol. Slowly she steps down toward her father. All prostrate themselves as she passes by. For a last time Esclarmonde, raising her veil, lets Phorcas alone see her radiant face. Then the veil falls again, and the young empress goes back to the iconostasis amid the acclamations of the crowd.
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