September 9, 2005 Vol. 17, No. 15 How the S.U.V. Ran Over Auto Safety

Total Page:16

File Type:pdf, Size:1020Kb

September 9, 2005 Vol. 17, No. 15 How the S.U.V. Ran Over Auto Safety SM SCHIFFThe world’s most dangerous’ insuranceS publication September 9, 2005 Volume 17 • Number 15 INSURANCE OBSERVER How the S.U.V. Ran Over Auto Safety BigandBad by Malcolm Gladwell Editor’s note: Auto accidents happen for many reasons. These reasons, however, do not include one’s credit score, address, sex, or age. Although those factors are used as predictors of future dri- ving experience, they are lacking, and leave sig- nificant room for improvement in the field of pre- diction. As Daniel Finnegan, president of Quality Planning Corporation, explained at the 2004 Schiff’s Insurance Conference, auto-insur- ance rating, as we currently know it, is weakly predictive. It is, as he put it rather provocatively, about ninety-eight percent astrology: insurance companies have virtually no idea which specific drivers are going to have accidents. Any edge that underwriters can gain that helps them calculate which drivers will have accidents will make a huge difference in results. It’s not difficult to imagine that, eventually, cars will be equipped with monitoring devices that send information back to the insurance company in real time, where it will be analyzed by sophisticated underwriting programs. Examples of useful information would include An agent delivers a policy to a nonstandard risk. where the car is being driven, how fast it’s Detroit suburb of Wayne. The Expedition front. The seats get bolted to the middle. going, how many miles it is driven, what time was essentially the F-150 pickup truck The body gets lowered over the top. The of day the driving occurs, whether the driver is with an extra set of doors and two more result is heavy and rigid and not particu- impaired in any way, how often the steering rows of seats—and the fact that it was a larly safe. But it’s an awfully inexpensive wheel is being turned, and so on. The gathering truck was critical. Cars have to meet strin- way to build an automobile. Ford had of such information will undoubtedly raise se- gent fuel-efficiency regulations. Trucks planned to sell the Expedition for rious concerns about privacy, but it seems like don’t. The handling and suspension and $36,000, and its best estimate was that it an inevitability. If the information is avail- braking of cars have to be built to the de- could build one for $24,000—which, in able, eventually it will be used. manding standards of drivers and passen- the automotive industry, is a terrifically The following article by Malcolm Gladwell gers. Trucks only have to handle like, high profit margin. Sales, the company explores the issue of auto safety and S.U.V.s. well, trucks. Cars are built with what is predicted, weren’t going to be huge. After Contrary to what you might think, big cars are called unit-body construction. To be light all, how many Americans could reasonably not necessarily safer than small cars. They are enough to meet fuel standards and safe be expected to pay a $12,000 premium for often more dangerous—for both their own dri- enough to meet safety standards, they what was essentially a dressed-up truck? vers and for drivers of other cars. Why? Read on. have expensive and elaborately engi- But Ford executives decided that the neered steel skeletons, with built-in Expedition would be a highly profitable n the summer of 1996, the Ford Motor crumple zones to absorb the impact of a niche product. They were half right. The Company began building the crash. Making a truck is a lot more rudi- “highly profitable” part turned out to be IExpedition, its new, full-sized S.U.V., mentary. You build a rectangular steel true. Yet, almost from the moment Ford’s at the Michigan Truck Plant, in the frame. The engine gets bolted to the big new S.U.V.s rolled off the assembly SCHIFF’S INSURANCE OBSERVER • 300 CENTRAL PARK WEST, NEW YORK, NY 10024 • (212) 724-2000 • DAVID@INSURANCEO BSERVER. COM line in Wayne, there was nothing “niche” breath, and charged $45,000—and soon self-centered, and self-absorbed, who are about the Expedition. Navigators were flying out the door nearly frequently nervous about their marriages, Ford had intended to split the assem- as fast as Expeditions. Before long, the and who lack confidence in their driving bly line at the Michigan Truck Plant be- Michigan Truck Plant was the most prof- skills. Ford’s S.U.V. designers took their tween the Expedition and the Ford F-150 itable of Ford’s fifty-three assembly plants. cues from seeing “fashionably dressed pickup. But, when the first flood of orders By the late 1990’s, it had become the most women wearing hiking boots or even work started coming in for the Expedition, the profitable factory of any industry in the boots while walking through expensive factory was entirely given over to S.U.V.s. world. In 1998, the Michigan Truck Plant malls.” Toyota’s top marketing executive The orders kept mounting. Assembly-line grossed $11 billion; profits were $3.7 bil- in the United States, Bradsher writes, workers were put on sixty- and seventy- lion. Some factory workers, with overtime, loves to tell the story of how at a focus hour weeks. Another night shift was were making $200,000 a year. The de- group in Los Angeles “an elegant woman added. The plant was now running mand for Expeditions and Navigators was in the group said that she needed her full- twenty-four hours a day, six days a week. so insatiable that even when a blizzard hit sized Lexus LX 470 to drive up over the Ford executives decided to build a luxury the Detroit region in January of 1999— curb and onto lawns to park at large parties version of the Expedition, the Lincoln burying the city in snow, paralyzing the air- in Beverly Hills.” One of Ford’s senior Navigator. They bolted a new grille on the port, and stranding hundreds of cars on the marketing executives was even blunter: Expedition, changed a few body panels, freeway—Ford officials got on their radios “The only time those S.U.V.s are going to added some sound insulation, took a deep and commandeered parts bound for other be off-road is when they miss the drive- factories so that the Michigan Truck Plant way at 3 a.m.” The world’s most dangerous insurance publicationSM assembly line wouldn’t slow for a moment. The truth, underneath all the rational- The factory that had begun as just another izations, seemed to be that S.U.V. buyers SCHIFF’S assembly plant had become the company’s thought of big, heavy vehicles as safe: INSURANCE OBSERVER crown jewel. they found comfort in being surrounded Editor and Writer . David Schiff In the history of the automotive indus- by so much rubber and steel. To the engi- Production Editor . Bill Lauck try, few things have been quite as unex- neers, of course, that didn’t make any Foreign Correspondent . Isaac Schwartz pected as the rise of the S.U.V. Detroit is sense, either: if consumers really wanted Editorial Associate. Yonathan Dessalegn a town of engineers, and engineers like to something that was big and heavy and Copy Editor . John Cauman Publisher . Alan Zimmerman believe that there is some connection be- comforting, they ought to buy minivans, Subscription Manager . Pat LaBua tween the success of a vehicle and its tech- since minivans, with their unit-body con- nical merits. But the S.U.V. boom was like struction, do much better in accidents Editorial Office Schiff’s Insurance Observer Apple’s bringing back the Macintosh, than S.U.V.s. (In a thirty-five-m.p.h. crash 300 Central Park West, Suite 4H dressing it up in colorful plastic, and sud- test, for instance, the driver of a Cadillac New York, NY 10024 denly creating a new market. It made no Escalade—the G.M. counterpart to the Phone: (212) 724-2000 Fax: (434) 244-4615 sense to them. Consumers said they liked Lincoln Navigator—has a sixteen-percent E-mail: [email protected] four-wheel drive. But the overwhelming chance of a life-threatening head injury, a Website: InsuranceObserver.com majority of consumers don’t need four- twenty-percent chance of a life-threaten- Publishing Headquarters wheel drive. S.U.V. buyers said they liked ing chest injury, and a thirty-five-percent Schiff’s Insurance Observer SNL c/o Insurance Communications Co. the elevated driving position. But when, chance of a leg injury. The same numbers One SNL Plaza, P.O. Box 2056 in focus groups, industry marketers probed in a Ford Windstar minivan—a vehicle Charlottesville, VA 22902 Phone: (434) 977-5877 further, they heard things that left them engineered from the ground up, as op- Fax: (434) 984-8020 rolling their eyes. As Keith Bradsher writes posed to simply being bolted onto a E-mail: [email protected] in “High and Mighty”—perhaps the most pickup-truck frame—are, respectively, Annual subscriptions are $189. important book about Detroit since Ralph two percent, four percent, and one per- For questions regarding subscriptions please call (434) 977-5877. Nader’s “Unsafe at Any Speed”—what cent.) But this desire for safety wasn’t a © 2005, Insurance Communications Co., LLC. consumers said was “If the vehicle is up rational calculation. It was a feeling. Over All rights reserved. high, it’s easier to see if something is hid- the past decade, a number of major au- Reprints and additional issues are avail- ing underneath or lurking behind it.” tomakers in America have relied on the able from our publishing headquarters.
Recommended publications
  • Berkeley Madonna User's Guide
    Berkeley Madonna User’s Guide Version 8.0 March 23, 2000 Robert Macey George Oster Tim Zahnley University of California Department of Molecular and Cellular Biology Berkeley, CA 94720 http://www.berkeleymadonna.com Table of Contents INTRODUCTION .............................................................................................................5 SYSTEM REQUIREMENTS ...............................................................................................5 BERKELEY MADONNA WINDOWS ...............................................................................5 THE EQUATION WINDOW ...............................................................................................5 THE FLOWCHART WINDOW ............................................................................................7 THE PARAMETER WINDOW.............................................................................................8 THE GRAPH WINDOW ....................................................................................................9 Creating Multiple Graph Windows ........................................................................9 Specifying Which Variables to View......................................................................9 Changing Axis Settings.......................................................................................10 Creating Multiple Pages [Windows only].............................................................11 Using Graph Buttons...........................................................................................11
    [Show full text]
  • The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle
    The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle I had called upon my friend, Mr. Sherlock Holmes, one day in the autumn of last year and found him in deep conversation with a very stout, florid-faced, elderly gentleman with fiery red hair. With an apology for my intrusion, I was about to withdraw when Holmes pulled me abruptly into the room and closed the door behind me. "You could not possibly have come at a better time, my dear Watson," he said cordially. "I was afraid that you were engaged." "So I am. Very much so." "Then I can wait in the next room." "Not at all. This gentleman, Mr. Wilson, has been my partner and helper in many of my most successful cases, and I have no doubt that he will be of the utmost use to me in yours also." The stout gentleman half rose from his chair and gave a bob of greeting, with a quick little questioning glance from his small fat-encircled eyes. "Try the settee," said Holmes, relapsing into his armchair and putting his fingertips together, as was his custom when in judicial moods. "I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life. You have shown your relish for it by the enthusiasm which has prompted you to chronicle, and, if you will excuse my saying so, somewhat to embellish so many of my own little adventures." "Your cases have indeed been of the greatest interest to me," I observed.
    [Show full text]
  • General Motors Corporation 2003 Annual Report
    General Motors CorporationGeneral Motors Corporation Annual 2003AnnualReport Report 2003 General Motors Corporation Renaissance Center P.O. Box 300 Detroit, MI 48265-3000 www.gm.com drive: 4000-AR-2003 Contents General Information 2 Letter to Stockholders 44 Management’s Discussion and Analysis 4 Financial Highlights 57 Independent Auditors’ Report 8 Drive: Great products 58 Consolidated Financial Statements Common Stock savings plan participants may enroll at GM Customer Assistance Centers 18 Drive: Design 65 Notes to Consolidated Financial Statements GM common stock, $1-2/3 par value, is listed www.econsent.com/gm. Beneficial stockholders, To request product information or to receive 24 Drive: Markets 96 Board of Directors and Committees on the New York Stock Exchange and on other who hold their GM stock through a broker or assistance with your vehicle, please 32 Drive: Further 98 Officers and Operating Executives exchanges in the United States and around bank, may sign up at www.icsdelivery.com/gm contact the appropriate marketing unit: 38 Drive: Choices IBC General Information the world. if their broker or bank participates in electronic 42 Drive: Commitment Chevrolet: 800-222-1020 delivery. Ticker symbol: GM Pontiac: 800-762-2737 Securities and Institutional Analyst Queries Oldsmobile: 800-442-6537 Annual Meeting GM Investor Relations Buick: 800-521-7300 The GM Annual Meeting of Stockholders will be General Motors Corporation held at 9 a.m. ET on Wednesday, June 2, 2004, Cadillac: 800-458-8006 Mail Code 482-C34-D71 in Wilmington, Delaware. GMC: 800-462-8782 300 Renaissance Center Saturn: 800-553-6000 P. O. Box 300 Stockholder Assistance Detroit, MI 48265-3000 HUMMER: 866-486-6376 Stockholders requiring information about their 313-667-1669 Saab: 800-722-2872 accounts should contact: GM of Canada: 800-263-3777 EquiServe Available Publications GM Mobility: 800-323-9935 General Motors Corporation Annual Report P.
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf
    tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has.
    [Show full text]
  • Pixar's Cars 3 Trivia 1
    Pixar's Cars 3 Trivia 1. There are one winner and how many losers according to Lightning Mcqueen’s opening pep talk? a. 42 losers, I eat losers for breakfast 2. Where does the opening race take place? a. Motor Speedway of the South 3. What is the first and last name of the new Dinoco race car? a. Cal Weathers 4. What is the name of Chick Hick’s show? a. Chick’s Picks 5. Who is Natalie Certain? a. Statistical Analyst 6. What number is on Jackson Storm’s car? a. 20 7. Who said, “It’s Futile to resist change man.” a. Fillmore 8. Where is the rookie race car Gabriel from? a. Santa Cecilia, the same place Coco takes place :) 9. Who is the Mistro of Motivation a. Cruz Ramirez 10. What is the name of Cruz Ramirez’s electronic personal assistant on her phone? a. Hamilton 11. Who said, “You could talk a snowmobile into an air conditioner” a. Cruz Ramirez 12. What is Lightning McQueens fake name at Thunder Hollow Speedway? a. Chester Whipplefilter 13. What is McQueen’s probability of beating Jackson Storm according to Natalie Certain? a. 1.2% 14. What is Doc Hudson’s home track? a. Thomasville Speedway 15. Who said, “Lifes a beach, and then you drive” a. Lightning McQueen 16. Who did Lightning and Cruz find at Thomasville Speedway? a. Smokey who was Doc Hudson’s trainer 17. According to Smokey what was the best part of Doc Hudson’s life? a. Coaching Lightning McQueen 18. Who is managing Luigi’s Tire Shop while they are out of town with Lightning McQueen? a.
    [Show full text]
  • MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
    Revis ta de Comunicación Vivat Academia ISSN: 1575-2844 Septiembre 2016 Año XIX Nº 136 pp 82-94 DOI: https://doi.org/10.15178/va.2016.136.82-94 INVESTIGACIÓN/RESEARCH Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 MUSIC AND MOVEMENT IN PIXAR: THE TSU’s AS AN ANALYTICAL RESOURCE Diego Calderón Garrido1: University of Barcelona. Spain [email protected] Josep Gustems Carncier: University of Barcelona. Spain [email protected] Jaume Duran Castells: University of Barcelona. Spain [email protected] ABSTRACT The music for the animation cinema is closely linked with the characters’ movement and the narrative action. This paper presents the Temporary Semiotic Units (TSU’s) proposed by Delalande, as a multimodal tool for the music analysis of the actions in cartoons, following the tradition of the Mickey Mousing. For this, a profile with the applicability of the nineteen TSU’s was applied to the fourteen Pixar movies produced between 1995-2013. The results allow us to state the convenience of the use of the TSU’s for the music comprehension in these films, especially in regard to the subject matter and the characterization of the characters and as a support to the visual narrative of this genre. KEY WORDS Animation cinema, Music – Pixar - Temporary Semiotic Units - Mickey Mousing - Audiovisual Narrative – Multimodality 1 Diego Calderón Garrido: Doctor in History of Art, titled superior in Modern Music and Jazz music teacher and sound in the degree of Audiovisual Communication at the University of Barcelona.
    [Show full text]
  • How Campaign Songs Sold the Image of Presidential Candidates
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain.
    [Show full text]
  • Born to Take the Highway: Women, the Automobile, and Rock N Roll
    Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era.
    [Show full text]
  • Randy Newman
    Cars Opening Race / Dirt Is Different / Tractor Tipping / Goodbye Pre-Race Pageantry / The Big Race Brass Band Arr.: Michal Worek Adapt.: Bertrand Moren Randy Newman EMR 32544 st 1 Full Score 2 1 B Trombone + nd 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone + 1 Repiano B Cornet 2 B Euphonium 3 2nd B Cornet 3 E Bass 3 3rd B Cornet 3 B Bass 1 B Flugelhorn 1 Drums 2 Solo E Horn 1 Timpani 2 1st E Horn 1 1st Percussion (Glockenspiel / Xylophone 2 2nd E Horn Triangle) 2 1st B Baritone 1 2nd Percussion (Cymbals) 2 2nd B Baritone Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 65 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Funny Cinema Music (Pagans) 5’06 EMR 12871 EMR 32537 2 Yellow Submarine (McCartney / Lennon) 3’04 EMR 12733 EMR 32460 3 Harlem Nocturne (Hagen) 2’22 EMR 12675A EMR 32422 4 Spartacus (LoDuca) 6’42 EMR 12792 EMR 32538 5 Captain Future (Bruhn) 2’30 EMR 12837 EMR 32539 6 Slumdog Millionaire (Lauper / Duplessis / Jean) 3’33 EMR 12692A EMR 32540 7 Of Thee I Sing (Gershwin) 4’34 EMR 12784 EMR 32541 8 Kelly’s Heroes (Schifrin) 5’40 EMR 12809 EMR 32542 9 Exodus (Gold) 3’48 EMR 12709 EMR 32459 10 You Never Can Tell (Berry) 2’46 EMR 12671A EMR 32543 11 Cars (Newman) 4’45 EMR 12885 EMR 32544 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel.
    [Show full text]
  • Page: 4 Friday October 3, 2003 Docket
    Page: 4 Friday October 3, 2003 Docket: 01-022Nll-B Comment Date Number Received SubmitterlFirmlSubject _______ 09605 0812912003 LOUIS J. CARLIN 42 0712312003 GENERAL MOTORS (GM) USG 3770 09606 0812912003 LOUIS J. CARLIN 44 04/14/2003 GENERAL MOTORS (GM) USG 3756 09607 0812912003 JAMES P. VONDALE 38 0712412003 FORD MOTOR CO. 09608 0812912003 MICHAEL L. KUNZ 1 03106l2003 AM GENERAL NOTE: 1 PAGE LETTER WITH 2 BLUE PRINTS ATTACHED 09609 0812912003 ROBERT R. SMITH 4 07/07/2003 VERMEER MFG. CO. 096 10 08129l2003 GREG NELSON 5 0711 712003 BUELL AMERICAN MOTORCYCLES 0961 1 0812912003 LEONARD G. ROBINSON 2 0511 312003 PETERSON INDUSTRIES 096 12 08/29/2003 1 0711812003 MILWAUKEE MOTORCYCLE CO. 09613 0812912003 RICH DEMSKI 7 0711 512003 PIERCE MFG. INC. 096 14 0812912003 SUZANNE K. PETERSON 2 06116l2003 POLARIS INDUSTRIES 096 15 0812912003 HUGH T. REESE 1 0312612003 TEAM FENEX 09616 0812912003 1 05/28/2003 SHAFER & SHAFER WELDING 09617 08l2912003 1 06106l2003 IRON EAGLE 09618 08129l2003 1 06130l2003 JOHN PEPPER ENTERPRISES 096 19 08l2912003 1 0612312003 MOUNTAIN WEST 09620 0812912003 1 06/16/2003 BAD ASS CHOPPER GENERAL MOTORS NORTH AMERICA Stucture & Safety integration July 23, 2003 Office of the Administrator National Highway Traffic Safety Administration 400 Seventh Street, SW Washington, DC 20590 Attention: Mr. Coleman Sachs, Chief, Import & Ce I 1 a-a+-J Subject: Initial Release of General Motors Vehicle Identification Number decoding for 2005 Model Year Dear Mr. Sachs: qaw The initial revision of the General Motors Vehicle Identification Numbering (VIN) Standard for 2005 Model Year dated June 2003 is submitted per the VIN reporting requirements of 49 CFR Part 565.7.
    [Show full text]
  • Anglo-American Songs and Ballads AFS
    Recording Laboratory AFS L20 Anglo-American Songs and Ballads From the Archive of Folk Song Edited by DUNCAN EMRICH , ­ LIBRARY OF CoNGRESS WASHINGTON 1947 Library ofCongress Catalog Card Number R53-580 rev Avai/Qble from the Library ofCongress Music Division, Recorded Sound Section Washington, D.C. 20540 ANGLO-AMERICAN SONGS AND BALLADS AI-A3-CRIPPLE CREEK, GIT ALONG DOWN TO Her head looked like a coffee pot, TOWN, and KICKING MULE. Sung with five­ Her nose looked like the spout, string banjo by Henry King accompanied by the Her mouth looked like the fire place King family on guitar, mandolin, and bass, at With the ashes all raked out. Chorus. Visalia, Calif., 1941. Recorded by Charles Todd and Robert Sonkin. I wouldn't have a yaller gal, Now here's the reason why, Her neck's so long and scrangy The three songs on this record, played and sung She'd make them biscuits fly. Chorus. by the King family, belong to the broad group of native songs from the southern mountains. They are Boss he had an old gray mare, without any European antecedents and in subject He rode her down in town, matter are purely American. The mandolin and Before he got his trading done, guitar accompaniment, and the very tempo of the The buzzards had her down. Chorus. pieces, again are distinctive of the pure strain of American folk music. Originating in the South, they Boss he had an old gray mare, have spread widely throughout the United States. Her name was Brindly Brown, Every tooth in that mare's head CRIPPLE CREEK Had sixteen inches 'round.
    [Show full text]