Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1920 Volume 38, Number 10 (October 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 10 (October 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/673 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. &Sfud tMa& MUSIC OF THE AMERICAN INDIAN OCTOBER 1920 1.00 A YEAR THE ETUDE Page 6J/9 ®iDUiUvCk 4 1<epreseni-sr THIS JWDCb 1 f-herehMARK is ( Sacred - Secular. ) Solos - Duel's - Quartets THEY CAN 1 bt PLAYED ON PIANO °R ORGAN IDEAL FOR the DOME Edvard Grieg’s “Norwegian Bridal Procession” VIRGIL Piano Conservatory | A Study for Recital and Concert Performance THE HOME OF THE VIRGIL METHOD | Grieg looked upon Percy Grainger as the ablest interpreter of his THE GREATEST OF ALL TEACHING METHODS works His affection for the brillant Australian composer-virtuoso (now an MRS. A. M. VIRGIL, Director American citizen) was that of a father to his son. When Grieg died he willed to Grainger, among other things, his own gold watch. TEACHER OF ADVANCED PIANO PLAYING Virgil Artistic Technic Public Performance Grainger’s performance of the “Norwegian Bridal Procession” is a Competent Staff of Teachers and Assistants revelation. For the first time he reveals the magic secrets of his interpreta¬ tion. He has not only written a 4000-word master lesson, but has re-written Special and Yearly Courses the composition, bar for bar, showing how by means of new phrasing, new SALES DEPARTMENT FOR— fingering, new pedaling, indicated by ingenious devices, the performance of the Portable Keyboards I work becomes far simpler, yet far more effective. Tekniklaviers A lesson with such a master pianist as Grainger is beyond Bergman Claviers the financial means of thousands of aspiring students. Mr. Grainger, has Child’s Pedal spent the time of a dozen lessons upon this work and any intelligent performer Virgil Piano Pieces of medium ability will find joy in the study of Mr. Grainger’s comprehensive, and Studies lucid and carefully-worked-out lesson. It will be published in full in the November Etude. Send for Interesting Catalogs A Real Inspiration for Every Enthusiastic Piano Student Address VIRGIL PIANO CONSERVATORY NEW YORK CITY 120 WEST 72nd STREET --r truly impressive, the sublime thought conveyed should be instilled in the mind of every child. GRATEFUL. 0 LORD AM The music by CARO ROMA is beautiful, simple and replete with fervor and melody. fT WILL FIT OX AW PROGRAM. ANY Tf\TE. FOR AU. OCCA SfOXS, ESPECTA LLY THANKSGIVING DA V. Page 650 OCTOBER 1920 THE ETUDE A Guide for Teachers Aids in Making Teaching Success I Start the Child Beginner With U [ The Second Grade of Study __ STANDARD GRADED COURSE of STUDIES—Grade 2 | Second Grade Piano Collections First Study Can Be Pleasingly Varied With [ STANDARD GRADED COMPOSITIONS-Grade 2 FIRST GRADE STUDIES for the PIANOFORTE ^Siil£^SS=SS-s YOUNG PLAYERS’ ALBUM price, 75 Cent. GENERAL STUDY BOOK HSSE WBMbrsUb SOUVENIRS of the MASTERS The World of Music MUSICAL PICTURE BOOK VERY FIRST DUET BOOK | Pieces in Sheet Form for the Second GradT] ^"SttSSSi-saa-*- M s'SsilP- 8 STANDARD GRADED COURSE of STUDIES—Grade Steinheimer .30 | The Third Grade of Study STANDARD GRADED COURSE of STUDIES—Grade 3 STUDENT’S BOOK—School of the Pianoforte—Vol. 2 Third Grade Collections for the Piano | Pieces in Sheet Form for the First Grade | VERY EASY EASY Pieces in Sheet Form for the Third Grade iz S 'si CjtNo. No Surrender Ms l^J 16415 Beginning to Play.Rolfe .30 1116s ~ , p, Engelmann .30 11063 Queen of the Elves.Loeb-Evang« $' .50 l^R5n16850 s=rCFoam.thScterzo.C?Preston ®°!50 6482 Airy Fairies.Spaulding .30 16452 Ha™aktae ''.-32 6738 June Roses.Spaulding .30 16861 nerica Victorinus.stricklancl .30 7271 I Begin.Willy .30 1633S The Big Baas' Sing^.‘.Rolfe '.30 - ~ • • • Talbraith .50 8899 .„.. .. Shackle.v .50 4050 _Matushka_.J..Engri .30 HAD FORTEXAhHNATIONLTHRaUGH THE “ON SALE” PLAN frl Works Covering in Detail Various Phases of Study in a Number of Grades NOTATION teacher.should.know thb TRILLS TIME DIFFICULTIES sssuassew* Daily Trill Studies OCTAVES !fwgUN°DSrAgjln!r,fce First Studies in Octave Playing Exercises in Time and Rhythm ByE.A.HEPLER Prirc 60 SCALES pupils tntts^Z SfirlHe"^ The Trill—New Gradus, Part 7 Mastering the Scales and Arpeggios SMS* ^ P-* B, JAMES FRANCIS COOKE Price, $1.50 Octave Velocity By JAS.H. ROGERS Price, $1.00 B: PEDALS Octaves and Chords-New Gradus, Part 6 Pedal Book markable ^ork^for JLS ^ THEO. PRESSER CO. «S- :: PHILADELPHIA, PA. 1 Page 652 OCTOBER 1920 THE E *-ANNUAL SUBSCRIPTION, $2.00- THE ETUDE OCTOBER, 1920 Single Copies 25 Cents VOL. XXXVIII, No. 10 Our Vast Natural Musical Wealth value. The government reports of their investigations are in¬ Fortunately our Government has had the prevision to valuable. Miss Densmore, for instance, in her 560 page book collect a splendid amount of material pertaining to the music on Teton Sioux Music has recorded no less than 689 Indian of the Indians. In Washington there are preserved in notation melodies of this one group of Indians. This book is published form and in record form hundreds of specimens of the music by the government department of American Ethnology and is of the Indians. This in a sense is our native musical wealth, a credit to the scholarly manner in which the investigations much as our fertile fields, deep wells and splendid mines are have proceeded. The subject is so vast that this issue cannot native national wealth. Many of the aboriginal tunes identified hope to encompass it. It may, however, serve to stimulate with tribal customs, have distinctive originality, great melodic additional interest in the subject which cannot fail to lead to charm and fascinating rhythmic interest. Because of this they excellent results. ■ _ must flavor the music of the future in America. It will, of The Exodus course, be only an element, but it has already become an impor¬ Thousands of alien residents of the United States swarmed 185 Times-No difference! tant element as the works of many of the foremost American composers of to-day bear evidence. over to Europe as soon after the war as transportation could be secured. Thousands who went are returning, after a short Kinei«rS+made ,by Miss Bets^ Lane Shep- This is a most phenomenal achievement. No Many have contended that Indian music and the. spirituals experience with the terrible living conditions in war-ridden nnHP 18^ CltlM,Land tovvns of the United States other phonograph or talking machine manu¬ of the negroes, since they have nothing to do with white civili¬ +?n a‘ dbe 1^5 audiences aggregated .Lurope. facturer dares to make this comparison. zation, can play only a relatively small part in the future music more than a hundred thousand people! Each In Europe, conservatories and teachers of music looked for of America. America, however, is a wonderful conglomerate of when Me TdultS!If absoluteE unable to tell Mr. Edison subjected the New Edison to these the former influx of Americans which yearly brought millions all races,—a spectacular, kaleidoscopic procession of more dif¬ New PH' Shepuerdwas s'nging—and when the tests because he wanted to prove that perfect to their coffers. Before the war they made all manner of fun New Edison was Re-Creating her voice-except ferent kinds of people than ever came together in one land since by watching her lips. Realism was an everyday performance with the of the efforts being made by Americans to put this country New Edison. Babel. Our music to be representatively American must have upon a well-earned basis of artistic independence. Mr. John C. the sturdy foundation of our Puritan forefathers, the piquancy Freund, who took an especially active part through his journal^ of the French voyageur, the dreaminess of the Spanish con¬ Musical America, was scathingly lampooned everywhere for his quistador, the sparkle of the Irish immigrant, the thorough “Musical Independence” campaigns. workmanship of the Germans and the Scandinavians, the genius The war ended and the usual number of gold-laden Amer¬ lest the power of this wonderful of the Russians, the artistic feeling of the Italians, the stolidity ican students simply did not think of going to Europe for spe¬ of the Dutch, the strong winds of the prairies and the gentle cial study, largely because Mahomet had come to the mountain zephyrs of the spring woodlands that our aborigines have put —a very large group of the leading masters of European into it, the mingled mirth and spirituality of the negroes and fame have made their homes in America. Realism on yourself! the wonderful dynamism of the modem American—his bigness— Europe will always contain teachers of the highest achieve¬ his freedom—his candor and his might. No wonder with such ment, and Europe will produce more and more exceptionally a huge order that th<? great American master has not yet T your new musicaI hobby? It was the magic of music! well-trained performers, but, the monopoly is broken, and will ” ▼ What kind of vocal or instrumental arrived! Suddenly Miss Shepherd’s lips went “The S^atest shortcoming of the phono¬ remain broken just as long as American music-workers desire music gets” you most quickly? graph was its lack of Realism, and it is this il MacDowell embraced German musician training, French absolutely still.