6 Graffiti Hiphop Hip

Total Page:16

File Type:pdf, Size:1020Kb

6 Graffiti Hiphop Hip 293 6 Graffiti HipHop hip hop 17-∞ͧ§ºH´¢™±Æa.p65 293 2006/12/20, ¤U¤È 05:22 294 1-4-2 1-4-3 2-4-5 3-4-9 3-4-11 1-4-4 2-4-6 3-4-10 3-4-1 3-4-3 2-4-8 1-4-1 17-∞ͧ§ºH´¢™±Æa.p65 294 2006/12/20, ¤U¤È 05:23 295 Hip Hop 1. 1. hip hop 1. 1. 2. 2. 2. 3. 3. 2. 3. 3. 1. 1. hip hop 1. 1. 2. 2. CD 2. T 2. MV 3. 3. 3. CD 3. 4. 4. 17-∞ͧ§ºH´¢™±Æa.p65 295 2006/12/20, ¤U¤È 05:23 296 1. 1. hip hop 1. 1. Keith Haring 2. 2. hip hop 2. 3. 3. 3. 2. Keith Haring 4. rap 4. 5. 4. Rap 6. 3. 7. Keith Haring hip hop 5. RAP Rap 6. 4. 7. 5. 45 hip hop 1. 2. 3. 1. 17-∞ͧ§ºH´¢™±Æa.p65 296 2006/12/20, ¤U¤È 05:23 297 2. 1. MV MV 10' Gorillaz MV Gorillaz MV 15' 1. 2. hip hop 3. 20' 1. hip hop hip hop hip hop 2. hip hop 17-∞ͧ§ºH´¢™±Æa.p65 297 2006/12/20, ¤U¤È 05:23 298 HIP HOP 45 1. hip hop 2. Rap 3. ( ) 1. hip hop CD 2. ( ) hip hop 3' 10' 1. hip hop 10' 2. Rap 1. Rap 3~4 2. Rap Rap 3. 20' 4. 2' 17-∞ͧ§ºH´¢™±Æa.p65 298 2006/12/20, ¤U¤È 05:23 299 45 1. 2. 3. 1. 2. Keith Haring 3' 1. 25' 17' 2. 15' 3. Keith Haring 25' 1. 5' 2. 17-∞ͧ§ºH´¢™±Æa.p65 299 2006/12/20, ¤U¤È 05:23 300 90 1. 2. 3. 1. T 2. 10' 1. 2. 5' T 30' 1. 10' 2. 30' 3. 5' 17-∞ͧ§ºH´¢™±Æa.p65 300 2006/12/20, ¤U¤È 05:23 301 1. Hip-Hop Gorillaz MV MV Gorillaz HipHop 4' Blur Damon Albarn Cibo Matto Miho Hatori Tank Gir Jamie Hewlett Del Tha Funky Homosapien HipHop Dan The Automator Gorillaz MV Gorillaz MV 1. street art public art 2. hip hop (1)Hip Hop Hip Hop 17-∞ͧ§ºH´¢™±Æa.p65 301 2006/12/20, ¤U¤È 05:23 302 (2)Hip Hop DJ Party B-Boy Breakdance Graffiti Writing Cool 3. Hip Hop Solo Hip Hop life Style Hip Hop hip hop Hip Hop 1. hip hop hip hop hip hop 2. hip hop Rap CD 17-∞ͧ§ºH´¢™±Æa.p65 302 2006/12/20, ¤U¤È 05:23 303 Hip Hop 1. hip hop VJ Hip Hop Rap Rap 2003 9 Rap 1. hip hop New School Old School Hiphop Old School (Locking) (Poping) (Breaking) (Wave) New School (running man) MC Hammer MTV Hip hop Funky 2. Rap 17-∞ͧ§ºH´¢™±Æa.p65 303 2006/12/20, ¤U¤È 05:23 304 to 2 for 4 night 9 Straight aight 8 Str 8 187 187 Fac The Whitehead brother My Lover is a 187 187 A B B-Side A plus (A+) C see G (Gangstar) G (Gun) N And R Are U You 1. Rap 3~4 2. Rap Rap 3. Rap 4. 17-∞ͧ§ºH´¢™±Æa.p65 304 2006/12/20, ¤U¤È 05:23 305 1. Keith Haring Keith Haring Keith Haring Keith Haring 1980 Keith Haring 1980 Keith haring Keith Haring Keith Haring 1. Graffito Graffiti Graffiti 17-∞ͧ§ºH´¢™±Æa.p65 305 2006/12/20, ¤U¤È 05:23 306 writer painter 1. 2. 3. 4. 5. 1. 2. 3. Keith Haring 17-∞ͧ§ºH´¢™±Æa.p65 306 2006/12/20, ¤U¤È 05:23 307 4. Keith Haring 1. 2. 17-∞ͧ§ºH´¢™±Æa.p65 307 2006/12/20, ¤U¤È 05:23 308 Obey Tribal T-shirt Tribal Obey T-shirt Chaz 2003 T-shirt 1949 Chaz 54 33 T-shirt T-shirt T-shirt T-shirt Room Forty@ FAI Subcrew 17-∞ͧ§ºH´¢™±Æa.p65 308 2006/12/20, ¤U¤È 05:23 309 Keith Haring Keith Haring Keith Haring Keith Haring Foundation 1. 2. T 1. 2. 3. 17-∞ͧ§ºH´¢™±Æa.p65 309 2006/12/20, ¤U¤È 05:23 310 76 76 91 Quarto Publishing 94 92 http://zh.wikipedia.org/wiki/%E6%AC%A1%E6%96%87%E5%8C%96 http://www.nerch.gov.tw/~ming/dhiphop.htm HIP HOP http://intermargins.net/intermargins/YouthLibFront/news/nw11.htm HIP HOP http://intermargins.net/intermargins/YouthLibFront/news/nw28.htm http://intermargins.net/intermargins/YouthLibFront/news/nw28.htm http://www.bp.ntu.edu.tw/WebUsers/hdbih/new_page_58.htm http://cutieperson.tripod.com/haring.htm Keith Haring http://www.ctitv.com.tw/new/news/news02.html?id=7&cno=1&sno=19760 http://www.hkedcity.net/iclub_files/a/1/116/webpage/tommy_jenny_hiphop/Untitled-4.htm HIP HOP http://hk.geocities.com/feigame_graffiti/index01.html http://www.tcw.com.tw/brand.htm#e Keith Haring http://www.realestate.com.tw/duckhouse/DT4.2.htm 17-∞ͧ§ºH´¢™±Æa.p65 310 2006/12/20, ¤U¤È 05:23 311 1. 2. 3. 1. 2. 1. 2. 3. 4. 17-∞ͧ§ºH´¢™±Æa.p65 311 2006/12/20, ¤U¤È 05:23 312 ? 5 4 3 2 1 1. 2. 3. HIP HOP 4. 5. 6. 7. 8. 9. 10. 11. 17-∞ͧ§ºH´¢™±Æa.p65 312 2006/12/20, ¤U¤È 05:23.
Recommended publications
  • Vacuum Records
    people PLEE BASFORLD WRITERA Y LIFE There are people in this world who have a need to collect listening to music in an analogue format. This new interest in turn stuff – toys. Obviously this operates on many different spawned a resurgence in the production of vinyl by some of the levels, we’re all individual, but there is a clear divide better informed record companies. Seeing an opportunity here, between those who do and those that do not. There are Fukushima approached Nippon Columbia (Denon) who produced definitely people who make a point of accumulating an the GP-3R portable record player, a cheap alternative to the abundance of all the cool, cute, kitsch and crass turntables available elsewhere. At the time this unit was being sold collectable objects we are bombarded with whenever a almost exclusively to instructors of ‘Odori’, a traditional form of new American movie, Japanese game or McDonalds Happy Japanese dancing, and didn’t really have a very long life Meal is released. expectancy. After many discussions, Vacuum managed to There are organisations producing what they themselves obsess convince Columbia to agree to a business partnership which over; Mo’Wax, A Bathing Ape, and the Beastie Boys have all would secure the future of the GP-3R and allow the more fashion played a part in making some of the most sought after and best conscious youth the chance to listen to music on a player with conceived items in recent years. These strictly limited run items style, personality and interesting crackly mono sounds. are borne from the minds of true collectors, aware that there will As a result of the outstanding success of this initial venture, always be people who are willing to hunt down these hard to Vacuum was able to begin work on some of their own designs.
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • SA-Bio-4.2017.Pdf
    Scott Amendola: Drummer/Composer/Bandleader/Educator “Amendola’s music is consistently engaging, both emotionally and intellectually, the product of a fertile and inventive musical imagination.” Los Angeles Times “If Scott Amendola didn't exist, the San Francisco music scene would have to invent him.” Derk Richardson, San Francisco Bay Guardian “Amendola has complete mastery of every piece of his drumset and the ability to create a plethora of sounds using sticks, brushes, mallets, and even his hands.”Steven Raphael, Modern Drummer “...drummer/signal-treater Scott Amendola is both a tyrant of heavy rhythm and an electric-haired antenna for outworldly messages (not a standard combination).” Greg Burk, LA Weekly For Scott Amendola, the drum kit isn’t so much an instrument as a musical portal. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist and capaciously creative foil for some of the world’s most inventive musicians, Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists Nels Cline, Jeff Parker, Charlie Hunter, Hammond B-3 organist Wil Blades, violinists Jenny Scheinman and Regina Carter, saxophonists Larry Ochs and Phillip Greenlief, and clarinetist Ben Goldberg, players who have each forged a singular path within and beyond the realm of jazz. While rooted in the San Francisco Bay Area scene, Amendola has woven a dense and far-reaching web of bandstand relationships that tie him to influential artists in jazz, blues, rock and new music. A potent creative catalyst, the Berkeley-based drummer is the nexus for a disparate community of musicians stretching from Los Angeles and Seattle to Chicago and New York.
    [Show full text]
  • Sfjazz Education Become a Member Tickets About Sfjazz
    TICKETS TICKETS ON SALE 2|28 • 11AM • MEMBERS SFJAZZ Afro-Latin Jazz guest instructors OKAN 3|6 • 11AM • PUBLIC EDUCATION FREE SUMMER WORKSHOPS BART These workshops for advanced middle and high school WEB Civic Center Station GOUGH FRANKLIN VAN POLK LARKIN HYDE jazz musicians focus on theory, improvisation, audition SFJAZZ.org (SFJAZZ is only a NESS ST ST ST skills, and more. Sign-ups open May 1. 10 minute walk from ST DIGITAL LAB INTENSIVES PHONE Civic Center BART.) ST AVE • 12-4PM 7|11 THEORY & SIGHT-READING MUNI ST 8 Learn music and audio production in our state-of-the-art Public 866.920.5299 GROVE TH ST Digital Lab! We off er dynamic programs for older teens 7|19 AFRO-LATIN JAZZ W/ SPECIAL GUESTS OKAN • 1:30-4:30PM Members 415.788.7353 Metro: Van Ness or ST Civic Center Stations HAYES 9 and adults in songwriting, arranging, production, record- 7|25 IMPROVISATION W/ JEANNE GEIGER • 10AM-2PM TH Bus: 5, 5R, 6, 7X, 21, ST ing, mixing, and more. Our low student-teacher ratio and IN PERSON FELL ST 10 8|1 AUDITION SKILLS • 10AM-2PM 47, 49, 7, 7R, 90 TH the latest in gear and software make our intensives the 201 Franklin Street (at Fell), San Francisco ST OAK ST 11 summer destination for digital music. Each series contains PARKING TH 4 SFJAZZ.ORG/EDUCATION ST twenty hours of instruction Performing Arts ST Garage Members $300 | Public $360 Civic Center Garage MARKET SUMMER INTERNSHIPS California Parking ENSEMBLES & MORE Place 2 Park For detailed directions, please visit 511.org 6|23-27 INTRO TO MUSIC PRODUCTION • 1-5PM SFJAZZ’s passionate interns are indispensable to achieving Douglas Parking Auditions for the Fall 2020 Monday Night Band take our goals as an organization.
    [Show full text]
  • Spacemonkeyz Laika Come Home Mp3, Flac, Wma
    Spacemonkeyz Laika Come Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Laika Come Home Country: Australia Released: 2002 Style: Dub, Trip Hop MP3 version RAR size: 1142 mb FLAC version RAR size: 1595 mb WMA version RAR size: 1309 mb Rating: 4.6 Votes: 752 Other Formats: AA ADX XM APE TTA ASF WAV Tracklist 1 19/2000 (Jungle Fresh) 5:28 2 Slow Country (Strictly Rubbadub) 3:41 3 Tomorrow Comes Today (Bañana Baby) 5:29 4 Man Research (Monkey Racket) 5:57 5 Punk (De-Punked) 5:20 6 5/4 (P.45) 4:26 7 Starshine (Dub 09) 5:17 8 Soundcheck (Gravity) (Crooked Dub) 5:13 9 New Genius (Brother) (Mutant Genius) 5:02 10 Re-Hash (Come Again) 6:04 11 Clint Eastwood (A Fistful Of Peanuts) 5:53 12.1 M1A1 (Lil' Dub Chefin') 5:41 12.2 Slow Country (More Rubbadub) 5:14 Credits Arranged By [Horn Arrangements] – Michael Smith* Artwork By [Illustration] – J.C. Hewlett Bass – Dan Left Hand* (tracks: 1), Phil Soul (tracks: 2, 3, 4, 8, 10, 12.1), Stuart Zender (tracks: 3, 4) Castanets – Jaques Shythé (tracks: 1) Clavinet – Stuart Zender (tracks: 4) Co-producer [Original] – Jason Cox (tracks: 1 to 6, 7 to 11), Tom Girling (tracks: 1 to 6, 7 to 11) Design – Kate Mclauchlan Engineer [Assistant] – Pete Collis Engineer [Original] – Jason Cox, Tom Girling Flute – Mike Smith (tracks: 11) Guitar – 2D (tracks: 7, 8, 10), Simon Katz (tracks: 6) Horns – Dennis Rollins (tracks: 2, 3, 5, 6, 10 to 12.1), Dominic Glover (tracks: 2, 3, 5, 6, 10 to 12.1), Martin Shaw (tracks: 1), Michael Smith* (tracks: 1 to 3, 5, 6, 10 to 12.1) Melodica – 2D (tracks: 3, 4,
    [Show full text]
  • Deltron 3030
    K k NOVEMBER 2013 KWOW HALL NOTES g VOL. 25 #11 H WOWHALL.ORGk Shook Twins intertwine gor- the sentiment still stands.” geous “twin” harmonies with an eclectic and eccentric blend of folk, THE GREAT HIATUM roots, pop and fun. But don’t be Subscribing to the genre “dance fooled. The Shook Twins are not rock,” The Great Hiatum provide your average folk group. They a spectrum of sound from toe- have a few tricks up their sleeves. tapping jazzy tunes to raging punk Laurie may drop a beatbox in the jams. They have evolved a middle of a song, while Katelyn dynamic body of work drawing plays the guitar, glockenspiel, man- from each band member’s distinct dolin and sings into a telephone interests. TGH incorporates elec- and bocks like a chicken. Laurie tronic beat sampling mixed with plays wah-wah banjo and loops live drums, savage guitar licks, various melodies and beats to make high energy grooves, synth effects, it sound like more than just two and powerful female lead vocals. identical twin sisters. The Great Hiatum was birthed For the past year Shook Twins in 2010 and currently consists of have been touring throughout the Melissa Randel (lead singer), western states behind their 2011 James Aronoff (guitar), Max release, Window. They have Miller (bass), Travis Lien (drums) opened for Langhorne Slim, Blitzen and Melissa’s brother Keith Trapper, Elephant Revival, Sara Randel (lead guitar). Jarosz, David Grisman, and The Great Hiatum has been Carolina Chocolate Drops. Their recently recognized as the Best song “Rose” was featured in NPR’s Student Band by the Oregon GRRRLZ Rock Gives Thanks! Muse Mix, and an exclusive audio Daily Emerald.
    [Show full text]
  • Cibo Matto, Sci-Fi Wasabi
    Cibo Matto, Sci-Fi Wasabi What's up B? Wa-sa-bi I'm searchin' the city for sci-fi wasabi The start button has been pushed already Obi-Wan Kenobi is waiting for me in Union Square My wheel needs repair. The bike lane's glowing all over the city My bike "specializes" in the nitty-gritty New York City never had equality, it's reality, economic duality Where are my amenities Tell me my sanity Ain't no analogy for individuality, I got immunity from multiplicity That's how we do it. We got your harmony. Where's you're identity? Our name is stereotype with an A I got to get the shit straight Your vision of stupidity's made of vanity Keep your quality up in the sky There is a hole on Broadway, no control, it's in my way I feel no goal. Where is my soul? I got no reset for this game A.O.K. gotta find an alley anyway My hair turns grey day by day Don't erase your points, you've got your pace Don't waste your days, get your innerspace Don't give me chase, I'm at St. Marks Place Feeling Stromboli, not ravioli I'm charging my energy fresh as a daisy Biologically let your system know what's up Here comes your twin hopper Yuka Honda knows her water - "Pass the Volvic" No wonder her fingers are smooth like butter It's specific. No mind traffic CIBO MATTO 1999! I'm Miho Hatori straight outta purgatori Ai? Ai? Alright? I'm passing on your right Don't be snobby with me Not aioli, surely not Moby Obi-Wan Kenobi told me in the lobby Technically I'm free and I can find the key Our name is stereotype with an A I've got to get the shit straight.
    [Show full text]
  • HOLLYWOOD BOWL 2011 SEASON CHRONOLOGICAL LISTING of EVENTS Red Indicates an Update from the Original Announcement Made on January 26, 2011
    HOLLYWOOD BOWL 2011 SEASON CHRONOLOGICAL LISTING OF EVENTS Red indicates an update from the original announcement made on January 26, 2011 JUNE 2011 OPENING NIGHT AT THE HOLLYWOOD Friday, June 17, at 8:30 PM BOWL *Fireworks* OPENING NIGHT AT THE BOWL (Non-subscription) HOLLYWOOD BOWL HALL OF FAME HOLLYWOOD BOWL ORCHESTRA THOMAS WILKINS, conductor HARRY CONNICK, JR. and GLORIA ESTEFAN, inductees HILARY SWANK, presenter CIRQUE DU SOLEIL, performers The highly-anticipated, star-studded evening features performances by 2011 Hall of Fame inductees Harry Connick, Jr. and Gloria Estefan, plus an exclusive live sneak preview of Cirque du Soleil’s first Hollywood production, IRIS – A Journey Through the World of Cinema. Proceeds benefit the Los Angeles Philharmonic and its education programs. Created and produced by Wayne Baruch and Charles F. Gayton. JAZZ AT THE BOWL Wednesday, June 22, at 8 PM JAZZ AT LINCOLN CENTER ORCHESTRA with WYNTON MARSALIS and special guest JOE LOVANO HUGH MASEKELA Comprised of master soloists and trumpet star Wynton Marsalis, JLCO is the essence of swing! Their set will also include a special tribute to James Moody featuring Joe Lovano. Trumpeter Masekela – with his warm South African grooves and jazz roots – begins a night of vibrant, joyous sounds. 1 GREASE SING-A-LONG Friday, June 24, at 7 PM (pre-show); 8:30 PM (film) (Non-subscription) GREASE SING-A-LONG DIDI CONN (“Frenchy”), host Back by popular demand, the fun-filled Grease Sing-A-Long features a pre-show costume parade and screening of the beloved film on the Bowl’s big screen. KCRW’S WORLD FESTIVAL Sunday, June 26, at 7 PM BIG IN JAPAN YELLOW MAGIC ORCHESTRA CIBO MATTO BUFFALO DAUGHTER TOWA TEI TAIKO CENTER OF LOS ANGELES directed by Rev.
    [Show full text]
  • CRZR 1001 VARIOUS Brand New Wayo LP
    A1. Mixed Grill - A Brand New Wayo A2. Kris Okotie - Show Me Your Backside A3. Murphy Williams - Get On Up A4. Joe Moks - Boys and Girls B1. Amas - Slow Down B2. Oby Onyioha - I Want To Feel Your Love B3. Dizzy K. Falola - Excuse Me Baby B4. Chris Mba - Funky Situation C1. Bayo Damazio - Listen to the Music C2. Martha Ulaeto - Music Alone C3. Segun Robert - Big Race C4. Amel Addmore - Jane D1. Honey Machine - Pleasure D2. The Stormmers - Love or Money D3. Emma Baloka - Letís Love Each Other With this release, Comb & Razor Sound launches its exploration of the colorful world of popular music from Nigeria, starting with the post-disco era of the late 1970s and early 80s. The years between 1979 and 1983 were Nigeria’s Second Republic, when democracy finally returned after twenty-three years of uninterrupted military dictatorship. They were also the crest of Nigeria’s oil boom, when surging oil prices made the petroleum-producing country a land of plenty, prosperity and profligacy. The influx of petrodollars meant an expansion in industry and the music industry in particu- lar. Record companies upgraded their technology and cranked out a staggering volume of output to an audience hungry for music to celebrate the country’s prospective rise as global power of the future. While it was a boom time for a wide variety of popular music styles, the predominant commercial sound was a post-afrobeat, slickly modern dance groove that retrofitted the relentless four-on-the- floor bass beat of disco to a more laidback, upbeat-and-downbeat soul shuffle, mixing in jazz-funk, synthesizer pop and afro feeling.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]
  • Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
    Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes.
    [Show full text]
  • Discography INCLUDES VARIOUS
    Mario Caldato Jr.: Discography MOTHER TONGUE - (MOTHER TONGUE LP) INCLUDES VARIOUS PRODUCING, ENGINEERING MIXING AND MOTHER TONGUE - (STREETLIGHT LP) REMIXING CREDITS MUNDO LIVRE S/A - (POR POUCO LP) NAWFEL - (NAWFEL LP) NAWFEL - (THE WAR OF SOUND LP) NEW NACAO ZUMBI - (FUME DE TUDO LP) NEW ALBUMS AND EPS ONE DAY AS A LION - (ONE DAY AS A LION EP) NEW ORQUESTRA IMPERIAL - (CARNAVAL SO ANO QUE VEM LP) NEW ARNO - 1/2 OF (EUROPEAN COWBOY/A POIL COMMERCIAL LP) PLANET HEMP - (OS CAES LADRAM MAS ACARAVANA NAO PARA LP) BANDA DE TURISTAS - (MAGICO CORAZON RADIOFONICO LP) NEW PLANET HEMP - (A INVASAO DO SAGAZ HOMEM FUMACA LP) BEASTIE BOYS - (PAULÕS BOUTIQUE LP) PLANET HEMP - (MTV AO VIVO LP) BEASTIE BOYS - (CHECK YOUR HEAD LP) PURE - (SOME OTHER KIND OF MEAT LP) BEASTIE BOYS - (ILL COMMUNICATION LP) SEU JORGE - (SAMBA ESPORTE FINO/CAROLINA LP) BEASTIE BOYS - (ROOT DOWN EP) SCAPEGOAT WAX - 1/2 OF (OKEEBLOW/SWAX LP) BEASTIE BOYS - (AGLIO E OLIO EP) SILMARILS - (VEGAS 76 LP) BEASTIE BOYS - (THE IN SOUNDS FROM WAY OUT LP) SUPER FURRY ANIMALS - (PHANTOM POWER LP) BEASTIE BOYS - (HELLO NASTY LP) SUPER FURRY ANIMALS - (LOVEKRAFT LP) BEASTIE BOYS - (THE SOUNDS OF SCIENCE ANTHOLOGY LP) TEJO BEAT / 10 VARIOUS PORTUGUESE ARTISTS - (TEJO BEAT LP) CHICO CESAR - (FRANCISCO FORRO Y FREVO LP) NEW TONE LOC - (LOCED AFTER DARK LP) DAY ONE - (ORDINARY MAN LP) WILLIE BOBO - (LOST AND FOUND LP) DAY ONE - (PROBABLY ART LP) VANESSA DA MATA - (SIM LP) NEW DAVID SALSEDO - (WINE AND PASTA LP) NEW YOUNG MC - (STONE COLD RHYMIN LP) DEF JEF - (JUST A POET WITH SOUL LP) 1000 CLOWNS - (FREELANCE BUBBLE HEAD LP) D.F.L.
    [Show full text]