TV Review: Doctor Who – Series 9 Episode 12: 'Hell Bent' | Nouse

Total Page:16

File Type:pdf, Size:1020Kb

TV Review: Doctor Who – Series 9 Episode 12: 'Hell Bent' | Nouse Nouse Web Archives TV Review: Doctor Who – Series 9 Episode 12: ‘Hell Bent’ Page 1 of 4 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals TV Review: Doctor Who – Series 9 Episode 12: ‘Hell Bent’ The series finale of Doctor Who sees the Doctor returning to his home planet with one goal in mind: reviving Clara. Niall Whitehead reviews Friday 11 December 2015 ★★★★☆ Image: BBC I have to admit that way back when this series started, with that two-parter with Missy and Davros and Skaro and Daleks from every era, I was somewhat curious as to what was going to happen in the finale. How do you top that? I thought stakes wouldn’t be raised higher than that until we sent cows to Mars! Happily, the writers found a way! Turns out you bring Gallifrey back, bring the Time Lords too and pit them against a Doctor on the verge of throwing that title away completely (again). So the plot goes thus: after the Doctor went through a four billion-year imprisonment and a few trillion deaths in ‘Heaven Sent’ (a pretty brilliant episode in its own right), he’s found the people responsible. That being the Time Lords, who are currently hiding out at the end of the Universe having somehow slipped free from their pocket universe. So the Doctor sets to work on his revenge: or so it seems. It becomes clear he’s got another plan in mind. And also there’s this prophecy, about a Hybrid destined to stand in Gallifrey’s ruins… Many viewers will have noticed that it’s never actually explained how Gallifrey came back. The Doctor only spends about a third of the episode on the planet, but it is one heck of a good first third! In a scene mostly done in silence, the Doctor goes back to his childhood home and mingles with some common Gallifreyans, before having a Mexican standoff with Rassilon in the desert, staging a coup, and ordering the President off his planet. It’s all very awesome. We even find out about Cloister Wraiths and the Dry Lands and how a controlled regeneration works. But if you were looking for a story that the entire new series has been leading up to, with the Doctor who has been continually defined as “the last of the Time Lords” finally going home for some big revelations… well, that plot goes out the airlock the second they bring Clara back from the dead. At which point the episode was temporarily drowned out by the little crackle of my expectations bursting into flame. http://nouse.co.uk/2015/12/11/tv-review-doctor-who-series-9-episode-12-hell- Archived 11 Dec 2018 bent 10:44:23 Nouse Web Archives TV Review: Doctor Who – Series 9 Episode 12: ‘Hell Bent’ Page 2 of 4 Ultimately, then, how much you enjoy this episode is going to depend heavily on how much you liked Clara, and how sick you are of Steven Moffat’s continued inability to never actually kill anyone for real. Personally, I thought ‘Face the Raven’ was a really great end for Clara’s arc; she gets brought down by her own flaws, actually acknowledges them and gets a tearful farewell as she gets to be brave. While she still will have to face the raven, like everyone does, the fact that she now gets to travel the Universe for as long as she wants in a stolen TARDIS sort of cheapens it. (Yes, it’s odd that a human knows how to fly an insanely-complicated eldritch sentient time-ship, but the Doctor’s been giving her lessons since Series 7 and they have a manual. And admittedly I don’t know if time collapses if Clara trips over a Chumbley on her adventures and breaks her neck, or something like that, though I suppose that’s the sort of thing time can sort out itself. Wibbily-wobbily). Yet, in actuality, by the end of the episode I wasn’t that annoyed they brought her back. Maybe because the story’s not really about Clara facing her death either… This time, Moffat spends a long time playing coy with what the story of the episode actually is. Clara’s accepted her fate. She wants to go back. But this is another character episode for the Doctor, who just had two massive traumas dumped on him, got no time to deal with either and who now has to work through four billion years’ worth of grief. Every episode in this finale trilogy’s had a monster in it determined to track someone down whatever the cost, and this time it’s the Doctor, who’s willing to shoot one of his allies dead in cold blood and risk burning the Universe to get her back again. (Yeah, if I were Adric, I’d be feeling a little unloved right now. But I digress). So instead of our big Gallifrey finale, we get an emotional character study about grief and death and moving on. That does call for some pretty great acting, so it’s a good thing we get that all-round. Sure, Donald Sumpter’s Rassilon wasn’t a patch on Timothy Dalton’s, but Peter Capaldi and Jenna Coleman knocked it out of the park, hitting emotional beat after emotional beat hard. The saddest part was a horrified Clara finding out about the Doctor’s special hell as he shakily tried to shrug it off. Maisie Williams was on top form as Me or Ashildr or the Knightmare or whoever, I still liked the General (both of them) and even Nicholas Briggs made me feel sad about a Dalek, of all things, trapped in the Matrix and begging for death. Also, no more sonic sunglasses! Get your confetti out, kids! Miscellaneous praise: if Rachel Talalay can just come back and direct all the big finale episodes forever, that’d be excellent, because she’s done a pretty great job with the last two – we get the Western flavoured Dry Lands, creepy shots from the Matrix Cloisters and some great bits in the default TARDIS – oh yeah, they brought back the William Hartnell console room, which made my inner fan bounce up and down. Murray Gold, between this and ‘Heaven Sent’, has been composing some pretty great music as well. So Series 9 ends with the Doctor at peace and Clara flitting about through time in the Bistromath and I have to say, it’s been a damn good run. There were some episodes that came out a bit mediocre (‘The Girl Who Died’, ‘The Zygon Invasion’) and one that was outright bad (oh hello, ‘Sleep No More’) but overall I’ve really enjoyed it. Hopefully whatever’s next can keep up that momentum and…oh. It’s a River Song episode. Well, never mind then. 4 comments Mary W. Matthews 12 Dec ’15 at 3:08 pm The stakes (of the bet) couldn’t have been higher. The steaks were marinating near the grill. Report http://nouse.co.uk/2015/12/11/tv-review-doctor-who-series-9-episode-12-hell- Archived 11 Dec 2018 bent 10:44:23 Nouse Web Archives TV Review: Doctor Who – Series 9 Episode 12: ‘Hell Bent’ Page 3 of 4 James 13 Dec ’15 at 5:45 pm It really was very good – especially on rewatch. My only regret is that Ken Bones’ portrayal of The General is unlikely to be seen again. Ken Bones, Ken Bones, Ken dry Bones! Report Al 13 Dec ’15 at 10:03 pm What’s amazing about this episode on rewatch is you realize how much has been foreshadowed in earlier episodes. And I don’t just mean this season. What was the first thing the Twelfth Doctor asked Clara? I’ll let you google that one. At first I thought it cheapened her death too but then I realized that Face the Raven was about punishing someone for aspiring to be the Doctor – a violation of the show’s mandate since day 1. So giving her a reprieve is perfectly in keeping with the concept. At the same time the sadness of her death on Face the Raven is amplified because we now know at some point something really sad is going to have to happen that will make Clara return to basically commit suicide. What did the Doctor say about immortality in “The Girl Who Died”? This episode also I think brought to a climax the entire notion of the Doctor falling in love with his companions, showing us how dangerous that can be. (There is no possible ambiguity after he says he spent 4.5 billion years punching through a wall of diamond for her.) If anything it’s the River Song episode that I fear will cheapen everything, not this one. Re: Adric. Big differences. First the Doctor was much young and less wiser then. Second, and this is something people are willingly ignoring: the Doctor’s last memory of Adric was not of him screaming in terrible agony! That was Clara and that in my opinion is what drove the Doctor to do what he did. His friend – the woman he cared for (I’ll leave the L-word out of it) died in agony. He said so in Heaven Sent. Clara asks him why he did this to himself. The answer is staring us right in the face. Report Thomas 14 Dec ’15 at 10:13 am This is perhaps something from me being a big fan of the 1st through 7th Doctors (with an exception of some of Davison and Colin Baker) I find Doctor Who increasingly difficult to watch.
Recommended publications
  • {TEXTBOOK} Level 3: Doctor Who: Face the Raven Kindle
    LEVEL 3: DOCTOR WHO: FACE THE RAVEN Author: Nancy Taylor Number of Pages: 64 pages Published Date: 06 Sep 2018 Publisher: Pearson Education Limited Publication Country: Harlow, United Kingdom Language: English ISBN: 9781292206196 DOWNLOAD: LEVEL 3: DOCTOR WHO: FACE THE RAVEN Level 3: Doctor Who: Face The Raven PDF Book These details may be relatively unimportant to the average dancer, but it is essential that they should be correctly applied when dealing with the printed word. The book explores the attitudes, knowledge and understanding that a practitioner must adopt in order to start or develop successful Sustained Shared Thinking. In addition Ruppert gives a very useful account of his thinking about the methodology of Constellations as a means of achieving understanding and integration. If you are thinking of buying an electric vehicle or already drive one, then this book is a must for you. we remove fuel-supply line with nozzles. They reflect the actual SAT Subject Test in length, question types, and degree of difficulty. Level 3: Doctor Who: Face The Raven Writer 2016 and gives you all the essential facts about the W110 sedan and 111 and 112 two- and four-door series. Roger Mills and staff accomplished the "miracle" in the Modello and Homestead Gardens Housing Projects, applying the Three PrinciplesHealth Realization approach based on a new spiritual psychology. From Brazilian favelas to high tech Boston, from rural India to a shed inventor in England's home counties, We Do Things Differently travels the world to find the advance guard re-imagining our future. The volume assembles a rich diversity of statements, case studies and wider thematic explorations all starting with indigenous peoples as actors, not victims.
    [Show full text]
  • Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
    Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J.
    [Show full text]
  • Doctor Who: the New Series: the Diary of River Song Pdf, Epub, Ebook
    DOCTOR WHO: THE NEW SERIES: THE DIARY OF RIVER SONG PDF, EPUB, EBOOK Jenny T. Colgan, Justin Richards, James Goss, Matt Fitton, Ken Bentley, Howard Carter, Steve Foxton, Tom Webster, Alex Kingston, Paul McGann | none | 31 Mar 2016 | Big Finish Productions Ltd | 9781781789421 | English | Maidenhead, United Kingdom Doctor Who: The New Series: The Diary of River Song PDF Book Disc 2. Disc 1. Later, the Doctor returned the diary to River, telling her that all the writing had returned, but he hadn't peeked; foreknowledge is dangerous. They did I nice job with this temporally paradoxical mash-up. I think I'm addicted. The story is perfectly interesting, to begin with, but feels very disappointing by the end. This particular boxset takes place some time after her last on-screen adventure She's River, it's timey-wimey, who knows! River meeting earlier incarnations of her husband has almost become a running joke by this point. River is very sick and is being attended to by her husband. View all Our Sites. Has image. It is well worth listening to if you like River Song in any capacity plus 8 shows up in one of the adventures. Definitely one of the best things Big Finish did all year. Ghosts by Jonathan Morris is the final story in the set, bringing the Tenth Doctor and River Song together for one last time on the spooky planet of Demonese 2. Exactly this River I wanted to get to know better, space parties, ancient tombs, feminism, and cosmic freemasonry. That was so good.
    [Show full text]
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
    [Show full text]
  • The Wall of Lies #174
    The Wall of Lies Number 174 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA Final STATE Adelaide, September–October 2018 WEATHEr: Autumn Brought Him Free Leadership Vote Delays Who! by staff writers Selfish children spoil party games. The Liberal Party leadership spill of 24 August 2018 had an unfortunate consequence; preempting Doctor Who. Due to start at 4:10pm on Friday the 24th, The Magician's Apprentice was cancelled for rolling coverage of the three way party vote. The episode did repeat at 4.25am that day. Departing Prime Minister Malcolm Turnbull frankly told us (The Wall of Lies 155, July 2015) that he had never watched Doctor Who. Incoming Prime Minister Scott Morrison thoughts on the show are not recorded. O The Wall of Lies lobbies successive u S t Communications Ministers to increase So on Regeneration: the 29th and 30th Prime resources and access for preserving the n! Ministers reunite for an absolutely dreadful nation’s television heritage. anniversary show. Free Tickets for Doctor Who Club! by staff writers BBC Worldwide and Sharmill Films come through again! On 20 August 2018 Sharmill Films said they had a deal with the BBC to present the as SFSA magazine # 33 yet unnamed series 11 premiere of Doctor Who in Australian cinemas. O u N t No ow Sharmill has presented the screenings of ! The Day of The Doctor (24 November 2013), Deep Breath (24 August 2014), The Power of the Daleks and The Return of Doctor Mysterio (12 November and 26 December 2016, respectively), The Pilot, Shada, and Twice Upon a Time (16 April, 24 November and 26 December 2017).
    [Show full text]
  • Dr Who Pdf.Pdf
    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
    [Show full text]
  • Face the Raven
    The Black Archive #20 FACE THE RAVEN By Sarah Groenewegen Published June 2018 by Obverse Books Cover Design © Cody Schell Text © Sarah Groenewegen, 2018 Range Editors: Paul Simpson, Philip Purser-Hallard Editor: Kara Dennison Sarah would like to thank: Simon Belcher for his research into where the trap street might be in London, Simon Guerrier for his advice, Kara for her editorial skills, Philip for his patience, Steven Moffat for his vision of Doctor Who, and Sarah Dollard for talking to me about her amazing story. Sarah Groenewegen has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. CONTENTS Overview Synopsis Introduction Chapter 1: The Impossible Girl Chapter 2: Repercussions Chapter 3: London Chapter 4: Death and the Raven Bibliography Biography INTRODUCTION ‘[Desire] is the drive towards satisfying something which is ultimately unsatisfiable.’ [Patrick Fuery]1. Face the Raven is the first of three stories – continuing with Heaven Sent and Hell Bent (all 2015) – which begin with the Doctor and Clara joyously sharing a wild adventure, then chart a tragic miscalculation by Clara that leads to her death, and the capture of the Doctor by the Time Lords.
    [Show full text]
  • Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
    Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.
    [Show full text]
  • Web Version Please Subscribe to the Relative Times For
    Volume XVI Number 2 November/December 2004 Inside: Fast Forward, Part 3 Blake’s 7 Spinoffs All I Want for Dalekmas MTL’s 15th Anniversary Celebration And More WEB VERSION PLEASE SUBSCRIBE TO THE RELATIVE TIMES FOR THE FULL VERSION Milwaukee Time The Relative Times Lords Officers Logo Design Published 8 times a year by — Jay Badenhoop, Marti (2004-2005 term) The Milwaukee Time Lords Madsen, Linda Kelly c/o Lloyd Brown President th Contributors (Who to Blame): 2446 N. 69 Street Howard Weintrob . Wauwatosa, WI 53213-1314 Barbara Brown, John Brown, Andy DeGaetano, Debbie Frey, Dean Gustin, Jay Editor: ............. Barbara Brown Harber, Ed Hochman, and Marti Madsen. Vice President Art Editor ............ Marti Madsen Andy DeGaetano . News Editor .......... Mark Hansen And thanks to anyone whose name I may Newsletter Staff: have neglected to include. Treasurer Ellen Brown, Lloyd Brown Julie Fry.................... Secretary Ross Cannizzo............... Sergeant-at-Arms Contents Items in RED not included in web version Dean Gustin................. Meeting Schedule 3 Dalekmas Wishes 14 Chancellory 5 Fast Forward, pt. 3 17 Videos SF Databank 6 Blake’s 7 Spinoffs 24 Dean Gustin................. MTL 15th Anniversary 11 The Gallifrey Ragsheet 26 Fundraising From Beyond the Vortex Position open Newsletter Back to 28 pages again! I can breathe. Our cover is part of a much larger Barbara Brown............... drawing by Jay Harber. He did several versions of the same drawing – this one is of just the background. There are several versions with a rather nude Romana I, which are very good drawings, but which I can’t print in the Events newsletter.
    [Show full text]
  • Waiting for the End of the World Anna M
    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2012 Waiting for the End of the World Anna M. Keener Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Environmental Sciences Commons, and the Fine Arts Commons Recommended Citation Keener, Anna M., "Waiting for the End of the World" (2012). Graduate Theses and Dissertations. 12362. https://lib.dr.iastate.edu/etd/12362 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Waiting for the end of the world by Anna Michelle Keener A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: Stephen Pett, Major Professor Clare Cardinal-Pett Matthew Sivils David Zimmerman Iowa State University Ames, Iowa 2012 Copyright © Anna Michelle Keener, 2012. All rights reserved. ii For my family iii TABLE OF CONTENTS SOMETIMES WE BUILD FORTS 1 GRAVE DRESSING 21 EVACUATION PLAN 36 WAITING FOR THE END OF THE WORLD 52 IN THE EVENT OF A WATER LANDING 69 HOW TO BE LONESOME 91 WOMAN HIT BY TRAIN 110 REFERENCES CITED 125 ACKNOWLEDGMENTS 127 1 SOMETIMES WE BUILD FORTS I arrived for my internship at the International Wolf Center in time to watch the captive wolves eat a road kill deer.
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd STUART BIDDLECOMBE - Director of Photography CRAITH Director: Gareth Bryn. Producer: Ed Talfan. Severn Screen. CALL THE MIDWIFE (Series 7) Director: Syd Macartney. Producer: Annie Tricklebank. Starring: Jenny Agutter, Helen George and Laura Main. Neal Street Productions. DOCTOR WHO (Series 10, Episode 8) Director: Wayne Yip. Producer: Nikki Wilson. Starring: Peter Capaldi and Pearl Mackie. BBC. YEAR MILLION Director: Mark Elijah Rosenberg. Producer: Ben Rimmer. Starring: Stephen Hawking and Margaret Atwood. Radical Media / National Geographic. CALL THE MIDWIFE (Series 6) Directors: James Larkin and Syd Macartney. Producer: Annie Tricklebank. Starring: Jenny Agutter, Helen George and Laura Main. Neal Street Productions. SHERLOCK (Series 4) Director: Rachel Talalay. Producer: Sue Vertue. Starring: Benedict Cumberbatch and Martin Freeman. Hartswood Films Ltd. HINTERLAND (Series 3) Director: Gareth Bryn. Producer: Ed Talfan. Starring: Richard Harrington, Mali Harries and Hannah Daniel. Fiction Factory / S4C / BBC Wales / All3Media. RTS Craft and Design Award Nomination 2016 – Best Photography Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 STUART BIDDLECOMBE Contd … 2 DOCTOR WHO (Series 9, Episodes 11 & 12) Director: Rachel Talalay. Producer: Peter Bennett. Starring: Peter Capaldi and Jenna Louise Coleman. BBC. HINTERLAND Director: Gareth Bryn. Producer: Ed Talfan. Starring: Richard Harrington, Mali Harries and Hannah Daniel. All3Media / BBC Wales / S4C. TIR Director: Lee Haven-Jones. Producers: Lee Haven-Jones and Roger Williams. Starring: Lucy Hannah, Sion Ifan, Gwawr Loader and Rhian Morgan. Joio. BAFTA Cymru Nomination 2015 – Best Photography & Lighting DOCTOR WHO (Series 8, Episodes 11 & 12 - 2nd Unit) Director: Rachel Talalay.
    [Show full text]
  • Vera Sidhwa - Poems
    Poetry Series Vera Sidhwa - poems - Publication Date: 2016 Publisher: Poemhunter.com - The World's Poetry Archive Vera Sidhwa() www.PoemHunter.com - The World's Poetry Archive 1 A Bear Oh teddy, I cuddle you, I look for the softness in you. My cuddling makes you soft, On my sofa cushion. I sit with you on my lap. Oh bear, I meet you in the forest. I see all your huge fur, And large, sharp teeth, In your big mouth. And I run the other way. Vera Sidhwa www.PoemHunter.com - The World's Poetry Archive 2 A Bird A Bird It was in my brain. It was in my veins. It just took off and then, Flew it's own way in and out. The trees rocked in the wind. All nature seemed in, A fury and crazy. The bird flew away. This was a real bird you see. It was in and out of me. I looked at in glee. It was the bird of perfection. I knew it would bring news to me. For this I could really see, That all ideas have wings of their own. And this idea did too. Vera Sidhwa www.PoemHunter.com - The World's Poetry Archive 3 A Chiming Bell A Chiming Bell A chiming bell resounded through, The daisies and flowers of this field. A chime heard by the flowers, Was their ever wanting need. You see, their field was silent, And the flowers needed a sound. The chiming bell knew this, So it chimed about and around. Through the loud fields now, The flowers began to listen.
    [Show full text]