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Ashton Patriotic Sublime.5.Pdf (9.823Mb)
commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4). -
Policy Making Through a Public Prism Tony Stoller Thursday 1 November
Policy making through a public prism Tony Stoller Chair, Joseph Rowntree Foundation, Joseph Rowntree Housing Trust Thursday 1 November 2012 - Gresham College For a good deal of the past 40 years, I have variously observed, participated in, tried to influence, been impressed by, been appalled by, the way in which public policy has been made in the UK. Over that time, I have noted a significant shift in the relationship between the making of public policy and the way in which public discourse on policy issues is conducted. Over the next 40 minutes, I want to describe the new paradigm which has emerged to replace what we have all understood as the norm for making public policy and hearing public opinion. We no longer inhabit the age of mere „Government by spin‟. What we have now is a completely new paradigm for public policy-making, dominated and managed by what we can call the „new elite‟.1 It is a coalition of politicians, policy wonks, commentators, journalists and media owners, who both shape and comment upon policy. They are the masters now, and they jointly take part in a symbiotic dance, which the public is encouraged to believe they are part of, but from which they are in reality consciously excluded. I am going to look first this evening at the way in which that new nexus has emerged; at the consequent new policy paradigms, and the nature of the public interest within that. I will then consider a range of examples from three different sectors to illustrate how this changed way of making public policy has had its effect. -