JON CHRISTOPHER NELSON

University of North Texas 5041 Oak Bend Circle College of Music Denton, Texas 76208 415 Ave. C, PO Box 311367 phone: (940) 382-5147 Denton, Texas 76203-1367 phone: (940) 369-7531 fax: (940) 565-2002 email: [email protected]

EDUCATION

Ph.D. 1991 Brandeis University, Waltham, Massachusetts (Music Composition and Theory) M.F.A. 1988 Brandeis University, Waltham, Massachusetts (Music Composition and Theory) B.A. 1982 Bethel College, St. Paul, Minnesota (Music and Music Education), magna cum laude

DISSERTATION THESIS: “Compositional Technique In Elliott Carter’s Penthode: A Study In Phraseology And Formal Design.”

DISSERTATION COMPOSITION: Six études brèves for violoncello and computer-processed tape.

SPECIAL STUDIES IN MUSIC COMPOSITION AND THEORY Digital Audio Processing at the Massachusetts Institute of Technology with Barry Vercoe. Private studies in computer music composition with Charles Dodge. Composition studies with Allen Anderson, Arthur Berger, and Martin Boykan. Composition seminars with Jack Beeson, Mario Davidovsky, and Olly Wilson. Composition master classes with Paul Fetler, George Rochberg, and Joseph Schwantner. Serial and set theory with Martin Boykan. Schenkerian theory with Allan Keiler and Allen Anderson.

ADMINISTRATIVE EXPERIENCE

ASSOCIATE DEAN FOR OPERATIONS University of North Texas College of Music, Fall 1999-present. Responsible for: facilities operations for the seven College of Music buildings college computer infrastructure and support for over 200 networked computers concert production for approximately 1,100 concert events per year faculty/staff relations supervising all concert production, technical support, budget office, recording services, and administrative staff studio/office space allocation for 101 full-time faculty and administrators, 30 full-time staff members, 34 adjunct faculty, and 133 teaching fellows and assistants budget management and planning for the $12 million budget assisting with development activities Jon Christopher Nelson, page 2 grant writing activities in music technology receiving over $130,000 in funding financial reporting to the central administration overseeing all college purchasing college telecommunications concert recording services college photocopying services Directing the MoUNTain Music Institute at Crested Butte, Colorado (summer 2001)

Initiatives include: Overseeing the Voertman Hall renovation project. Overseeing the Music Commons renovation. Coordinator for the Perot Museum Social Sciences event on October 4, 2013, with more than 50 participants from UNT, numerous poster presentations, interactive workstations, an instrument petting zoo and a concert. Overseeing the Concert Hall renovation project. Overseeing the Acoustic Isolation renovation project. Overseeing the Recital Hall and Kenton Hall seating renovation projects. Overseeing the final stages of completion of the Murchison Performing Arts Center at the University of North Texas College of Music. Development of Murchison Performing Arts Center facilities use and rental policies. Development of Murchison Performing Arts Center staff operations and event production policies. Creating and implementing a new, comprehensive internal accounting system.

Committees: Member of the Music Dean Search Committee, 2015-16. Member of the I35E Expansion Project Committee, 2014-16. Member of the University Student Computer Lab Redesign Committee, 2015-16. Member of the UNT Fee Consolidation Committee, 2014-15. Member of the Associate Vice President for Facilities advisory search committee, Summer 2013. Member of the Main Auditorium Renovation Committee, 2012-13. Member of the I35 bridge construction committee, 2012-13. Member of the IT Advisory Council and the Research IT Advisory Council, 2011-present. iARTA Cluster Search Committee, Spring 2008. Chair, Division of Composition Studies RPTC, 1999, 2000, 2003, 2005, 2007, 2008, 2010, 2013. Chair of numerous staff search committees, 1999-present. Associate Dean Representative on the UNT Space Assessment Committee, Fall 2009-present. Member of the Learning Enhancement Program Group, Fall 2004-present. Member of the Instructional Technology Committee, Fall 2008-present. Member of the Space Management and Facilities Use Coordination Committee, Summer 2001- 2007. Member of the Research Program Group, Fall 2001-present. Member of the Committee on the organizational Structure of Engineering, Fall 2001. Member of the Music Composition Search Committee, Fall, 1999-Spring 2000. Member of the University Instructional Resources Committee, Spring, 1999-present. Member of the Instructional Program Group, Fall, 1997-Spring 2008. Head of the College of Music Technology Task Force, Fall, 1997-Spring 2000. Member of the College of Music Web Oversight Committee, Fall, 1998-present. Member of the College of Music Ph.D. committee, Fall, 1996-Summer, 2000. Jon Christopher Nelson, page 3

INTERIM CHAIR, DIVISION OF COMPOSITION STUDIES University of North Texas College of Music, Fall, 2015 and Fall, 2008. Responsible for overseeing all aspects of the operations of the Division of Composition Studies, covering for the Division Chair while he was on a Faculty Development Leave.

DIRECTOR, CENTER FOR EXPERIMENTAL MUSIC AND INTERMEDIA University of North Texas College of Music, Fall 1996-Summer 2000, Fall 2004-Spring 2005, Fall 2011. Responsible for all aspects of computer music studio maintenance, planning, purchasing, and grant writing. Supervise five teaching assistants and several hourly workers. Was successful in obtaining grants from the Aaron Copland Foundation and Digidesign (audio hardware donation with matching university funding).

PRESIDENT, SOCIETY FOR ELECTRO-ACOUSTIC MUSIC IN THE US (SEAMUS) March 2000-March 2004. Responsible for all aspects of organizational operations, including managing annual budget, recruiting national conference host institutions, providing national conference oversight, providing publications (Journal and Newsletter) oversight, managing young composers competition, managing organizational elections, and providing oversight to recording projects.

PRESIDENT, CONSORTIUM TO DISTRIBUTE COMPUTER MUSIC (CDCM) Fall 2000-2012 Responsible for the production of a compact disc recording series of new computer music. Responsible for all artistic, financial, and administrative aspects of CDCM.

CHAIR, NASM ACCREDITATION COMMITTEE Florida International University, Department of Music, 1993-1996. Responsible for writing, editing, and compiling the self-study document that lead to Florida International University obtaining accreditation by the National Association of Schools of Music. This was the first effort to obtain accreditation from the NASM at Florida International University. In addition to creating the self-study document, I lead the department through a variety of necessary sweeping curricular changes and coordinated all aspects of the accreditation team’s travel accommodations.

DIRECTOR, ELECTRONIC MUSIC STUDIOS Florida International University Department of Music, Fall 1991-Spring 1996. Responsible for all aspects of computer music studio development, maintenance, planning, purchasing, and grant writing.

PRESIDENT, LEAGUE OF COMPOSERS ISCM, BOSTON CHAPTER Boston, March 1988-May 1989. Responsible for all aspects of organizational operations, including concert series production and comprehensive Boston event calendar production for all contemporary music activities.

Jon Christopher Nelson, page 4

TEACHING EXPERIENCE

PROFESSOR OF MUSIC COMPOSITION AND COMPUTER MUSIC Associate Professor 1996-2000, Full Professor 2000-present University of North Texas College of Music, Fall 1996-present. Courses taught include Digital Sound Sculpting, Time and Rhythm in Contemporary Music, Delay- Based Digital Signal Processing, Graduate Student Composition Seminar, Physical Modeling of Acoustic Sound and Space, Composing for Loudspeakers, Analysis of Electro-Acoustic Music, Structural Multiplicities, Granular Synthesis, Electro-Acoustic Music I, Electro-Acoustic Music II, Seminar in Computer Music Media III, Seminar in Computer Music Media IV, Advanced Computer Music Systems I, Advanced Computer Music Systems II, Intermedia Performance Seminar, Multimedia Performance Arts, and Composition Lessons. Director of the Center for Experimental Music and Intermedia (CEMI), Fall, 1996-Summer, 2000 and Fall 2004-Spring 2005. Director of the MoUNTain Music Institute Computer Music Workshops in Crested Butte, Colorado, Summer, 1998 and 1999. Member of the Faculty Senate, Fall, 1997-Summer, 1999. Member of the University Election Committee, Fall, 1997-Summer, 1999. Member of the University Curriculum Committee, Spring, 1997-Spring, 1999. Member of the University Committee on Faculty Participation in Governance, Fall, 1998-Summer, 1999. Member of the Music and Fine Arts Education Building Grand Opening Committee, Spring, 1997- Spring, 1999. Member of the Music History Search Committee, Fall, 1997-Spring, 1998. Member of the Network Administrator Search Committee, Fall, 1996. Member of the Network Assistant Search Committee, Fall, 1996. Member of the Innovative Projects Proposals Selection Committee, Spring, 1997.

ASSISTANT PROFESSOR OF MUSIC COMPOSITION AND THEORY Florida International University, Fall 1991-Spring 1996. Courses taught include Composition I-VI, MIDI Technology, Electronic Music I-III, Digital Signal Processing and Sound Synthesis, Schenkerian Analysis, Form and Analysis, Music Theory I-IV, Sight-Singing I-IV, Fundamentals of Music, New Music Ensemble, and Composition Forum. Director of the FIU Electronic Music Studio, Spring 1994-Spring 1996. Chair of the National Association of Schools of Music accreditation committee, 1993-1996. Committee member/technical consultant on the Fine Arts Complex Planning Committee, 1993-1996. Director of computer assisted instruction, Fall 1991-Spring 1996. Co-director of the FIU Electronic Music Studio, Fall 1991-Fall 1993. Co-director of the May in Miami Festival Fall 1992-Spring 1996. Co-director of the FIU New Music Ensemble, Fall 1991-Fall 1993. Head of lower division music theory, Fall 1991-Spring 1994. Acting head of music theory division, 1991-92. Member of the School of Education NCATE accreditation committee, Spring 1995-Spring 1996. Member of the piano search committee, 1993-94. Concert Calendar Coordinator, 1992-93.

ASSISTANT PROFESSOR OF MUSIC Berklee College of Music, Fall 1988-Spring 1991. Courses taught include Traditional Harmony/Composition I, Traditional Harmony/Composition II, Counterpoint I, and Counterpoint II.

INSTRUCTOR OF MUSIC Brandeis University, Fall 1990-Spring 1991. Responsible for teaching Music Theory III.

VISITING ASSISTANT PROFESSOR OF MUSIC Clark University, Spring 1988. Responsible for teaching Music Theory I and Twentieth-Century Music Literature and Analysis.

TECHNICAL ASSISTANT Massachusetts Institute of Technology, 1986-1988. Assistant for Mario Davidovsky (Spring 1988), Morton Subotnick (Fall 1986), and Jean-Claude Risset (Spring 1987). Designed and manipulated sounds using the Csound computer language during their residencies at the Media Lab.

TUTOR Massachusetts Institute of Technology, Fall 1984-Spring 1986. Assisted students in mastering the Csound programming language and guided them in their compositional choices for the courses Techniques of Digital Audio Processing and Computer Music Composition.

TEACHING ASSISTANT Brandeis University, Fall 1985-Spring 1988. Responsibilities included designing and administering weekly ear training, sight singing, and keyboard harmony exercises for four semesters in the course Music Theory I and one semester of Fundamentals of Music. Also led weekly discussions and lectured in the course Introduction to Music.

Jon Christopher Nelson, page 6

HONORS AND AWARDS FOR COMPOSITIONS

International Computer Music Conference 2016 Music Track recording, recognizing Inside a Cloud of Butterflies as one of the top 12 highest-rated works from among more than 600 conference submissions.

Visby International Center for Composers Residency, 2013, to compose a new work for electric guitar and computer music. The work is commissioned by Swedish guitarist Stefan Östersjö and is also supported by a UNT Research and Creativity Enhancement Grant.

International Computer Music Association 2012 Americas Region Award, recognizing Turbulent Blue as the highest ranked work from North and South America at the International Computer Music Conference in Ljubljana, Slovenia.

2012 International Computer Music Conference compact disc inclusion. Turbulent Blue was selected by a two-tiered, double-blind international jury for inclusion in the conference compact disc.

Electroacoustic Competition Música Viva 2011, Honorable Mention, for Turbulent Blue, Portugal

Joensuu Soundscape Composition Competition 2011, finalist, for Just After the Rain, Joensuu, Finland

Creative Impact Award, 2010 finalist, University of North Texas, Denton, TX

Destellos Competition 2010, finalist, for Turbulent Blue, Mar de Plata, Argentina

Creative Impact Award, 2009 finalist, University of North Texas, Denton, TX

Music from SEAMUS Compact Disc inclusion, 2009 Objet sonore/objet cinétique selected by a national jury for inclusion on Music from SEAMUS volume 19 compact disc recording (EAM 2009)

Institut international de Musique Electroacoustique de Bourges Commission, 2009 to compose Turbulent Blue in residence in Bourges, France

VII CIMESP 2007, Concurso Internacional de Música Eletroacústica de Sao Paulo, Second Prize objet sonore/objet cinétique, released on the CIMESP CD recording

Institut international de Musique Electroacoustique de Bourges Commission, 2006 to compose objet sonore/objet cinétique in residence in Bourges, France

Bourges Compendium International Compact Disc inclusion, 2005 L’Horloge imaginaireselected for inclusion on Compendium International 2002 Bourges compact disc recording (LDC 278 11 25) Jon Christopher Nelson, page 7

Bourges Euphonies d’Or Prize, 2004 Scatter for 8-channel tape was recognized as one of the ten best works from 1994-2004, joining the other 20 works that had been recognized as the twenty best works from 1974-1994

Music from SEAMUS Compact Disc inclusion, 2004 L’Horloge imaginaire selected by a national jury for inclusion on Music from SEAMUS volume 14 compact disc recording (EAM 2005)

Sonic Circuits X Compact Disc Inclusion, 2003 Dhoormages selected by a national jury for inclusion on the American Composers Forum “Sonic Circuits X” compact disc recording (Innova 119)

Bourges Prize, 2002 Trivium Prix for Tape Scatter for 8-channel tape

Institut international de Musique Electroacoustique de Bourges Commission, 2001 to compose l’Horloge imaginaire in residence in Bourges, France

Sonic Circuits IX Compact Disc Inclusion, 2001 Scatter selected by a national jury for inclusion on the American Composers Forum “Sonic Circuits IX” compact disc recording (Innova 118)

Music from SEAMUS Compact Disc inclusion, 2000 Scatter selected by a national jury for inclusion on Music from SEAMUS volume 10 compact disc recording (EAM 2001)

20th Annual Bowling Green Festival of the Arts Commission, 1999 to compose Scatterfor 8-channel tape

Music from SEAMUS Compact Disc inclusion, 1999 Other Terrains selected by a national jury for inclusion on Music from SEAMUS volume 9 compact disc recording (EAM 2000)

Bourges Prize, 1999 Quadrivium Prix for Tape and Instrument (honorable mention) Other Terrains for percussion ensemble and tape

Bourges Prize, 1999 Quadrivium Prix for Sound Installation or Environment (honorable mention) Flights of Fancy for fireworks and tape

ICMC'98 Commission, 1998 to compose Other Terrains for the University of Michigan at Ann Arbor Percussion Ensemble, live electronics, and tape

Arlington Choral Society Commission, 1998 to compose On the Porch for chorus and chamber ensemble for the Arlington Choral Society 25th Anniversary Concert Jon Christopher Nelson, page 8

Music from SEAMUS Compact Disc inclusion, 1997 They Wash Their Ambassadors in Citrus and Fennel selected by a national jury for inclusion on Music from SEAMUS volume 7 compact disc recording (EAM 9801)

Bourges Prize, 1997 selected software GrainMaker 2.0 soundfile granulation program

Young Americans Choral Competition Finalist, 1997 Deum laudent, o Maria, Pro te Virgo puerpera for a cappella chorus

Bourges Prize, 1996 Quadrivium Prix for Tape and Instrument They Wash Their Ambassadors in Citrus and Fennel for voice and tape

First Prize in the 17th International Luigi Russolo Competition, 1995 They Wash Their Ambassadors in Citrus and Fennel for voice and tape

Florida Arts Council Individual Artist Fellowship in Music Composition, 1995-96 new work for tape alone

Music from SEAMUS Compact Disc inclusion, 1994 Six etudes brèves selected by a national jury for inclusion on Music from SEAMUS volume 4 compact disc recording (EAM 9501)

Guggenheim Foundation Fellowship in Music Composition, Stockholm and Miami, 1994-95 Fantasies and Flourishes, an interactive concerto for Disklavier and orchestra They Wash Their Ambassadors in Citrus and Fennel for voice and tape, commissioned by Joan La Barbara and composed in Sweden's National Electronic Music Studio (EMS)

National Endowment for the Arts Composer Fellowship, 1994-95 abstractions for contrabass, piano, and optional digital signal processor

Florida Individual Artist Fellowship Certificate of Artistic Merit, 1993 Six études brèves for violoncello and tape Waves of Refraction for guitar and tape

Atlantic Center for the Arts Residency Fellowship, 1993 Concerto Fragment for solo Disklavier

Meet the Composer Grants, 1992 and 1987 Shifting Ground, multi-media installation at the New World School for the Arts Gallery, Miami, Florida, as a part of the South Florida Composers Alliance Intermix festival Passing Time, Boston Museum of Science Electronic Music Exhibit performances

Composers Recording Society Recording Grant Honorable Mention, 1992 Six études brèves for violoncello and tape

Fulbright Grant for Graduate Studies in Stockholm, Sweden, 1989-90 Six études brèves for violoncello and tape at Sweden's Institute for Electro-Acoustic Music (EMS) Jon Christopher Nelson, page 9

ASCAP Grant for Young Composers, 1989 Concerto Variations for chamber ensemble

Wellesley Composers' Conference Fellowship, 1989 Concerto Variations for chamber ensemble

ALEA III New Works Commission, 1989 Concerto Variations for chamber ensemble

Reiner Prize in the Composition of Music, Brandeis University, 1986-87 Chamber Symphony for chamber ensemble

National Federation of Music Clubs' National Composition Competition honorable mention, 1986 Resonances for piano quintet and tape

Jerome Foundation/Plymouth Music Series Commission, 1985 Small Song for SATB choir

Grand Prize in the Virginia College Band Directors National Association's Symposium IX for New Band Music, 1984 Creation for wind ensemble, soprano soloist, and narrator

Minnesota Composers' Forum Demo-Taping Project, 1983-84

Dorland Mountain Colony for the Arts Residency, 1983

West Bank School of Music's 1982-83 New Music Workshop Fellowship, 1982-83

RESEARCH GRANTS

University of North Texas Research and Creativity Enhancement Grant, 2013 To compose a new work for electric guitar and interactive computer music, commissioned by Swedish guitarist Stefan Östersjö. The grant will support travel toe the Visby International Center for Composers where I have been awarded a residence in May, 2013.

University of North Texas Research and Creativity Enhancement Grant, 2009 to perform physical modeling research and trans-coding work that will be utilized in the composition Turbulent Blue

University of North Texas Research Opportunity Grant, 2002 to develop software tools for 8-channel sound diffusion and processing and compose a work for tape

University of North Texas Research Opportunity Grant, 2000 to develop software for 8-channel granular synthesis and compose a work for tape

Jon Christopher Nelson, page 10 University of North Texas Research Opportunity Grant, 1999 to develop software for real-time granular and wave terrain synthesis and compose a work for tape

University of North Texas Research Opportunity Grant, 1998 to research wave terrain synthesis and compose Other Terrains for percussion and electronics

University of North Texas Research Opportunity Grant, 1997 to compose the rain has a slap and a curve and to enhance my GrainMaker program

Florida International University Faculty Development Grants, 1992 to attend the performance of Six études brèves at the Carnegie Hall Weill Recital hall

Florida International University Faculty Development Grants, 1992 to attend the performance of Six études brèves at the 1992 International Computer Music Conference

Florida International University Faculty Development Grants, 1991 to record Waves of Refraction on the NEUMA label

Florida International University Faculty Development Grant, 1991 to purchase study scores of works by various 20th-century composers for theory research

Brandeis University Travel Grant, Brandeis University, 1986 to attend the International Computer Music Conference in Den Haag, the Netherlands.

OTHER GRANTS

Digidesign Equipment Grant, 1998 ($30,000 with $60,000 university matching funds) to develop the general access and CEMI laboratories

Departmental Technology Grant, 1998 ($20,000) to create a technology infrastructure and develop web-based courses delivery in the College of Music

The Aaron Copland Fund for Music, Inc. Recording Grant, 1997-98 ($5,000 with $12,000 match) to record the “CEMIsonics: The Threshold of Sound” CD on the Centaur label CDCM series. This recording features works by composers working at the CEMI.

Texas Instruments Singing Voice Synthesis Grant, 1997-98 ($4,950) to assist in collecting and analyzing sung voice data

State of Florida Teaching Incentive Program, 1996 ($5,000 raise in base teaching salary)

Florida International University Academy for the Art of Teaching, 1993-94 to purchase CAI hardware and software and to further develop CAI in the music dept. curriculum

Jon Christopher Nelson, page 11 RECORDINGS AND PUBLICATIONS

Inside a Cloud of Butterflies, released in September 2016 on the on the International Computer Music Association's ICMC 2016 conference Music Track recording. llusory Lines, released in October, 2016 on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2016 Visiones Sonoras Festival in Morelia, Mexico.

Turbulent Blue, released in 2015 on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the Miso Music Portugal 2015 Festival CD.

Turbulent Blue, released in 2012 on the International Computer Music Association’s ICMC 2012 CD.

Gerry Rigged, released in 2012 on the Centaur label's Consortium for the Distribution of Computer Music (CDCM) CD Series, Volume 39.

Turbulent Blue, released in 2011 on the companion CD in Stephen Lias’ Contemporary Art Music in Texas: a Guide to Composers, Organizations, and Degree Programs. Nacogdoches, TX: SFA Press, 2011. objet sonore/objet cinétique, released in 2010 on the Society for Electro-Acoustic Music in the United States “Music from SEAMUS 19” compact disc (EAM 2009). objet sonore/objet cinétique, released in 2009 on the CIMESP International Competition Prize Winners compact disc, Studio PANorama, Musica Maximalista Vol. 14, Sao Paulo, Brazil (AA0001000).

L’Horloge imaginaire, released in 2005 on the Society for Electro-Acoustic Music in the United States “Music from SEAMUS 14” compact disc (EAM 2004).

L’Horloge imaginaire, released in 2004 on “Chrysopée Electronique 22,” Mnémosyne Musique Média Bourges Compendium International 2002 Bourges CD in France (LDC 278 11 25).

Dhoormages, released in 2003 on the American Composers Forum “Sonic Circuits X” compact disc (Innova 119).

Scatter, released in March 2003 on “Cultures électroniques no. 16,” Mnémosyne Musique Média Bourges 2002 Prix Quadrivium CD in France (LDC 278 076/77).

They Wash Their Ambassadors in Citrus and Fennel score and audio excerpts, published in Michael Edward Edgerton’s The 21st Century Voice, Scarecrow Press, 2004.

Composer interviews: Jon Nelson in International Computer Music Association’s ejournal Array, http://www.computermusic.org/array, 11-3-2002.

Scatter, recording released in October 2001 on the American Composers Forum “Sonic Circuits IX” compact disc (Innova 118). Jon Christopher Nelson, page 12

Scatter, recording released in June 2001 on the Society for Electro-Acoustic Music in the United States “Music from SEAMUS 10” compact disc (EAM 2001).

Other Terrains, recording released in April 2000 on the Society for Electro-Acoustic Music in the United States “Music from SEAMUS 9” compact disc(EAM 2000).

Review of Annette Vande Gorne’s “Impalpables.” in Array: Communications of the ICMA, Vol. 19, No. 3, Winter 1999.

"Understanding and Using Csound’s GEN Routines." In The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.

"Composing With Csound: Granular Strategies" on the CD-ROM accompanying The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.

GrainMaker 2.0, a Csound soundfile granulation score generator, on the CD-ROM accompanying The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.

GrainMaker 2.0, a Csound soundfile granulation score generator, available via ftp from ftp://ftp.ircam.fr/pub/forumnet/max/FAT/applications/ the rain has a slap and a curve, recording released in November 1998 on the Centaur label's Consortium for the Distribution of Computer Music (CDCM) CD Series, Volume 27, "CEMIsonics: The Threshold of Sound," CRC 2407.

A Chris Mann Mambo, released in April 1998 on the The Frog Peak Collaborations Project CD (FP007).

They Wash Their Ambassadors in Citrus and Fennel, recording with Heidi Dietrich Klein performing, released in March 1998 on the Society for Electro-Acoustic Music in the United States "Music from SEAMUS 7" compact disc (EAM 9801).

Review of David Tudor's "Three Works For Live Electronics." in Array: Communications of the ICMA, Vol. 17, No. 2, Summer 1997, pp. 16-17.

They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in March 1997 on “Cultures électroniques no. 9,” Mnémosyne Musique Média Bourges 1996 Prix Quadrivium CD in France (LDC 278 060/61).

They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in November 1995 on the 17th International Luigi Russolo Competition winners CD in Italy.

They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in September 1995 on the International Computer Music Association's ICMC 95 "Digital Playgrounds" compact disc.

Six études brèves, recording with Rhonda Rider performing released in May 1995 on the Society for Electro-Acoustic Music in the United States "Music from SEAMUS 4" compact disc (EAM-9501).

Jon Christopher Nelson, page 13 Waves of Refraction, recording with William Buonocore performing released in August 1994 on the NEUMA "Electro-Acoustic Music III" compact disc (NEUMA 450-87).

"Guide to World Wide Web and FTP Sites," Society for Electro-Acoustic Music in the United States Newsletter, Vol. 6, No. 1, Spring 1996.

"The Musician's Internet Primer," Society for Electro-Acoustic Music in the United States Newsletter, Vol. 5, No. 4, winter 1995.

SIGNIFICANT PERFORMANCES OF COMPOSITIONS

Electro-Acoustic Works

Illusory Lines for 8-channel fixed media, 2015 (10:48”) Premiered February 15, 2016, CEMI concert, UNT, Denton, TX, USA. Performed on November 24-26, 2017, HELMCA Electroacoustic Music Days 2017 Festival, Department of Music Technology, TEI, Crete, Greece. Performed on October 26, 2017, Musicacoustica Festival, Recital Hall, Central Conservatory of Music, Beijing, China. Performed on September 27, 2017, CIME Festival, Rachmoninov Concert Hall, Moscow Conservatory of Music, Moscow, Russia. Performed on April 21, 2017, SEAMUS National Conference, St. Cloud, State University, St. Cloud, MN, USA. Performed on November 4, 2016, Third Practice Electroacoustic Music Festival, University of Richmond, Richmond, VA, USA. Performed on October 21, 2016, Bristol University Loudspeaker Orchestra concert series, Bristol, United Kingdom. Performed on October 7, 2016, Visiones Sonores Festival, Morelia, Mexico. Performed on September 12, 2016, International Computer Music Conference (ICMC), Pandora Hall, Tivoli Vredenburg, Utrecht, the Netherlands. Broadcast since August, 2016, Electronic Frequencies program, Game Changers series, http://www.concertzender.nl/programma/electronic-frequencies-676/?date=2016-08-07 Broadcast May 8, 2016, WORT 89.9 FM Community Radio, R.T.Q.E. program, Madison, WI, USA, wort-fm.org.

Guitar Conduction #1: Taut Steel for electric guitar and fixed media, 2013 (11:05”) Commissioned by Stefan Östersjö. Premiered by Stefan Östersjö, June 12, 2014, CCRMA Concert Series, Stanford University, Stanford, CA, USA. Performed by Owen Hopper on April 12, 2017, Red Noise! Ensemble concert, Otterbein University, Westerville, Ohio, USA. Performed by Chapman Welch, March 26, 2015, SEAMUS National Conference, Fife Auditorium, Virginia Tech, Blacksburg, VA, USA. Performed by Stefan Östersjö, October 24, 2014, Deptford Town Hall Council Chamber, Goldsmiths University of London, London, UK. Performed by Michalis Moschoutis, September 16, 2014, International Computer Music Conference, Athens, Greece. Jon Christopher Nelson, page 14 Performed by Stefan Östersjö, June 13, 2014, CCRMA Concert Series, Stanford University, Stanford, CA, USA.

Bebop in the Forest of Lonely Rhythms for flute and interactive electronics, 2012 (13:30”) Commissioned by Elizabeth McNutt. Premiered by Elizabeth McNutt on October 8, 2012, CEMI concert, UNT, Denton, TX, USA. Performed by Elizabeth McNutt on September 26, 2015, International Computer Music Conference (ICMC), University of North Texas, Denton, TX USA. Performed by Nikolos Dimopoulos, May 29, 2014, Idee Fixe Ensemble Concert, Mikropolous Social Space for Freedom, Thessaloniki, Greece. Performed by John McMurtery on November 13, 2013, Electronic Music Concert, Western Illinois University, Macomb, IL, USA. Performed by Elizabeth McNutt on October 4, 2013, Social Sciences Sound Event, Perot Museum of Science, CEMICircles Festival, Dallas, TX, USA. Performed by Elizabeth McNutt on April 19, 2013, SEAMUS National Conference, McNally Smith College, St. Paul, MN, USA.

In a Cloud of Butterflies for guitar and interactive electronics, 2011 (11:30”) Commissioned by Stefan Östersjö. Premiered on April 4, 2012, CEMI Guest Artist Concert, UNT, Denton, TX, USA. Performed by Reinhold Westerheide on September 16, 2016, International Computer Music Conference (ICMC), Hertz Hall, Tivoli Vredenburg, Utrecht, the Netherlands.

Turbulent Blue for stereo tape, 2009 (9:25”) Commissioned by the Institut International de Musique Electroacoustique de Bourges. Premiered on October 26, 2009, CEMI Centerpieces Concert, UNT, Denton, TX, USA. Performed on October 15, 2017, FeBeME Brussels Electronic Marathon Festival, Lavalée Performance Hall, Brussels, Belgium. Broadcast since August, 2016, Electronic Frequencies program, Game Changers series, http://www.concertzender.nl/programma/electronic-frequencies-676/?date=2016-08-07 Performed on October 2, 2015, Miso Music Portugal Festival, Lisbon, Portugal. Performed on September 9, 2012, International Computer Music Conference, Ljibljana, Slovenia. Performed on October 24, 2011, Cinema for the Ears Concert Series, Louisiana State University. Performed on September 22, 2011, Channel Noise V Festival, Georgia Southern University, Statesboro, GA, USA. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed on September 30, 2010, Bourges International Academy of Electroacoustic Music Concert, Bourges, France Performed on April 10, 2010, SEAMUS National Conference, St. Cloud, State University, St. Cloud, MN, USA. Performed on March 21, 2010, Primavera en La Habana Festival, Teatro Museo Nacional de Bellas Artes, Havana, Cuba. Performed on November 17, 2009, Sound Space: Musical Motion, Lipa Festival of Contemporary Music, Iowa State University, Ames, IA, USA. objet sonore/objet cinétique for stereo tape, 2007 (11:30”) Commissioned by the Institut International de Musique Electroacoustique de Bourges. Premiered on June 4, 2007, Festival Synthése, IMEB, Maison de la Culture, Bourges, France. Jon Christopher Nelson, page 15 Performed on February 25, 2017, CNMAT Concert Series, University of California at Berkeley, Berkeley, CA, USA. Broadcast since August, 2016, Electronic Frequencies program, Game Changers series, http://www.concertzender.nl/programma/electronic-frequencies-676/?date=2016-08-07 Performed on February 17, 2014, Spectrum Concert Series, Recital Hall, UNT College of Music, Denton, TX, USA. Broadcast on May 5, 2013, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed on October 24, 2011, Cinema for the Ears Concert Series, Louisiana State University. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed on November 10, 2010, Sonic Voyages Concert Series, University of Bristol, England, UK. Broadcast on October 11, 2010, WOBC 91.5 Foldover program, Oberlin, OH. Performed on February 17, 2010, UNC CHAT Digital Arts Festival, University of North Carolina, Chapel Hill, NC, USA. Performed on November 17, 2009, Lipa Festival of Conterporary Music, Iowa State University, Tye Recital Hall, Ames, Iowa, USA. Performed on July 11-12, 2009, Nuit Bleue 2009 Festival, Nuit Acousmatique concerts, Saline Royale d’Arc et Senans, Arc et Senans, France. Performed on April 18, 2009, SEAMUS National Conference, Sweetwater Sound, Fort Wayne, IN, USA. Performed on February 27, 2009, EAR-plugged Festival, Dublin, Ireland, UK. Performed on February 1, 2009, San Francisco Tape Music Festival, CELLspace, San Francisco, CA, USA. Performed on October 30, 2008, Visiones Sonoras 2008 Festival, Mexican Center for Music and Modern Arts, Morelia, Michoacan, Mexico. Performed on October 11, 2008, Pixilerations Festival, Providence, RI, USA. Performed on August 25, 2008, International Computer Music Conference, SARC Sonic Lab, Belfast, Ireland. Performed on August 15, 2008, PANaroma Unesp Teatro Sonoro, International Biennial for Electroacoustic Music of Sao Paulo, Sao Paulo, Brazil. Performed on July 10-12, 2008, Australasian Computer Music Conference, Audio/Video Jukebox, Sydney, Australia. Performed on March 8, 2008, New Genre XV Festival, Tulsa, OK, USA. Performed on September 24, 2007, CEMI Centerpieces Concert, UNT, Denton, TX, USA. Performed on August 28, 2007, CIMESP, PANaroma/Unesp - Teatro Sonoro, Sao Paulo, Brazil.

Anger Stone DVD with stereo audio, collaborative work with video artist Dave Ryan, 2006 (5:37”) Premiered on October 30, 2006, MEIT Theater, University of North Texas College of Music. Performed on April 5, 2017, 2 visages des musiques électroacoustiques festival, Musiques & Recherches, L’Espace Senghor, Brussels, Belgium. Performed on October 21, 2015, Setkavani Nove Hudby Plus + concert, Brno, Czechoslovakia. Performed on March 8, 2011, International Electroacoustic Music Festival, Whitman Hall, Brooklyn College, Brooklyn, NY, USA. Performed on March 3, 2011,Elektramusic Concert, Gare du Nord, Basel, Switzerland. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed on November 17, 2009, Lipa Festival of Conterporary Music, Iowa State University, Tye Recital Hall, Ames, Iowa, USA. Jon Christopher Nelson, page 16 Performed on May 16, 2009, ElektraMusic Festival, CEAAC Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, France Performed on April 22, 2009, Le Bruit de la Meige Festival, Le Brise Glace performance space, Annecy, France Performed on June 7, 2008, Festival Champs Libres 2008, Strasbourg, France. Broadcast on February 14 (17, 19, 20, 23-26, 29, March 3, 5, 8), 2008, broadcast on "Elektra," le magazine des musiques exérimentales on TNA, Freebox Télévision, channel 110, France amd on the internet at http://www.elektramusic.com/ Performed on January 24, 2008, New Media Concert, Bluffton University, Bluffton, OH, USA. Performed on December 19, 2007, Audiovision Concert, Brown University, Providence, RI, USA. Performed on August 31, 2007, SONOIMAGEBES 2007 Festival, Escuela de Arte Multimedial Da Vinci Auditorium, Buenos Aires, Argentina. Performed on March 10, 2007, SEAMUS National Conference, Iowa State University, Tye Recital Hall, Ames, Iowa, USA.

Just After the Rain for stereo tape, 2006 (10:46”) Premiered on June 3, 2006, at the Festival Synthése, Bourges, France. Performed on July 11, 12, and 13, City of Joensuu, Joensuu Soundscape Composition Contest, Joensuu, Finland. Performed on November 26, 2011, USO (Unidentified Sound Objects) Sonic Screens Concert, Milan, Italy. Performed on November 17, 2009, Lipa Festival of Conterporary Music, Iowa State University, Tye Recital Hall, Ames, Iowa, USA. Performed on April 5, 2008, SEAMUS National Conference, University of Utah, Salt Lake City, UT, USA. Performed on August 17, 2007, FUTURA Festival, déroulera à Crest, Drôme, France. Performed on September 18, 2006, MEIT Theater, University of North Texas College of Music, Denton, TX, USA. Performed on July 27, 2006, Centro Colombo Americano Concert, Bogota, Columbia.

Gerry Rigged for clarinet and live electronics using MAX/MSP, 2004 (approximately 8:00”-12:00”) Commissioned by Gerry Errante Premiered by Gerry Errante on September 28, 2004, MEIT Theater, University of North Texas College of Music. Broadcast on June 22, 2013, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed by John Scott on November 7, 2010, Voertman Hall Inaugural Series, UNT College of Music, Denton, TX, USA. Performed by Gerry Errante on October 9, 2006, Heidelberg College, Tiffin, OH, USA. Performed by Gerry Errante on October 5, 2006, University of Akron, Akron, OH, USA. Performed by Gerry Errante on October 14, 2005, Lipa Festival of Contemporary Music, University of Iowa, Ames, IA, USA. Performed by Gerry Errante on September 5, 2005, International Computer Music Conference, Barcelona, Spain. Performed by Gerry Errante on April 15, 2005, SEAMUS National Conference, Ball State University, Muncie, IN, USA. Performed by Gerry Errante on March 9, 2005, ElectriClarinet Concert, the Hartt School of Music, Hartford, CT, USA. Jon Christopher Nelson, page 17 Performed by Gerry Errante on September 30, 2004, Wayland Baptist University, Plainview, TX. l’Horloge imaginaire for 8-channel tape, 2002 (10:30”) Commissioned by the Institut International de Musique Electroacoustique de Bourges. Premiered on June 7, 2003 at the Festival Synthése, Bourges, France. Performed on March 20, 2017, Spectrum Concert Series, MEIT Theater, UNT College of Music, Denton, TX, USA. Broadcast since August, 2016, Electronic Frequencies program, Game Changers series, http://www.concertzender.nl/programma/electronic-frequencies-676/?date=2016-08-07 Performed on January 18, 2015, ICEM/CIME concert, Electroacoustic Music Days, Technological Education Institute of Crete, Rethymno, Crete. Performed on November 20, 2014, CIME/PCeME Concert, Audio Art Festival, Krakow, Poland. Performed on October 2, 2014, ICEM/CIME International Conference, Voertman Hall, UNT College of Music, Denton, TX, USA. Broadcast on April 15, 2013, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed on April 8, 2010, Channel Noise concert, Georgia Southern University, Statesboro, GA, USA. Performed on September 30, 2009, Mid-Autumn Harvest Moon Festival Electroacoustic Tongues Concert, Salle de Concert Oscar Peterson, Concordia University, Montreal, Canada. Performed on February 6, 2008, Musica Nova Concert, University of Missouri, Kansas City, MO, USA. Broadcast on January 13, 2008, Martian Gardens radio program, WMUA, FM 91.1, http://www.wmua.org/, Amherst, MA. Performed on October 13, 2007, Ai-maako Festival, Chilean Electroacoustic Community (CECh), Santiago, Chile. Performed on April 15, 2007, New Music Festival, Heidelberg College, Tiffin, OH, USA. Performed on November 5, 2006, University of Oklahoma Concert Series, Norman, OK. Performed on September 16, 2006, CMS/SCI National Conference, San Antonio, TX. Performed on May 21, 2006, Society for EA Music in Sweden, Fylkingen, Stockholm, Sweden. Performed on April 29, 2006, Open Sonorities Festival, Sonic Arts Research Centre, Belfast, Ireland. Broadcast on December 4, 2005, Martian Gardens radio program, WMUA FM 91.1, Amherst, MA. Performed on December 4, 2005, SUNY Stony Brook concert series, Stony Brook, NY. Performed on November 18, 2005, EuCuE Concert Series, Montreal, Canada. Broadcast on November 7, 2005, Foldover radio program, FM 91.5, Oberlin, OH Performed on November 3, 2005, TCMN Concert Series, Collin County Community College, Plano, TX. Broadcast on October 16, 2005, Martian Gardens radio program, FM 91.1, Amherst, MA. Performed on April 8, 2005, Florida Electroacoustic Music Festival, University of Florida, Gainsville, FL. Performed on March 31, 2005, BGSU New Music Ensemble, Bowling Green State University, Bowling Green, OH. Performed on February 12, 2005, Lipa Festival of Contemporary Music, University of Iowa, Ames, IA. Performed on February 7, 2005, Southeastern Oklahom State University, Durant, OK. Performoed on January 15, 2005, 5 Penny New Music Concerts, Laurentia University, Sudbury, Ontario, Canada. Jon Christopher Nelson, page 18 Performed on November 20, 2004, SCREAM Listening Room Concert, Califoronia Institute for the Arts, Los Angeles, CA. Performed on November 18, 2004, SJSU Concert Series, San Jose State University, San Jose, CA. Performed on May 19-22, 2004 at the Zeppelin Sound Art Festival, Orquestra del Caos, Antic Teatre, Barcelona, Spain. Performed on April 20, 2004, MEIT Theater, University of North Texas College of Music. Broadcast on April 14, 2004, P2 radio, Sweden. Performed on March 27, 2004, SEAMUS National Conference, Sand Diego State University, San Diego, CA. Performed on March 18, 2004, Most Significant Bit Concert, Mount Union College, Alliance, OH. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on November 16, 2003, L’Espace du Son Festival, Brussels, Belgium. Performed on November 10, 2003, Seoul International Computer Music Festival, Seoul, Korea. Performed on October 1, 2003, International Computer Music Conference, Singapore. Performed on September 26, 2003, Rice University, Houston, Texas. Performed on June 25, 2003, Festival Musica Scienza 2003, Rome, Italy.

Dhoormages for stereo tape, 2001 (6:48”) Premiered on February 4, 2002, MEIT Theater, University of North Texas College of Music. Broadcast on October 2, 2005, Martian Gardens Radio program, WMUA FM, Amherst, MA. I Am Sitting In A . . . (from Dhoormages) performed on November 4-6, 2011, in the exhibit "Alvin Lucier: A Celebration," Center for the Arts, Wesleyan University, Middletown, CT, USA. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on June 3, 2003, Workshop Screening Concert, Bowling Green State University, Bowling Green, OH. Performed on February 22, 2003, MADstudios Concert Series “Howler,” LSU, Baton Rouge, LA. Performed on December 11, 2002, Musica Nove Ensemble Series, UMKC, Kansas City, MO. Performed on November 11, 2002, Electric BSCit Concert, Birmingham-Southern College, Birmingham, AL. Performed on November 3, 2002, Computer Music Concert, SUNY Stony Brook, Stony Brook, NY. Performed on May 28, 2002, Bowling Green State University. Performed on April 4, 2002, SEAMUS National Conference, University of Iowa, Iowa City, IA.

Scatter for 8-channel tape, 1999, rev. 2000 (8:48”) Commissioned by the 20th Festival of Contemporary Arts, Bowling Green State University. Premiered on October 15, 1999, 20th Festival of Contemporary Arts, Bowling Green State University. Broadcast on March 22 and 25, 2015, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed on November 17, 2009, Lipa Festival of Conterporary Music, Iowa State University, Tye Recital Hall, Ames, Iowa, USA. Performed on October 1, 2009, Mid-Autumn Harvest Moon Festival Electroacoustic Tongues Concert, Salle de Concert Oscar Peterson, Concordia University, Montreal, Canada. Performed on July 11, 2008, Sweetwater Electroacoustic Music Concert Series, Sweetwater, Fort Wayne, IN, USA. Performed on September 11, 2007, LOGOS Foundation Concert Series, LOGOS Foundation Concert Hall, Gent, Belgium. Broadcast on July 15, 2007, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Jon Christopher Nelson, page 19 Performed on April 25, 2007, Concert Series, San Jose State University, San Jose, CA, USA Performed on April 22, 2007, Boston Cyberarts Festival Concert, New England Conservatory, Boston, MA, USA. Performed on November 1, 2004, International Computer Music Conference, University of Miami, Miami, FL. Performed on July 1, 2004, La Musica Toma el Museo, JIEM 2004, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. Performed on May 6, 2004, Festival Synthese, Palais Jaques Coeur, Bourges, France. Broadcast on April 14, 2004, P2 radio, Sweden. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on June 7, 2003 at the Festival Synthése, Bourges, France. Performed on December 11, 2002, Musica Nove Ensemble Series, UMKC, Kansas City, MO. Broadcast on November 2002 through 2003, Art of the States, WGBH Internet Broadcast, Boston, MA. Performed on October 9, 2002, Ball State University, Muncie, IN. Performed on September 13, 2002, Espace Go, Rien à voir festival, Montreal. Performed on June 17, 2002, Musica Nova Sofia Festival, Bulgarian Radio Concert Hall. Broadcast on March 13, 2002, Sonic Stratosphere program, KSER 90.7 FM, Seattle, WA. Performed on February 4, 2002, MEIT Theater, University of North Texas College of Music. Performed on November 30, 2001, EA Recital Series, UT Austin, Austin, TX. Performed on November 11, 2001, Alternative Impulse Electroacoustic Music Concert, Winthrop University, Rock Hill, South Carolina. Brodacast on November 19, 2001, Foldover program, internet broadcast, Oberlin, OH. Performed on January 10, 2001, Dan’s Bar, Denton, Texas, Texas Computer Musician’s Network concert. Performed on November 6, 2000, New Music Associates Concert, Cleveland State University. Performed on November 1, 2000, CEMI Concert Series, University of North Texas. Performed on May 6, 2000, New York University. Performed on March 10, 2000, SEAMUS Y2K national conference, University of North Texas College of Music.

Flights of Fancy for fireworks and tape, 1999 (6:45”) Premiered at the conclusion of the Grand Opening Concert of the University of North Texas “Murcheson Performing Arts Center” on February 20, 1999. Broadcast on October 28, 2016, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Broadcast on December 4, 2005, Martian Gardens radio program, WMUA FM 91.1, Amherst, MA. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on May 14, 2001, Birmingham Art Music Alliance, University of Alabama at Birmingham. Performed on September 21, 1999, CEMI Concert Series, University of North Texas. Performed on July 17, 1999, Crested Butte MoUNTain Music Institute, Crested Butte.

Other Terrains for percussion ensemble and tape, 1998 (12:02”) Commissioned by the 1998 International Computer Music Conference at Ann Arbor, Michigan. Premiered by the University of Michigan at Ann Arbor Percussion Ensemble on October 4, 1998, International Computer Music Conference, Power Center, University of Michigan at Ann Arbor. Jon Christopher Nelson, page 20 Broadcast on July 29, 2012, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed by the Sibelius Academt Percussion Ensemble, November 1, 2011,Musiihhitalo (Helsinki Music Centre), Helsinki, Finland. Performed by the IRAMA Percussion Quartet on October 31, 2011, CEMI Concert Series, University of North Texas. Broadcast on February 5, 2006, Martian Gardens radio program, WMUA FM 91.1, Amherst, MA. Performed on February 16, 2004, CEMI Concert Series, University of North Texas. Boradcast on August 31, 2002, Resonance FM (104.4), London, England. Brodacast on November 12, 2001, Foldover program, internet broadcast, Oberlin, OH. Performed on May 14, 2001, Birmingham Art Music Alliance, University of Alabama at Birmingham. Performed on September 21, 1999, CEMI Concert Series, University of North Texas. Performed on April 26, 1999, San Jose State University Percussion Ensemble Concert. Performed on April 22, 1999, Ithaca College Percussion Ensemble Concert, Ithaca, New York. Performed on March 28, 1999, at the SEAMUS (Society for Electro-Acoustic Music in the United States) National Conference at San Jose State University. Performed on February 6, 1999, Opperman Music Hall, Florida State University New Music Festival. Performed on November 10, 1998 during the CEMI 35th Anniversary Celebration, Merrill Ellis Intermedia Theater, University of North Texas. the rain has a slap and a curve for tape, 1997 (8:24”) Premiered on October 20, 1997, Southeastern Oklahoma State University, Texas Computer Musician's Network concert. Broadcast since August, 2016, Electronic Frequencies program, Game Changers series, http://www.concertzender.nl/programma/electronic-frequencies-676/?date=2016-08-07 Performed on February 26, 2008, UNT Friends of the Library Concert, Denton, TX, USA. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on November 3, 2001, MADstudio Concert, LSU Recital Hall, Baton Rouge, LA. Performed on October 25, 2001, Legacies Conference at the University of North Texas College of Music. Performed on March 2, 2001, SEAMUS National Conference, Louisiana State University, Baton Rouge, Louisiana. Performed on January 31, 2001, “Emthree” Concert, Ball State University College of Fine Arts. Performed on December 8, 2000, “Music Bytes” concert, Ives Hall, Lewis University, Romeoville, Illinois Broadcast on August 15, 1999, KNTU “Sounds of Texas: Music by Texas Composers” program. Performed on February 18, 1999, University of Glasgow Diffusion Concert Series, Scotland. Performed on December 3, 1998, 5th Computer Music Festival in Seoul, Korea. Performed on November 10, 1998, EuCuE 98-99 Concert Series, Concordia University, Montreal, Canada. Performed on September 12, 1998, Trenton Avant-Garde Festival, Trenton, New Jersey. Performed on July 15, 1998, Crested Butte MoUNTain Music Institute, The Depot, Crested Butte. Performed on March 22, 1998, Museo de San Idelfonso, Vox Electroacustica Festival, Mexico City, Mexico. Performed on February 28, 1998, on the Society of Composers, Inc, Region VI Conference, University of Texas in Arlington. Jon Christopher Nelson, page 21 Performed on November 11, 1997, on the Texas Computer Musician’s Network SEAMUS E-A Week Concert, University of North Texas. Performed on November 10, 1997, on the SEAMUS E-A Week Concert, University of South Carolina.

A Chris Mann Mambo for tape, 1996 (1:05”) Released on the Frog Peak Collaborations Project CD, Frog Peak Music (FP007), 1998. Premiered on August 25, 1997, at the University of North Texas Faculty Convocation. Performed on May 31, 2002, polytropos_beyond Cage, Tafelhalle, Nürnberg, Germany. Performed on March 1-3, 2001, SEAMUS National Conference, Louisiana State University, Baton Rouge, Louisiana. Broadcast on July 12, 1998, Finnish National Radio “Space Junk” program. Performed on November 3-17, 1997, on the SEAMUS Audio Clip Web Concert, Louisiana State University

They Wash Their Ambassadors in Citrus and Fennel for mezzo soprano and tape, 1994 (12:50”) Premiered by Joan La Barbara on September 5, 1995, at the International Computer Music Conference at the Banff Centre for the Arts in Banff, Canada. Performed by Alexandra Smither on March 5, 2017, Syzygy New Music Concert Series, Duncan Recital Hall, Rice University, Houston, TX, USA. Performed by Lauma Malnace on March 3, 2017, deciBels Concert, Musdienu Muzikas Festivala, Akmens Hall, Latvian Music Academy, Riga, Latvia. Broadcast as performed by Elizabeth Pearse (April 3, 2013, New Music From Bowling Green Concert, Poisson Rouge, New York City), broadcast June 3, 2016, Flash Back Friday program, WGTE FM 91, WGTE.org. Performed by Elizabeth Pearse on April 3, 2013, New Music From Bowling Green, Poisson Rouge, New York City, NY, USA. Performed by Elizabeth Pearse on February 7, 2013, Recital, Bryan Hall, Bowling Green State University, Bowling Green, OH, USA. Performed by Elizabeth Pearse, January 10, 2013, Lunchtime Electroacoustic Expo Concert, Bowling Green State University, Bowling Green, OH, USA. Broadcast on May 27, 2012, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Performed by Bonnie Lander on March 14, 2011, KcEMA (Kansas City Electronic Music and Arts Alliance) concert, Urban Culture Project's La Esquina, Kansas City, MO, USA. Performed by Heidi Klein, February 26, 2008, UNT Friends of the Library Concert, Denton, TX, USA. Performed by Heidi Klein, February 25, 2008, CEMI Concert, Denton, TX, USA. Performed by Bonnie Landers on December 7, 2007, Griswold Hall, Peabody Conservatory of Music, Baltimore, MD, USA. Broadcast on October 9, 2006 Martian Gardens Radio Program, WMUA FM, Amherst, MA. Performed on June 5, 2005, Synthese Festival, Bourges, France. Broadcast on April 14, 2004, P2 radio, Sweden. Performed by Julie Scozzafava on December 11, 2002, Musica Nove Ensemble Series, UMKC, Kansas City, MO. Performed by Heidi Dietrich Klein on February 4, 2002, MEIT Theater, University of North Texas College of Music. Brodacast on November 26, 2001, Foldover program, internet broadcast, Oberlin, OH. Jon Christopher Nelson, page 22 Performed by Julie Scozzafava on November 2, 2001, newEar’s SEEING EAR Concert , St. Mary’s Episcopal Church, Kansas City, Missouri. Performed by Joan La Barbara on June 14, 2001, Danish Institute for Electroacoustic Music's MIX.01 Festival, Aarhus, Denmark. Performed by Eileen Marie Moore on November 6, 2000, New Music Associates Concert, Cleveland State University. Performed by Joseph Stillitano in October, 2000, Ithaca College. Performed by Terry Rhodes on September 11, 1998, Encounters Series, Duke University. Diffused on March 15, 1998, Museo de San Idelfonso, Vox Electroacustica Festival, Mexico City, Mexico. Performed by Heidi Dietrich Klein on March 14, 1998, Louisiana State University’s 53rd Festival of Contemporary Music—”High Voltage,” Baton Rouge, Louisiana. Performed by Heidi Dietrich Klein on February 28, 1998, The New Music Festival, University of Texas at San Antonio, Texas. Diffused on August 25, 1997, at the University of North Texas Faculty Convocation. Performed by Anita Somlai on August 1, 1997, at the International Summer Meeting of Electroacoustic Music in Sarvar, Budapest, Hungary. Diffused in concert on May 31, 1997, at the Bourges Festival, Bourges, France. Performed by Heidi Dietrich Klein on April 4, 1997, at the SEAMUS (Society for Electro-Acoustic Music in the United States) National Conference at the University of Kansas. Performed by Heidi Dietrich Klein on February 8, 1997, at the Collin County Community College Electronic Music Festival. Broadcast on November 19, 1996, on Marcus Cable Television's Denton County Line program with Heidi Dietrich Klein performing. Performed by Heidi Dietrich Klein on November 18, 1996, in the CEMI/NOVA Series, University of North Texas. Performed by Heidi Dietrich Klein on November 4, 1996, in the Texas Computer Musicians Network Concert Series, Southeatern Oklahoma State University. Performed by Joan La Barbara on March 7, 1996, in the Interpretations Series, Merkin Hall, New York. Performed by Joan La Barbara on March 6, 1996, at Renssaeler Polytechnic Institute. Performed by Joan La Barbara on February 17, 1996, in the Wires Series, Los Angeles. Broadcast on September 24, 1995, on CBC (Canadian Broadcast Corporation). Broadcast on September 10, 1995, on WORT-FM radio in Madison, Wisconsin.

Waves of Refraction for guitar and tape, 1992 (7:53”) Premiered by William Buonocore in Boston on October 4, 1992, on the LUMEN Contemporary Music Ensemble concert series. Broadcast on November 24, 2016, Martian Gardens radio program, WMUA FM 91.1, www.wmua.org, Amherst, MA, USA. Broadcast on January 26, 2014, Martian Gardens radio program, WMUA FM 91.1, Amherst, MA, USA. Performed by Joseph Mirandilla on November 17, 2010, Sichuan National Conservatory, Chengdu, China. Performed by Ruben Riera on May 3, 2005, Concierto de Musica Electroacustica, Galeria de Artes Nacional, Caracas, Venezuela. Performed by Magnus Andersson on April 24, 1998, CEMI Concert Series, Univerity of North Texas. Jon Christopher Nelson, page 23 Performed on November 27,1997, at the Korean Electro-Acoustic Music Society Conference in Seoul, Korea. Performed by Nicolai Bak on June 8, 1995, at the Aarhus Conservatory of Music in Aarhus, Denmark. Performed by Magnus Andersson on December 5, 1994, at Fylkingen in Stockholm, Sweden. Performed by Nicolai Bak on September 17, 1994, at the International Computer Music Conference in Aarhus, Denmark. Performed by Flores Chaviano on September 1, 1994, at Museo Barjola, Gijon, Spain. Performed by Carlos Molina on April 17, 1994, at FIU's Music of the Americas Festival. Performed by Carlos Molina on April 2, 1993, in Miami's SFCA Subtropics Festival. Performed on March 31 at the 1993, SEAMUS (Society for Electro-Acoustic Music in the United States) National Conference at the University of Texas at Austin. Performed in New London, Connecticut on March 7, 1993, at the Connecticut College Symposium on the Arts and Technology.

Bauxite Dreams for electronic tape, 1992 (8:12”) Premiered at Brandeis University on May 15, 1992, in the LUMEN Contemporary Music Ensemble concert series. Broadcast on June 11, 2006, Martian Gardens radio program, FM 91.1, Amherst, MA. Broadcast on November 13, 2005, Martian Gardens radio program, FM 91.1, Amherst, MA. Performed on January 29, 2004, University of Minnesota, Minneapolis, MN. Performed on July 27, 1997, Dallas Public Library, UNT Composers Forum Concert. Performed on April 24, 1997, Collin County Community College, Sound Diffusion Concert. Performed on April 14, 1997, NOVA Concert Series, University of North Texas. Performed on April 1, 1997, Hyde Park Theater, Austin Texas, Texas Computer Musician's Network Concert. Performed on February 28, 1997, Texas Christian University Society of Composers Regional Conference. Performed on December 5, 1994, at Fylkingen in Stockholm, Sweden. Broadcast on April 28, 1994, on KFAI radio in the Minnesota Composers Forum Sonic Circuits series. Performed on April 17, 1994, on the LUMEN Contemporary Music Ensemble concert series. Performed on April 25, 1993, at the Florida International University New Music Ensemble concert. Performed on April 16, 1993, at the CGBG Gallery's electronic music series in New York. Performed on April 2, 1993, in Miami's SFCA Subtropics Festival. Performed in Arlington, Massachusetts on May 16, 1992, in the LUMEN Contemporary Music Ensemble concert series.

Shifting Ground interactive art installation, 1992 Exhibited from August 5 through September 8, 1992, at the New World School for the Arts Gallery, Miami, Florida.

Six études brèves for violoncello and computer-processed tape, 1990 Premiered by Peter Schubach on November 23, 1990, in Stockholm, Sweden on the Fylkingen Concert Series. Cited as one of the ten best new works of 1991, by the Boston Globe. Broadcast on October 29 2006, Martian Gardens radio program, FM 91.1, Amherst, MA. Broadcast on November 5, 2005, Martian Gardens radio program, FM 91.1, Amherst, MA. Broadcast on April 14, 2004, P2 radio, Sweden. Jon Christopher Nelson, page 24 Performed by Ulrich Maiss on October 10, 2003, CEMI Concert Series, University of North Texas. Performed by Thomas Landschoot on October 20, 2001, Arizona State University, Tempe, Arizona. Broadcast on November 6, 2000, “Foldover” program on WOBC 91.5, Oberlin, Ohio. Diffused in Cuba, May 18, 1999. Performed by Robert Sayre on April 26, 1998. Performed by Craig Hultgren on June 4, 1995, at the Spoleto Festival in Charleston, South Carolina Performed on December 5, 1994, at Fylkingen in Stockholm, Sweden. Performed by Craig Hultgren on November 13, 1994, at the "artburst" concert in Birmingham, Alabama. Performed by Wesley Baldwin on May 22, 1994, at the Syracuse Society for New Music Gala Benefit. Performed by Rhonda Rider on April 7, 1994, at the SEAMUS (Society for Electro-Acoustic Music in the United States) national conference. Performed in Bilboa, Spain on November 29, 1993, at the Museo de Bellas Artes. Performed by Wesley Baldwin on April 2, 1993, at Miami's SFCA Subtropics Festival. Performed by Robert Sayer at the 1992 ICMC (International Computer Music Conference) on October 14, 1992, at San Jose State University. Performed by Rhonda Rider in solo recital on September 12, 1992, at Brandeis University. Performed by Rhonda Rider in solo recital at Carnegie Hall's Weill Recital Hall on December 10, 1991, New York. Broadcast on WGBH radio on December 3, 1991. Performed by Rhonda Rider in solo recital on December 2, 1991, at Brandeis University. Deposited in the listening room of the Annual Bienal of Sau Paulo, Brazil from October 1 through December 10, 1991. Performed on April 13, 1991, at the Connecticut College Symposium on the Arts and Technology. Performed in Boston by Rhonda Rider on February 21, 1991, in the League of Composers-ISCM. Performed by Rhonda Rider on February 20, 1991, in the League of Composers-ISCM at College of the Holy Cross, Worcester, Massachusetts. Performed on February 4, 1991, on the Crosscurrents new music ensemble concert series at the Longy School of Music, Cambridge, Massachusetts. Performed by Rhonda Rider in solo recital on March 17, 1991, at Brandeis University. Broadcast on February 3, 1991, on WMBR radio in Cambridge, Massachusetts. Performed on December 11, 1990, on the New Music From Brandeis Concert Series.

Lament for English horn and computer-processed tape, 1989 (4:50”) Premiered on March 23, 1989, at Brandeis University's New Music From Brandeis concert series. Performed by Laura Romberg on October 10, 2001, Collin County Community College, Texas Computer Musicians network concert. Performed by Laura Romberg on September 4, 2001, MEIT Theater, University of North Texas, Texas Computer Musician’s Network concert. Performed on November 17, 1997, NOVA Concert Series, University of North Texas. Performed on April 2, 1993, at Miami's SFCA Subtropics Festival. Performed on February 27, 1992, at the College Music Society conference at the University of Miami. Performed on February 25, 1992, on the Florida International University New Music Ensemble Concert Series. Performed on February 21, 1992, at the Society of Composers Inc. conference at Texas Christian University. Performed on April 8, 1989, at the Society of Composers, Inc. conference at Wellesley College. Jon Christopher Nelson, page 25

In the Shadows for computer-processed tape, 1987 (5:00”) Premiered in Boston on October 21, 1987, in the Brandeis University New Music From Brandeis series. Performed in Boston on February 13, 1989, at the Berklee College of Music Performance Center. Performed in Minneapolis, Minnesota on January 9 and 10, 1988, on the Minnesota Composers Forum Concert Series.

Resonances for string quartet, piano, and computer-processed tape, 1986 (17:30”) Premiered at Brandeis University by the Lydian String Quartet on March 21, 1986, on the New Music From Brandeis Concert Series. Performed in Hiroshima, Japan in March, 1994. Performed by the LUMEN Contemporary Music Ensemble in Boston on February 3, 1991. Performed by the ASKO Music Ensemble on November 4, 1986, in Amsterdam. Performed at the 1986 International Computer Music Conference on October 22, 1986, in Den Haag, the Netherlands.

Passing Time for tenor saxophone, actor, and computer-processed tape, 1984 (6:15”) Premiered by Steve Adams on July 27, 1984, in the Massachusetts Institute of Technology's Kresge Auditorium. Performed on February 25, 1992, on the Florida International University New Music Ensemble Concert Series. Performed by Steve Adams on April 4 and 5, 1987, at the Boston Museum of Science electronic music exhibit. Broadcast on April 11, 1986, on Minnesota Public Radio.

Choral Works

Make Noise! For children’s chorus (two part) and piano, 2003 (3:30”) Commissioned by the Woodrow Wilson All-Star Choir under the direction of Cecille Johnson Premiered by the Woodrow Wilson All-Star Choir on May 13, 2004, Woodrow Wilson Elementary School, Denton, TX. Performed on June 11, 2005, Berkshire Children’s Choir Concert, Berkshires, Massachusetts. Performed by the Woodrow Wilson All-Star Choir on February 11, 2005, Texas Music Educators Association Convention, San Antonio, TX. Performed by the Woodrow Wilson All-Star Choir on February 5, 2005, Metroplex Children’s Choir Concert, University of North Texas Murchison Performing Arts Center, Denton, TX.

On the Porch for Chorus, piano, and strings, 1998 (13:45”) Commissioned by the Arlington Chorale Society in commemoration of their 25th Anniversary. Premiered on May 9, 1998, Arlington Choral Society 25th Anniversary Gala Concert, Arlington, Texas with Hal Gibbons, conductor. Performed by Canticum Novum on March 29, 2001, Canticum Novum Concert Series, University of North Texas College of Music.

Deum laudent, o Maria, Pro te Virgo puerpera for a cappella chorus, 1994 (10:30”) Premiered by the Florida International University Concert Choir on March 5, 1997, Society of Composers, Inc. National Conference. Jon Christopher Nelson, page 26 Performed by Canticum Novum on November 9, 2001, Recital Hall, University of North Texas College of Music. Performed by Canticum Novum on April 8, 1999, Canticum Novum Concert Series, University of North Texas College of Music. Performed by Canticum Novum on March 8, 1999, NOVA Concert Series, University of North Texas College of Music.

Small Song for a cappella chorus SATB, 1985 Commissioned by the Plymouth Music Series and the Jerome Foundation. Premiered by the Plymouth Congregational Choir on May 9, 1986, on the Plymouth Music Series in Minneapolis, Minnesota. Performed on May 21, 1988, on the New Music from Brandeis Concert Series.

Orchestral and Large Ensemble Works

Fantasies and Flourishes for solo Disklavier and Orchestra, 1995 (14:00”) Premiered by Steve Crawford with the New World Symphony on May 5, 1995, at the Lincoln Theatre, Miami Beach with Arthur Weisberg conducting. Performed by Scott Marosek with the Brazos Valley Symphony Orchestra on April 23, 2006, at Rudder Auditorium, Texas A&M, College Station, TX with Dr. Marcelo Bussiki conducting.

Suspensions for chamber orchestra, 1992, rev. 2014 (6:00”) Premiered by the Memphis Symphony Orchestra on March 25, 1993, during the Society of Composers, Inc. Conference, Memphis, TN, USA. Performed by the University of North Texas Concert Orchestra, March 4, 2015, Winspear Hall, UNT College of Music, Denton, TX, USA. Performed by The New World Symphony on May 9, 1993, as a part of the May in Miami Festival Gala Concert, Miami, FL, USA.

Concerto Variations for flute, oboe, clarinet, bassoon, horn, trumpet, and strings, 1988 (12:30”) Commissioned by ALEA III. Premiered by ALEA III on February 10, 1989, at Boston University, Boston, MA, USA. Performed on August 9, 1989, at the Wellesley Composers Conference, Wellesley College, Wellesley, MA, USA.

Chamber Symphony for oboe, bassoon, percussion, piano, and strings, 1987; revised 1994 (22:30”) Premiered on May 2, 1987, in the Brandeis University New Music From Brandeis concert series, Waltham, MA, USA. Performed on May 7, 1994, by the New World Symphony, Miami, FL, USA.

Creation for concert band, soprano soloist, and narrator, 1983 (22:00”) Premiered on February 11, 1984, at the Virginia College Band Directors Symposium IX for New Band Music at Virginia Polytechnic Institute. Performed by the Bethel College Concert Band in St. Paul, Minnesota on April 15, 1984.

Jon Christopher Nelson, page 27

Chamber Works

Where Lines and Curves are Scattering for flute and piano, 2017 (9:30”) Commissioned by the Calliope Duo (Elizabeth McNutt and Shannon Wettstein) Premiered by the Calliope Duo, August 10, 2017, National Flute Association Conference, Minneapolis Convention Center, Minneapolis, MN USA.

Spinning Silence in the Possible Blue for string quartet, 2016 (11:00”) Commissioned by the Lydian String Quartet. Premiered by the Lydian String Quartet on March 25, 2017, Lydian String Quartet Concert Series, Brandeis University, Waltham, MA, USA. Performed by the Lydian String Quartet on April 13, 2017, Voertman Hall, University of North Texas, Denton, TX USA.

Harlem Strut Fantasy for two pianos, four hands, 2008 (5:30”) Commissioned by the Denton chapter of the Texas Music Teachers Association. Premiered on June 11, 2009 at the local Texas Music Teachers Association concert, Concert Hall, UNT College of Music, Denton, Texas, USA Performed on June 13, 2009 at the Texas Music Teachers Association state conference, Houston Convention Center, Houston, Texas, USA abstractions for double bass, piano, and optional signal processor, 1993 (13:45”) Commissioned by Luis Gomez-Imbert. Premiered by Luis Gomez-Imbert and Juan Francisco Sans on October 19, 1993, at the Festival Latinoamericano De Musica in Caracas, Venezuela. Performed by Luis Gomez-Imbert and Juan-Francisco Sans on April 8, 1994, in Miami's SFCA Subtropics Music Festival.

Into the Fury for double bass, 1993 (10:00”) Commissioned by Luis Gomez-Imbert. Premiered by Luis Gomez-Imbert on April 2, 1993, in Miami's SFCA (South Florida Composers Alliance) Subtropics Music Festival. Performed by Luis Gomez-Imbert on May 6, 1996, in the May in Miami Festival, Florida International University. Performed in Boston on May 16, 1993, on the LUMEN Contemporary Music Ensemble concert series.

Les trois réflexions for viola and piano, 1991 (11:00”) Premiered by Christof Huebner and Bonnie Anderson on October 25 and 27, 1991, on the LUMEN Contemporary Music Ensemble concert series at Brandeis University. Performed by Leonid Rabinovich and Miguel Salvador on April 7, 1992, in Miami's SFCA Subtropics Festival. Performed on October 27, 1991, Boston, LUMEN Contemporary Music Ensemble concert series.

Three for Three for flute, clarinet, and bassoon, 1985 (9:00”) Premiered in Boston on December 9, 1985, on the New Music From Brandeis Concert Series.

Jon Christopher Nelson, page 28 Fantasy and Song for solo piano, 1984 (4:00”) Premiered by Andrew Bonner on February 16, 1985, on the New Music from Brandeis Concert Series. Performed by Miguel Salvador on April 2, 1993, in Miami's SFCA Subtropics Festival. Performed on December 8, 1992, at Florida International University's New Music Ensemble Concert.

Random Reflections for prepared piano, percussion, tenor saxophone, brass performer, woodwind performer, and electronic tape, 1982 (6:45”) Premiered by the West Bank School of Music New Music Workshop on May 22, 1983, at the Janet Wallace Performing Arts Center in St. Paul, Minnesota. Broadcast on April 6, 1984, on Minnesota Public Radio. Performed at the Walker Art Center on May 29, 1983, by the West Bank School's New Music Workshop.

Subliminal Forethought of Summer's Haze for baritone horn, tenor saxophone, bassoon, piano, and vibraphone, 1982 (8:00”) Premiered by the West Bank School of Music New Music Workshop on May 22, 1983, at the Janet Wallace Performing Arts Center in St. Paul, Minnesota. Broadcast on April 29, 1984, on Minnesota Public Radio. Performed at the Walker Art Center on May 29, 1983, by the West Bank School's New Music Workshop.

Three Reference Songs for Tenor with piano accompaniment, 1980 (9:00”) Performed by Timothy Sawyer on January 16, 1987, Bethel College artist series, St. Paul, Minnesota. Broadcast on November 4, November 25, and June 3, 1983, on Minnesota Public Radio. Performed on January 20, 1983, Walker Art Center, Minnesota Composers Forum Concert Series.

Jon Christopher Nelson, page 29

PAPERS AND PRESENTATIONS

Music Now, February 20, 2017, Spinning Silence in the Possible Blue, University of North Texas, Denton, TX USA. Music Now, February 1, 2016, Illusory Lines, University of North Texas, Denton, TX USA. iARTA Symposium, February 13, 2015, Immersive Audio Strategies, University of North Texas, Denton, TX USA. Taipei National University for the Arts, October 29, 2014, Master Class for composition students, Taipei, Taiwan WOCMAT Conference, October 28, 2014, keynote address, Sound Design and Spatialization: Tools and Strategies, National Chou Tung University, Hsinchu City, Taiwan Taipei National University for the Arts, October 27, 2014, Guest Lecture, Process, Structure and Transformation: the Acousmatic and Interactive in Recent Works by Jon Christopher Nelson, Taipei, Taiwan SEAMUS National Conference, March 28, 2014, Workshop presentation, Physical Modeling with gen~ in Max 6, Wesleyan College, Middletown, CT, USA Stockholm Royal Conservatory, March 7, 2014, guest lecture AcousmaTex: Electroacoustic Music in the South Central US, Stockholm, Sweden. UNT, College of Visual Arts and Design, October 17, 2013, guest lecture on the History of Computer Music for Computing in the Arts class. Resonances Conference, Krakow, Poland, October 11, 2013 via Skype, guest lecture on Physical Modeling using gen~ in Max 6. Perot Museum of Science, October 4, 2013, TED style lecture on Aural Illusion, Social Sciences Sound Event, Perot Museum of Science, CEMICircles Festival, Dallas, TX, USA. Indiana University, September 12, 2013 via Skype, guest lecture on Recent Music of Jon Christopher Nelson and Physical Modeling with gen~ in Max 6. Louisiana State University, October 23-25, 2011, featured guest composer, presented two works on the Cinema for the Ears, concert and provided two lectures. Indiana University, March 31, 2011, presented lecture “Sound Design in Jon Christopher Nelson’s Recent Acousmatic Music” via video conferencing. Sichuan National Conservatory, November 15-20, 2010, featured guest composer, presented a concert of my music, two seminars and master classes. Iowa State University, November 16-17, 2009, featured guest composer of the Lipa Festival of Contemporary Music, will present a concert featuring my music, provide a seminar on music technology, and present a pre-concert talk on my creative work. National Chaio Tung University, May 6-8, 2008. Lectured on "Trajectories in Recent Music of Jon Nelson" and "Acousmatic Techniques and Strategies." Jon Christopher Nelson, page 30 National Taiwan University for the Arts, May 9, 2008. Lectured on "Three Recent Works by Jon Nelson." National Taipei University for Teaching, May 9, 2008. Lectured on "Three Recent Works by Jon Nelson." Rice University, January 20, 2005. Provided a master class for students as well as present a seminar on my music. University of Minnesota, January 29, 2004. Presented a concert of my compositions and provided a master class for student composers. University of Missouri, Kansas City, December 10-12, 2002. Provided two master classes for graduate composers (one electroacoustic, one acoustic), lectured on “Sound Spatialization and Recent Compositional Concerns,” presented my music at two regional high schools, and had three compositions presented in concert by the Musica Nova Ensemble at UMKC. Arizona State University, Institute for Studies in the Arts, October 20, 2001. “Straddling the Fence: Reflections on the Nature and Potential of Computer Music Technology” (Keynote Address) at the "Hopping the Electric Fence" conference on the current state of electro-acoustic music. Harvard University, April 9, 2001. Guest Composer Colloquium, “Compositional Strategies: Spectro- and Spatio-Morphology as Formal Determinants” and Master Class for graduate composers. University of Alabama at Birmingham/Birmingham Art Music Alliance (BAMA), May 14, 2001.BAMA Guest Composer, “Granular Synthesis Techniques and GrainMaker 2.0.” Hong Kong Baptist University, November 25-December 4, 2000. Composer in Residence. Cleveland State University, November 6, 2000. Composer in Residence, “Recent Compositions by Jon Christopher Nelson.” University of Illinois, Urbana-Champaign, April 6, 1999. “Wave Terrain and Granular Synthesis Techniques.” University of Illinois, Urbana-Champaign, April 4, 1999. Guest Composer Residency, “Recent Electro-Acoustic Works by Jon Christopher Nelson.” Society for Electro-Acoustic Music in the United States national conference, Dartmouth College, April 18, 1998. “Wave Terrain Synthesis Revisited: A Practical Model for Sound Synthesis Utilizing Three-Dimensional Function Tables.” Society for Electro-Acoustic Music in the United States national conference, Dartmouth College, April 17, 1998. Invited panelist on “The Csound Panel.” Collin County Community College Electronic Music Festival, April 4, 1998. “Wave Terrain Synthesis: A Tutorial and Demonstration.” Society for Electro-Acoustic Music in the United States national conference, University of Kansas City, April 5, 1997. Invited Panelist on "Aesthetics of Sound Design." Collin County Community College Electronic Music Festival, February 8, 1997. "Granular Synthesis: A Tutorial and Demo." Invited Festival Guest Artist. Jon Christopher Nelson, page 31 Society for Electro-Acoustic Music in the United States national conference, Ithaca College, March 24, 1995. "Soundfile Granulation on the Macintosh: Simple Csound Instruments and MAX Score Generators." Columbia University, New York, March 22, 1995. "Granular Synthesis Techniques." State University of New York at Stony Brook, March 21, 1995. "Compositional Techniques in Three Recent Electro-Acoustic Works by Jon Christopher Nelson." Institute for Electro-Acoustic Music in Sweden, Swedish Chapter of the ICEM Seminar, December 5, 1994. "Electro-Acoustic and Compositional Techniques in Recent Works by Jon Christopher Nelson." Sweden's National Electronic Music Studio in Stockholm, Sweden, December 3-4, 1994. Taught an intensive weekend seminar on "Csound." FSU Music Theory Conference, Florida State University, February 27, 1993. "Voice-Leading Strategies and Formal Design in Elliott Carter's Recent Compositions." Society of Composers, Inc., Regional Conference, Texas Christian University, February 20, 1992. "Formal Design and Strategy in Elliott Carter's Enchanted Preludes." University of Miami Composers Forum Lecture Series, September 6, 1991. "Recent Compositions by Jon Christopher Nelson." College Music Society Regional Meeting, Bates College, April 13, 1991. "Cadential Structure in Elliott Carter's Penthode." Brandeis University Colloquium Series, April 10, 1991. "Structural Design of Six études brèves." New England Conference of Music Theorists, College of the Holy Cross, April 6, 1991. "Cadential Structure in Elliott Carter's Penthode." Berklee College of Music Faculty Artist Series, January 25, 1991. "Structural Design of Six études brèves." Gothenburg Music Conservatory, Sweden, March 14, 1990. "Recent Compositional Strategies in my Electro-Acoustic Music." Lund University, Sweden, March 13, 1990. "Current Trends in Digital Synthesis." Massachusetts Institute of Technology, September 22, 1988. "Digital Oscillators," Guest lecturer in Techniques of Digital Audio Processing class.

OTHER PROFESSIONAL ACTIVITIES

Music Adjudicator, 2017 International Computer Music Conference, Shanghai, China, Summer 2017.

Music Programming Committee Member, Computer Music Multidisciplinary Research (CMMR) Conference, September, 2017.

Jon Christopher Nelson, page 32 External Reviewer, Kurt Stallman Full Professor promotion review, Rice University, Houston, TX Spring 2017.

External Reviewer, Jacob Sudol tenure and promotion review, Florida International University, Miami, FL, Spring 2017

External Reviewer, Mark Applebaum Full Professor promotion review, Stanford University, Stanford, CA, Fall 2015.

External Reviewer, Frank Dufour Full Professor promotion review, University of Texas at Dallas, Dallas, TX, Fall 2015.

External Reviewer, Bryan Kip Haaheim tenure and promotion review, University of Kansas, Lawrence, KS, Fall 2015.

External Reviewer, Jesse Allison tenure and promotion review, Louisiana State University, Baton Rouge, LA, Summer 2015.

Music Adjudicator, 2016 International Computer Music Conference, Utrecht, the Netherlands, Summer 2016.

Music Chair, International Computer Music Conference, September 25-October 1, 2015, UNT College of Music, Denton, TX.

Music Adjudicator, New Interfaces for Musical Expression (NIME) International Conference, Lousiana State University, Baton Rouge, LA., Summer 2015.

Music Adjudicator, SEAMUS 2015 National Conference, Virignia Polytechnical Institute, Blacksburg, VA, Spring 2015.

Music Adjudicator, International Taiwan/France Acousmatic Music Composition Competition, Taipei, Taiwan, Fall 2014.

Conference Chair and Host, International Confederation for Electroacoustic Music (ICEM), October 1-4, 2014, UNT College of Music, Denton, TX.

Music Adjudicator, SEAMUS 2014 National Conference, Wesleyan College, Middletown, CT, Fall 2013.

External Reviewer, Mark Zaki tenure and promotion review, Rutgers University, New Brunswick, NJ, summer 2013.

External Reviewer, Prentice Hall, reviewing Mark Ballora’s Essentials of Music Technology, 2013.

Member of the Canadian Electroacoustic Community (CEC) JTTP International Jury, summer, 2013

Member of the Canadian Electroacoustic Community (CEC) JTTP International Jury, summer, 2012 Jon Christopher Nelson, page 33

External Reviewer, John Gibson tenure and promotion review, Indiana University, Bloomington, IN, Summer 2012

Member, College of Experts, MISAME (Association Mnémothéque Internationale des Sciences et Arts en Musique Electroacoustique), 2008-present.

External Reviewer, Frank Dufour tenure and promotion review, University of Texas at Dallas, Dallas, TX, Spring 2012

External Reviewer, Todd Winkler full professor promotion review, Brown University, Providence, RI, Fall 2011

External Reviewer, Kyong Mee Choi tenure and promotion review, Roosevelt University, Chicago, IL, Fall 2011

Member of the Canadian Electroacoustic Community (CEC) JTTP International Jury, summer, 2011

External Reviewer, Konstantinos Karathanasis tenure and promotion review, University of Oklahoma, Norman, OK, Summer 2011

External Reviewer, Charles Norman Mason full professor promotion review, University of Miami, Miami, FL, Spring 2011

External Reviewer, John Thomspon tenure and promotion review, Georgia Southern, Statesboro, GA, Fall 2010

External Reviewer, Evan Chambers full professor promotion review, University of Michigan, Ann Arbor, MI, Summer 2009

External Reviewer, Nickitas Demos full professor promotion review, Georgia State University, Atlanta, GA, Summer 2009

External Reviewer, David Durant promotion and tenure review, University of South Alabama, Mobile, AL, Fall 2008.

External Reviewer, Christopher Hopkins promotion and tenure review, Iowa State University, Ames, IA, summer, 2008

External Reviewer, Kurt Stallman promotion and tenure review, Shepherd School of Music, Rice University, Houston, TX, summer, 2008

External Program Review, DXARTS digital arts program, University of Washington, Seattle, WA, March 2008.

Immediate Past-President, Society for Electro-Acoustic Music in the US (SEAMUS), March 2004- April, 2008.

Jon Christopher Nelson, page 34 External Reviewer, Shahrokh Yadegari promotion and tenure review, University of California at San Diego, San Diego, CA, fall, 2007

External Reviewer, Mara Helmuth, full professor promotion review, Cincinnati Conservatory of Music, Cincinnati, OH, fall, 2007

External Reviewer, Matthew Buckner, promotion and tenure review, University of Virginia, fall, 2007

External Reviewer, Mark Applemaum, promotion and tenure review, Stanford University, Stanford, CA, fall, 2007

Member of the Bourges Prize International Jury, to participate in the final stages of adjudication for the 2006 Bourges Prize, May 28-June 2, 2006, Bourges, France.

External Reviewer, Dr. James Paul Sain promotion to full professor review, University of Florida, Gainsville, FL, fall, 2005.

External Reviewer, Dr. Paul Koonce promotion and tenure review, University of Florida, Gainsville, FL, fall, 2005.

External Reviewer, Dr. Mark Applebaum third-year continuation review, Stanford University, Stanford, CA, spring, 2005.

President, Society for Electro-Acoustic Music in the US (SEAMUS), March 2000-March 2004.

President, Consortium for the Distribution of Computer Music (CDCM), September, 2000-present.

External Reviewer, Dr. Tom Lopez’s promotion review, Oberlin Conservatory of Music, Oberlin, OH, fall, 2004.

External Reviewer, Dr. Paul Rudy’s promotion review, University of Missouri at Kansas City, Kansas City, MO, summer, 2004.

Adjudicator, Music Teacher's National Association national composition competition, January, 2004.

Member of the Sarvar Prize International Jury, to participate in adjudication for the 2003 prize in electroacoustic music, November, 2003.

External Reviewer, Dr. J. B. Smith’s promotion review, Arizona State University, Tempe, AZ, summer, 2003.

External Reviewer, Dr. Rob Frank’s tenure and promotion review, Southern Methodist University, Dallas, TX, summer, 2003.

External Reviewer, Dr. Greg D’Alessio’s tenure and promotion review, Cleveland State University, Cleveland, OH, summer, 2003.

Member of the Bourges Prize International Jury, to participate in the final stages of adjudication for the 2003 Bourges Prize, June 4-6, 2003, Bourges, France. Jon Christopher Nelson, page 35

Curator for the SEAMUS at Bourges Concert, to be presented at the upcoming Bourges Festival Synthése.

International Computer Music Association Commissions Nomination Committee, summer 2001 and summer 2002.

External Reviewer, Dr. Guy Garnett’s tenure and promotion review, University of Illinois, Urbana- Champaign, April, 2001.

Adjudicator, Music Teacher's National Association national composition competition, January, 2001.

External Reviewer, Dr. Mara Helmuth's tenure and promotion review, University of Cinncinati, January, 2001.

External Reviewer, Dr. Eric Chaselow's Full Professor promotion review, Brandeis University, November, 2000.

Ad hoc Reviewer, Mark Ballora Essentials of Music Technology for Educators, Performers and Researchers book proposal, Prentice Hall, November, 2000.

Ad hoc Reviewer, Peter Manning Electronic and Computer Musi, third edition book proposal, Oxford University Press, September, 2000.

Ad hoc Reviewer, Simon Crab 120 Years of Electronic Music book proposal, Oxford University Press, June, 2000.

Nominator, John D. and Catherine T. MacArthur Foundation MacArthur Fellows Program, May, 2000.

External Reviewer, Dr. Michael Angell’s tenure and promotion review, University of Alabama at Birmingham, September, 2000.

Computer Music Curriculum and Facilities Consultant, University of Nebraska at Omaha, February, 2000.

National Secretary, Society for Electro-Acoustic Music in the US (SEAMUS), February 1995-March 2000.

Board Member, Consortium for the Distribution of Computer Music (CDCM), September, 1996- August 2000.

Executive Editor, SEAMUS Newsletter, December 1996-Spring 1999.

Review Panel Member, 1998 Florida State Arts Council Cultural Organizations Grants.

External Dissertation Committee Member, Howard Fredrick’s D.M.A. Dissertation Anarchist Suite for chamber orchestra, University of Texas at Austin, August, 1998.

Jon Christopher Nelson, page 36 External Reviewer, Dr. Perry Goldstein’s tenure and promotion review, SUNY at Stony Brook, December, 1997.

External Dissertation Committee Member, Susan McDonald's Ph.D. Dissertation Heard for trumpet, percussion, and tape, SUNY at Stony Brook, July 1997.

Review Panel Member, 1996 International Computer Music Conference Paper Submissions.

Review Panel Member, 1995 International Computer Music Conference Commissions.

Review Panel Member, 1993 Florida State Arts Council Individual Artist Fellowship.

Advisory Board Member, South Florida Composers Alliance, July 1993-1997.

Member of the Board of Directors, South Florida Composers' Alliance, July 1991-July 1993.

Composer Member, LUMEN Contemporary Music Ensemble, July 1990-1995.

President of the Board of Directors, Boston chapter of the League-ISCM, March 1988-August 1989.

Coordinator, Boston New Music Calendar, Boston chapter of the League-ISCM, Fall 1986-Spring 1988.

Member of the Board of Directors, Boston chapter of the League-ISCM, 1985-1991.

PROFESSIONAL ORGANIZATIONS

American Composers' Forum Broadcast Music, Inc. College Music Society International Computer Music Association Society for Electro-Acoustic Music in the United States