Experience with the Pilot Project Indicates That Inservice Training Should Be Continued in the Operational Phase to Improve
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Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Get Right
VOL. 1 ISSUE 1 • APRIL 2020 THE GET RIGHT The Official Newsletter of F3JAX, F-L-A The mission of F3 is to plant, grow and serve small workout groups for men for the invigoration of male community leadership. The F3 Credo: Leave no man behind, but This issue: leave no man where you find him. Words from our Nantan PAGE 02 Fitness in the time of COVID Core Value of the Month PAGE 03 CSAUP CONCEPT: GROUP IS STRONGER THAN PAGE 04-05 INDIVIDUAL AO Updates PHRASE: WE LOCK SHIELDS TO PAGE 06-08 STRENGTHEN THE WHOLE, TO Value of the Q Source PROTECT THE INJURED, AND TO PAGE 09 WATCH OUR FLANKS; GUARDING AGAINST A WORLD INTENT ON JAX PAX of the Month ATTACK. PAGE 10-11 Core Value QUOTE: "UNITED WE STAND, DIVIDED PAGE 12-13 WE FALL." PATRICK HENRY The SIX Words from the Nantan BY HEISENBERG “Have you tried to perform a hard reset?” The woman at the helpless desk asked as I was informing her my iPad wouldn’t "If you fell connect to the VPN. It’s always the first suggestion they provide when you are desperate enough to call. It might apply to our current situation right now. As your down Nantan, making the call to shut down all AO’s was a most difficult decision for many reasons. First of all, I like so many yesterday, others, didn’t want to admit that this was as dire as the media portrayed. Second, I realized how much my routine would be altered. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Click Here to Download The
$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. 4 x 2” ad www.forevervets.com Expires 3/31/2020 Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! June 25 - July 1, 2020 has a new home at INSIDE: THE LINKS! Sports listings, 1361 S. 13th Ave., Ste. 140 sports quizzes Jacksonville Beach and more Pages 18-19 Offering: · Hydrafacials · RF Microneedling · Body Contouring · B12 Complex / Lipolean Injections ‘Hamilton’ – Disney+ streams Broadway hit Get Skinny with it! “Hamilton” begins streaming Friday on Disney+. (904) 999-0977 1 x 5” ad www.SkinnyJax.com Kathleen Floryan PONTE VEDRA IS A HOT MARKET! REALTOR® Broker Associate BUYER CLOSED THIS IN 5 DAYS! 315 Park Forest Dr. Ponte Vedra, Fl 32081 Price $720,000 Beds 4/Bath 3 Built 2020 Sq Ft. 3,291 904-687-5146 [email protected] Call me to help www.kathleenfloryan.com you buy or sell. 4 x 3” ad BY GEORGE DICKIE Disney+ brings a Broadway smash to What’s Available NOW On streaming with the T American television has a proud mistreated peasant who finds her tradition of bringing award- prince, though she admitted later to winning stage productions to the nerves playing opposite decorated small screen. -
04/10/1989 - Honorary Degree for Holm University Marketing and Communications
Eastern Illinois University The Keep 1989 Press Releases 4-10-1989 04/10/1989 - Honorary Degree for Holm University Marketing and Communications Follow this and additional works at: https://thekeep.eiu.edu/press_releases_1989 Recommended Citation University Marketing and Communications, "04/10/1989 - Honorary Degree for Holm" (1989). 1989. 165. https://thekeep.eiu.edu/press_releases_1989/165 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 1989 by an authorized administrator of The Keep. For more information, please contact [email protected]. EASTERN ILLINOIS UNIVERSITY Charleston, Illinois ART TATE, Assistant Director, University Relations Office: (217) 581-5983- Home: (217) 348-7553 89-172 April 10, 1989 FOR IMMEDIATE RELEASE: HONORARY DEGREE FOR HOLM CHARLESTON, IL--During its Spring Commencement ceremonies May 13, Eastern Illinois University will honor distinguished actress singer Celeste Holm for her public service. The 10 a.m. ceremony will include the Graduate School and the colleges of Business, Education, and Health, Physical Education and Recreation. The 2 p.m. ceremony will include the Board of Governors-Bachelor of Arts degree program and the colleges of Liberal Arts and Sciences, Fine Arts, and Applied Sciences. More than 1650 candidates are eligible to participate in the commencement ceremonies. Holm, whose celebrated career spans almost fifty years on the stage, in movies and on television, will receive the University's highest honor, an honorary Doctor of Public Service Degree, during the 2 p.m. ceremony. -more- ADD 1/1/1/1 HONORARY DEGREE Eastern President Dr. -
4.6 Marker Kingpin
RULE THE MOUNTAIN We are very pleased to present you with the MARKER Technical Manual 2016/17. It is intended exclusively for our partners and for professionals in the field of ski bindings. The new handbook contains a wealth of insider infor- mation ranging from freeride, touring and novice bindings to pro-style rigs for alpine racing. It also includes a host of insider info, installation instructions, an extensive FAQ and a detailed overview of all MARKER bindings and their ideal uses. For over 60 years MARKER has stood for unbeatable performance and inno- vation. Our 2016/17 program once again delivers powerful and unique products to make the most beautiful sport in the world even safer and more attractive. As a specialized MARKER dealer, you are at the front lines of our interaction with end consumers. MARKER’s pledges of quality and safety would not be seen or heard by the consumers without your conscientious work and pro- fessional recommendations. We'd like to take a moment to thank you for your remarkable efforts. Here’s to a white and successful winter 2016/17 ! The Marker Team PS: The current MARKER Technical Handbook is naturally also available in PDF form for download off the internet: http://extranet.marker.de username: dealer password: sh0ps! 1 CONTENT PAGE CONTENT 1 FOREWORD & GENERAL INFORMATION 4 1.1 Binding Component Description 5 2 GENERAL GUIDELINES 2.1 Binding Inspection 7 2.2 Ski Inspection 7 2.3 Boot Inspection 8 2.4 GRIPWALK 10 3 INSTALLATION - GENERAL GUIDELINES 3.1 Tools and Accessories 10 3.1 Installation -
Texas Department of Corrections: 30 Years of Progress
If you have issues viewing or accessing this file contact us at NCJRS.gov. ____~____ ~:-:'----;-- - ~-- ----;--;:-'l~. - Texas Department of Corrections: 30 Years of Progress ,. In 1967, the Department published a report, Texas Department of Corrections: 20 Years of Progress. That report was largely the work of Mr. Richard C. Jones, former Assistant Director for Treatment. The report that follows borrowed hea-vily and in many cases directly from Mr. Jones' efforts. This is but another example of how we continue to profit from, and, hopefully, build upon the excellent wC';-h of those preceding us. Texas Department of Corrections: 30 Years of Progress NCJRS dAN 061978 ACQUISIT10i~:.j OFFICE OF THE GOVERNOR DOLPH BRISCOE STATE CAPITOL GOVERNOR AUSTIN, TEXAS 78711 My Fellow Texans: All Texans owe a debt of gratitude to the Honorable H. H. Coffield. former Chairman of the Texas Board of Corrections, who recently retired after many years of dedicated service on the Board; to the present members of the Board; to Mr. W. J. Estelle, Jr., Director of the Texas Department of Corrections; and to the many people who work with him in the management of the Department. Continuing progress has been the benchmark of the Texas Department of Corrections over the past thirty years. Proposed reforms have come to fruition through the careful and diligent management p~ovided by successive administ~ations. The indust~ial and educational p~ograms that have been initiated have resulted in a substantial tax savings for the citizens of this state and one of the lowest recidivism rates in the nation. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
Press Infinite Jester Frieze, October 13, 2005
MARIAN GOODMAN GALLERY Infinite Jester On the occasion of his major retrospective at the Guggenheim, New York, from issue 94, 2005, Tom Morton on Maurizio Cattelan By Tom Morton (October 13, 2005) Maybe I’m just saying that we’re all corrupted in a way; life itself is corrupted, and that’s the way we like it.1 –Maurizio Cattelan In Philip Roth’s novel The Human Stain (2000) three anonymous men sit on a bench in the grounds of an American Liberal Arts college, debating the fall-out of the Monica Lewinsky affair. They’re brassy guys, with brassy manners, and one of them offers up the opinion that ‘If Clinton had fucked her in the ass, she might have shut her mouth. Had he turned her over in the Oval Office and fucked her in the ass, none of this would have happened.’2 His companions concur; yes, this would’ve been the President’s best course of action. After all: ‘You give somebody something they can’t talk about. Then you’ve got them. You involve them in a mutual transgression, and you have a mutual corruption.’3 Since the late 1980s Maurizio Cattelan has been making art that’s tough to talk about, or at least with much rigour or much candour. There’s plenty of noise made about Cattelan, sure (few of his contemporaries share his profile), but this is mostly composed of gasps of faux astonishment, or of a frenzied clapping that, while it applauds the artist’s work, also attempts to fend it off.