March 13, 1975
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De Montréal : Le Sacré Et Le Profane
JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe. -
The Cinema of the Quiet Revolution: Quebec‟S Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967
The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada March 2012 © Eric Fillion, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Eric Fillion Entitled: The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ___________________________________ Chair Dr. Barbara Lorenzkowski ___________________________________ Examiner Dr. Graham Carr ___________________________________ Examiner Dr. Nora Jaffary ___________________________________ Supervisor Dr. Ronald Rudin Approved by: ___________________________________ Dr. Norman Ingram Chair of Department _____________ 2012 ___________________________________ Dean of Faculty iii ABSTRACT The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion Film historians situate the birth of le cinéma québécois in the late 1950s with the emergence – within the National Film Board of Canada (NFB) – of an Équipe française whose Direct Cinema revolutionized documentary filmmaking. The grand narrative of Quebec national cinema emphasises the emancipating qualities of this cinematographic language and insists that it contributed to a collective prise de parole and Quebec‟s ascension to modernity. -
A(Loyola Campus Tuesday 11 GREENPEACE EAST: Dr
Concordia University For Your Information Volume 1, Number 8 - Ma~ch 6, 1975 Profits displace safety . Wailing for the whales Industrial safety standards, according to Fred The Greenpeace Whale Show comes to SGW this Knelman of Sir George's Centre for Friday•and Saturday (8 p.m. in +I-110). Interdisciplinary Studies, depend not on actual Organizers say that whale& play an important hazards faced by workers but on the degree to role in the ecosystem of the sea ; that most which industry feels it can take safety into account species of big whales are either extinct or close without cutting into profits .. to it, and that;some 40,000 of them will be killed , "Awareness among scientists of the hazards of this year to make·shoe polish, pet food and uranium mining, for example, and how to minimize cosmetics. them, dates back to the 1930's," he says. "But The show is led by Dr. Paul Spong, a that body of knowledge has been studiously researcher who has been observing t~e beasts for ignored." the past eight years off the coast of B.C. "A ten The professor recently testified to that effect year moratorium on the killing is a very real as an expert witness before an Ontario Royal possibility," he says. "Public pressure on the commission investigating the excessive disease rate governments of just a few countries, especially in the Elliot Lake uranium mines, owned by Rio Canada, will stop the slaughter." Algom and Denison Mines. So Spong will take the show from here to The Elliot Lake situation is as typical an example Iceland, the Scandinavian countries, West as any of prevailing attitudes, Knelman feels . -
FILMS of All Time
TOP The OMR AKE In Take One's ongoing effort to promote and celebrate Atom Egoyan is also represented by three films, The Sweet Canadian cinema, I asked the contributing editors, Tom Hereafter, Exotica and The Adjuster, suggesting very strongly that McSorley (director of programming at Cinematheque Canada there has been a significant shift away from the accepted in Ottawa), Maurie Alioff (screenwriter and lecturer at Vanier wisdom that the best in Canadian cinema comes from Quebec. College, Montreal) and Marc Glassman (freelance critic and Denys Arcand, Claude Jutra and Don Shebib have two films editor of several books on Canadian film from Toronto), to each, and the rest of the list is rounded out with films by Ted submit an even dozen of their favourite titles. I mixed and Kotcheff, Phillip Borsos, Michel Brault, Jean Pierre Lefebvre, matched with my own choices and came up with this Top 20 Guy Maddin, William D. MacGillivray, Francis Mankiewicz and list. While entirely unscientific, this alphabetical listing does Mireille Dansereau. While some might consider lists of anything point to several differences with the official Top 10 list issued represents something close to mind porridge, Take One by the Toronto International Film Festival in 1993. David fearlessly considers identifying and celebrating the best in Cronenberg is represented by three films, Dead Ringers, Crash Canadian cinema to be part of its mandate, and we modestly and Videodrome, and he was completely shut out of the offer our selection for your consideration. official Top 10. Wyndham Wise A tout prendre 1964 99m prod Les Films Cassiopee, Orion Films p/d/sc/ed Claude Jutra ph Michel Brault, Jean—Claude Labrecque, Bernard Gosselin m Maurice Blackburn, Jean Cousineau, Serge Garant with Johanne Harrelle, Claude Jutra, Victor Desy, Tania Fedor, Guy Hoffmann, Monique Mercure In his debut feature, Claude Jutra takes the viewer on a virtually plotless excursion into his own psyche at a decisive moment in his life. -
Another House a Film by Mathieu Roy Produced by Roger Frappier and Félize Frappier
MARCEL SABOURIN ROY DUPUIS ÉMILE PROULX-CLOUTIER ANOTHER HOUSE A FILM BY MATHIEU ROY PRODUCED BY ROGER FRAPPIER AND FÉLIZE FRAPPIER DE MONTRÉAL 2013 OPENING NIGHT FILM AUDIENCE AWARD CANADIAN FEATURE FILM BEST ACTOR MARCEL SABOURIN ANOTHER HOUSE TVA FILMS PRESENTS A MAX FILMS PRODUCTION MARCEL SABOURIN ROY DUPUIS ÉMILE PROULX-CLOUTIER FLORENCE BLAIN MBAYE SPECIAL GUEST APPEARANCE BY JULIE GAYET DIRECTOR OF PHOTOGRAPHY STEVE ASSELIN PRODUCTION DESIGNER MARIO HERVIEUX COSTUMES JULIA PATKOS 1ST ASSISTANT DIRECTOR NORMAND LABELLE CASTING DIRECTORS EMANUELLE BEAUGRAND-CHAMPAGNE NATHALIE BOUTRIE PRODUCTION MANAGERS DIANE ARCAND GINETTE GUILLARD SOUND CLAUDE LA HAYE CLAUDE BEAUGRAND BERNARD GARIÉPY STROBL COLORIZATION MARC LUSSIER EDITOR LOUIS-MARTIN PARADIS WRITTEN BY MATHIEU ROY MICHAEL RAMSEY DIRECTED BY MATHIEU ROY PRODUCED BY ROGER FRAPPIER FÉLIZE FRAPPIER ASSOCIATE PRODUCER SYLVIE LACOSTE Produced with the participation of lautremaison-lefilm.com Country of production | CANADA | Year 2013 Language FRENCH Running Time 100 MIN | DIGITAL (ALEXA) | COLOR | Aspect Ratio 2:35 Sound DOLBY SRD 5.1 Genre DRAMA | FEATURE FILM | FICTION www.lautremaison-lefilm.com “BRILLIANT AND TOUCHING” - Éric Moreault, Le Soleil SHORT SYNOPSIS Henri Bernard, 86, suffers from memory loss and periodically escapes from his house in search of a more comfortable one. His two sons, Gabriel, a war reporter, and Éric, a pilot-in-training, disagree on how to deal with their father’s condition. However, the two brothers will have to renew the ties that bind them in order to accompany their father to the enigmatic destination he’s looking for. LONG SYNOPSIS Henri Bernard is 80. He is losing both his memory and his desire to live a life that he can no longer fathom. -
From Chants Populaires to Chansons Contemporaines: Pop, Politics, and Film
From Chants populaires to Chansons contemporaines: Pop, Politics, and Film By Anthony Kinik This paper amounts to a brief history of the relationship between animation and popular music at the National Film Board of Canada from the early 1940s until the early 1970s. Beginning with the Chants populaires series produced by Norman McLaren in the early 1940s and culminating with the Chansons contemporaines series produced by René Jodoin (McLaren’s protégé and long-time collaborator), these proto-music videos stand out both because of their imaginative and often experimental approach to animation and because of their daring use of song, French-language song. By the 1960s, within the highly charged atmosphere of the Quiet Revolution-era National Film Board, the Chansons contemporaines films were right at the center of the debates and struggles of the times. The best of them—films like Jean-Thomas Bédard’s La Ville—captured this moment with considerable artistry and insight, but, sadly, by 1974 this moment was lost. 1949: Oskar Fischinger, Motion Painting No. 1 1964: Richard Lester, A Hard Day’s Night 1966: D.A. Pennebaker, “Subterranean Homesick Blues,” Don’t Look Back 1967: Peter Goldman, “Strawberry Fields Forever” 1968: Norman McLaren, Pas de Deux [etc.] --Matt Hanson, “Flash Cuts, Whip Pans: A Snapshot History of the Music Video” in Reinventing Music Video (13). Beginning with five films in 1969, the recently created French Animation Unit of the National Film Board of Canada, under the direction of 25-year NFB veteran René Jodoin, debuted a new series of films: Chansons contemporaines. As the title suggests, these films featured contemporary songs written and performed by some of Quebec’s leading chansonniers. -
2013 Gala Program
NATIONAL ARTS CENTRE . OTTAWA . JUNE 1, 2013 The arts engage and inspire us The Governor General’s Performing Arts Awards Nominations are now The Governor General’s Performing Arts performing arts in Canada, receive a being accepted for Awards are Canada’s most prestigious commissioned glass sculpture created by the 2014 Governor honour in the performing arts. Created in Canadian artist Naoko Takenouchi and a 1992 by the late Right Honourable Ramon commemorative medallion. General’s Performing John Hnatyshyn (1934–2002), then Governor Arts Awards. General of Canada, and his wife Gerda, Recipients of the National Arts Centre Award, Nominate today! the Awards are the ultimate recognition which recognizes work of an extraordinary from Canadians for Canadians whose nature in the previous performance year, Deadline: accomplishments have inspired and are selected by a committee of senior September 20, 2013 enriched the cultural life of our country. programmers from the National Arts Centre (NAC). This Award comprises a $25,000 cash Laureates of the Lifetime Artistic Achievement For more information, prize provided by the NAC, a commissioned Award are selected from the fields of classical please visit work created by Canadian ceramic artist music, dance, film, popular music, radio Paula Murray and a commemorative medallion. www.ggpaa.ca. and television broadcasting, and theatre. Nominations for this Award and the Ramon All commemorative medallions are generously John Hnatyshyn Award for Voluntarism in donated by the Royal Canadian Mint. the Performing Arts are open to the public and solicited from across the country. The Awards also feature a unique Mentorship All nominations are reviewed by juries of Program designed to benefit a talented mid- professionals in each discipline; each jury career artist.