Task Force on Historical Representation of Statuary at UT Austin
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Capital Expenditure Plans FY 2009 to FY 2013
Capital Expenditure Plans FY 2009 to FY 2013 August 2008 Division of Planning and Accountability Finance and Resource Planning Texas Higher Education Coordinating Board Robert W. Shepard, CHAIR Harlingen A.W. “Whit” Riter III, VICE CHAIR Tyler Elaine Mendoza, SECRETARY OF THE BOARD San Antonio Charles “Trey” Lewis III, STUDENT REPRESENTATIVE Houston Laurie Bricker Houston Fred W. Heldenfels IV Austin Joe B. Hinton Crawford Brenda Pejovich Dallas Lyn Bracewell Phillips Bastrop Robert V. Wingo El Paso Raymund A. Paredes, COMMISSIONER OF HIGHER EDUCATION Mission of the Coordinating Board Thhe Texas Higher Education Coordinating Board’s mission is to work with the Legislature, Governor, governing boards, higher education institutions and other entities to help Texas meet the goals of the state’s higher education plan, Closing the Gaps by 2015, and thereby provide the people of Texas the widest access to higher education of the highest quality in the most efficient manner. Philosophy of the Coordinating Board Thhe Texas Higher Education Coordinating Board will promote access to quality higheer education across the state with the conviction that access without quality is mediocrity and that quality without access is unacceptable. The Board will be open, ethical, responsive, and committed to public service. The Board will approach its work with a sense of purpose and responsibility to the people of Texas and is committed to the best use of public monies. The Coordinating Board will engage in actions that add value to Texas and to higher education. The agency will avoid efforts that do not add value or that are duplicated by other entities. -
Girl Scouts of Central Texas Explore Austin Patch Program
Girl Scouts of Central Texas Explore Austin Patch Program Created by the Cadette and Senior Girl Scout attendees of Zilker Day Camp 2003, Session 4. This patch program is a great program to be completed in conjunction with the new Capital Metro Patch Program available at gsctx.org/badges. PATCHES ARE AVAILABLE FOR PURCHASE IN GSCTX SHOPS. Program Grade Level Requirements: • Daisy - Ambassador: explore a minimum of eight (8) places. Email [email protected] if you find any hidden gems that should be on this list and share your adventures here: gsctx.org/share EXPLORE 1. Austin Nature and Science Center, 2389 Stratford Dr., (512) 974-3888 2. *The Contemporary Austin – Laguna Gloria, 700 Congress Ave. (512) 453-5312 3. Austin City Limits – KLRU at 26th and Guadalupe 4. *Barton Springs Pool (512) 867-3080 5. BATS – Under Congress Street Bridge, at dusk from March through October. 6. *Bob Bullock Texas State History Museum, 1800 Congress Ave. (512) 936-8746 7. Texas State Cemetery, 909 Navasota St. (512) 463-0605 8. *Deep Eddy Pool, 401 Deep Eddy. (512) 472-8546 9. Dinosaur Tracks at Zilker Botanical Gardens, 2220 Barton Springs Dr. (512) 477-8672 10. Elisabet Ney Museum, 304 E. 44th St. (512) 974-1625 11. *French Legation Museum, 802 San Marcos St. (512) 472-8180 12. Governor’s Mansion, 1010 Colorado St. (512) 463-5518 13. *Lady Bird Johnson Wildflower Center, 4801 La Crosse Ave. (512) 232-0100 14. LBJ Library 15. UT Campus 16. Mayfield Park, 3505 W. 35th St. (512) 974-6797 17. Moonlight Tower, W. 9th St. -
February 2010
Heritage, Scholarship, Leadership, Camaraderie The official message board of the University of Texas NROTC Alumni Foundation Volume 15, Issue 1 SPECIAL EDITION February 2010 AATTTTEENNTTIIOONN OONN DDEECCKK…… UT NROTC PROGRAM AT RISK! ALL UT ROTC PROGRAMS IN JEOPARDY: ROTC BUILDING TO BE TORN DOWN THIS FALL WITH NO DEFINITIVE PLANS FOR FUTURE ROTC FACILITIES RAS Hall is scheduled for demolition beginning in September of this year, only six months from now. The College of Liberal Arts will erect a new multi-story building on the RAS property to accommodate the needs of that College, excluding the NROTC and other two ROTC programs. As of this moment, there is no definitive plan for a temporary relocation on campus for the NROTC. There have been discussions, negotiations, some promises made and some, as yet, unfulfilled but no definite plans are in place at this time for the near term relocation of the NROTC. Furthermore, no definitive plans are in place for the long term relocation of the NROTC on campus. Your Board of Directors is considerably concerned about this situation and wants to do what it can to insure that the Unit is timely provided adequate facilities to carry out its mission of educating and commissioning Navy and Marine Corps officers for the defense of our country. The Board wants to do what it can to continue the traditions of excellence established over the last seventy years by our Alumni. To assist you in fully understanding the situation, correspondence with President Powers and Provost Leslie is printed in full in this edition. -
University of Texas at Austin A0087 B0087
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180087 Gramts.gov Tracking#: GRANT12659480 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180087 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (GEPA_427_MES_20181031746793) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (Abstract_MES_20181031746782) e16 9. Project Narrative Form e17 Attachment - 1 (Narrative_MES_20181031746784) e18 10. Other Narrative Form e72 Attachment - 1 (Profile_Form_MES_20181031746785) e73 Attachment - 2 (Acronyms_Guide_MES_20181031746786) e74 Attachment - 3 (Higher_Ed_Act_Statutory_Requirements1031746787) e76 Attachment - 4 (Appendix_1_CV_and_position_descriptions_20181031746788) e79 Attachment - 5 (Appendix_2_Course_List_MES_20181031746789) e121 Attachment - 6 (Appendix_3_PMF_Appendix_Final1031746790) e137 Attachment - 7 (Appendix_4_Letters_of_Support_20181031746791) e140 11. Budget Narrative Form e142 Attachment - 1 (Budget_Narrative_MES_20181031746808) e143 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 12/31/2019 Application for Federal Assistance SF-424 * 1. Type of Submission: * 2. -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
List for August 2009 Update.Xlsx
The University of Texas System FY 2010-2015 Capital Improvement Program Summary by Funding Source CIP Project Cost Funding Source Total % of Total Bond Proceeds PUF $ 645,539,709 7.8% RFS 2,473,736,000 29.8% TRB 823,808,645 9.9% Subtotal Bond Proceeds 3,943,084,354 47.5% Institutional Funds Aux Enterprise Balances $ 22,349,500 0.3% Available University Fund 7,600,000 0.1% Designated Funds 33,261,100 0.4% Gifts 1,107,556,900 13.3% Grants 191,425,000 2.3% HEF 4,744,014 0.1% Hospital Revenues 1,844,920,000 22.2% Insurance Claims 553,200,000 6.7% Interest On Local Funds 113,360,315 1.4% MSRDP 98,900,000 1.2% Unexpended Plant Funds 383,635,739 4.6% Subtotal Institutional Funds 4,360,952,568 52.5% Capital Improvement Program Total Funding Sources $ 8,304,036,922 100% Quarterly Update 8/20/09 F.1 The University of Texas System FY 2010-2015 Capital Improvement Program Summary by Institution CIP Number of Project Cost Institution Projects Total Academic Institutions U. T. Arlington 10 $ 306,353,376 U. T. Austin 47 1,401,616,150 U. T. Brownsville 2 50,800,000 U. T. Dallas 16 268,079,750 U. T. El Paso 13 214,420,000 U. T. Pan American 5 92,517,909 U. T. Permian Basin 4 150,239,250 U. T. San Antonio 13 152,074,000 U. T. Tyler 7 58,159,300 Subtotal Academic Institutions 117 2,694,259,735 Health Institutions U. -
Generations of Artists Shape Rich Musical Heritage
YOUR ELECTRIC COOPERATIVE NEWS MARCH 2019 Line Gear Evolution Politics Timeline Visit Round Top TEXAS BLUES Generations of artists shape rich musical heritage SAM “LIGHTNIN’” HOPKINS better by design and save your virtual buildings design Design your own virtual building with Mueller’s 3D Design Tool. Choose the building size, door and window placements, colors and more. Once you have saved your design, just click to get a free quote. Then, our engineering and manufacturing team will take over, making your dream building a reality. view from any angle Get started at: www.muellerinc.com/3d-tool click to get a quote www.muellerinc.com 877-2-MUELLER 8772683553 Since 1944 March 2019 FAVORITES 1875-1900 5 Letters Electrification begins 6 Currents In the early years, linemen learn basic principles and hazards in Early headgear real time. Safety standards are non- It’s not uncommon for linemen 18 Local Co-op News existent, and most line equipment to wear hats made of felt or is handmade. leather for protection. Get the latest information plus energy and safety tips from your cooperative. 29 Texas History Digging spoon Workers dig holes by hand A Hero in Any Language with digging bars, spoons and shovels. By Martha Deeringer 31 Retro Recipes Homemade belts Winner, Winner, Chicken Dinner! Linemen fashion belts to wrap around waist and pole— 35 Focus on Texas or they climb freestyle. Bare hands Linemen rarely wear Photo Contest: Trees gloves for protection, opting instead to work barehanded. 36 Around Texas List of Local Events Climbing spikes Homemade climbers lack 38 Hit the Road pads and have only upper and lower straps. -
About Austin
Discover Austin City… no Limits! sponsor or endorser of SAA. ustin sustains many vibrant cultures and subcultures flourishing Downtown Austin looking across Lady Bird Lake. in a community that allows room for new ideas. The beauty of our (Lower Colorado River Authority) A green spaces, the luxury of a recreational lake in the middle of the city, historic downtown architecture blending with soaring new mixed-use high rises, and a warm climate provide inspiration and endless activities for citizens and visitors. BUILDINGS AND LANDMARKS If you haven’t heard the city’s unofficial motto yet, chances are you will In 1845, Austin became a state capital when the United States annexed the soon after arriving – “Keep Austin Weird” – a grassroots, underground Republic of Texas. The current capitol building was completed in 1888 on mantra that’s filtered upward, encouraging individuality and originality in an area of high ground, replacing the previous one that had burned with an every form. It’s an apt phrase, since from its beginnings Austin has imposing Renaissance Revival native pink granite and limestone structure, embodied an independent, unconventional spirit. the largest state capitol building in the nation. The dome is topped by the Goddess of Liberty, a zinc statue of a woman holding aloft a gilded Lone Star. From many vantage points downtown there are unobstructed views of the Capitol, planned for and protected by state law. Visitors are free to explore EARLY AUSTIN the beautifully maintained Capitol grounds and the building itself, where tour guides are available. The soaring interior of the Rotunda is a magnificent Austin began as the small, isolated frontier town of Waterloo, settled on the space and an excellent place to cool down during a summer walk. -
Italian and Irish Contributions to the Texas War for Independence
East Texas Historical Journal Volume 23 Issue 2 Article 7 10-1985 Italian and Irish Contributions to the Texas War for Independence Valentine J. Belfiglio Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Belfiglio, alentineV J. (1985) "Italian and Irish Contributions to the Texas War for Independence," East Texas Historical Journal: Vol. 23 : Iss. 2 , Article 7. Available at: https://scholarworks.sfasu.edu/ethj/vol23/iss2/7 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 28 EAST TEXAS mSTORICAL ASSOCIATION ITALIAN AND IRISH CONTRIBUTIONS TO THE TEXAS WAR FOR INDEPENDENCE by Valentine J. Belfiglio The Texas War for Independence erupted with the Battle of Gon zales on October 2, 1835.' Centralist forces had renounced the Mex ican constitution and established a dictatorship. The Texas settlers, meanwhile, developed grievances. They desired to retain their English language and American traditions, and feared that the Mex ican government would abolish slavery. Texans also resented Mex ican laws which imposed duties on imported goods, suspended land contracts, and prohibited American immigration. At first the Americans were bent on restoring the constitution, but later they decided to fight for separation from Mexico. Except for research by Luciano G. Rusich (1979, 1982), about the role of the Marquis of " Sant'Angelo, and research by John B. -
FEATURING: New Officers and Directors ABSA Camping Asian Business IM Football Students Association Utabsa.Org 2010 / 10
OC TOB 2 0 ER 1 0 INFOR M DREAERM BIGGER FEATURING: New Officers and Directors ABSA Camping Asian Business IM Football Students Association utabsa.org 2010 / 10 CONTENTS O CT 2 OB 0 ER 1 0 Pg. 1 Letter from the Editors Presidential Address Pg. 2 Pg. 3 Officer Biographies Directors 2010-2011 Pg. 7 Pg. 13 General Meetings GM1: General Mills GM2: Target GM GM3: Family Event GM4: Study Abroad Panel Professional Pg. 17 ABSA Career Prep with P&G Accenture Company Field Trip PRO ABSA Leadership Session (14) Pg. 18 Socials & Volunteering South Mall Social ABSA Camping Luau Boat Party Town Lake Shelter S&V KAB #1 Director Retreat Big Sib Retreat Benefit Night (15) UCLA Ushering Intramural Sports Pg. 26 Co-ed Football Men’s Football IM SO! Pg. 29 Shout Outs ABSA INFORMER 2010 LETTER FROM THE EDITORS Dear ABSA, We hope everyone had a great start to a new school year! We are looking forward to a new and exciting year working as the Informer Editors. If you have not gotten to know us already, our names are Kyra Gallion, Helen Lee, and Eric Zhang. In the past few weeks, we have been collecting articles and shout outs, sifting through pictures and biographies, and working with limited meeting times and busy schedules -- putting together the Informer was frustrating at times, but it was quite a rewarding experience. We hope you enjoy our first edition, incorporating the theme for ABSA this year: Dream Bigger. We have included some new items and old items that old members have already seen. -
Leroy Chatfield 1963-1973
LeRoy Chatfield 1963–1973 The NFWA, etc. Documentation Project “Cesar Chavez and His Farmworker Movement” Dedication: To each volunteer in the farmworker movement who worked with such energy, dedication, and self-sacrifice to build the first farm labor union in the history of the United States. If I have anything to say about it, your good work will not go undocumented. Chapter One Interview with Professor Paul Henggeler In Memoriam: Paul R Henggeler Professor of History, University of Texas–Pan American December 12, 2004 I never met Professor Henggeler in person nor talked with him on the telephone. Our only communication was by way of letter and email. He first wrote in November of 2002, asking for my cooperation by answering some of his questions about Cesar Chavez. I agreed to do so, but only in writing. For the next six months he asked pages of questions, and I answered them. It was this exchange with Professor Henggeler that laid the groundwork for the creation of the farmworker documentation project, which began in May of 2003. Now, 20 months later, 188 essays have been written, several thousand emails have been exchanged, and almost 1000 former farmworker movement volunteers have been identified and contacted. All of this can be traced back to the research of one young academic historian. But now he is gone. Not yet 50 years old, he died of an apparent heart attack on July 22, 2004. What a great loss. I know nothing about him personally, except that he was married. I know from our correspondence that he spent the past six years of his life researching and writing about “Cesar Chavez’s leadership of the farmworker movement.” In one of my last communications with Paul, he wrote, “Hi, LeRoy: I can’t thank you enough for the CD-ROM (the essays) and your decision to get folks ‘talking’ about their experiences in the UFW before it all evaporates.” For my part, I cannot thank Paul enough for his support, and affirmation of the documentation project. -
The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments*
Sociology Study, November 2016, Vol. 6, No. 11, 706‐712 D doi: 10.17265/2159‐5526/2016.11.004 DAVID PUBLISHING The Effect of Art Music on Pompeo Coppini: Greatest Sculptor of Texas Monuments* Valentino Belfiglioa Abstract Art music has the ability to communicate, entertain, and inspire other artists. Opera is a dramatic multimedia genre which fuses solo and choral singing with instrumental accompaniment, dance, staging, costumes, scenery, and libretto. This multimedia approach can inspire painters, sculptors, poets, writers, and other musicians in their works. Italian opera greatly inspired Pompeo Coppini—the Italian sculptor. In particular, scenes and arias by Verdi and Puccini correlate with specific tasks involved in the creation of a monument. In creating the Alamo cenotaph, Coppini often played Gioacchino Rossini’s opera, “William Tell” (1829) correlating the sacrifices made by Texans for their independence at the Alamo (1836) with the sacrifices made by Swiss patriots in their independence from Austrian tyranny. This case study suggests that art music can enhance creativity and visual attention among artists of all genres. Keywords Art music, opera, sculpture, inspiration The author stood in front of a bust portraiture of Gaius sculptor, Pompeo Coppini, the greatest sculptor of Julius Caesar (100-44 B.C.) during a visit to the Texas monuments. Museo Nazionale Romano in Rome, Italy in 20011. Pompeo Coppini (1870-1957) produced art in the The sculpture is 27 inches long, 19 inches wide, and form of Roman classicism. He based his artistic 12 inches in depth. The figure of Caesar is made of designs on Roman classical models.