KINOWELT Zieht SAW 3D – VOLLENDUNG Vor Kinostart Jetzt Schon Am 25

Total Page：16

File Type：pdf, Size：1020Kb

PRESSEINFORMATION KINOWELT zieht SAW 3D – VOLLENDUNG vor Kinostart jetzt schon am 25. November Leipzig, 4. November 2010 Der KINOWELT Filmverleih wird den letzten Teil der legendären SAW-Reihe nun am 25. November 2010 in die deutschen Kinos bringen. Der alte Starttermin (2. Dezember 2010) ist somit nicht mehr aktuell. Bitte berücksichtigen Sie den neuen Starttermin bei Ihren Veröffentlichungen. Pressematerial steht unter presse.kinowelt.de für Sie bereit. SAW 3D - Vollendung – Regie: Kevin Greutert , mit: Tobin Bell , Cary Elwes , Costas Mandylor , Chester Bennington, Betsy Russell , Sean Patrick Flanery , Gina Holden , Chad Donella u.v.a. NEUER KINOSTART: 25.11.2010 IM VERLEIH DER KINOWELT Nur wenige haben die Todesfallen des Puzzle-Mörders Jigsaw (Tobin Bell) überlebt. Als seine Opfer sich zusammenschließen und Hilfe bei dem Selbsthilfe-Guru Bobby Dagen (Sean Patrick Flanery) suchen, setzen sie unwissentlich eine neue Welle des Terrors in Gang. Denn noch lange nach seinem Tod läuft das mörderische Säge-Werk von John Cramer alias Jigsaw weiter. Das letzte Spiel beginnt: ein letzter Akt, ein Finale des Grauens – bis zum endgültigen Game over. Das Beste kommt zum Schluss: Die erfolgreichste Horror-Reihe findet ihren fulminanten Abschluss in spektakulärer 3D-Technik. Der siebte SAW macht die Zuschauer zu Beteiligten, sie selbst sind das letzte Puzzleteil. Mittendrin statt nur davor in Jigsaws Kabinett der Grausamkeiten - das verspricht SAW 3D, unter der Regie von Kevin Greutert ( SAW VI ). Tobin Bell lässt als Jigsaw erneut die Spiele beginnen, KINOWELT FILMVERLEIH A division of KINOWELT GMBH PRESSE & PR KARL-TAUCHNITZ-STR. 10 · D-04107 LEIPZIG · TEL.: 0341 35596 316 · FAX: 0341 35596 309 [email protected] · INTERNET: PRESSE.KINOWELT.DE weitere Hauptrollen sind mit Costas Mandylor ( SAW III-VI), Betsy Russell ( SAW III-VI ) und Sean Patrick Flanery ( Stephen King’s Dead Zone) besetzt. Bei Rückfragen wenden Sie sich bitte an die betreuenden Agenturen: Pressebetreuung Print / Radio / TV: Pressebetreuung Online: frontpage communication Pure Online – Digitale Kommunikation Sandra Lindenberger & Johannes Blunck Willi Wudtke Tel: 040 / 378 7979 0 Tel. 030 / 28 44 509 11 Email: [email protected] Email: [email protected] KINOWELT FILMVERLEIH A division of KINOWELT GMBH PRESSE & PR KARL-TAUCHNITZ-STR. 10 · D-04107 LEIPZIG · TEL.: 0341 35596 316 · FAX: 0341 35596 309 [email protected] · INTERNET: PRESSE.KINOWELT.DE .

Copy Link

Recommended publications

Star Channels, May 26-June 1
MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017.
[Show full text]
Under the Spotlight the World Over
16 發光的城市 A R O U N D T O W N FRIDAY, OCTOBER 24, 2008 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAms Saw V Gruesome, moralistic game player Jigsaw (Tobin Bell) is back for more torture tests, even if he’s been dead since Part III. His cop acolyte Hoffman (Costas Mandylor) now carries the flag for giving deadly lessons in ethics, but he has to be careful because seemingly every investigator in the state is on his tail — those that aren’t dead, at any rate. No previews were available for this entry, and it doesn’t need them, because it’s going to make another killing. Part VI is on the way. Scar In a classic example of predatory programming, the management of the Scholar theater complex jumped at the release of Saw V to slot in this similarly titled horror flick (especially in Chinese) with the added gimmick of 3D. A woman travels back to her hometown in Colorado to visit family and before long the killing begins. Problem is, the deaths resemble a Clockwise from above: Norihiro macabre incident that prompted her to leave town many years Koizum’s Gachi Boy: Wrestling With before. There’s torture, too, but Jigsaw devotees are unlikely to a Memory; Mii��ke Takashi’�’s Sukiyaki get their fix. Western Django; Chak De! by Indian director Shimit Amin; Genius Party, a collection of seven animation shorts Death Race by celebrated Japanese directors; and The Saw series is fundamentally about Astropia by Gunnar Gudmundsson of body abuse and serpentine plots, so car Iceland.
[Show full text]
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS:
[Show full text]
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films.
[Show full text]
Executive Producer
‘CHRISTMAS UNDER WRAPS’ PRODUCTION BIOS JEFFREY SCHENCK (Executive Producer) – Jeffrey Schenck is an independent film and television producer who has his own production company, ARO ENTERTAINMENT along with owning and operating HYBRID with his producing partner, Barry Barnholtz. Schenck's professional roots are also strongly intertwined with his personal history. His great uncles, Joe and Nick Schenck, were involved in the origins of the motion picture business, including the founding and management of MGM and Fox. Prior to starting ARO and HYBRID, Schenck was the president of Regent Studios and over the past thirteen years with the company, had been involved with over fifty movies from conception to completion. Schenck oversaw the entire production arm of Regent, which services content for all of the company's distribution platforms as well as other television networks. He was responsible for the studio's operations including development, financing and all aspects of budgeting and physical production. Schenck also directed the domestic distribution relationships including television and home entertainment. Under Schenck's leadership, Regent became one of the most prolific producers of television/DVD content in the entertainment industry. Notable films he produced include several highly rated television films such as “Doomsday Rock,” “Catch Me If You Can” (Family Channel), “Chupacabra,” “Ice Spiders” (Syfy Channel),”I Saw Mommy Kissing Santa Claus” (Pax), “Eve’s Christmas,” “Home for the Holidays” (Lifetime), “Chasing Chrsitmas” and “Christmas
[Show full text]
M Usic , M Oviesand M
Nov.Nov. 3,3, 20052005 Music,M u s i c , MMovieso v i e s anda n d MoreM o r e ‘Saw II’ rips through theaters MUSIC: Neil YYoungoung, GZA and AAshleeshlee Simpson brbringing new music ttoo fanfanss MOVIE: ‘L‘Legendegend of ZZorro’orro’ makes marmark,k, ‘Nor‘Northth CCountry’ountry’ ttouchesouches audiencaudienceses MORE: RReadead fforor yyourour ststomach,omach, plus the lalatesttest enentertainmenttertainment newnewss 2 THE BUZZ the cover of the December-Janu- ary 2006 … Barbara Walters will Contents ary issue of Teen People. Jessica be presenting her “10 Most Fasci- Simpson, 25, a self-proclaimed nating People of 2005.” Some of THE ditz, tells the magazine she went to the infl uential people who made The Inside Buzz therapy during her publicity over- the cut include Kanye West, Sec- 02 I N S I D E load; sister Ashlee opens up about retary of State Condoleezza Rice her recent singing fl ops, like the and even Tom Mesereau, Michael 03 Girls That Rock Series - Part 3 infamous “Saturday Night Live” Jackson’s lawyer. The show will BUZZ lip-synching debacle and the Or- air on Nov. 29 on ABC at 10 p.m. ange Bowl fi asco … 33-year-old … Notable CD releases out Tues- 04 New Movie Reviews actress Gabrielle Union has sepa- day were Santana All That I Am rated from husband, Chris How- … Rammstein Rosenrot [Import] 05 New Movie Reviews ard, a former Jacksonville Jaguar … John Fogerty The Long Road running back. … Mary J. Blige Home: Ultimate John Fogerty 06 Flashback Favorite will receive the VLegend Award Creedence Collection … new By MAHSA KHALILIFAR from Vibe at the 3rd annual awards DVD releases this week include Daily Titan Asst.
[Show full text]
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009).
[Show full text]
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE
[Show full text]
Evil in the 'City of Angels'
Visit Our Showroom To Find The Perfect Lift Bed For You! April 24 - 30, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 W L M C A B L R G R C S P L N Your Key 2 x 3" ad P E Y S W Z A Z O V A T T O F L K D G U E N R S U H M I S J To Buying D O I B N P E M R Z Y U S A F and Selling! N K Z N U D E U W A R P A N E 2 x 3.5" ad Z P I M H A Z R O Q Z D E G Y M K E P I R A D N V G A S E B E D W T E Z P E I A B T G L A U P E M E P Y R M N T A M E V P L R V J R V E Z O N U A S E A O X R Z D F T R O L K R F R D Z D E T E C T I V E S I A X I U K N P F A P N K W P A P L Q E C S T K S M N T I A G O U V A H T P E K H E O S R Z M R “Penny Dreadful: City of Angels” on Showtime Bargain Box (Words in parentheses not in puzzle) Lewis (Michener) (Nathan) Lane Supernatural Place your classified Classified Merchandise Specials Solution on page 13 Magda (Natalie) Dormer (1938) Los Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Tiago (Vega) (Daniel) Zovatto (Police) Detectives Midlothian Mirror and Ellis Evil in the Peter (Craft) (Rory) Kinnear Murder County Trading1 Post! x 4" ad Deal Merchandise Word Search Maria (Vega) (Adriana) Barraza Espionage Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘City of Angels’ for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com Natalie Dormer stars in “Penny Dreadful: City of Angels,” All specials are pre-paid.
[Show full text]
LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
[Show full text]
FROM the HEADMASTER from the DEPUTY HEADMASTER Dddrdr Peter Casey Mr Steven O’Connor
NEWSLETTER 4/3 Friday October 2424,,,, 2008 FROM THE HEADMASTER FROM THE DEPUTY HEADMASTER DDDrDr Peter Casey Mr Steven O’Connor Dear Friends Arrangements for Speech Night By the time you receive this newsletter, we will have celebrated the last I would like to detail some of the arrangements for Speech Night 2008. week of classes for those studying VCE Units 4: all of our Year 12s but Speech Night will be held at Her Majesty’s Theatre on Friday, also a large number of Year 11s. For some boys, nervousness and anxiety November 21 commencing at 7.30pm. Tickets will be available for has been creeping in, for others the urge to reckless abandon, and for Year 12 parents from October 27 - 31 through the Majestic Box Office. others a sense of nostalgia or achievement crescendoed. We as a staff Year 12 students will need to purchase a ticket for the event. acknowledge the spectrum of emotions at this time. We have honoured them while maintaining our dignity and our expectations. I find it difficult Majestic Operating Hours are: Monday - Friday: 9.15am–5.00pm to accept the view that while we have our expectations based on mutual respect for six years we may then let mayhem take over for one or two In preparation for Speech Night, we would like all Year Twelve days. We have been blessed in the calibre of boys we have at St Pat’s and students to attend two rehearsals. The first rehearsal will be at 2:00pm their collective wisdom and appreciation.
[Show full text]
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
[Show full text]