Quality in Children's TV Worldwide
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Welcome to Koncerthuset Koncerthuset at DR Byen in Copenhagen Has Won Broad International Recogni- Tion and Numerous Awards for Both Its Architecture and Acoustics
WElcOME TO KONCERTHUSET Koncerthuset at DR Byen in Copenhagen has won broad international recogni- tion and numerous awards for both its architecture and acoustics. Koncerthu- set is home to more than 250 concerts and TV productions a year, offering just the right facilities and setting to make your upcoming event an unforgettable experience. Koncerthuset is designed by Jean Nouvel, who is also the architect behind the prize-winning Institute of the Arab World in Paris, and the acoustics are de- signed by probably the best acoustician in the world, Yas- Koncerthuset opened with uhisa Toyota, who a gala concert in January 2009 can also claim credit and is the home of DR’s three or- for the acoustics chestras and six choirs. Koncert- of Walt Disney huset is the venue for an eclectic Concert Hall in Los mix of events – ranging from Angeles. Thursday concerts via music awards shows to meetings and conferences. KONCERTHUSET’s FacilitiES Koncerthuset accommodates four concert halls/studios and a range of flexible foyer spaces and stages capable of satisfying all needs by means of scenery, lighting and projections. THE CONCERT HALL – The vast, impres- sive ’amphitheatre structure’ with seating for up to 1800 guests. The acoustics are top notch, and all guests enjoy a feeling of close proximity to the stage. StUdiO 3 - Intimate, exclusive Hans Søndergaard and very flexible STUdiO 1 studio. StUdiO 4 - Suitable for 130 - Koncerthuset’s largest StUdiO 2 - Room with a striking people in theatre style studio, which also - Flexible studio with identity and unique seating or 90 guests serves as a foyer to the warehouse ambience, acoustics. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Put in a Bind with New Law
KEVIN FRAYER/GETTY WEEK 24, 2021 I MA G ES CHINA INSIDER FOREIGN BUSINESSES IN CHINA PUT IN A BIND WITH NEW LAW See Page 2 2 | CHINA INSIDER Week 24, 2021 Week 24, 2021 CHINA INSIDER | 3 WILL RUSSELL/GETTY IMAGES OPINION Beijing’s ‘Anti-Foreign Sanctions’ Law Puts Global Businesses in Further Bind KEVIN FRAYER/GETTY IMAGES FAN YU People walk by an H&M oreign companies doing busi- store in Beijing on ness in China will soon find their March 30, operating environment littered 2021. with economic roadblocks be- cause of a series of new “anti- Fforeign sanctions” rules that China’s leg- islature rushed to pass on June 10. The new rules were introduced as coun- termeasures against foreign nations enact- ing sanctions on Beijing. This development may put foreign organizations and indi- viduals enforcing their home countries’ sanctions against China in a tough position going forward. The new law expands the Chinese re- gime’s toolkit to fight back against sanc- tions and can be used in conjunction with the existing Unreliable Entities List of com- panies it created last year. The measures are extensive and give the Chinese Communist Party (CCP) broad powers to sanction organizations and indi- viduals complying with sanctions against China. So, what exactly can it do? The CCP The Chinese consulate in Perth, Australia, on March 24, 2014. could deny visas for, deport, and restrict travel for affected entities, seize properties bank complying with President Joe Biden’s measures casually, these measures are now they have within China, block business updated executive order to affirm the available to the CCP under the new law. -
Media Capture with Chinese Characteristics
JOU0010.1177/1464884917724632JournalismBelair-Gagnon et al. 724632research-article2017 Article Journalism 1 –17 Media capture with Chinese © The Author(s) 2017 Reprints and permissions: characteristics: Changing sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1464884917724632DOI: 10.1177/1464884917724632 patterns in Hong Kong’s journals.sagepub.com/home/jou news media system Nicholas Frisch Yale University, USA Valerie Belair-Gagnon University of Minnesota, USA Colin Agur University of Minnesota, USA Abstract In the Special Administrative Region of Hong Kong, a former British territory in southern China returned to the People’s Republic as a semi-autonomous enclave in 1997, media capture has distinct characteristics. On one hand, Hong Kong offers a case of media capture in an uncensored media sector and open market economy similar to those of Western industrialized democracies. Yet Hong Kong’s comparatively small size, close proximity, and broad economic exposure to the authoritarian markets and politics of neighboring Mainland China, which practices strict censorship, place unique pressures on Hong Kong’s nominally free press. Building on the literature on media and politics in Hong Kong post-handover and drawing on interviews with journalists in Hong Kong, this article examines the dynamics of media capture in Hong Kong. It highlights how corporate-owned legacy media outlets are increasingly deferential to the Beijing government’s news agenda, while social media is fostering alternative spaces for more skeptical and aggressive voices. This article develops a scholarly vocabulary to describe media capture from the perspective of local journalists and from the academic literature on media and power in Hong Kong and China since 1997. -
Uncle Milton Industries Dinosaur Train Announcement
FOR MORE INFORMATION CONTACT: Nancy Davies, Salmon Borre Group [email protected]; 847.582.1610 FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AWARDS UNCLE MILTON INDUSTRIES A LICENSING AGREEMENT TO DEVELOP SCIENCE-THEMED EDUCATIONAL TOYS FOR DINOSAUR TRAIN™ LOS ANGELES – (October 5, 2010) – The Jim Henson Company and Uncle Milton Industries, a leader in creating fun, educational science and nature toys for more than 50 years, announce a multi-year licensing agreement for Uncle Milton to develop science-themed educational toys based on the hit animated children’s series, DINOSAUR TRAIN™. The announcement came at the beginning of today’s Toy Industry Association’s Fall Toy Preview, being held October 5-8 in Dallas, TX. The Jim Henson Company granted Uncle Milton Industries the rights to develop all-new educational toys focused on the science behind the exciting world of DINOSAUR TRAIN and its cast of loveable prehistoric characters. The Uncle Milton licensed product line will launch in North America in the spring of 2011 and in the U.K., Spain, France and Australia in fall of 2011. “At Uncle Milton, our goal is to make science more interesting, engaging and accessible for children. DINOSAUR TRAIN provides the perfect platform for us to do what we do best—create products that encourage kids to explore scientific concepts in a fun and meaningful way,” states Frank Adler, President of Uncle Milton Industries. “We are honored to partner with The Jim Henson Company on this strong property. It presents us with such an exciting opportunity because the property resonates so well with preschoolers, allowing us to start this important relationship between kids and science at the very earliest age.” “We know Uncle Milton will introduce a compelling new educational line that allows kids the opportunity to explore real science within the familiar and popular Dinosaur Train world,” said Melissa Segal, Senior Vice President Global Consumer Products for The Jim Henson Company. -
Film & Television
416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Kids in the Hall (Series) Amazon (Present) Hardy Boys S2 (Series) YTV/HULU (Present) Run the Burbs (Series) CBC (Present) All My Love, Vadim (Feature) Serendipity Points Films, 6 Bees Productions (Present) Take Note S1 (Series) NBC Universal (Present) Holly Hobbie S3, 4, 5 (Series) Hulu / Family Channel (Present) Detention Adventure (Season 3) CBC (Present) Ghostwriter (Season 2) Apple & Sesame (Present) Kiss the Cook (MOW) Champlain Media Inc./Reel One Entertainment (Present) A Country Proposal (MOW) M6 Métropole Television, France (Present) First Person S2 (Short Films) Carousel Pictures (2021) Overlord and the Underwoods S1(Series) marblemedia & Cloudco Entertainment (2021) Say Yes To Christmas (MOW) Lifetime (2021) Christmas in Detroit (MOW) Lifetime (2021) Terror in the Country (MOW) ReelOne Entertainment (2021) Summer Memories (Series) Family Channel (2021) The Color of Love (MOW) Lifetime (2021) Mistletoe & Molly (MOW) Superchannell Heart & Home (2021) Secret Santa (MOW) Superchannel Heart and Home (2021) Christmas At the Movies (MOW) Superchannell (2021) Christmas in Angel Heights (MOW) M6 Métropole Television, France (2021) Left For Dead (MOW) Lifetime (2021) The Christmas Market (MOW) Vortex Productions (2021) Loving Christmas (MOW) M6 Métropole Television, France (2021) Lucas the Spider Warner Brothers (2020) Sissy Picosphere (2020) Death She Wrote M6 Métropole Television, France (2020) SPIN (Canadian Casting) Disney + (2020) TallBoyz S2 (Series) CBC (2020) Odd Squad Mobile Unit (Season 4) PBS, TVO (2020) Love Found in Whitbrooke Harbor M6 Métropole Television, France (2020) Rule Book of Love M6 Métropole Television, France (2020) Overlord and The Underwoods MarbleMedia & Beachwood Canyon Pictures (2020) Dying to be Your Friend Neshama (2020) The Young Line CBC Kids (2020) The Parker Andersons / Amelia Parker BYUtv (2020) Locked Down (Season 2) YouTube (2020) The Enchanted Christmas Cake Enchanted Christmas Cake Productions Inc. -
Erfaren Producent 27.07.2020
Indrykningsdato Erfaren producent 27.07.2020 Ansøgningsfrist Kultur & Samfund TV søger en erfaren producent som 17.08.2020 skal være ansvarlig for afdelingens portefølje af programmer indenfor historie og tro. Virksomhedsnavn Kultur og Samfund TV - DR - Dr Byen KBH Fagområde Kultur og Samfund TV søger producent Kultur & Samfund TV søger en erfaren producent som skal være ansvarlig for Scenekunst / Film afdelingens portefølje af programmer indenfor historie og tro. Navn på kontaktperson Som producent for historie og tro i Kultur & Samfund TV er du med til at sætte Helle Sønderby retningen for de kommende produktioner på DR. Du deltager aktivt i udviklingen af nye programmer og bidrager til strategien indenfor historie og tro. Du er ansvarlig [email protected] for kvalitetssikring af indholdet til seerne på DR1, DR2 og DRTV. 40337622 Kultur & Samfund TV er en del af Kultur, Børn & Unge. Afdelingen består af cirka 45 fastansatte kolleger, en række freelancere som i samarbejde med dygtige Søg stilling produktionsledere, fotografer og klippere skaber unikt indhold og værdi for DR´s seere. https://candidate.hr- Vi producerer årligt en lang række programmer til DR1, DR2 og DRTV – lige fra store manager.net/ApplicationInit.aspx? historiske dramadokumentarer til formaterede programmer og kortere cid=1165&ProjectId=146651&DepartmentId=1895 dokumentarserier til DR2. Producenten indgår sammen med tre andre producenter og redaktionschefen i producentgruppen for afdelingen. Vi søger en kollega, der har dokumentet erfaring som producent eller redaktionsleder. Producenten fungerer som teamleder for en gruppe af erfarne og dygtige tilrettelæggere som består af både journalister og historikere. Du får ansvaret for en varierende portefølje af 10-15 årlige produktioner, som f.eks. -
TV and On-Demand Audiovisual Services in Albania Table of Contents
TV and on-demand audiovisual services in Albania Table of Contents Description of the audiovisual market.......................................................................................... 2 Licensing authorities / Registers...................................................................................................2 Population and household equipment.......................................................................................... 2 TV channels available in the country........................................................................................... 3 TV channels established in the country..................................................................................... 10 On-demand audiovisual services available in the country......................................................... 14 On-demand audiovisual services established in the country..................................................... 15 Operators (all types of companies)............................................................................................ 15 Description of the audiovisual market The Albanian public service broadcaster, RTSH, operates a range of channels: TVSH (Shqiptar TV1) TVSH 2 (Shqiptar TV2) and TVSH Sat; and in addition a HD channel RTSH HD, and three thematic channels on music, sport and art. There are two major private operators, TV Klan and Top Channel (Top Media Group). The activity of private electronic media began without a legal framework in 1995, with the launch of the unlicensed channel Shijak TV. After -
A Hybrid Documentary Genre: Animated Documentary and the Analysis of Waltz with Bashir (2008) Movie Barış Tolga Ekinci, [email protected]
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci, [email protected] Volume 6.1 (2017) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2017.144 | http://cinej.pitt.edu Abstract The word documentary has been described as an advice in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to seperate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method. Keywords: Documentary, animated documentary, Waltz with Bassir, reality, hybrid genres. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. A Hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci Introduction History of animated documentary1 is old as much as history of traditional documentary. However, in any period, animated documentaries have not been reached the popularity of traditional documentaries. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
Don Fernando Cordero Rusque
Revista Aerohistoria del Instituto de Investigaciones Histórico Aeronáuticas de Chile - Febrero 2020 Pág. 2 Editorial El año recién pasado, recuerdo haber encabezado el editorial de nuestra revista Aerohistoria, con la siguiente sentencia: “Quienes defienden el uso de grafitis por doquier, argumentando que es una expresión de arte, están …más perdidos que el teniente Bello”. Ahora, transcurridos estos doce meses, en donde nuestra Patria casi toda, se ha visto expuesta a vejámenes, inacción, indolencia y desidia nunca antes sospechados, vemos con impavidez, la diferente reacción que emerge de entre las autoridades encargadas de la custodia patrimonial versus la de los ciudadanos, ante el deterioro del patrimonio nacional, que arteros ataques acompañados de desvergonzados y desafiantes grafitis, amenazan, ofenden y destruyen por doquier. Quienes los realizan, lejos de usar solamente los llamados espacios públicos, invaden muchas de las veces sin consideración o respeto alguno, los espacios privados que muchos chilenos nos esmeramos en cuidar y mantener como un testimonio cultural o simplemente como un legado para la posteridad. Sepan que este bajo y cruel actuar, ya no “está de moda”, ya no es una expresión de lo que se autodenomina opinión y decisión popular, ni menos es arte ni registro de él. El “arte del pueblo y para el pueblo”, ese que no necesita permiso final para su libre ejecución, se basa en una expresión de cariño y entrega, no es nunca de amenaza, ni menos atenta contra los valores y respeto patrio. Esta disculpa de algunas autoridades competentes, es simplemente una mentira, una falacia que atropella la inteligencia que además, menoscaba el verdadero patrimonio de este pueblo, puesto que finalmente destruye sus cimientos, argumentando una malentendida libertad de expresión, que socialmente exime los deberes y los derechos, sin el menor respeto a lo que otros, entendemos como una herencia que debe ser cuidada y resguardada. -
Efm 2021 Chile at the Co-Production Market CHILE at Efm 2021 Co-Production Market
chile at THE efm 2021 chile at THE co-production market CHILE AT efm 2021 co-production market LAnd of savages LA TIERRA DE LOS SALVAJES 100 min Chile Land of Savages by Fernando Guzzoni DIRECTOR fiction · thriller Fernando Guzzoni state − in development [email protected] looking for − co-production Chile, 1830. Jan is a slave owner haunted screenplay by ominous nightmares and his dark past. Fernando Guzzoni & Pablo Manzi When awake, he must deal with rebellions and a growing abolitionist movement that threatens his power. producers production company Juan de Dios Larraín, Pablo Larraín Fabula & Rocío Jadue [email protected] sales agent New Europe Film Sale [email protected] CO-PRODUCTION MARKET chile at THE efm 2021 visitors program CHILE AT efm 2021 visitors program FELIPE AZÚA PABLO CALISTO PRODUCER · avispa cine PRODUCER · equeco Felipe Azúa, founder of Avispa Cine, Pablo Calisto is a film producer that in has worked for more than 10 years 2016 created EQUECO with the aim of in shorts and features with a socially empowering young authors with fresh conscious viewpoint that have premiered and daring points of views. His projects in Cannes Cinéfondation and Clermont- have participated in international markets Ferrant, among other festivals. In 2016 and event such as EAVE Puentes, he produced The Firstborn by Carlos Guadalajara, Locarno Industry Days; as Leiva, that won Best Director in Sanfic well as films awarded in festivals like after a succesful run in Latin American Clermont Ferrand, Biarritz and Miami. development workshops. Currently he is He has worked in film distribution and working on three feature films including as a producer of SANFIC Industry.