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Robin McKinley | 259 pages | 18 Nov 2010 | Penguin Putnam Inc | 9780441018741 | English | New York, United States CATHOLIC ENCYCLOPEDIA: Chalice

The date conjecturally assigned to this masterpiece from the letters of the inscription is the ninth tenth century. But in any case the broadening of the and the firm and wide base indicate a development which is noticeable in nearly all the of the Romanesque period. The chalice known as that of St. Gozlin, of Toul , is still preserved in the cathedral of Nancy. In its broad, low, circular form it much resembles the last- named chalice. Another very beautiful ministerial chalice with handles, but of later date twelfth century? It may be added that although these double-handled of precious metal were no doubt primarily intended for the of the people, they were also on great occasions used by the celebrant in the Holy . The fresco in the under-church of San Clemente in Rome eleventh century? Clement, shows a two-handled chalice upon the , and the same may be seen in the famous liturgical ivory panel of the Spitza collection Kraus, Christliche Kunst, II, 18 It is certain , however, that the chalices commonly used for the private Masses of parish and were of a simpler character, and in the eighth, ninth and following centuries much legislation was devoted to securing that chalices should be made of becoming material. From are mark attributed to St. Boniface c. England seems to have taken the lead in this matter, and in any case the English canons may be quoted as typical of those which soon afterwards were enforced everywhere. Thus the Council of Celchyth Chelsea forbade the use of chalices or of horn quod de sunt , and the canons passed in the reign of Edgar, under St. Dunstan , enjoined that all chalices in which the "housel is hallowed" should be of molten work calic gegoten and that none should be hallowed in a wooden vessel. Horn was rejected because blood had entered into its composition. Probably, however, the most famous decree was that included in the "Corpus Juris" cap. If, however, anyone is so poor, let him at least have a chalice of pewter. The chalice not be made of brass or , because it generates rust i. And let no one presume to say with a chalice of wood or glass. This decree is traditionally attributed to a certain council of Reims , but Hefele is unable to identify it. From the eleventh century onwards sufficient chalices and representations of chalices survive to enable us to draw conclusions regarding their evolution of form. A round knop, short stem, broad firm base, and wide, rather shallow cup are characteristic of the earlier period. One of the richest surviving examples is the chalice known as that of St. In the thirteenth century, while the cup of the chalice still remains broad and rather low, and base and knop are circular, we find a certain development of the stem. On the other hand the cup, in a large number of examples of the fourteenth century, tends to assume a conical or funnel shape, while the stem and knop become angular, or prismatic in section, generally hexagonal. The base is often divided into six lobes to match the stem, and the knop itself is sometimes resolved into a group of studs or bosses, which in certain fifteenth-century specimens give place to a mass of areading and architectural ornament set with figures. The stem is at the same time elongated and becomes much taller. The cup almost invariably assumes a tulip shape, which continues during the seventeenth and eighteenth centuries, while the chalice greatly increases in height. With this, in the seventeenth century, often went a very thin stem, or again a quite inadequate base, so that many chalices of this period leave the well-founded impression of bring either fragile or top heavy. The question of the restriction of Communion under both kinds and the consequent withdrawal of the chalice from the is a matter of some obscurity and does not belong to the present article. In many places where the Precious Blood was no longer given to the people, it seems that to reconcile them more easily to the change, a cup containing simple wine was presented to each communicant as he left the after receiving the Sacred Host. Parish priests were enjoined to explain very carefully to the people that this was only ordinary wine intended to enable them to swallow the Host more readily. Probably a special chalice of large capacity was reserved for this purpose. As it was very probably a chalice of large capacity, with handles, it seems impossible to distinguish such a goblet from the calix ministerialis of earlier times. Present legislation According to the existing law of the Church the chalice, or at least the cup of it, must be made either of gold or of silver, and in the latter case the bowl must be gilt on the inside. In circumstances of great poverty or in time of persecution a calix stanneus pewter may be permitted, but the bowl of this also, like the upper surface of the , must be gilt. Before the chalice and paten are used in the Sacrifice of the Mass they require . This rite is carried out according to a form specially provided in the "Pontificale" and involving the use of holy . The consecration must be performed by a bishop or in the case of chalices intended for monastic use, by an possessing the privilege , and a bishop cannot in an ordinary way delegate any to perform this function in his place. Strictly speaking, only priests and are permitted to touch the chalice or paten , but leave is usually granted to sacristans and those officially appointed to take of the and sacred vessels. Adjuncts of the chalice These are the , the purificator, the , the burse , and the chalice . The corporal will be considered separately. The purificator purificatorium or more anciently emunctorium now consists of a rectangular piece of linen usually folded twice lengthwise and laid across the top of the chalice. It is used for wiping and drying the chalice, or the paten , or the priest's lips, e. Unlike the corporal and the pall, it requires no special . In the Middles Age it was not customary, as it is nowadays, for each priest to have a purificator of his own, frequently renewed, but it seems that a cloth of this kind was kept at the altar which was used in common by all. The pall is a small square of stiffened linen ornamented with a cross, which is laid upon the orifice of the chalice to protect its contents from flies or dust. The word , or palla , was originally used of all kinds of coverings, notably of what we now call the altar-cloths, and also of the corporal. Even in St. Gregory of Tours Hist. But about the time of St. Anselm c. One was spread out, and upon it the chalice and host were laid. The other, folded into smaller compass, served only to cover the chalice sce Giorgi, Liturgia Rom. This folded corporal is now represented by the little disk of linen which we call the pall. At one time it was forbidden to cover the pall with silk or rich embroidery ; now the upper surface may be of silk and embroidered , but the under- side, which is in contact with the chalice, must still be linen. The original identity of the pall and the corporal is further illustrated by the fact that both alike require to be specially blessed before use. The chalice veil and the burse are of comparatively recent introduction. Even Burchard, the compiler of the "Ordo Missae" , now represented by the rubricae generales of the , supposes that the chalice and paten were brought by the priest to the altar in a sacculum or lintheum, which seems to have been the ancestor of the present veil. The burse , which is simply a cover used to keep the corporal from being soiled, and which for that reason was known in Old English as a "corporas-case", is somewhat older. Several medieval burses are still preserved in the collection at Danzig. Nowadays both burse and veil are usually made of the same material as that of the set of vestments to which they belong, and they are similarly ornamented. The chalice in art From what has already been said it will be clear that the chalice, as the most important of all the vessels in church use, must have exercised an incalculable influence upon the early developments of the goldsmith's craft. At the opening of Unitarian Universalist services, many congregations light a flame inside a chalice. It became an underground symbol in occupied Europe during World War II for assistance to help Unitarians, Jews, and other people escape Nazi persecution. The two linked rings were used as an early symbol for the Unitarian Universalist Association, signifying the joining of and . There is no standardized interpretation of the symbol. In one interpretation, the chalice is a symbol of religious freedom from the impositions of doctrine by a hierarchy and openness to participation by all; the flame is interpreted as a memorial to those throughout history who sacrificed their lives for the cause of religious liberty. In another interpretation, the flaming chalice resembles a cross, symbolic of the Christian roots of . In , a chalice, as a feminine principle, is often used in combination with the ceremonial black-handled knife , as male principle. Combining the two evokes the act of procreation, as a symbol of universal creativity. This is a symbol of the in Wiccan rituals. A chalice is also used in the Small Rite. Some forms of Neo-Paganism make use of chalices in their rituals as well. A chalice may be placed on an altar or on the ground. The chalice may contain wine, whiskey , water, or other liquids. It is used to represent the genitalia of the goddess or female deity. sometimes smoke ganja in a chalice waterpipe or bong during an activity called reasoning intended to put participants in touch with peaceful feelings, unity, and "consciousness. The term "poisoned chalice" is applied to a thing or situation which appears to be good when it is received or experienced by someone, but then becomes or is found to be bad. Nunquam suade mihi vana! Sunt mala quae libas. Ipse venena bibas! Begone Satan! Never tempt me with your vanities! What you offer me is evil. Drink the poison yourself! It occurs in the opening soliloquy of the scene when Macbeth is considering the ramifications of the murder he is plotting. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. It is also used as a term to describe a job offer for a sports coach that would leave the incoming coach with high expectations of success but many potentially hidden challenges or pitfalls. A championship winning team that is in need of a rebuild or a team that overachieved under the previous incumbent could be described as a poisoned chalice. The use of chalices as heraldic devices is not unusual, especially in . A number of cities and regions also make use of the chalice. The of Staufen im Breisgau contains the three golden chalices i. A golden chalice or in some instances three or five on blue background has been used as coat of arms for the Kingdom of since at least the late Middle Ages, and is still central in its renewed heraldry. Etruscan bucchero chalice, early 6th century BC. Treasure of Gourdon , 6th century AD. Tassilo Chalice , c. Ardagh Chalice , 8th century. Palais du Tau , treasure of the Cathedral of Reims , 12th century. Medieval chalice from Our Lady's church, , . Wine Goblet , midth century. Qajar dynasty. Brooklyn Museum. I forgot to lock the front door" or muttering "tabarnak" under your breath after you get a flat tire. Presumably a derivation of "taking the Lord's name in vain". With reference to the Hussite movement in the , besides religious use, the chalice also became one of the unofficial national symbols of the . It is frequently used in Czech national symbolism and it is part of many historical banners. From Wikipedia, the free encyclopedia. For drinking goblets intended for everyday use, see . For other uses, see Chalice disambiguation. Main article: . Main article: . Main article: Magical tools in Wicca. Main article: Chalice pipe. Main article: Heraldry. chalice with a paten. Main article: Quebec French profanity. Chalice | Definition of Chalice at

He had bent one moment, before she took the chalice in her trembling hand. He took another sip and waited, noticing that already there were slight signs of diminution in the contents of the chalice. The staff on being touched fell to pieces but the chalice was removed to the college to be treasured there. See how many words from the week of Oct 12—18, you get right! Words nearby chalice Chaldee , chaldron , chalet , Chaleur Bay , Chaliapin , chalice , chaliced , chalicosis , chalicothere , chalk , chalk and talk. Words related to chalice vessel , cup , goblet. Example sentences from the Web for chalice The second book, The Chalice , recently came out in paperback. Can You Catch a Cold at Communion? What About Women, Pope Francis? Enamels and Cameos and other Poems Thophile Gautier. Cuthbert's Robert E. In this legend, used the cup at the to institute the Mass. Other stories claim that Joseph of Arimathea used the cup to and store the at the Crucifixion. At the opening of Unitarian Universalist worship services, many congregations light a flame inside a chalice. It became an underground symbol in occupied Europe during World War II for assistance to help Unitarians, Jews, and other people escape Nazi persecution. The two linked rings were used as an early symbol for the Unitarian Universalist Association, signifying the joining of Unitarianism and Universalism. There is no standardized interpretation of the flaming chalice symbol. In one interpretation, the chalice is a symbol of religious freedom from the impositions of doctrine by a hierarchy and openness to participation by all; the flame is interpreted as a memorial to those throughout history who sacrificed their lives for the cause of religious liberty. In another interpretation, the flaming chalice resembles a cross, symbolic of the Christian roots of Unitarian Universalism. In Wicca , a chalice, as a feminine principle, is often used in combination with the Athame ceremonial black-handled knife , as male principle. Combining the two evokes the act of procreation, as a symbol of universal creativity. This is a symbol of the Great Rite in Wiccan rituals. A chalice is also used in the Small Rite. Some forms of Neo-Paganism make use of chalices in their rituals as well. A chalice may be placed on an altar or on the ground. The chalice may contain wine, whiskey , water, or other liquids. It is used to represent the genitalia of the goddess or female deity. Rastafaris sometimes smoke ganja in a chalice waterpipe or bong during an activity called reasoning intended to put participants in touch with peaceful feelings, unity, and "consciousness. The term "poisoned chalice" is applied to a thing or situation which appears to be good when it is received or experienced by someone, but then becomes or is found to be bad. Nunquam suade mihi vana! Sunt mala quae libas. Ipse venena bibas! Begone Satan! Never tempt me with your vanities! What you offer me is evil. Drink the poison yourself! It occurs in the opening soliloquy of the scene when Macbeth is considering the ramifications of the murder he is plotting. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. It is also used as a term to describe a job offer for a sports coach that would leave the incoming coach with high expectations of success but many potentially hidden challenges or pitfalls. A championship winning team that is in need of a rebuild or a team that overachieved under the previous incumbent could be described as a poisoned chalice. The use of chalices as heraldic devices is not unusual, especially in ecclesiastical heraldry. A number of cities and regions also make use of the chalice. The coat of arms of Staufen im Breisgau contains the three golden chalices i. A golden chalice or in some instances three or five on blue background has been used as coat of arms for the since at least the late Middle Ages, and is still central in its renewed heraldry. Etruscan bucchero chalice, early 6th century BC. Treasure of Gourdon , 6th century AD. Tassilo Chalice , c. Ardagh Chalice , 8th century. Palais du Tau , treasure of the Cathedral of Reims , 12th century. Medieval chalice from Our Lady's church, Trondheim , Norway. Wine Goblet , midth century. Qajar dynasty. Brooklyn Museum. I forgot to lock the front door" or muttering "tabarnak" under your breath after you get a flat tire. Presumably a derivation of "taking the Lord's name in vain". With reference to the Hussite movement in the Kingdom of Bohemia , besides religious use, the chalice also became one of the unofficial national symbols of the Czechs. It is frequently used in Czech national symbolism and it is part of many historical banners. From Wikipedia, the free encyclopedia. For drinking goblets intended for everyday use, see stemware. For other uses, see Chalice disambiguation. Main article: Holy Chalice. Main article: Holy Grail. Main article: Magical tools in Wicca. Main article: Chalice pipe. Main article: Heraldry. Chalice | Definition of Chalice by Merriam-Webster

Images of the Twelve Apostles and the Four Evangelists are engraved upon the silver plate finish of this chalice. This celtic style chalice is inspired by the Ardagh chalice discovered in Ireland in the eighth century. A hand-hammered finish covers this lovely chalice from the Molina Company of Spain. The twenty-four karat gold finish of this chalice is applied by the artisans of Molina and high polished or given a subtle texture. Richly designed in the highly stylized look of Baroque, this chalice features incredibly rich detailing and a broad base with a heavy, twenty-four karat gold plating. Celebrate the Eucharistic with grace and beauty using this Baroque style chalice from the Molina Company of Spain. The rich ornamentation, characteristic of its Baroque design, is accented by gold in this two-tone chalice. The finish consists of silver and twenty-four karat gold plate. Compliment the interior of your church with this beautiful Baroque style chalice. Add the elegance of a Baroque style to your celebration of the when you this lovely chalice from the Molina Company of Spain. Order this lovely chalice for the celebration of the Eucharist. The cup almost invariably assumes a tulip shape, which continues during the seventeenth and eighteenth centuries, while the chalice greatly increases in height. With this, in the seventeenth century, often went a very thin stem, or again a quite inadequate base, so that many chalices of this period leave the well-founded impression of bring either fragile or top heavy. The question of the restriction of Communion under both kinds and the consequent withdrawal of the chalice from the laity is a matter of some obscurity and does not belong to the present article. In many places where the Precious Blood was no longer given to the people, it seems that to reconcile them more easily to the change, a cup containing simple wine was presented to each communicant as he left the sanctuary after receiving the Sacred Host. Parish priests were enjoined to explain very carefully to the people that this was only ordinary wine intended to enable them to swallow the Host more readily. Probably a special chalice of large capacity was reserved for this purpose. As it was very probably a chalice of large capacity, with handles, it seems impossible to distinguish such a goblet from the calix ministerialis of earlier times. Present legislation According to the existing law of the Church the chalice, or at least the cup of it, must be made either of gold or of silver, and in the latter case the bowl must be gilt on the inside. In circumstances of great poverty or in time of persecution a calix stanneus pewter may be permitted, but the bowl of this also, like the upper surface of the paten , must be gilt. Before the chalice and paten are used in the Sacrifice of the Mass they require consecration. This rite is carried out according to a form specially provided in the "Pontificale" and involving the use of holy chrism. The consecration must be performed by a bishop or in the case of chalices intended for monastic use, by an abbot possessing the privilege , and a bishop cannot in an ordinary way delegate any priest to perform this function in his place. Strictly speaking, only priests and deacons are permitted to touch the chalice or paten , but leave is usually granted to sacristans and those officially appointed to take charge of the vestments and sacred vessels. Adjuncts of the chalice These are the corporal , the purificator, the pall , the burse , and the chalice veil. The corporal will be considered separately. The purificator purificatorium or more anciently emunctorium now consists of a rectangular piece of linen usually folded twice lengthwise and laid across the top of the chalice. It is used for wiping and drying the chalice, or the paten , or the priest's lips, e. Unlike the corporal and the pall, it requires no special blessing. In the Middles Age it was not customary, as it is nowadays, for each priest to have a purificator of his own, frequently renewed, but it seems that a cloth of this kind was kept at the altar which was used in common by all. The pall is a small square of stiffened linen ornamented with a cross, which is laid upon the orifice of the chalice to protect its contents from flies or dust. The word pallium , or palla , was originally used of all kinds of coverings, notably of what we now call the altar-cloths, and also of the corporal. Even in St. Gregory of Tours Hist. But about the time of St. Anselm c. One was spread out, and upon it the chalice and host were laid. The other, folded into smaller compass, served only to cover the chalice sce Giorgi, Liturgia Rom. This folded corporal is now represented by the little disk of linen which we call the pall. At one time it was forbidden to cover the pall with silk or rich embroidery ; now the upper surface may be of silk and embroidered , but the under-side, which is in contact with the chalice, must still be linen. The original identity of the pall and the corporal is further illustrated by the fact that both alike require to be specially blessed before use. The chalice veil and the burse are of comparatively recent introduction. Even Burchard, the compiler of the "Ordo Missae" , now represented by the rubricae generales of the Roman Missal , supposes that the chalice and paten were brought by the priest to the altar in a sacculum or lintheum, which seems to have been the ancestor of the present veil. The burse , which is simply a cover used to keep the corporal from being soiled, and which for that reason was known in Old English as a "corporas-case", is somewhat older. Several medieval burses are still preserved in the collection at Danzig. Nowadays both burse and veil are usually made of the same material as that of the set of vestments to which they belong, and they are similarly ornamented. The chalice in art From what has already been said it will be clear that the chalice, as the most important of all the vessels in church use, must have exercised an incalculable influence upon the early developments of the goldsmith's craft. Such monuments as the Ardagh chalice and the Tassilo chalice , both of Irish origin, stand almost alone in the information they afford of an otherwise unsuspected mechanical skill and richness of ornament, particularly in the matter of enamels, in a remote and barbarous age. The earliest, documents connected with the life of St. Patrick reveal the fact that the artificers of chalices and bells had a certain status which in that rude age won respect for the arts of peace. The chalice in a particular way was identified with the priesthood. To attempt to illustrate the characteristics of the artistic silver work in the different countries of Europe would take us too far. But it is much to be desired that by the favour shown to good material, skilful workmanship, and a pure type of art, the chalices constructed for the liturgical use of the Church may still serve as an encouragement of all that is best in the craft of the worker in precious metals. A number of cities and regions also make use of the chalice. The coat of arms of Staufen im Breisgau contains the three golden chalices i. A golden chalice or in some instances three or five on blue background has been used as coat of arms for the Kingdom of Galicia since at least the late Middle Ages, and is still central in its renewed heraldry. Etruscan bucchero chalice, early 6th century BC. Treasure of Gourdon , 6th century AD. Tassilo Chalice , c. Ardagh Chalice , 8th century. Palais du Tau , treasure of the Cathedral of Reims , 12th century. Medieval chalice from Our Lady's church, Trondheim , Norway. Wine Goblet , midth century. Qajar dynasty. Brooklyn Museum. I forgot to lock the front door" or muttering "tabarnak" under your breath after you get a flat tire. Presumably a derivation of "taking the Lord's name in vain". With reference to the Hussite movement in the Kingdom of Bohemia , besides religious use, the chalice also became one of the unofficial national symbols of the Czechs. It is frequently used in Czech national symbolism and it is part of many historical banners. From Wikipedia, the free encyclopedia. For drinking goblets intended for everyday use, see stemware. For other uses, see Chalice disambiguation. Main article: Holy Chalice. Main article: Holy Grail. Main article: Magical tools in Wicca. Main article: Chalice pipe. Main article: Heraldry. Baroque chalice with a paten. Main article: Quebec French profanity. The Guardian. Retrieved 6 February Toronto . Mass of the of the . Vesting me in . Recessional hymn. Order of the Divine Service in . bishop laity or Priest usher. Eastern Christian . Bowing Church etiquette Communion and the developmentally disabled Communion under both kinds Headcover Thanksgiving after Communion.

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He leaves to Sir Thomas of Langton, chaplain, a toga of sanguine color furred; a chalice worth 40s. Fallen from the blue above, Clearest dew, heaven's drop for me, Pearl dissolved secretly In the chalice of my love. He had bent one moment, before she took the chalice in her trembling hand. He took another sip and waited, noticing that already there were slight signs of diminution in the contents of the chalice. The staff on being touched fell to pieces but the chalice was removed to the college to be treasured there. See how many words from the week of Oct 12—18, you get right! Words nearby chalice Chaldee , chaldron , chalet , Chaleur Bay , Chaliapin , chalice , chaliced , chalicosis , chalicothere , chalk , chalk and talk. Strictly speaking, only priests and deacons are permitted to touch the chalice or paten , but leave is usually granted to sacristans and those officially appointed to take charge of the vestments and sacred vessels. Adjuncts of the chalice These are the corporal , the purificator, the pall , the burse , and the chalice veil. The corporal will be considered separately. The purificator purificatorium or more anciently emunctorium now consists of a rectangular piece of linen usually folded twice lengthwise and laid across the top of the chalice. It is used for wiping and drying the chalice, or the paten , or the priest's lips, e. Unlike the corporal and the pall, it requires no special blessing. In the Middles Age it was not customary, as it is nowadays, for each priest to have a purificator of his own, frequently renewed, but it seems that a cloth of this kind was kept at the altar which was used in common by all. The pall is a small square of stiffened linen ornamented with a cross, which is laid upon the orifice of the chalice to protect its contents from flies or dust. The word pallium , or palla , was originally used of all kinds of coverings, notably of what we now call the altar-cloths, and also of the corporal. Even in St. Gregory of Tours Hist. But about the time of St. Anselm c. One was spread out, and upon it the chalice and host were laid. The other, folded into smaller compass, served only to cover the chalice sce Giorgi, Liturgia Rom. This folded corporal is now represented by the little disk of linen which we call the pall. At one time it was forbidden to cover the pall with silk or rich embroidery ; now the upper surface may be of silk and embroidered , but the under-side, which is in contact with the chalice, must still be linen. The original identity of the pall and the corporal is further illustrated by the fact that both alike require to be specially blessed before use. The chalice veil and the burse are of comparatively recent introduction. Even Burchard, the compiler of the "Ordo Missae" , now represented by the rubricae generales of the Roman Missal , supposes that the chalice and paten were brought by the priest to the altar in a sacculum or lintheum, which seems to have been the ancestor of the present veil. The burse , which is simply a cover used to keep the corporal from being soiled, and which for that reason was known in Old English as a "corporas-case", is somewhat older. Several medieval burses are still preserved in the collection at Danzig. Nowadays both burse and veil are usually made of the same material as that of the set of vestments to which they belong, and they are similarly ornamented. The chalice in art From what has already been said it will be clear that the chalice, as the most important of all the vessels in church use, must have exercised an incalculable influence upon the early developments of the goldsmith's craft. Such monuments as the Ardagh chalice and the Tassilo chalice , both of Irish origin, stand almost alone in the information they afford of an otherwise unsuspected mechanical skill and richness of ornament, particularly in the matter of enamels, in a remote and barbarous age. The earliest, documents connected with the life of St. Patrick reveal the fact that the artificers of chalices and bells had a certain status which in that rude age won respect for the arts of peace. The chalice in a particular way was identified with the priesthood. To attempt to illustrate the characteristics of the artistic silver work in the different countries of Europe would take us too far. But it is much to be desired that by the favour shown to good material, skilful workmanship, and a pure type of art, the chalices constructed for the liturgical use of the Church may still serve as an encouragement of all that is best in the craft of the worker in precious metals. APA citation. Thurston, H. In The Catholic Encyclopedia. New York: Robert Appleton Company. MLA citation. Thurston, Herbert. New York: Robert Appleton Company, Ecclesiastical approbation. Nihil Obstat. November 1, Remy Lafort, S. Contact information. A hand-hammered finish covers this lovely chalice from the Molina Company of Spain. The twenty-four karat gold finish of this chalice is applied by the artisans of Molina and high polished or given a subtle texture. Richly designed in the highly stylized look of Baroque, this chalice features incredibly rich detailing and a broad base with a heavy, twenty-four karat gold plating. Celebrate the Eucharistic with grace and beauty using this Baroque style chalice from the Molina Company of Spain. The rich ornamentation, characteristic of its Baroque design, is accented by gold in this two-tone chalice. The finish consists of silver and twenty-four karat gold plate. Compliment the interior of your church with this beautiful Baroque style chalice. Add the elegance of a Baroque style to your celebration of the Eucharist when you order this lovely chalice from the Molina Company of Spain. Order this lovely chalice for the celebration of the Eucharist. The hand-hammered surface will catch the light, as will the rope accent above the node. This chalice features the as its stem.

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