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Home , Dakin Matthews, Harvey Schmidt, Liz Callaway, Melora Hardin, My Cup Runneth Over, Paige Davis

I Do I Do program rev_program 11/25/09 10:05 AM Page 1

Welcome

UPCOMING

DUNCAN SHEIK IN CONCERT January 11, 2010

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WHISPER HOUSE January 13 - February 21, 2010 Old Globe Theatre

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LOST IN YONKERS January 23 - February 28, 2010 Sheryl and Harvey Welcome to our new Sheryl and Harvey White Theatre. White Theatre I hope you love this new space as much as we do. OOO We’re thrilled to have this special engagement of and ’s I Do! I Do! for you as your first STREET LIGHTS experience in our new theatre. February 20 & 21, 2010 Lincoln High School Last summer I spoke with and about Center for the Arts future projects we might work on together and learned that February 25 - 28, 2010 they had always wanted to perform I Do! I Do! Old Globe Theatre I can’t think of a better housewarming gift than this wonderful OOO beloved musical about marriage starring our favorite real-life married couple, Patrick and Paige. BOEING-BOEING March 13 - April 18, 2010 I look forward to seeing you at our first regular season Old Globe Theatre offering in this great new theatre – Lost in Yonkers.

OOO Happy Holidays! ALIVE AND WELL March 20 - April 25, 2010 Sheryl and Harvey White Theatre

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WHAT YOU WILL Louis G. Spisto May 1 - June 6, 2010 Executive Producer Old Globe Theatre

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Cast of Characters

PRESENTS HE (Michael) ...... Patrick Page SHE (Agnes) ...... Paige Davis

Stage Manager...... Diana Moser

Piano...... Ben Toth IDo! IDo! Bass ...... Tim Christensen A Musical About Marriage This story covers fifty years of marriage beginning in 1898.

BOOK AND LYRICS BY MUSIC BY There will be one 15 minute intermission. Tom Jones Harvey Schmidt Musical Numbers Act 1 (Based on by Jan de Hartog) Prologue...... Agnes and Michael Originally Produced on Broadway by David Merrick Goodnight...... Agnes and Michael Originally Directed by I Love My Wife ...... Michael Something Has Happened...... Agnes SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN The Waiting Room...... Michael Ralph Funicello Charlotte Devaux Chris Rynne Love Isn’t Everything...... Agnes and Michael

SOUND DESIGN STAGE MANAGER Nobody’s Perfect...... Agnes and Michael Paul Peterson Diana Moser A Well Known Fact ...... Michael Flaming Agnes...... Agnes MUSICAL DIRECTION BY The Honeymoon Is Over...... Agnes and Michael Ben Toth Act 2 CHOREOGRAPHY BY Where Are The Snows? ...... Agnes and Michael James Kinney ...... Agnes and Michael When The Kids Get Married ...... Agnes and Michael DIRECTED BY The Father Of The Bride...... Michael Richard Jay-Alexander What Is A Woman?...... Agnes Someone Needs Me...... Agnes and Michael

I Do! I Do! is presented through special arrangement with Music Theatre International (MTI). Roll Up The Ribbons...... Agnes and Michael All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 This House...... Agnes and Michael Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com The Actors and Stage Managers employed by this production are members of the Actors’ Equity Association, December 11 - 20, 2009 the Union of Professional Actors and Stage Managers in the .

Sheryl and Harvey White Theatre This theatre operates under an The Scenic, Costume, Lighting The Directors are members of the This Theatre operates under an and Sound Designers in LORT agreement between the League Society of Stage Directors and Agreement with the International of Resident Theatres and Actors’ Theatres are represented by Choreographers, an independent Alliance of Theatrical Stage United Scenic Artists Local USA- Equity Association, the union of national labor union. Employees Local No. 122. professional actors and stage 826, IATSE. managers in the United States.

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Board of Directors Leadership Gifts Season Sponsors

Dear , The Old Globe would like to The Old Globe is deeply grateful to its Season Sponsors, Welcome to our beautiful new theatre and education facility! You are among the first recognize and thank the each of whom has made an annual donation of $50,000 or audiences to experience The Old Globe’s stunning state-of-the-art arena stage as we following generous individuals greater. These gifts are critical to maintaining the Globe’s present this special engagement of I Do! I Do! who have made extraordinary high quality of artistic programming and award-winning gifts of $1 million or more to work in the community. With the opening of this new facility, the Globe enters a new era in its history. this organization. These major The re-designed arena theatre will give our artists and audiences the chance to contributions have been experience many more exciting creative opportunities than ever before, while the designated for artistic projects, education center, housed on the upper level of the building, will provide a much-needed endowment and facilities, and home to the Globe’s award-winning literacy and theatre programs, designed to reach The Legler Benbough Supervisor Bill Horn and the help The Old Globe remain Foundation County of San Diego tens of thousands of children and adults each year. one of our country’s great theatre institutions. John A. Berol Joan and Irwin Jacobs To everyone who has supported the Globe during the Capital Campaign which allowed the Conrad Prebys Theatre Center to go from vision to reality, I say thank you, again. And from the Globe’s Board of Directors, staff Mary Ann Blair The Lipinsky Family and artists, I wish you and your families a happy holiday season and prosperous New Year. $20,000,000 or greater Karen and Donald Cohn Conrad Prebys and Donald and Darlene Shiley Debra Turner Peter Cooper and Donald Cohn, Chair, Norman Blachford Donald and Darlene Shiley Board of Directors $10,000,000 or greater Conrad Prebys Valerie and Harry Cooper Vice-Chairwoman BOARD OF DIRECTORS / OFFICERS Pam Slater-Price and the The Helen K. and James S. County of San Diego Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* $5,000,000 or greater Copley Foundation Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Chair Sheryl and Harvey White Mickey Stern Past Chair & Treasurer Nominating Development Gigi and Ed Cramer Kathryn Hattox Sheryl and Harvey White DIRECTORS Timothy P. Haidinger Daniel L. Sullivan, Ph.D. Clair Burgener (1921-2006) Edgerton Foundation Mary Beth Adderley Nanci Hull Julie H. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Karen and Donald Cohn Anonymous Michael Allman Viviana Ibañez Evelyn Mack Truitt Audrey Geisel Audrey S. Geisel Elizabeth Altman Deni Jacobs Debra Turner Paul Harter $1,000,000 or greater Joseph Benoit Daphne Jameson Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Globe Guilders Pamela Cesak Jo Ann Kilty Crystal Watkins Dolly Poet (1921-2007) Cultural and Marsha Chandler Mitzi Yates Lizarraga James A. Wening Deborah Szekely Historical Endowment Peter J. Cooper Joyce Nash Ruth Wikberg-Leonardi Hon. Pete Wilson Valerie S. Cooper Marianne Nelson Brian E. Wineke Estate of Dorothy S. Prough Stephen M. Cusato Rafael Pastor* June Yoder EMERITUS DIRECTORS The Rivkin Family Elaine Bennett Darwin Conrad Prebys* Carolyn Yorston-Wellcome Garet B. Clark Bea Epsten Sara Rosenthal, M.D. Deborah Young J. Clark (1913–2005) Estate of Beatrice Lynds Pamela A. Farr Jeri Rovsek *Executive Committee Member Sally Furay, R.S.C.J. Audrey S. Geisel/ Harold W. Fuson, Jr.* Reneé Schatz Bernard Lipinsky (1914-2001) San Diego Foundation Victor P. Gálvez Jean Shekhter HONORARY DIRECTORS Delza Martin (1915–2005) Robert H. Gleason Louis G. Spisto* Mrs. Richard C. Adams Patsy Shumway Dr. Seuss Fund (1912–2005) Mr. and Mrs. Victor H. Ottenstein Mrs. Helen Edison The Stephen & Mary Birch Foundation To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310. The Kresge Foundation Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Vice-Chairwoman Pam Slater-Price, Supervisor Bill Horn and The County of San Diego Board of Supervisors. Funded in part by the San Diego Tourism Promotion Corporation with San Diego Tourism Marketing District Funds.

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About the Production

A Dynamic Duo: The Life Fantastic Tom Jones and Harvey Schmidt After

Nancy Rosati interviews the Legends After The Fantasticks premiered Off Broadway in 1960, and then ran for NR: You discovered that fact in NR: Does Tom still write the 17,462 performances for 42 continuous college, and that’s when the lyrics first? years, Tom Jones and Harvey Schmidt two of you met? HS & TJ: (simultaneously) We work continued to write musicals that TJ: Yes. Neither of us wanted to be both ways. pushed out the boundaries of the writers, even in college. I was a and in I Do! I Do! American musical theatre. HS: You get a richer score that way. director and he was an art student. We got the chance to do a college TJ: And very often we sort of “cross summer theater that Mildred They next wrote two shows for the musical. I got the chance to direct pollinate.” In other words, I’ll have a Dunnock runs, using the stage at formidable producer David Merrick, it. It paid . The scripts and title and part of a song. I’ll give it to Barnard College. She said I could do perhaps the last of a breed of larger than life the scores I got were just terrible Harvey and he will fill it out with one of them as a musical. If you can showmen. The first, (1963), was and I thought, “I can do better than the music. Then it will come back take that Rostand thing you’ve been adapted from N. Richard Nash's play The Rainmaker and is the this. I’ll just get this talented guy to me for lyrics and it will go back working on and write it as a long one- most conventional musical in the Schmidt and Jones canon. In it, (indicating Harvey) on the phone” and forth. act musical in three weeks, I can give spinster Lizzie Curry must choose between the local sheriff, a you a production three weeks after taciturn divorced man and the flamboyant con man who has rolled and indeed we wrote this college TJ: I saved whatever meager money revue. It was a traditional title that that.” We threw out everything we into town claiming that he can bring rain to the drought ridden I got and waited for Harvey to get had except a song called “Try to town. 110 in the Shade ran for 330 performances. The second was they did every year called Time out. Our friend, Word Baker, had a Staggers On. Remember” and went back to the I Do! I Do! (1966) which broke Broadway musical conventions by wife and two kids and another one original play. We’d been trying to do having only two performers. It helped that those two performers Harvey Schmidt: It was a play on on the way. He had gone to teach this in the style of Rodgers and were reigning Broadway superstars Mary Martin and Robert the newsreel Time Marches On. at Auburn College in Alabama. We Hammerstein, which we didn’t know Preston. It ran for 560 performances. had this plan that we were going to TJ: Even though we didn’t want to how to do, and which this little Nancy Rosati: How have you put together a revue of comedy innocent play couldn’t sustain. We What followed next were a series of musicals that harkened back be writers, our show was such an songs and material. We would all stayed behind the scenes in all incredible success that it was just decided, “What the heck. It’s never to the simplicity of The Fantasticks but with increasingly more these shows for all these group together and go to New York going to get put on anyway” so we did serious content. With Celebration (1969) Jones and Schmidt astonishing to us. In all of my years and take it by storm. It was a revue years? Did you want to be on there, I’d never seen anything like all the things we liked in the theater — experimented with the idea of theatre as fable. Using Brechtian called Portfolio. We came to New stage? this. We were in a 1,200 seat house all the presentation things, the techniques and forms of story telling, they set Orphan, an York but we never could get the commedia dell’arte, the Shakespeare, optimistic youth, against Edgar Allen Rich, a wealthy old man, in a Tom Jones: When you’re little, you and they sold it out. They sold out financing to do it, although a lot of don’t know there’s anything but the aisles. They sold out the the Oriental theater, the invisible tale about money, corruption and love. Celebration ran for 109 the material caught the attention of prop man sprinkling snow — performances. acting. You don’t know there’s windows. They opened the some of these revue people. writing or directing. When I windows so people could gather everything that used the imagination, Harvey immediately had a very a celebration of theatricality. We put After Celebration, Jones and Schmidt looked for an alternative to prepared myself to be in the outside. successful career as a commercial theater, which I’d never really seen, it on and lo and behold we got offers Broadway and found a building just off Eighth Avenue in New York, HS: We’ve never had a bigger hit. artist — one of the top in America. from three different producers. We literally, off Broadway. There they developed a number of shows, I went to the University of Meanwhile, I was working in book TJ: That’s right. Our college friends chose Lore Noto. It took eight months four of which they showed to the public. One of those was and there were all these crazy stores and teaching a little drama people there. It was glorious. I got think we’ve been going downhill to raise the $15,000 that it took to put Philemon (1975) which was styled like a medieval morality play. It ever since. Then we went in the group at St. Bartholomew’s. We on the show. Then it opened ... takes place in Antioch at the height of the Roman Empire. The very nervous when I performed. began to do material for Julius Army and we were going on about Romans hire a clown to disguise himself as a priest called Philemon After many years of analysis in New ’s Upstairs-Downstairs and for our own careers. But something NR: And look what happened. to lead the Christians underground and then massacre them. To York I finally got over that, but I the Shoestring Revues and things about all that just haunted us — the atone for his sins, the clown ultimately becomes a martyr. would belch. I became famous as a like that. We began to work on a success and the fun of doing it. So TJ: Exactly. It could just as easily have Philemon moved Off Broadway for six weeks and won an Outer “belching actor.” I did Doolittle in show called Roadside. We wrote we started writing songs by mail. disappeared and been gone forever. It Critics Circle Award. Pygmalion belching and Kit Carson five or six songs. We couldn’t get in The Time of Your Life belching. It could have disappeared after opening, HS: Tom would send me these the rights to it. I also didn’t have even though was occurred to me at some point that lyrics and there was a stage there. enough skill to solve the problems maybe I wasn’t doing dynamite. The whole company was I’d get out on the stage and I’d sing of the book so we put it aside. We wonderful but the first couple of or my stomach any particular and dance working on these songs, started working on this play based favors. I also realized that the notices were cool and there was some alone in this theater. It couldn’t on something by [Edmond] real serious talk about closing it on power seemed to be with the have been more perfect. Rostand. We couldn’t get that to director. If you’re the director you opening night. Nobody would ever work, although we worked on it for have heard of it again. get to tell people, “No, let’s do that several years. It just wouldn’t work. again” and that was very attractive Finally Word Baker said, “I got a job to me. ©1997-2006 TalkinBroadway.com, directing three one-act plays at a a project of www.TalkinBroadway.org, Inc.

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Profiles

Paige Davis Diego Critics Circle “Craig Noel” Award). His produced recordings for for choreographer Wayne Cilento’s First serving as Musical Director/Arranger for the South Coast Rep, Oregon Shakespeare Broadway credits include Henry VIII in A (Grammy-nominated “Live from Carnegie National Tour of , starring dynamic debut of newcomers Will and Festival, Williamstown Theatre Festival, (Agnes) Man for All Seasons opposite Hall” and “Rodgers & Hammerstein”), Johnny . Film and Television Anthony Nunziata. He also debuted Lea Huntington Theatre Company, Intiman Theatre, Paige Davis’ (Outer Critics Circle nomination); The Mathis (on Broadway) and the Grammy- appearances include The Producers, Michele, who is currently enjoying a wild ride Stratford Festival in Ontario, The Royal Broadway credits Grinch in Dr. Seuss’ How the Grinch Stole nominated original cast recording of Five "The Dave Chappell Show," PBS’ "Dance in on “,” serving as her musical director for Shakespeare Company, Opera, include Gloria in Christmas!; Scar in ; Decius Guys Named Moe. He also co-wrote the liner America," "Fosse," "Good Morning America" a sold-out engagement at the popular LA Opera and San Diego Opera. He currently Boeing-Boeing and Brutus in with Denzel notes for ’s “The Movie and "The Macy’s Thanksgiving Day Parade." Upright . The last two summers have holds the position of Powell Chair in Set Design Roxie Hart in Washington; Lumiere in Beauty and the Album” and the DVD boxed set of her first Tours and regional productions include found him happily ensconced at the at SDSU. as well as Beast; Marley in A Christmas Carol and five television specials. Mr. Ray-Alexander Oklahoma!, , Chicago, legendary Hollywood Bowl for the record- the first national multiple roles in . Off directed the Off Broadway play, A Safe Cabaret, West Side Story, 42nd Street, The breaking productions of Les Miserablés and Charlotte Devaux Broadway tours of Broadway credits include the title role in Rex Harbor for Elizabeth Bishop starring Amy Phantom of the Opera, and the legendary Guys and Dolls, serving as Associate Musical Sweet Charity (Costume Design) and Steven Berkoff’s Richard II. His regional Irving at Primary Stages Theatre and has Radio City Music Hall Christmas Director and playing with the famed THE OLD GLOBE: Designer: The Price, (Charity Hope credits include Macbeth in Macbeth and Iago worked with some of the world's greatest Spectacular. He has also performed at Hollywood Bowl orchestra. Mr. Toth just Valentine), Kingdom, Since Africa, Who’s Afraid of in Othello (Helen Hayes Award) both entertainers, including Bette Midler (Kiss My Carnegie Hall, at The White House and completed a new album for Melora Hardin, Woolf?, Trying, A Body of Water, Chicago, and Disney’s Beauty and the Beast directed by Michael Kahn at The Brass Tour), Barbra Streisand (Timeless Tour danced with on “Rosie Live" on co-produced with Richard Jay-Alexander, (Babette). She also starred in the national The Prince of L.A., I Just Stopped By to See Shakespeare Theatre in Washington, D.C.; and the most recent Streisand Tours of the NBC. This past year, Mr. Kinney debuted an due out in February 2010. The album the Man, Fiction, Two Sisters and a Piano, tour of Eve Ensler’s The Vagina Monologues. Sergius in Arms and the Man at Long Wharf U.S. and Europe, also serving as a co-writer), original new dance work for Dance Tracks contains a bonus track of an original holiday Her additional stage credits include Maria in Blue/Orange, Splendour, All My Sons, Theatre; Henry V and Richard III at Pioneer Ricky Martin, Polly Bergen, Brian Stokes NYC, set to ’s “Another song, written with lyricist Nell Benjamin Betrayal, The SantaLand Diaries, Da; Resident The Sound of Music at the Civic Theatre Company, plus leading roles at Mitchell, Lea Salonga, Sam Harris, Rosie Hundred People” (part of a three-part suite) (Legally Blonde: The Musical), to be released Light Opera, April in Company at Missouri Associate Costume Designer: Over 35 Seattle, Indiana and Missouri Reps, ACT, O’Donnell, Hayley Westenra, Mary Cleere inspired by a recording with an orchestration on iTunes for the holidays, titled “Come productions including The Women, Chita Repertory Theatre, Val in A Chorus Line at Cincinnati Playhouse, Arizona Theatre Haran, Jill Eikenberry and Michael Tucker, by Luther Henderson and conducted by Home With Me For Christmas.” Mr. Toth Austin Music Theatre, Puck in A Midsummer Rivera: The Dancer’s Life, Dancing in the Dark, Company, and the Oregon, Utah, Alabama Will and Anthony Nunziata, Betty Buckley, Paul Gemignani, with the Royal Philharmonic received a BA from Brown University, and A Catered Affair, The Times They Are A Night’s Dream at The Chicago Cultural and New York Shakespeare Festivals. Mr. Debby Boone, Jane Monheit, Julie Andrews, Orchestra. The piece was performed at studied composition, piano, and orchestral Center, Hello Dolly! with Nell Carter, Pippin, Changin’, Dirty Rotten Scoundrels, Lucky Page is also a playwright. His play Swansong Russell Watson and Bernadette Peters, the ’s Clark Theater and conducting for two years at the prestigious Duck, Imaginary Friends, Dr. Seuss’ How The Oklahoma!, West Side Story and Camelot has been produced Off Broadway at the latter two having also been telecast on PBS. generated enough excitement, that Director Eastman School of Music. He makes his among others. Paige is best known to TV Grinch Stole Christmas! and Summer New York Summer Play Festival, as well as The last two summers have found him at the Pamela Pardi asked Mr. Kinney to continue home in both and New York. Shakespeare Festival. ELSEWHERE: Miami audiences as the host of TLC’s Emmy Award the Kennedy Center, the White Barn legendary Hollywood Bowl, where he developing the piece and returned for www.bentothmusic.com winning “Trading Spaces.” She is the author Libre, Cuban Dance Musical, Adrienne Arscht Theatre, and the Seattle Shakespeare directed star-studded productions of Les another showcase at The Alvin Ailey Dance Center for the Performing Arts (Miami), of Paige by Paige, (a memoir of her Company. One-man plays include Passion’s Miserablés and Guys and Dolls. He also Theater, expanding the piece to include the Ralph Funicello experience with the show), which spent Cabaret Dances, Nyumbani Project, Trolley Slaves, Nothing Like the Sun (with Doug directed the multi-media extravaganza, Gershwin music which completed the suite, ASSOCIATE ARTIST thirteen weeks on ’ Best Dances, San Diego Dance Theatre. Christensen) and Love Will. His TV credits Storm, at the Mandalay Bay Hotel in Las this time with 12 dancers and calling the INTERNATIONAL: Dr. Livingstone, I Presume Seller list. She has guest hosted and/or include “Law & Order: SVU,” “One Life to Vegas and the workshop production of the piece, March. He was immediately (Scenic Design) appeared on “The View,” “The Tonight THE OLD GLOBE: Restoration Comedy, (premiere), London; Linnaeus, Prince of Live,” “All My Children” and The Substance Broadway-bound musical based on Great approached by the prestigious New Jersey Flowers, Botanic Gardens, Christchurch, New Show,” “The Today Show,” “The Wayne Brady of Fire. He lives in Manhattan with his wife, Expectations as well as a number of Ballet to put it on their Company, and is now Summer Shakespeare Festivals 2004-2009, Show,” “Good Day Live,” “The Martha The Constant Wife, The Lady with All the Zealand and Sydney, Australia (winner, Fringe actress Paige Davis. recordings, commercials and videos. He is in a three-year repertory run. Mr. Kinney First, Edinburgh Festival); also in New Stewart Show,” “The Dr. Phil Show,” currently in the studio with Melissa Errico served as Associate Choreographer to Answers, Julius Caesar, Pericles, The Taming “Gameshow Marathon,” “The Oprah Winfrey of the Shrew, The Trojan Women, Henry V, The Zealand: Suburb, Twelfth Night, Christchurch finishing her highly anticipated Michel Donna McKechnie to create dances and Repertory Theatre; Hopes, Dreams and Show,” and a special primetime episode of Richard Jay-Alexander Legrand recording and is putting finishing musical numbers for this summer’s Merry Wives of Windsor, The Hostage, “A Wedding Story,” among many others. Her Paramour, Romeo and Juliet, Othello, The Perditions, The Court Theatre; Associate touches on a TV Special and DVD for production of Guys and Dolls at the Designer of The New Zealand Christchurch one-woman show Taking A Chance marked (Director) Bernadette Peters, which was filmed in legendary Hollywood Bowl. He also just Comedy of Errors, Pride's Crossing, Macbeth, her first collaboration with I Do! I Do! Musical Richard Jay-Alexander began his theatrical American Buffalo, Private Lives, The Gate of Drama Theatre. FILM/TV: Costume designer, Australia, as well as a DVD release of Barbra completed work on the NYMF production of stylist for Television New Zealand’s live Director, Ben Toth. She lives in Manhattan career in 1977 in the original cast of the Streisand’s recent appearance at The Village Cross That River, again, working with Heaven, Mister Roberts, Henry IV, Dancing at with her husband, actor Patrick Page. Broadway play, Zoot Suit. He also appeared Lughnasa, Hedda Gabler, The Way of the children’s programming and drama series. Vanguard, which promoted her latest #1 McKechnie and on the Actor’s Fund of Designed numerous New Zealand short films. in the original Broadway cast of Amadeus, album, “Love is the Answer.” America’s Fall Gala tribute to World, Twelfth Night, , Ghosts, Patrick Page and was Associate Director of the National at the Minskoff Theatre on Broadway. He can Interior Decoration, From the Mississippi Touring Companies. He is probably best Delta, The Winter's Tale, Mr. Rickey Takes a Chris Rynne (Michael) James Kinney be seen in the documentary film, Thespians, known for his association with Producer currently on the film festival circuit. Meeting, Bargains, The Tempest, The (Lighting Design) Patrick Page Merchant of Venice, The White Rose, Hamlet, Cameron Mackintosh, having served as (Choreographer) THE OLD GLOBE: The Price, Sight Unseen, recently starred in , Driving Miss Daisy, Measure for Executive Director of Mr. Mackintosh's James Kinney has been performing The American Plan, Who’s Afraid of Virginia the Globe’s 2009 Ben Toth Measure. ELSEWHERE: Mr. Funicello has American company for ten years, running its professionally since the age of 15. He grew Woolf?, Two Trains Running, Lincolnesque Shakespeare designed scenery on and off Broadway and day-to-day operations in North America. He up in Jacksonville, Florida and began his (Musical Direction) (San Diego Critics Circle Award), Pig Farm, Festival as Cyrano for many theatres across the country, was both Associate Director and Executive classical training with The Florida Ballet, later Ben Toth has worked with some of the most Trying, Vincent in Brixton (San Diego Critics in Cyrano de including Lincoln Center Theater, Manhattan Producer of the original Broadway, touring melding his training into jazz and musical popular actor/singers currently working on Circle Award), The Lady with All the Answers, Bergerac and Theatre Club, American Conservatory and Canadian companies of Les Miserablés, theater. His Broadway credits include Fosse, the stage, including , Duncan The Food Chain, Two Sisters and a Piano, Malvolio in Twelfth Theatre, A Contemporary Theatre, Mark staging more than a dozen productions Dance of Death, ’s Harmony Sheik, Jane Monheit, Liz Callaway, Brian Blue/Orange, Time Flies, Knowing Cairo, Night. He has also Taper Forum, Arizona Theatre Company, around the globe. He also executive and the most recent revival of Sweet Charity, Stokes Mitchell, and , with Beyond Therapy, The Santaland Diaries; appeared at the Seattle Repertory Theatre, Berkeley produced Miss Saigon (Broadway, Tour and starring Christina Applegate, where he also whom he recently performed in London’s Associate Lighting Designer for Dr. Seuss’ Globe as Pogo Repertory Theatre, Milwaukee Repertory Canada) and Five Guys Named Moe served as the production’s Assistant Dance West End. He just returned from New York, How the Grinch Stole Christmas! With The Poole in The Pleasure of His Company, and Theatre, Denver Center Theatre Company, (Broadway) for which he also served as Captain. He continued preserving the “Fosse where he did a stint at Feinstein’s at the Old Globe/USD Professional Actor Training Jeffrey Cordova in Dancing in the Dark (San The Shakespeare Theatre, Guthrie Theatre, Associate Director. Mr. Jay-Alexander has style” when he became the Dance Captain Loews Regency & Lincoln Center’s Rose Hall, Program: A Midsummer Night's Dream, Much

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Profiles (continued) Meet the Artist

Ado About Nothing, Twelfth Night, All in the Festival, Children's Theatre Company of Utopia (2007 Tony Award for Best Direction Timing, The Winter's Tale, The Two Minneapolis and Arizona Theatre Company. of a Play, which won a total of 7 , Do you ever wish you had the opportunity to Gentlemen of Verona, Macbeth, Getting EDUCATION: MFA in directing from Purdue including Best Play), Dirty Rotten Scoundrels Married. ELSEWHERE: San Diego Opera, University. This is for all those whom came (Tony nominations: Best Director and meet the artists who appear at The Old Globe? Theatre, Madison before and all those who will come after. Musical), Henry IV (Tony Award), Hairspray Opera, , San Diego (Tony Award), The Invention of Love (Tony Repertory Theatre, Cygnet Theatre, North Louis G. Spisto nominations: Best Director and Play), The If your answer is, “I Do! I Do!,” then we invite you to make a From complimentary blanket rentals and concessions at Coast Repertory, Grand Opera, Full Monty (Tony nominations: Best Director gift to the Globe’s Annual Fund before the end of the year. Lady Carolyn’s Pub, to invitations to our exclusive Opening Diversionary Theatre, Starlight Theatre. (CEO/Executive Producer) and Musical), More to Love, Labor Day, St. Annual Fund donors at the Gold level ($500) and higher Night receptions and dinners, The Old Globe’s donor Lou Spisto directs both the artistic and Louis Woman, Pride’s Crossing, The Little receive complimentary admission to one or more of our benefits are designed to enhance your theatre experience. Paul Peterson administrative activities of The Old Globe. Foxes, Hapgood (Lucille Lortel Award for exclusive “Meet the Artist” events, featuring Globe artists During his tenure, Mr. Spisto spearheaded the Direction, 1995), Damn Yankees (Tony such as Sandy Duncan, Jack O’Brien, Mare Winningham For more information about donor benefits or to (Sound Design) return of the Shakespeare Repertory nomination Best Musical Revival), Two and Patrick Page. make a gift, please contact Development Manager THE OLD GLOBE: Over 75 productions, Company, revitalized the Globe’s new works Shakespearean Actors (Tony nominations: Josh Martinez-Nelson at (619) 231-1941 x2308 or including: The Savannah of Disputation, The program, resulting in ten world premiere plays Best Director and Play), Porgy and Bess for The “Meet the Artist” series is just one of the many exciting [email protected]. Mystery of Irma Vep, Cornelia, The Price, and eight world premiere musicals, and Houston Grand Opera and Broadway (Tony benefits you’ll enjoy when you give to the Annual Fund. Kingdom, Six Degrees of Separation, Since produced more than 100 productions. Under Award), as well as Radio City Music Hall, Il Africa, The Women, Sight Unseen, The Mr. Spisto’s leadership, ticket sales and Trittico, Metropolitan Opera. RECENT Pleasure of His Company, Dr. Seuss’ How the contributions have increased substantially, AWARDS: 2008 Theatre Hall of Fame Grinch Stole Christmas!, Bell, Book and and the fiscal health of the organization has Inductee, 2004 Thomas Degaetani Award Candle, Who’s Afraid of Virginia Woolf?, Two been strengthened to support the expanded (USITT), 2002 “Mr. Abbott” Award (SDCF), Trains Running, Hold Please, Restoration artistic vision. Mr. Spisto has successfully led 2001 Joan Cullman Award for Extraordinary Comedy, Pig Farm, The Sisters Rosensweig, the Globe’s $75 million Capital Campaign and Creativity, 2001 Joe A. Callaway Award Trying, Moonlight and Magnolias, Vincent in managed the development of the Conrad (SDCF), the Drama League’s Julia Hansen Brixton, I Just Stopped By to See the Man, Prebys Theatre Center, which includes a new Award for Excellence in Directing, 2001. Lucky Duck, The Intelligent Design of Jenny state-of-the-art arena theatre and education Honorary Doctorate, University of Michigan. Chow, Blue/Orange, Time Flies, Pentecost, center, opening in December 2009. An Honorary Doctor of Humane Letters, Compleat Female Stage Beauty, The Boswell advocate of arts education, Mr. Spisto created University of San Diego. Recipient of Sisters and Crumbs from the Table of Joy. a number of new programs that serve tens of ArtServe Michigan’s 2008 International ELSEWHERE: Milwaukee Repertory Theater, thousands of young San Diegans each year. Achievement Award. Mr. O’Brien is a San Jose Repertory Theatre, These programs include a bilingual summer member of the College of Fellows of the CENTERSTAGE, La Jolla Playhouse, Shakespeare intensive, a major initiative in American Theatre. Sledgehammer Theatre (Associate Artist), Southeastern San Diego which includes the Mo’olelo Performing Arts Company, The development of new works for younger and Wilma Theatre, LA Theatre Works, San Diego more diverse audiences, and free student Repertory Theatre, Florida Studio Theatre, matinees of the Globe’s regular productions. Lorraine Hansberry Theatre, North Coast Mr. Spisto holds a Master’s degree from the Repertory Theatre, Diversionary Theatre, University of Wisconsin and a Bachelor’s Cape Fear Regional Theater, Hope Summer degree from the University of Notre Dame. Repertory Theatre, Malashock Dance & He has served as chief executive for the FOR THIS PRODUCTION Company, University of San Diego, San Diego Pacific Symphony, Detroit Symphony and Additional Staff State University and the Freud Theatre at . UCLA. EDUCATION: BFA in Drama with an emphasis in Technical Design from San Diego Jack O’Brien Asst. Costume Design ...... Lindsey Hall State University. Production Asst...... Amanda Salmons (Artistic Director Emeritus) Diana Moser Mr. O’Brien served as the Artistic Director of The Old Globe from 1982 through 2007. SPECIAL THANKS (Stage Manager) Recent Globe productions: Dirty Rotten THE OLD GLOBE: The Price, Opus, Six Scoundrels, Imaginary Friends, Twelfth Night, Portland Center Stage Degrees of Separation, The Pleasure of His The Full Monty, The Seagull, The Magic Fire, Company, The Glass Menagerie, In This Dr. Seuss’ How the Grinch Stole Christmas! Corner, 2007 Summer Shakespeare WEST END: Love Never Dies (sequel to Festival, Restoration Comedy, Christmas on Andrew Lloyd Webber’s Phantom, Fall 2009), Photos from the “Meet the Artist” event with Patrick Mars, A Body of Water, Lobby Hero, Fiction, Hairspray (Olivier Award for Best Musical, Page and his wife, Paige Davis in attendance. The Intelligent Design of Jenny Chow. Best Director nomination). BROADWAY: (clockwise from left) Patrick Page, Valerie Hapke; Lou Spisto, Patrick Page; Randy Tidmore, Paige REGIONAL: La Jolla Playhouse, San Diego Catch Me If You Can, Impressionism (March Repertory Theatre, Arena Stage, The Davis, Nancy Brock; Carlos Ortega, Patrick Page, 2009) Creator/ Supervisor, Dr. Seuss’ How Paige Davis, Dierdre Mick; Nancy Brock, Jordine Repertory Theatre of St. Louis, New York the Grinch Stole Christmas!, The Coast of Skoff Von Wantoch, Patrick Page, Randy Tidmore, Theatre Workshop, Berkshire Theatre Joyce Nash, Merle Wahl, Pat Gillespie. (center) Diana Barliant, Patrick Page, Paige Davis.

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Education master class with a master

Patrick’s exercise illustrated the his year’s group of Summer I understood that emotion really Shakespeare Intensive importance of being fully present in participants had a unique is such an important element to each moment while on the stage. Topportunity to work with the “ making a character real. A moment of shared understanding professional actors of the Globe’s Patrick said, ‘The foundation of between two actors is also a moment that an audience is touched. Without Summer Shakespeare Festival. In acting is the reality of doing.’ addition to rehearsing for their very that understanding, an actor is simply own production of Pericles, Prince of reciting lines. Tyre, the students were able to attend ” Patrick Page is a superb example of Once the students were warmed up, the Festival productions of Cyrano de an actor who is not only a master of he led them through a series of Bergerac, Twelfth Night and his craft, but has enormous heart. activities that focused on the “reality . One of the keys to the His portrayals of Cyrano de Bergerac of doing.” The students performed annual program’s success is the and Malvlio in Twelfth Night were short scenes in which they worked on inspiration the student’s receive while finely detailed and fully realized being completely focused on their taking part in workshops with the very performances that embodied the art objective (what the character wants to actors they’ve seen performing on of generous acting. While on stage, he achieve). No small task, Patrick guided stage. is completely present in each moment, them gently toward better acutely aware of and listening to the performances. His clever use of real- other actors. Delivering a powerful My favorite parts of the life examples opened the student’s performance is one thing; teaching eyes and taught them an acting lesson program were the different how to give one is yet another. they’ll never forget. “acting workshops with the Patrick is adept at both. Globe’s Actors, especially the one The students were thrilled when Patrick began his workshop with by Patrick Page. His workshop Patrick welcomed surprise guest Paige the Summer Shakespeare Intensive had the most effect on me Davis to the workshop where she students by facilitating a simple group added her own unique talents to the and I felt that, because of him, exercise. While standing in a large proceedings. A skilled performer in I grew as an actor. circle, Patrick handed a student a soft her own right, Paige is no stranger to ball of Play-Doh. The student was The Old Globe’s education activities. There are multiple training methods instructed to look across the circle ” She generously gave her time and employed to develop a successful at another student, make eye contact expertise to the 2009 Globe Honors actor. Exceptional acting requires and toss the ball to that person. while serving as a judge for the many experience, technique, common sense, As the ball was tossed gently from talented students who vied for top focus, insight, empathy, emotional student to student, Patrick honors in the program. Her sensitivity, energy, memory, agility, emphasized the importance of graciousness helped to make nervous creativity, imagination, honesty, establishing a connection. As more contestants feel welcome and safe as expressiveness, and perhaps most balls were added to the exercise, they stepped out to perform on the importantly, generosity. concentration and connection Globe stage. became of utmost importance. A generous actor is one that is open to The Old Globe has benefited greatly sharing the stage with his fellow from the talents of Patrick Page and actors. He listens openly and intently Patrick is a Paige Davis. Just ask any of the high and responds with a genuine desire to school students whose lives have been communicate something of natural teacher. touched by this marvelous pair. They’ll importance. Without generosity, “ A simple ball-tossing exercise can be tell you that they will be forever the actor may not create a believable fun and silly or be serious business. grateful for the time Patrick and Paige character and instead deliver a ” When done in the training of actors, it devoted to help them grow as actors, superficial performance that fails is serious indeed. “Actors, this is and people – a gift of generosity. to resonate with the audience. acting,” said Patrick at one point Real depth comes from real listening – opposite page: (top) 2009 Summer Shakespeare Intensive during the exercise. “If you cannot do which, in turn, comes from an Students with Patrick Page and Paige Davis. this, you cannot act.” (center) Patrick Page conducts a student workshop. open heart. (bottom) Summer Shakespeare Intensive students perform Pericles, Prince of Tyre in the Globe’s Festival Theatre; P12 PERFORMANCES MAGAZINE Paige Davis advises the students. PERFORMANCES MAGAZINE P13 I Do I Do program rev_program 11/25/09 10:06 AM Page 14

Annual Fund Donors Associate Artists of The Old Globe

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this The Old Globe appreciates the support of those who have stepped into the spotlight. theatre. Benefactors ($100,000 and above) William Anton Richard Easton Mark Harelik John McLain Ken Ruta Deborah Taylor Jacqueline Brooks Tovah Feldshuh Bob James Jonathan McMurtry Douglas W. Schmidt Tedrow * The Legler Benbough Foundation Audrey S. Geisel/The San Diego The James Irvine Foundation Lewis Brown Monique Fowler Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson City of San Diego Commission for Foundation Dr. Seuss Fund Donald & Darlene Shiley Victor Buono* Robert Foxworth Peggy Kellner* Robert Morgan David F. Segal Paxton Whitehead Arts & Culture Globe Guilders The Shubert Foundation Wayland Capwell * Ralph Funicello Tom Lacy Ellis Rabb* Richard Seger James Winker The Helen K. and James S. Copley Supervisor Bill Horn Vice Chairwoman Pam Slater-Price Kandis Chappell Lillian Garrett-Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski Foundation and the County of San Diego and the County of San Diego Eric Christmas* Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks G Wood* George Deloy A.R. Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam Tim Donoghue Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa Season Sponsors ($50,000 to $99,999) Bank of America Valerie & Harry Cooper National Endowment for the Arts John A. Berol Gigi & Ed Cramer Conrad Prebys & Debra Turner Patron Information Mary Ann Blair Edgerton Foundation QUALCOMM, INC. California Bank & Trust HM Electronics, Inc. Mickey Stern J. Dallas & Mary H. Clark Fund at Joan & Irwin Jacobs Fund of the Wells Fargo TICKET SERVICES HOURS YOUNG CHILDREN Monday: Closed Children five years of age and under will not be admitted to The San Diego Foundation Jewish Community Foundation Sheryl & Harvey White Foundation Tuesday - Sunday: Noon – final curtain performances. Karen & Donald Cohn The Bernard & Dorris Lipinsky Hours subject to change. Please call ahead. Peter Cooper & Norman Blachford Fund of the Jewish Community Phone (619) 23-GLOBE or (619) 234-5623 ELECTRONIC DEVICES AND CAMERAS Advised Fund at the San Diego Foundation FAX (619) 231-6752 Use of recording devices and cameras is not permitted. If Human Dignity Foundation Email [email protected] you are wearing a digital watch or pager, or if you are carrying a cellular phone, please silence it prior to entering Production Sponsors ($25,000 to $49,999) ADMINISTRATION HOURS Monday - Friday: 9am – 5pm the theatre. Phone (619) 231-1941 Website www.TheOldGlobe.org ASSISTED LISTENING SYSTEM Mary Beth Adderley & Elizabeth Adderley Barbara & Neil Kjos Gillian & Tony Thornley Address The Old Globe For the convenience of the hearing impaired, the assisted American Airlines National Corporate Theatre Fund Union Bank of California P.O. Box 122171 listening system is available in the Old Globe Theatre. Sempra Energy U.S. Bank San Diego, CA 92112-2171 Lightweight headsets may be obtained from the house Alan Benaroya Sheraton San Diego Hotel & Marina Mandell Weiss Charitable Trust manager prior to performances, free of charge. Cohn Restaurant Group/ The San Diego Foundation’s Art ORDERING TICKETS/CHANGE OF ADDRESS Prado Restaurant Works for San Diego Initiative, The Old Globe accepts Visa, Discover, Master Card, or PUBLIC TOURS Continental Airlines supported by The James Irvine American Express. Phone orders for non-subscribers are Go behind the scenes at The Old Globe to learn about the Danah H. Fayman Foundation, Ariel W. Coggeshall subject to a $3.50 per ticket service charge. Ticket exchanges history, three stages, shop and craft areas. Open tours: are subject to a service charge for non-subscribers. If you most Saturdays and Sundays at 10:30am. Groups by Kathryn & John Hattox Fund and The San Diego have moved, please notify the Ticket Services Office to reservation. $5 adults; $3 seniors and students. Phone (619) Foundation Endowment update our records. Call (619) 234-5623 during Ticket 231-1941 x2142 for information/reservations. Services hours, mail your change of address to the Ticket Services Office, or email us at [email protected]. LOST AND FOUND Directors Circle ($10,000 to $24,999) If you have misplaced a personal item while at the theatre, UNABLE TO ATTEND? please contact the Ticket Services Office or Security as Anonymous Dr. & Mrs. Robert Epsten Allison & Robert Price If you find you are unable to use your tickets, please give soon as possible. If we are unable to locate your item, we’ll Jane Smisor Bastien Pamela A. Farr Price Family Charitable Fund them to a friend, or turn them in to the Ticket Serivces Office happily take down your contact information as well as a Arthur & Sophie Brody Fund of the Hal & Pam Fuson ResMed Foundation and receive a tax receipt for your donation. Tickets must be description of the item and contact you if it is found. The Jewish Community Foundation Robert Gleason & Marc Matys San Diego Tourism Promotion received by show time. Old Globe does not assume liability for items left behind on The Louis Yager Cantwell Private Lee & Frank Goldberg Corporation premises. Foundation Martin Goodman Jean & Gary Shekhter RESTROOMS AND TELEPHONES Deni & Ken Carpenter Ingrid B. Hibben Patsy & Forrest Shumway Restrooms are located in the lower lobby of the Old Globe Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., Pamela & Jerry Cesak Higgs, Fletcher & Mack, LLP Ms. Jeanette Stevens Theatre and adjacent to the Festival Theatre; pay phones are available upon request. Please ask an usher. City National Bank Deni & Jeff Jacobs Anne Taubman & David Boyle may be found in the lower Globe Theatre lobby and next to the Gift Shop. Cyberknife Centers of San Diego, Daphne H. & James D. Jameson Torrey Pines Bank Inc./Radiation Medical Group Jo Ann Kilty Evelyn Mack Truitt SEATING OF LATECOMERS Elaine & Dave Darwin KPMG, LLP Brent V. Woods & Laurie C. Mitchell Although we understand parking is often at a premium, the Mr. & Mrs. Brian Devine Dr. Ronald & Mrs. Ruth Leonardi Vistage International seating of latecomers is extremely disruptive. Latecomers Nina & Robert Doede Sue & John Major June E. Yoder may be given alternative seating and will be seated at an JANUARY 23 - FEBRUARY 28, 2010 Neiman Marcus Carolyn Yorston-Wellcome appropriate interval. P14 PERFORMANCES MAGAZINE Dr. Patricia Montalbano Robert & Deborah Young PERFORMANCES MAGAZINE P15 I Do I Do program rev_program 11/25/09 10:06 AM Page 16

Pat Cain ...... Property Master, Globe Donor Services Eszter Julian ...... Property Master, White Lee Conavay, Monica Jorgensen, Barbara Lekes, Staff Trevor Hay ...... Property Master, Festival Pamela Malone, Richard Navarro, Stephanie Reed, Joshua Camp ...... Craftsperson Judy Zimmerman ...... Suite Concierges

Louis G. Spisto ...... CEO/Executive Producer Lighting MARKETING Nate Parde ...... Lighting Director Jeffrey Weiser ...... Public Relations Director Michael G. Murphy ...... General Manager Shawna Cadence ...... Lighting Assistant Mia Fiorella ...... Audience Development Manager Dave Henson ...... Director of Marketing Tonnie Ficken ...... Master Electrician, Globe Carolyn Stephens ...... Public Relations Assistant and Communications Jim Dodd ...... Master Electrician, White Marissa Haywood ...... Marketing Assistant Todd Schultz ...... Director of Development Kevin Liddell ...... Master Electrician, Festival Erica Dei ...... Graphic Designer Mark Somers ...... Director of Finance Kristen Flores, Steve Schmitz Craig Schwartz ...... Production Photographer Richard Seer ...... Director of Professional ...... Followspot Operators Monica Jorgensen, Susie Virgilio ...... Marketing/ Training Meghan Bourdeau, Bonnie Breckenridge, Events Assistants Robert ...... Director of Production Graham Davis, Mark Dewey, Noah Gehr, Subscription Sales Roberta Wells-Famula ...... Director of Education Leah Nellman, Jason Rothberg, Amanda Zieve Scott Cooke ...... Subscription Sales Manager ...... Electricians Anna Bowen-Davies, Arthur Faro, Andy Fink, Randi ARTISTIC Sound Hawkins, Pamela Malone, Yolanda Moore, Jessica Jack DePalma ...... Play Development Director Paul Peterson ...... Sound Director Morrow, Ken Seper, Cassandra Shepard, Jerome Samantha Barrie ...... Casting Director Erik Carstensen ...... Master Sound Technician, Tullmann, Grant Walpole ...... Subscription Sales Bernadette Hobson ...... Artistic Associate Globe Representatives Jeremy Siebert ...... Master Sound Technician, Ticket Services PRODUCTION White Bob Coddington ...... Ticket Services Manager Debra Pratt Ballard ...... Associate Director Rachel Eaves ...... Mic Runner, Globe Marsi Fisher ...... Ticket Operations Manager of Production Dani Meister ...... Group Sales Manager Ron Cooling ...... Company Manager ADMINISTRATION Shouna Shoemake ...... Lead Ticket Services Carol Donahue ...... Production Coordinator Suzanne Bradley ...... Assistant General Manager Representative Stage Management Bryan Scott ...... Executive Assistant Brian Abraham, Kari Archer, Crevita Brown, Sarah Leila Knox ...... Production Stage Manager Mark Gingery ...... Theatre Center Ditges, Tony Dixon, Katie Dupont, Merri Fitzpatrick, Technical Project Coordinator Michael Knudsen, Cassie Lopez, Caryn Morgan, Benjamin Thoron ...... Technical Director Information Technology Michael Pousson, Carlos Quezada, Molly Whittaker Wendy Berzansky . . . .Associate Technical Director Dean Yager ...... Information Technology Manager ...... Ticket Services Representatives Sean Fanning ...... Resident Design Assistant Thad Steffen . . .Information Technology Asst. Mgr. Eliza Korshin ...... Technical Assistant/Buyer John Ralston . . . .Information Technology Assistant PATRON SERVICES Christian Thorsen Stage Carpenter/Flyman, Globe Human Resources Mike Callaway ...... Theatre Manager Carole Payette ...... Charge Scenic Artist Sandra Parde ...... Human Resources Director David Carson, Allison Jaynes, Adam Bernard, Victoria Erbe, Maintenance Rob Novak ...... House Managers Rebecca Johnson ...... Scenic Artists Randy McWilliams ...... Facilities Manager Kristen Cairns ...... Front of House Assistant Gillian Kelleher ...... Master Carpenter Violanda Corona, Ismael Delgado, Miguel Gaspar, Elaine Gingery ...... Food and Beverage Manager Robert Dougherty ...... Master Carpenter, Festival Roberto Gonzalez, Reyna Huerta, Jose Morales, Haydee Aldas ...... Food and Beverage Sheldon Goff, Mark Henderson, Jack Hernandez, Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Assistant Manager Laura McEntyre, Mongo Moglia, Mason Petersen Leonardo Rodriguez ...... Building Staff Miranda Halverson, Valerie Rhodes, ...... Carpenters Taylor Schmeling, Anne-Marie Shafer, Costumes PROFESSIONAL TRAINING Molly Quillin-McEwan Stacy Sutton ...... Costume Director Llance Bower ...... Program Coordinator ...... Pub Staff Charlotte Devaux Shields ...... Resident Maria Carrera, Cynthia Caywood, Ray Chambers, Rose Espiritu, Stephanie Rakowski, Design Associate Gerhard Gessner, Jan Gist, Fred Robinson, Stephanie Reed ...... Gift Shop Supervisors Maureen Mac Niallais . . . .Assistant to the Director Liz Shipman ...... MFA Faculty Security/Parking Services Lindsey Hall, Shelly Williams Jeannie Marie Galioto, Ben Seibert, Rachel “Beahr” Garcia ...... Security/ ...... Design Assistant/Shopper George Yé ...... MFA Production Staff Parking Services Supervisor Erin Cass, Su-Lin Chen, Wendy Miller Irene Herrig . . . . .Associate Supervisor of Security ...... Drapers EDUCATION Dallas Chang, Deborah Elliott, Sherisa Eselin, Babs Behling, Anne Glidden Grace Kim Montelibano Heil ...... Education Associate Bernardo Holloway, Janet Larson, Jeffrey Neitzel ...... Assistant Cutters Carol Green ...... Speakers Bureau Coordinator ...... Security Officers Mary Miller ...... Costume Assistant Amy Biedel, Jessica Bird, Marisela De la Parra, Nicole Apple, Patricia Ceja, Lee Conavay, Joanne Stypulkowska ...... Stitchers Monique Gaffney, JoAnne Glover, Erin Hatch, Stephanie Eberl, Nicole Hagemeyer, Michael Watts Erin Carignan ...... Craft Supervisor Sarah Price, Craig Rovere, David Tierney ...... Parking Lot Attendants Molly O’Connor ...... Wig and Makeup Supervisor ...... Teaching Artists Andrew Ashton, Taylor Schmeling ...... V.I.P. Valet Kim Parker ...... Assistant to Wig Attendants and Makeup Supervisor FINANCE Beverly Boyd ...... Wardrobe Supervisor Paula Nickodemus ...... Senior Accountant Kristin Bongiovanni, Anna MacDonald, Beth Trish Guidi ...... Accounts Payable/ Merriman, Ana Maldonado, Francisco Morales, Accounting Assistant Jeri Nicolas, Heather Premo, Noelle Van Wyk Adam Latham ...... Payroll Coordinator/ ...... Globe Run Crew Accounting Assistant Melissa Taylor, Ryan Severance Tim Cole ...... Receptionist ...... White Run Crew Marie Jezbera ...... Rental Agent DEVELOPMENT Annamarie Maricle ...... Associate Director, Properties Institutional Grants Neil A. Holmes ...... Properties Director Marilyn McAvoy ...... Major Gifts Director Kristin Steva Campbell . . .Assistant to the Director Eileen Prisby ...... Events Manager M.H. Schrenkeisen ...... Shop Foreman Josh Martinez-Nelson ...... Development Manager, Rory Murphy ...... Lead Craftsman Individual Annual Giving David Medina ...... Properties Buyer Diane Addis ...... Membership Administrator Rachel Plummer ...... Development Assistant Diana Steffen ...... VIP Donor Ticketing Jack O’Brien ...... Artistic Director Emeritus Craig Noel...... Founding Director

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