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How to Behave Badly in Renaissance Britain Ruth Goodman
M I C H A E L O ’ M A R A T I T L E I N F O R M A T I O N M I C H A E L O ' M A R A How to Behave Badly in Renaissance Britain Ruth Goodman Keynote Historian and popular TV presenter Ruth Goodman offers up a history of offensive language, insulting gestures, insolent behaviour, brawling and scandal in the sixteenth and seventeenth centuries – with practical tips on just how to horrify the neighbours. Description Historian and popular TV presenter Ruth Goodman offers up a history of offensive language, insulting gestures, insolent behaviour, brawling and Publication date Thursday, April 05, scandal in the sixteenth and seventeenth centuries – with practical tips on just 2018 how to horrify the neighbours. Price £20.00 ISBN-13 9781782438496 ‘Ruth is the queen of living history – long may she reign!’ Lucy Worsley Binding Hardback Format 234 x 153 mm From royalty to peasantry, every age has its bad eggs, those who break all the rules and Depth 27mm rub everyone up the wrong way. But their niggling, anti-social and irritating ways not only Extent 320 pages tell us about what upset people, but also what mattered to them, how their society Word Count 80000 words functioned and what kind of world they lived in. Illustrations 100 b/w illustrations and motifs In this brilliantly nitty-gritty exploration of real life in the Tudor and Stuart age, you will throughout text discover: Territorial Rights World In-House Editor Fiona Slater - how to choose the perfect insult, whether it be draggletail, varlet, flap, saucy fellow, strumpet, ninny-hammer or stinkard - why quoting Shakespeare was very poor form - the politics behind men kissing each other on the lips - why flashing the inside of your hat could repulse someone - the best way to mock accents, preachers, soldiers and pretty much everything else besides Ruth Goodman draws upon advice books and manuals, court cases and sermons, drama and imagery to outline bad behaviour from the gauche to the galling, the subtle to the outrageous. -
May 2017 Issue of from the Tower, a Publication of the Barony of Southron Gaard of the Society for Creative Anachronism New Zealand, Inc
FROM THE TOWER MAY A.S. LII PAGE 1 From The Tower Barony of Southron Gaard May A.S. LII (2017 C.E.) FROM THE TOWER MAY A.S. LII PAGE 2 Chronic Ramblings Inside this issue Chronic Rumblings 2 Welcome to another From The Tower. Their Excellencies Speak 3 - 4 If you have an article, review, story, poetry or picture* to contribute to our newsletter please send your contributions to the From the Officers 4 - 9 [email protected] email address by the 25th of each month. Vacancies 4 As some of you already know Sigurd and I are on a pilgrimage to Regnum 10 the great sites of Andalucía where we plan to master the magnificent horses of the region, tapas and of course sherry – don’t Other Groups’ Contacts 11 cry for us Southron Gaard – we will return before Yule. While I’m gone Lady Elena has kindly offered to prepare next month’s FTT SCANZ membership & form 11 - 12 so please send your submissions to her when she asks. What’s On Our cover image this month is from one of the most opulent Upcoming Events 8 manuscripts of the late medieval period, the Très Riches Heures du Duc de Berry. I’ve chosen the November panel because a southern Calendars 9 - 10 hemisphere May seems most like the European November, the first month of winter, it hasn’t snowed yet but feed is thin on the Features ground and so the pigs are being fattened up on acorns. No doubt one or more will satisfy the Twelfth Night feast. -
Marie Spartali Stillman 21 Warren Ashworth a Pre-Raphaelite in America Anne-Taylor Cahill Margaretta S
NiNeteeNth CeNtury VOLUME 35 NUMBER 2 Magazine of the Victorian Society in America Contents NiNETEENTh CENTuRy VoluME 35 • N uMBER 2 Fall 2015 Editor William Ayres Associate Editor Warren Ashworth From Hammer to Drafting Pen 3 Book Review Editor Edward Shaw of Boston Karen Zukowski James F. O’Gorman Advertising Manager / Graphic Designer Wendy Midgett A New Look at Victorian Furniture 11 Printed by Official Offset Corp. Triumph of the Picturesque Amityville, New York Oscar P. Fitzgerald Committee on Publications Chair William Ayres Marie Spartali Stillman 21 Warren Ashworth A Pre-Raphaelite in America Anne-Taylor Cahill Margaretta S. Frederick Christopher Forbes Sally Buchanan Kinsey Michael J. Lewis Restoration of the Gardens at Naumkeag Barbara J. Mitnick 31 James F. O’Gorman Jane Roy Brown Jaclyn Spainhour Karen Zukowski For information on The Victorian Society in America, contact the national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Departments Fax (215) 636-9873 [email protected] 36 Sleuthing . 40 Collecting . www.victoriansociety.org Frank Furness Furniture “Blooks” David L. Barquist Mindell Dubansky 43 The Bibliophilist 47 Milestones 49 Contributors Jhennifer A. Amundson Munshi Mania Barbara J. Mitnick Anne-Taylor Cahill Ingrid Steffensen Cover: Marie Spartali Stillman, Love’s Messenger , 1885. Samuel and Mary R. Bancroft Memorial, Delaware Art Museum. From Hammer to Drafting Pen EDWARD ShAW oF BoSToN JAMES F. o’GoRMAN The name Edward Shaw does not often come up when the and their clients in Boston and beyond. Where did a early nineteenth-century architecture of Boston is the topic. provincial housewright acquire such learning? Not, probably, Walter Kilham’s Boston after Bulfinch , for example, fails to in New hampshire. -
Weald & Downland Open Air Museum
AUTUMN 2013 WEALD & DOWNLAND OPEN AIR MUSEUM Tindalls Cottage joins museum’s historic building exhibits New Filming Events, thatched Tudor Courses & roofs for Monastery What’s On museum Farm 2013-14 buildings WEALD & DOWNLAND OPEN AIR MUSEUM AUTUMN 2013 From the Director Whilst 2013 has not been an easy season, there have been a number of very positive things happening at the museum! Soon after the 5 publication of the spring magazine, we received the exciting news that our Stage 1 Heritage Lottery Fund (HLF) bid had been accepted for the Louise Adams/Observer Series Adams/Observer Louise Gateway Project. The HLF has awarded £236,000 to enable us to develop our Stage 14 2 bid, which if successful will be worth £4 million. We have appointed Jason Lowe and Joanna Watson of Conservation Plus as our project managers and they have contributed an article about the project’s development for this issue. We have also appointed Judy Niner of Development Partners to undertake a major fundraising Front cover picture: Tindalls Cottage was campaign to raise a further £1 million required to complete the officially opened to the public in July. project. I would like to mention here the fantastic efforts of the See also pages 4/5, 13-15 and 18. Friends of the Museum in organising the fundraising event, Dinner with Gregg Wallace in September, and all those who supported it. 36 Another highlight of the season was the opening of Tindalls Cottage by David Martin. Much has been written about Tindalls in the last few issues of the magazine, but I would particularly like to Historic buildings ...9-11, Friends’ news..........31 thank carpenter-in-residence Joe Thompson and volunteer Alan Wood for their immense contribution to the successful completion 28/29, 39 of the reconstruction, together with the many supporters, crafts- men, staff and volunteers who made it possible. -
{PDF EPUB} Tudor Monastery Farm by Peter Ginn Behind the Scenes on BBC Two's Tudor Monastery Farm
Read Ebook {PDF EPUB} Tudor Monastery Farm by Peter Ginn Behind the scenes on BBC Two's Tudor Monastery Farm. There’s an audible gasp from bystanders as historian Ruth Goodman brushes her long skirt through a fire on the earthen floor. ‘See?’ she says gleefully as she fails to go up in flames. ‘Wool is naturally fire retardant. It will smoulder but it doesn’t really catch and won’t melt against you. These clothes are practical.’ The stunt by the ebullient Goodman occurs on the set of Tudor Monastery Farm, a six-part factual series for BBC Two that follows its popular predecessors Victorian Farm , Edwardian Farm and Wartime Farm. In each series, the presenters live as ordinary people from different historical periods; this time Goodman, archaeologist Peter Ginn and newcomer Tom Pinfold will recreate life as tenant farmers on a Sussex monastery in 1500. I meet Goodman in a timber-framed Tudor kitchen at the Weald and Downland Open Air Museum in rural West Sussex. The museum, which houses more than 50 period buildings from southeast England, has remained open during filming and visitors mill around us, but Goodman is unperturbed. She’s more concerned by today’s kitchen duties, which are a step up from the usual baking and ale brewing. “We’re preparing an abbot’s feast and the centrepiece is a custard with a pastry castle in the centre and different foods in each section of the castle.’ She grimaces. ‘I’m not much of a pastry chef.’ Mealtime at the Tudor Monastery Farm (Credit: BBC/Lion Television/Laura Rawlinson) She is, however, an impressive repository of Tudor facts, thanks to her 25 years as a member of a re-enactment group, and she wastes no time in telling me that her white veil has been pinned into a gable shape at the front, “to ape the style of the court.