DOCSLIB.ORG

THE GUIDE 98.7Wfmt Wfmt.Com the Member Magazine for WTTW and WFMT

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt wfmt.com The Member Magazine for WTTW and WFMT COMPOSER • CONDUCTOR • PIANIST Leonard Bernstein at100 Celebrate the centenary throughout the month on 98.7WFMT and wfmt.com. August 2018 ALSO INSIDE On WTTW, explore the Australian Outback, Wonders of Mexico, and three Ancient Invisible Cities: Cairo, Athens, and Istanbul. And after 10 weeks of competition, The Great British Baking Show crowns its winning baker! From the President & CEO The Guide The Member Magazine for Dear Member, WTTW and WFMT Renée Crown Public Media Center Arguably, there are few figures in American music history who have left a bigger imprint on 5400 North Saint Louis Avenue our culture – and on future generations of artists – than the flamboyant composer, conductor, Chicago, Illinois 60625 pianist, educator, and visionary Leonard Bernstein, whose 100th birthday will be celebrated across the globe this month. Bernstein, whose many works include West Side Story, On the Town, Main Switchboard (773) 583-5000 and Candide, will also be a focus on WFMT where you can hear his music all month long, and Member and Viewer Services notably throughout the day on Bernstein’s actual birthday: Saturday, August 25. (773) 509-1111 x 6 On WTTW11 and wttw.com/watch, we take you to the Australian Outback, across Mexico, to Websites Ancient Invisible Cities – Cairo, Athens, and Istanbul – and on an informative journey along our wttw.com own Chicago River in winter with Geoffrey Baer. We bring you a variety of music specials, recall wfmt.com the life and work of artist Eva Hesse, and crown a new winner on The Great British Baking Show. Publisher Frontline follows a journalist checking in with everyday Iranians in Our Man in Tehran; on wttw. Anne Gleason com, take a closer look at this special via a related interview. Also on our website, meet the stellar Art Director local performers taking part in Great Performances: Chicago Voices, and discover the Chicago Jazz Tom Peth WTTW Contributors Festival through an exclusive story. Julia Maish Dan Soles On WFMT, wfmt.com/listen, and the WFMT app, as mentioned above, we will mark the WFMT Contributors centenary of Leonard Bernstein with a wide variety of content, including a birthday broadcast Andrea Lamoreaux of his own recording of Candide and a special week from Bill McGlaughlin and Exploring Music. David Polk Distribution Manager On wfmt.com, test your knowledge of the composer’s music by taking our interactive quiz. Pat Sheppard In non-Bernstein news, we will have three more live concerts from Grant Park Music Festival, highlighted by Carl Orff’s rousing Carmina Burana. You can experience the excitement of Grant Advertising Sales Park on WFMT’s Facebook page, where you will also find a live Saturday morning stream of young WTTW: Douglas Carleton (773) 279-2128 violinist Joshua Brown performing on Introductions. WFMT: Alexander Stonor Saunders (773) 509-5357 We are honored that you have chosen to spend your summer with WTTW and WFMT. Thank you for your continuing support. The Guide: The Member Magazine Sincerely, for WTTW and WFMT (ISSN 2329-1338) August 2018 Volume 33, Number 243 Sandra Cordova Micek The Guide: The Member Magazine for WTTW and WFMT is published President & CEO monthly (for contributors of $40 or more annually) by Window To The World Communications, Inc., 5400 North Saint Louis Ave., Chicago, IL 60625-4698. Periodical postage paid at Chicago, IL and additional mailing offices. POSTMASTER: Send address changes to The Guide: The Member Inside the Guide Magazine for WTTW and WFMT, 5400 North Saint Louis Ave., 3 Member Connections 14 Multi-Channel Primetime Grid Chicago, IL 60625-4698. 4 Member Perks 17 Do it Yourself Saturdays Copyright 2018, Window To The World Communications, Inc., Chicago, IL. 5 TV Listings 19 At-a-Glance 6 WTTW Digital Channel Highlights 20 Radio Listings 8 WTTW Kid Grid 31 Sponsors ON THE COVER: Courtesy of NY Philharmonic Archives. Live from Lincoln Center: New York Philharmonic New Year’s Eve will air on WTTW Prime (11.2) on August 25 at 5:00 pm and, coming on Friday, December 28, a brand new special, Great Performances: Bernstein Centennial Celebration. 2 AUGUST 2018 MEMBER CONNECTIONS Screening & Discussion: inCommon with Mike Leonard – Screening & Discussion: Global Generation Exit Zero WTTW, in partnership with the Department of Cultural Affairs and Special Events, presents a free screening of the new WHAT inCommon documentary Global Generation. Screening & Discussion: inCommon spent an academic year with students from 41 inCommon with Mike Leonard – countries around the world – all represented at Lake Forest Global Generation Academy – to discover WHERE how it is to live and Chicago Cultural Center learn together; over- 78 E. Washington Street in Chicago come misconceptions; create, connect, and WHEN Saturday, September 15, cope with their genera- 2:00 pm tional challenges; so- cial media vs. solitude; parents, pressure, and peer reenforcement; individuality and diversity. What does it teach us about our common humanity and human possibility against the backdrop of a country and a world divided? The screening will be followed by a discussion. For more Mike Leonard information, please visit wttw.com/events. Screening & Discussion – POV: Beats of the Antonov In this award-winning documentary, learn how music and dance bind together a community in the war-ravaged Photo: © Hajooj Kuka Sudan region, where WHAT Screening & Discussion: Exit Zero WHAT the people of the Blue Screening & Discussion: Nile celebrate their POV: Beats of the Antonov WHERE survival and fight to Chicago Cultural Center WHERE maintain their heri- 78 E. Washington Street in Chicago Avalon Branch, tage, even as bombs Chicago Public Library WHEN drop all around them. Saturday, August 18, 2:00 pm 8148 S. Stony Island Avenue The screening will be in Chicago followed by a discus- WHEN sion. For more infor- Wednesday, August 29, 6:00 pm mation, please visit WTTW, in partnership with the Department wttw.com/events. of Cultural Affairs and Special Events, presents a free screening of and discussion about the new documentary Exit Zero. Chicago Tonight: Election 2018 Behind the Scenes Southeast Chicago used to be one of the largest Join the Chicago Tonight team for a fun, behind-the-scenes look at the upcoming elections. They will steel-producing regions in the world. Beginning explore the campaigns and the candidates in a freewheeling discussion, and you can join in the conversation. in the late 19th century, the steel mills along Lake Discover how Chicago Tonight correspondents cover the turbulent political scene in the city and throughout Michigan employed hundreds of thousands of Illinois, this is the event for you! people: immigrants from every region of the Tickets are limited, so don’t miss this opportunity. Your ticket includes beer, wine, and hors d’oeurves. world; workers of all ethnicities; people searching For more information and tickets, please visit wttw.com/events. for a better life. But that all began to change in the 1980s. One by one, the mills closed, leaving a region devastated by a crumbling economy and WHAT a toxic environment left behind by heavy industry. Chicago Tonight: Election 2018 A forgotten region, even the exit ramp here is Behind the Scenes numbered Zero. Exit Zero recaptures the stories WHERE of a region traumatized by de-industrialization, WTTW Studios and looks toward a future of economic opportu- 5400 N. St. Louis Avenue nity and environmental justice for Southeast in Chicago Chicago residents. Join us at the Chicago Cultural Center for a free EVENT DATE Friday, October 19, 5:00 pm screening of the film, followed by a panel discus- sion. For more information and to RSVP, please visit wttw.com/events. 2018 AUGUST 3 MEMBER PERKS 15% Off Candles and Lights Illuminate your home with unique or classic votive, pillar, and tealight candles. 100candles.com offers a variety of candles and displays for you to create a beautiful, wholesome, and safe environment where the whole family can enjoy the glow of wax and LED candles. You’ll also find candle holders, string lights, candelabras, sconces, and more at this one-stop-shop online store. WTTW members receive 15% off at 100candles.com. To redeem this special offer, use code WTTW at checkout on 100candles.com. No minimum required. Excludes items that are marked “Not Discountable.” 15% Off Spa Services Relax, renew, and rejuvenate at Urban Oasis. Feel the full benefit of massage therapy and acupuncture from licensed experts. It’s the perfect escape from the stresses of everyday life, in a quiet, tranquil, and luxurious atmosphere. WTTW members receive 15% off all services at both Chicago locations (North Avenue and Maple Street). Call (312) 640-0001 for North Avenue location and (312) 587-3500 for Maple Street location to schedule services. Please mention your WTTW discount when scheduling, and present your WTTW member- ship card upon arrival at the salon. 15% Off Chicago Detours 25% Off Exceptional Gifts Take a walking tour to explore Chicago high- Celebrate the special people in your life with a unique gift lights and overlooked spaces! You might gain a new basket from 1800baskets.com. Whether it’s a birthday, special perspective on your favorite architecture, or just occasion, your favorite teacher, or a friend, you’ll save 25% on enjoy a morning or afternoon around town. the basket of your choice. Give a selection of gourmet chocolate, Chicago Detours offers guided walking and bus wine, cheese, nuts, fruit and fruit spreads, or non-edible luxury tours of architecture, history, and culture in and items, displayed in an elegant basket that is sure to impress. around our great city.
Recommended publications
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
  • Season 2014-2015

    Season 2014-2015

    23 Season 2014-2015 Wednesday, January 28, at 8:00 The Philadelphia Orchestra Friday, January 30, at 2:00 Saturday, January 31, Yannick Nézet-Séguin Conductor at 8:00 Kirill Gerstein Piano Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro Intermission Shostakovich Piano Concerto No. 2 in F major, Op. 102 I. Allegro II. Andante III. Allegro Shostakovich/from Suite from The Gadfly, Op. 97a: arr. Atovmyan I. Overture: Moderato con moto III. People’s Holiday: [Allegro vivace] VII. Prelude: Andantino XI. Scene: Moderato This program runs approximately 1 hour, 40 minutes. The January 28 concert is sponsored by MEDCOMP. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Please join us immediately following the January 30 concert for a Chamber Postlude, featuring members of The Philadelphia Orchestra. Brahms Piano Quartet No. 3 in C minor, Op. 60 I. Allegro non troppo II. Scherzo: Allegro III. Andante IV. Finale: Allegro lomodo Mark Livshits Piano Kimberly Fisher Violin Kirsten Johnson Viola John Koen Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage.
  • Leihmaterial Bote & Bock

    Leihmaterial Bote & Bock

    Leihmaterial Bote & Bock - Stand: November 2015 - Komponist / Titel Instrumentation Komp. / Dauer Aa, Michel van der 2 After Life B 2S,M,A,2Ba; 2005-06/ 95' Oper nach dem Film von Hirokazu Kore-Eda 0.1.1.BKl.0-0.1.0.1-Org(=Cemb)-Str(3.3.3.2.2); 2009 elektr Soundtrack; Videoprojektionen 1 The Book of DisquietB 1.0.1.1-0.1.0.0-Perc(1): 2008 75' Musiktheater für Schauspieler, Ensemble und Film Vib/Glsp/3Metallstücke/Cabasa/Maracas/Egg Shaker/ 4Chin.Tomt/grTr/Bambusglocken/Ratsche/Peitsche(mi)/ HlzBl(ti)/2Logdrum/Tri(ho)/2hgBe-4Vl.3Va.2Vc.Kb- Soundtrack(Laptop,1Spieler)-Film(2Bildschirme) 0 Here [enclosed] B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2003 17' für Kammerorchester und Soundtrack Soundtrack(Laptop, 1Spieler); Theaterobjekt K Here [in circles] B Kl.BKl.Trp-Perc(1)-Str(1.1.1.1.1); 2002 15' für Sopran und Ensemble kl Kassetten-Rekorder (z.B. Sony TCM-939) 0 Here [to be found]B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2001 18' für Sopran, Kammerorchester und Soundtrack Soundtrack(Laptop, 1 Spieler) Here Trilogy B 2001-03 50' siehe unter Here [enclosed], Here [in circles], Here [to be found] F Hysteresis B Fg-Trp-Perc(1)-Str*; Soundtrack(Laptop,1 Spieler); 2013 17' für Solo-Klarinette, Ensemble und Soundtrack *Streicher: 1.0.1.1.1 (alle vertärkt) oder 4.0.3.2.1 oder 6.0.5.4.2; Kb mit tiefer C-Saite 2 Imprint B 2Ob-Cemb-Str(4.4.3.2.1); 2005 14' für Barock-Orchester Portativ-Orgel zu spielen vom Solo-Violinisten; Historische Instrumente (415 Hz Stimmung) oder moderne Instrumente in Barock-Manier gespielt 1 Mask B 1.0.1.0-1.1.1.0-Perc(1)-Str(1.1.1.1.1)-
  • The Most Common Orchestral Excerpts for the Horn: a Discussion of Performance Practice

    The Most Common Orchestral Excerpts for the Horn: a Discussion of Performance Practice

    The most common orchestral excerpts for the horn: a discussion of performance practice by Shannon L. Armer Submitted in partial fulfillment of the requirements for the degree Master of Music in the Faculty of Humanities University of Pretoria Supervisor: Dr. J. deC Hinch Pretoria January 2006 © University of Pretoria ii ABSTRACT This study describes in detail the preparation that must be done by aspiring orchestral horn players in order to be sufficiently ready for an orchestral audition. The general physical and mental preparation, through to the very specific elements that require attention when practicing and learning a list of orchestral excerpts that will be performed for an audition committee, is investigated. This study provides both the necessary tools and the insight borne of a number of years of orchestral experience that will enable a player to take a given excerpt and learn not only the notes and rhythms, but also discern many other subtleties inherent in the music, resulting in a full understanding and mastery thereof. Ten musical examples are included in order to illustrate the type of additional information that a player must gain so as to develop an in-depth knowledge of an excerpt. Three lists are presented within the text of this study: 1) a list of excerpts that are most commonly found at auditions, 2) a list of those excerpts that are often included and 3) other excerpts that have been requested but are not as commonly found. Also included is advice regarding the audition procedure itself, a discussion of the music required for auditions, and a guide to the orchestral excerpt books in which these passages can be found.
  • LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert

    LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert

    LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin.
  • 201201-Kakm-Early Morning

    201201-Kakm-Early Morning

    schedule available online: January 2012: Early Morning alaskapublic.org Midnight 12:301:00 1:30 2:00 2:303:00 3:30 4:00 4:30 Coldplay Frontline: Independent Lens: Washington Need To Sun 1/1 Live! Beale Street on New Year's Eve (start 11pm) The Undertaking These Amazing Shadows Week Know Masterpiece Classic: Great Performances: From Vienna: Live From Lincoln Center: Mon 1/2 Downton Abbey - Part 4 The New Year's Celebration 2012 Bernstein and Gershwin Martin Luther: Antiques Roadshow: Masterpiece Classic: Great Performances: Tue 1/3 Sky Island Driven to Defiance Tulsa, OK - Hour 1 Downton Abbey - Part 4 Hugh Laurie: Let Them Talk Frontline: Egypt's Golden Empire: Egypt's Golden Empire: Martin Luther: Antiques Roadshow: Wed 1/4 Opium Brides The Warrior Pharaohs Pharaohs Of The Sun Driven to Defiance Tulsa, OK - Hour 1 Nature: NOVA: NOVA: Egypt's Golden Empire: Egypt's Golden Empire: Thu 1/5 Birds of the Gods Deadliest Volcanoes Deadliest Earthquakes The Warrior Pharaohs Pharaohs Of The Sun Independent Lens: Frontline: NOVA: Nature: Fri 1/6 This Old House Hour Taking Root Opium Brides Deadliest Volcanoes Birds of the Gods Washington Need To Great Performances: Tavis Smiley Reports: Antiques Roadshow: Sat 1/7 This Old House Hour Week Know Celebrate Gershwin Dudamel Tulsa, OK - Hour 1 NOVA: Frontline: Independent Lens: Great Performances: Washington Need To Sun 1/8 Deadliest Volcanoes Opium Brides Taking Root Celebrate Gershwin Week Know Masterpiece Classic: Tavis Smiley Reports: Great Performances: Antiques Roadshow: Nature: Mon 1/9 Downton
  • Shostakovich (1906-1975)

    Shostakovich (1906-1975)

    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
  • Jenny Lin, Pianist Website: Facebook

    Jenny Lin, Pianist Website: Facebook

    Photo: Liz Linder Jenny Lin, pianist Website: www.jennylin.net Facebook: www.facebook.com/jennylinpiano Soundcloud: https://soundcloud.com/jenny-lin-pianist “Bach’s presence also hovered over the featured artist of the evening, the dynamic pianist Jenny Lin, who played 5 of the 24 Preludes and Fugues by Shostakovich… On this night she was beautifully attentive to the Neo- Classical formalities and elegance of the Shostakovich works…“ The New York Times “…pianist Jenny Lin may have established herself with the most imaginatively conceived program of the year… Anyone lucky enough to have been there … will probably agree that this was a recital that will not easily be forgotten.” The San Francisco Examiner “Pianist Jenny Lin gave a recital…that was as thoughtfully conceived as it was beautifully executed. …deeply felt performances… extraordinarily satisfying evening.” The Washington Post The New Yorker Short Bio Jenny Lin is one of the most respected young pianists today, admired for her adventurous programming and charismatic stage presence. She has been acclaimed for her “remarkable technical command” and “a gift for melodic flow” by The New York Times. The Washington Post praises “Lin’s confident fingers… spectacular technique… “, “…surely one of the most interesting pianists in America right now…” and Gramophone Magazine has hailed her as “an exceptionally sensitive pianist”. Her orchestral engagements have included the American Symphony Orchestra, NDR and SWR German Radio orchestras, and Orchestra Sinfonica Nationale della RAI. Her concerts have taken her to Carnegie Hall, Avery Fisher Hall, Kennedy Center, MoMA, Stanford LIVE, and National Gallery of Art, appearing at Festivals such as Mostly Mozart, BAM’s Next Wave, Spoleto/USA, Kings Place London, Chopin Festival Austria, and Schleswig-Holstein Festival Germany.
  • Collection of Television Press Kits, 1958, Ca

    Collection of Television Press Kits, 1958, Ca

    http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
  • Tchaikovsky Rachmaninoff Piano Trio Trio Élégiaque No.1

    Tchaikovsky Rachmaninoff Piano Trio Trio Élégiaque No.1

    95632 Tchaikovsky Rachmaninoff Piano Trio Trio élégiaque No.1 Klára Würtz · Dmitri Makhtin · Alexander Kniazev Tchaikovsky’s negative sentiments towards the piano trio were clearly set out in a letter of October 1880 to his patron, Nadezhda von Meck, in response to her enthusiastic praise for one composed by her resident pianist – a young Frenchman Piotr Ilyich Tchaikovsky (1840-1893) Sergei Rachmaninoff (1873-1943) called Claude Debussy (a piece long thought lost but rediscovered in 1985). In Piano Trio in A minor Op.50 “In 4. Trio élégiaque No.1 rejecting her hint that he should write something similar, Tchaikovsky elaborated on memory of a great artist” in G minor 13’16 his antipathy to the format, not only on principle – the characteristics of violin, cello 1. Pezzo elegiaco: Moderato assai – and piano being in his view inherently incompatible – but for the purely subjective Allegro giusto 18’26 reason that their combination would be “pure torment” for him (notwithstanding 2. Tema con variazioni: the passages for exactly those instruments in the second movement of the recently Andante con moto 18’16 completed Second Piano Concerto). While conceding that other composers, notably 3. Variazione finale (Allegro Beethoven Mendelssohn and Schumann, had produced excellent examples, he could risoluto e con fuoco) e coda not be tempted in that direction. And that seemed to be that. (Andante con moto-Lugubre) 7’33 The sudden death in Paris of Nikolai Rubinstein on March 23rd 1881 seems to have been the catalyst for an abrupt change of mind. Although their relationship had always been prickly – Rubinstein had famously damned the First Piano Concerto as, among other things, badly written and vulgar – it was based on solid friendship and mutual respect and Tchaikovsky was devasted by the news.
  • Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test

    Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test

    From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili.
  • Vaughan Williams

    Vaughan Williams

    VAUGHAN WILLIAMS The Lark Ascending Suite of Six Short Pieces The Solent Fantasia Jennifer Pike, Violin Sina Kloke, Piano Chamber Orchestra of New York Salvatore Di Vittorio Ralph Vaughan Williams (1872-1958): The Lark Ascending a flinty, tenebrous theme for the soloist is succeeded by an He rises and begins to round, The Solent · Fantasia for Piano and Orchestra · Suite of Six Short Pieces orchestral statement of a chorale-like melody. The rest of He drops the silver chain of sound, the work offers variants upon these initial ideas, which are Of many links without a break, rigorously developed. Various contrasting sections, In chirrup, whistle, slur and shake. Vaughan Williams’ earliest compositions, which date from The opening phrase of The Solent held a deep significance including a scherzo-like passage, are heralded by rhetorical 1895, when he left the Royal College of Music, to 1908, for the composer, who returned to it several times throughout statements from the soloist before the coda recalls the For singing till his heaven fills, the year he went to Paris to study with Ravel, reveal a his long creative life. Near the start of A Sea Symphony chorale-like theme in a virtuosic manner. ’Tis love of earth that he instils, young creative artist attempting to establish his own (begun in the same year The Solent was written), it appears Vaughan Williams’ mastery of the piano is evident in And ever winging up and up, personal musical language. He withdrew or destroyed imposingly to the line ‘And on its limitless, heaving breast, the this Fantasia and in the concerto he wrote for the Our valley is his golden cup many works from that period, with the notable exception ships’.