The Prudential Eye Zone is a curated selection of works by 17 contemporary artists from Indonesia, Japan, Korea, Malaysia and Singapore. These South-East Asian countries all have thriving art scenes and the exhibition features works that range across video and digital art, installation, sculpture, painting and photography.

A poetic sensibility runs through many of these exhibits, from the constantly shifting imagery of ‘Flowers and People – Dark’ by Japanese Collective teamLab to the towering sculpture of Korean artist Seokyoung Kang through to the almost abstract paintings of Indonesian painter Christine Ay Tjoe. In other works, notably by Singaporean artist Donna Ong and Indonesian artist Bagus Pandega, lo-fi technology is harnessed to evocative ends. Social and political issues are subtly raised in the photographs of Malaysian artist Sherman Ong and more directly addressed in the work of Japanese artists Chim↑Pom.

The Prudential Eye Zone, co-curated by Serenella Ciclitira, Honor Harger, YoungJoo Lee and Korean musician T.O.P highlights the diversity of contemporary art from Indonesia, Japan, Korea, Malaysia and Singapore. The exhibition invites viewers to tease out both links between the works of artists from these countries as well as different local inflections and nuances. The Prudential Eye Zone exhibition picks up the baton of the exhibition that it follows on from, the Prudential Eye Awards Finalists Exhibition, in demonstrating the depth and versatility of contemporary art being produced across Asia at the moment. Indonesia, Korea, Malaysia and Singapore have already been subjects of exhibitions organised by the Prudential Eye Programme and both of us have learned more about the fascinating art scenes in each of those regions through our travels and subsequently those exhibitions and their accompanying publications. And adding a focus on Japan to this exhibition, along with those four regions, is most timely given the success of Japanese artists at the recent Prudential Eye Awards.

The collaborative curatorial approach to the exhibition has provided a great opportunity to start a very fruitful dialogue with curators who have a new, fresh vision of art from these five countries. For us, the Prudential Eye Programme is very much about the conversations that take place in the production of the exhibitions, the Awards, the fair and the publications that make up the Programme. We fully believe that such conversations are a vital part of the evolving discourse around contemporary Asian art, and that the more people are talking about artists from the region, the better. Bringing a curator on board from outside the visual arts, such as T.O.P, is exactly the type of cross-disciplinary approach that we also hope will open up the contemporary Asian art world to the wide audience that it deserves. We very much believe that improving accessibility to contemporary Asian art is a key tenet to the Prudential Eye Programme. The fantastic works made by artists across the region are more than just for curators, collectors and curators – they deserve to be seen by a wide audience across Asia and beyond.

The Prudential Eye Programme is structured so that it has a solid foundation of survey exhibitions that look at particular Asian countries – such as Prudential Singapore Eye which runs concurrently with this exhibition at ArtScience Museum. The Prudential Eye Awards bring together artists from these different regions across Asia and celebrates their achievements, and the art fair, START, facilitates artists and gallerists from Asia to exhibit with their peers from across the world. At the same time we recognise globalisation is creating new conceptual and thematic links across different art scenes in Asia. The Prudential Eye Zone exhibition reflects this increasing blurring of national boundaries, by focusing on five countries rather than just one in particular. Whilst we look forward to more survey shows of national scenes, the Programme will continue to evolve as the art scene in Asia does, moving from local to national to international.

We want to thank our sponsor, Prudential, for their continued support of the Programme. Without their support, the Programme would not be able to evolve in the way that it does, and we are truly grateful. Serenella has greatly enjoyed co- curating the exhibition with the Korean film and music star T.O.P, the Executive Director of ArtScience Museum, Honor Harger and the independent curator, YoungJoo Lee. We would like to thank them all. Most importantly, as ever, we want to extend our sincerest thanks to all the artists whose work has made this exhibition such as success.

David & Serenella Ciclitira Founders, Parallel Contemporary Art 4 5 Welcome to the Prudential Eye Zone, a unique exhibition that brings together contemporary art works from across Asia, including those from previous Eye exhibitions held in the region.

Following the exhibition of the shortlisted nominees for the Prudential Eye Awards held at the Marina Bay Sands in January 2015, this exhibition continues the Asian theme to showcase some of the most interesting works being created in this region. We hope visitors to the Prudential Singapore Eye exhibition, which will run until the end of June, will enjoy an additional perspective on Asian contemporary art.

Prudential has been part of Asia for more than 90 years and over the years, we have witnessed both economic and social changes in Asia. Contemporary art allows us to gain a deeper insight into today’s Asia through the skill and unique viewpoints of its artists.

Our business remains committed to serving the needs of Asia’s growing middle-class families, and we remain committed to growing together with this region that we have called home for so many decades.

While we join Singapore as it mourns the passing of its founding father Mr Lee Kwan Yew, it is only befitting to honour his spirit by continuing to celebrate all that Singapore offers to the world and its status as the contemporary arts hub of the region. We hope this exhibition will inspire young people in Singapore and beyond to express their thoughts and feelings through the creative medium of art.

Barry Stowe Chief Executive, Prudential Coporation Asia

6 7 ArtScience Museum is delighted to be a partner of Prudential Eye Zone, a specially curated exhibition of contemporary emerging art from Asia to run alongside the Prudential Singapore Eye exhibition.

The Prudential Eye Zone provides a platform for 11 artists from five Asian countries – Indonesia, Japan, Korea, Malaysia and Singapore enabling them to share their works with a wide and diverse audience. The project embodies ArtScience Museum’s commitment to supporting and nurturing artistic talent within the South East Asian region, through a range of exciting exhibitions, events, educational programmes, residencies and many other initiatives.

We are fortunate to be in a region that is becoming internationally known for its dynamic art ecosystem. Singapore itself is in the midst of a cultural renaissance. The city-state was recently named as one of the world’s top 12 cities to watch for contemporary art. A combination of investment in excellent infrastructure, including outstanding museums and galleries, a burgeoning art market, the growing national and international profile of local artists, a focus on art’s education and increasing audience attendance to exhibitions and fairs, has resulted in an art scene that is vibrant and thriving. As such, Singapore was chosen as the perfect location for this exhibition.

Prudential Eye Zone highlights the ingenuity and talent of some of Asia’s most exciting artists, and ArtScience Museum is proud to share their work with our visitors.

Honor Harger Executive Director, ArtScience Museum, Marina Bay Sands

8 9 My interest in art began from admiring the concepts and visions of world-renowned contemporary artists. Subsequently traveling around Asia, my interest naturally expanded towards young and influential Asian contemporary artists. While in Asia, I had the privilege to learn about the Prudential Eye Programme and decided to participate in the Program as I felt deeply that it was a great platform to celebrate and introduce young Asian contemporary artists. Whilst it has been difficult for me to visit many exhibitions due to various concert and movie related schedules, I have always made it a point to view different artworks through publications and on the internet. The latter has recently become one of my most important pastimes. Every time I get to learn about a new and original artwork, I usually share this with my acquaintances. One of the reasons I am so interested in contemporary art is because it is quite intriguing to see how different people have different views and opinions about the same artwork.

Ever since I was young I have been very sensitive about my music as well as my fashion and design because the nature of my work has always revolved around expressing myself. I have always observed and studied how to possess a youthful but sophisticated emotional intelligence whilst being unique and different. These characteristics naturally led me to spend a lot of time in collecting designer furniture as well as artworks and in return it has become a great source of inner-energy and diversion from my busy life.

I sometimes have the chance to talk to new talented artists and even visit their studios to personally see how an artwork is made. Every time I see a completed artwork that the artist has put his heart and soul into, I get this excitement that I can’t describe in words. Through viewing art, I got to realize that my job as a musician and actor is very similar to an artist in the sense that we both create something from nothing. From this realisation I hope to always find inspiration for my music and how I express myself.

Keisuke Jinba, Yunhee Lee and Kei Imazu are the artists participating in this exhibition and are artists whom I have met during business trips or when I had schedules overseas. I first encountered them through images of their works, which developed into the desire to learn more about the artists and their works by meeting them personally at art fairs and exhibitions. I wanted to introduce young artists who work with delicate details and unique concepts that are similar to expressing the beauty of a previously unseen space, but who still easily communicate with young audiences. I hope everyone who visits the Prudential Eye Zone exhibition carries home with them the beauty, inspiration and good energy from the various artworks.

T.O.P Seung-hyun Choi, Singer & Actor

10 11 Seokyeong Kang, Yongseok Oh, and Teppie Kaneugi are artists born in the 1970’s who have experienced the radical change that has taken place in various cultures, driven by rapid economic development in Asia. Among these rapid changes, various media and internet development in the 1990’s allowed them to accept western culture easily and in doing so, affected the way they expressed themselves in their art in various ways. These artists show ready-made objects of existing media to the audience, a method which reflects current society and real life, re-shaped by the artist’s particular sensibilities. This results in unique works that are very much of the present.

Japanese artist Teppei Kaneuji’s new work is a site specific installation. The artist collects everyday objects such as toys, plastic containers, coat hangers. After assembling them, the artist pours white resin on the cluster of objects. By repeating this process, the artist completes the work on site. The final result seems to offer to the audience a peek into the future, where current fashion and materials have disappeared.

Yongseok Oh uses existing movie clips for his work “Without Ending”. He compiles a number of the final scenes from a variety of films and edits them into his work. The audience might initially feel disorientated in watching the sequenced final scenes in this video work since the clips are final scenes of classic movies which they might be familiar with. However, these repeated final scenes are transformed into a creative artwork where the artist has combined these individual scenes into an ongoing narrative.

By way of contrast, Seokyeong Kang’s work is a display of her delicate sensibility. She uses industrial dish driers covered with knitting wool by winding them around braces meticulously. When the audience views her work, the hard metal interior of dish driers are masked by the knitting wool, expanding the narrative beyond its physicality. Audiences can sense the warmth of these works and decipher new narratives.

Youngjoo Lee Independent Curator

12 13 INDONESIA

14 15 Arin Dwihartanto Sunaryo Artwork Description At the time I have been developing a specific material - (namely resin) and painting method. I have been trying to develop and combine the painting method with a specific material, resin. I have explored this technique for 7 years now, and I still find the experiment an interesting journey.

My understanding is that this particular approach is not merely as a practical choice but the works can be viewed as an artistic strategy or statement that is related to a specific cultural reference. For example If one relates it to ‘resin culture’ (industrial Artist Bio objects, preservation) or gestural painting method or even a narration. Arin Dwihartanto Sunaryo (b. 1978) has been obsessed with the idea of painting as an In my early years of using resin, I was driven expansion of a human method of freezing by the idea of ‘abstraction’ as my entry and preserving. Fed up with traditional point to turn my resin planes into paintings. material, in early 2000, Sunaryo began I experimented with abstract techniques, experimenting with resin. He subsequently eg. splattering, drizzling, pouring, creating settled on resin as his key material, not only painterly strokes etc. As time went by, the because it has been used in both primeval act of preservation became a dominant and modern culture to preserve anything motive instead. For my own reference, I valuable in human lives, but also for his used digital print to record the composition compulsion in incorporating ‘an alchemic’ of my painting process. process in painting. For Arin, resin is a multi-faceted substance—it is either fluid, I combine ready-made pigment with volcanic jellied or solid—that requires natural and ashes in which I preserve as pigment. It unpredictable elements, such as time, often comes in a form of grainy, rainy or temperature as well as humane explosive splashes. intervention, in its physical transformation (of colors, shapes, concreteness, This experiment on preserving abstraction dimensions). has brought me many interesting challenges. Arin has been experimenting to incorporate, different materials in his resin works. Following the eruption of Merapi in 2010, he began to experiment by using volcanic ashes he collects from Yogyakarta as the painting pigment, highlighting monochromatic, earthy hues that manifest in grainy, rainy or explosive splashes, in order to convey his memories of his experience living in the Southeast Asian ring-of-fire. In other earlier series, he has also ‘preserved’ some photographic and digital images in the resin, showing a self-referential composition of his painting process and visual struc- Pint tures that are imbued with some painterly 2009 qualities. Arin’s working process reflects a Pigmented resin on perpetual exploration of materials, method, wooden panel ideas and questions around our common 148.5 x 92 cm obsession toward ‘eternality’. Courtesy of the artist

16 17 Christine Ay Tjoe Artwork Description There is a lot that happens in our daily lives, we are constantly doing many things for others, intensively. Which means one has to perform as well as we can; diligently, in an elegant way, continuously, but with much fun and awareness to keep the emotion still alive. The results in return, is almost always unexpected. To me, I want to keep to this ethos, and even wish to reach a higher ethos, I am reminded that a balloon can fly high, it will keep going higher and will always be free.

Artist Bio Christine Ay Tjoe is an Indonesian artist especially known for her intricate layered paintings full of colorful shapes and strong linear strokes. With her earlier experiments in drypoint technique, Ay Tjoe cultivated her sharp, fluent and vigorous lines. To produce the same effect on her tableaux she uses protean oil-bars, melding figuration and abstraction.

While Indonesia continues to hold fast to constricting traditional values, Ay Tjoe does not hesitate to express her inner feelings such as melancholy, struggle, pain and happiness through her art, eliminating these phases of personal life through her rooted compositions. Unlike earlier generations and even contemporaries of Indonesian artists who are drawn towards political satire, Ay Tjoe’s works tend to be less political. Instead, her interests have circulated around the extensive issues of personal human life. Her works highlight universal issues in modern society and human existence, and her art is a modern allegory creating an opportunity for each of us to face ourselves.

Born in 1973, Christine Ay Tjoe lives and works in Bandung, Indonesia. Her works have been the subject of many international exhibitions, including Singapore Art Museum (2012) and Saatchi Gallery (London, 2011). The Flying Balloon 2013 Oil on canvas 170 x 200 cm WINNER OF PRUDENTIAL EYE AWARD FOR: Courtesy of the artist BEST EMERGING ARTIST USING PAINTING and Ota Fine Arts

18 19 Syaiful Aulia Garibaldi Artwork Description Interstitial Organism a creature of ‘Terhah’ the imaginary language which means “idea’. It is based on my observation of a fictitious world creature on a microscopic scale.

Artist Bio Micro-macro organism connection came to my senses as the starting point for making an artwork, I often spent my time observing the details of these small tiny being. Sometimes I even take a visit to a laboratory, hoping to find something interesting.

The execution has two tendencies: the first tendency is to engage real living entities to witness real interaction. The other tendency is to explore a new world created by figments of imagination, including creatures and landscapes.

It is a fact that I had created the first imagi- nary language in the world — The language ‘Terhah’, the language of ‘ideas’.

Interstitial Organisms #2 2014 Silicon sealant on plywood 200 x 200cm Courtesy of the artist and ROH Projects

20 21 Bagus Pandega

Artist Bio Bagus is a Bandung based artist who has an interest in sound and motion functions in a variety of electronic components. A variety of used and obsolete electronic equipment is the main material that he processes and stand as sources of ideas. Pandega’s work is a cross between contemporary sculpture and installation. The interaction with visitors is on aspect that has always been important in Pandega’s work. He won the 2nd Bandung Contemporary Art Awards in 2012.

Artwork Description The lack of certainty: A state of having limited knowledge where it is impossible to exactly describe the existing state, a future outcome, or more than one possible outcome.

Uncertainty is a problem we face in a modern society today. The knowledge infused and experiences turn our everyday decisions a deliberate consideration.The more we know, the more we understand, the more we understand, the more we doubt. The world changes everyday, every second, every minute. We are enveloped by change and will continue to follow change. Uncertainty lies everywhere, and one cannot escape from it.

Uncertainty, ed. 2 2014 Digital print on vinyl, wood, motor, electronic system, 40 x 70cm Courtesy of the artist and ROH Projects

22 23 JAPAN

24 25 Chim↑Pom Artwork Description This video work films Chim↑­ Pom members, together with friends made in Soma city, Fukushima in May 2011, doing 100 sequential yells of “KIAI,” which is Japanese for shouts showing a fighting spirit. As Soma city is one of the affected areas of the Great East Japan earthquake, these people lost loved ones, their houses were washed away, and they spent over two months in the destroyed city despite fear of radiation. Unlike other areas intensively covered by mass media, this area had suffered from a shortage of volunteers probably due to it being so close to the Fukushima Daiichi Nuclear Power Station. Artist Bio These were real shouts filmed all in one-cut and ad-libbed, by the young locals who, Artist collective formed in 2005 in Tokyo although being victims themselves, had with Ushiro Ryuta, Hayashi Yasutaka, continued to provide relief and help towards Ellie, Okada Masataka, Inaoka Motomu and reconstruction. Mizuno Toshinori and all in their twenties at the time. Responding instinctively to the “real” of their times, Chim↑Pom has continuously released works that fully intervene in contemporary society with strong social messages.

Using video as a primary discipline, their expressions freely cross over a range of media from installation to performance. While based in Tokyo, they develop their activities globally in exhibitions and projects in various countries.

More recently, they have expanded their activities further to include the direction of art magazines, and exhibition curation. Japanese-language publications ‘Naze Hiroshima No Sora Wo PIKA! To Saseteha Ikenainoka’ [Why Can’t We Make the Sky of Hiroshima “PIKA!”?] (co-edited with Abe Kenichi, Tokyo: MUJIN-TO Production, 2009), Chim↑Pom (Tokyo: Kawade Shobo Shinsha, 2010), and Geijutsu Jikkohan [Art as Action] (Tokyo: Asahi Press, 2012) are now available.

KI-AI 100 2011 Single channel animation 3 min 13 sec WINNER OF PRUDENTIAL EYE AWARD FOR: Courtesy of the artist OVERALL WINNER: EMERGING ARTIST OF THE YEAR and MUJIN-TO BEST EMERGING ARTIST USING DIGITAL/VIDEO Production, Tokyo

26 27 Kei Imazu Artwork Description Once a human shape is turned into an image under a certain idea, its essential impression remains unaffected even if its appearance are changed to some extent. Its presence even intensifies over time in history. I started Broken Image from seeking such images as motifs of painting, and have gathered images under keywords such as “ancient”, “nude”, “vandalism”, “attacked art”, “icono- clasm”, “Zankestu” (incomplete remains), “looted art”, among others.

Broken Image refers to two things: an image damaged in reality, and an image shattered on painting. I intend to capture the state Artist Bio where broken images with their own individual histories appear as they are An emerging Japanese painter, Kei Imazu through material of paint. has been working in the media of painting throughout her career. She developed a distinct methodology to digitally combine and alter miscellaneous images she collected from various sources and then paint the created image on canvas, which allows her to decompose “painting” and paradoxically emphasise the presence of motifs. In recent years Imazu has been particularly interested in finding images in art history of different periods and regions based on a chosen theme. Kei Imazu was born in Yamaguchi, Japan in 1980. She currently lives and works in Kanagawa, south of Tokyo.

Broken Image 2015 Oil on canvas 162 x 227.3 cm © Kei IMAZU Courtesy of YAMAMOTO GENDAI

28 29 Keisuke Jinba Artwork Description The title ‘B.T.P.’ is taken after the line “Body Touches Painting.” I paint it by ‘touching’ pigment on a medium with my fingers. The work is similar to the moulding technique used in sculpture, it is the direct contact of hand, fingers and fingerprints that compose the canvas. The painting also contains words. I consider the painting to function as a memo or a sketch that summarises an environment or a situation that surrounds me.

Artist Bio I am keen to find the boundary between the youth culture - our pop and the ordinary - and the historical and traditional context. I also aim to withdraw others’ personal experiences and their relationships to myself. It is only when these two perspectives overlap that I feel I captured the person in front of me as a target of my painting.

I paint through observing various elements withdrawn from a media (i.e. a person), and this way I seek to extend my thoughts beyond myself, and the context behind these persons.

B.T.P. (food) 2014 Acrylic on cotton 160 x 111.8 cm Courtesy of the artist & SCAI the Bathhouse

B.T.P. (wood) 2014 Acrylic on cotton 160 x 111.8 cm Courtesy of the artist & SCAI the Bathhouse

30 31 teamLab Artwork Description Neither a pre-recorded animation nor on loop, the work is being rendered in real time by a computer programme. The flowers spring up, grow, bud and blossom before their petals begin withering, and the flowers eventually fade away. The cycle of growth and decay repeats itself in perpetuity.

If the viewer is standing still about 2 meters from the screen, new flowers are born . When the viewer approaches very close to the work, the flowers start shed their petals all at once, whither and die. The interaction between the viewer and the artwork causes continuous change in the artwork; previous Artist Bio visual states can never be replicated, and will never reoccur. In 2001, a handful of creatively minded young technologists came together around the leading visionary Toshiyuki Inoko (b. 1977) in Tokyo to form the collective teamLab. A self-proclaimed “ultra- technologists group,” teamLab is an experimental incubation laboratory for new ideas and expressions. Their work encompasses animation, performance, fashion, design, entertainment, and even medical science.

Implicit in teamLab’s works are new values to guide individual behavior in the information era and the proposal of an alternative model for societal development. Their work offers insight into the nature and vitality of contemporary Japanese culture past and present.

teamLab have had solo exhibitions at National Taiwan Museum of Fine Arts, Taichung, Taiwan (2012), Pace Gallery, New York (2014) and National Museum of Emerging Science and Innovation, Tokyo, Japan (2014-2015). teamLab has received a number awards including Lava Virtual ReVolution 2012’s Architectural, Art and Culture Award and Unity Awards 2013.

Flowers and People - Dark 2014 Interactive digital work, Dimensions variable Edition of 10 + 2 APs Courtesy of the artist

32 33 Teppei Kaneuji Artwork Description I often use white in my work, but I think of it as a phenomenon. While being the color of an object, it also simultaneously denotes a void or blank space as well as a presence or absence. It also sometimes suggests the act of resetting or a reversal in values. These aspects interest me.

In the work Hakuchizu (White Map), in which I sprinkled plaster powder over some readymade objects that I had laid out on a table, an ordinary situation was temporarily altered in the way that, for example, a familiar place changes after a snowfall. I connect these shapes to create a Artist Bio single new form. My works are intended to help make connections between individual Most of my artworks are created through lives and thoughts and the amorphous a process of collecting, dissecting, and mass of history, overwhelming systems, and then reassembling or accumulating existing natural phenomena, and might be seen as objects or images and thereby liberating dioramas of these abstract events. them from their original meanings, functions, names, roles and scales.

It is a process of taking everyday life and thoughts, setting them against all that surrounds them - giant or minute amorphous natural phenomena, artificial natural environments, the city, history, culture, economy, trends and fiction - and then conceiving of all those things as having physical existence and actually constructing connections between them. It is my hope that the artworks bring together opposing states - good and bad, true and false, two-dimensional and three- dimensional, light and dark, small and large, near and far, meaningful and meaningless, existence and absence, known and unknown, momentary and eternal - in the same way that a tunnel might connect different worlds, or adjacent tables different people, or a blender different things.

Hakuchizu 2011 Mixed media installation: plaster, tables, etc Dimensions variable Courtesy of ShugoArts and the National Museum of Art, Osaka

34 35 KOREA

36 37 Seokyoung Kang Artwork Description The core of Suki Seokyeong Kang’s work is the role of the artist as a mediator of tensions and clashes that arise between objects as they are gathered and arranged with text­drew it into a complete pictorial space and maximized the dichotomous psychology involved. The elements like strength weakness, robustness and frailty co­exist in Kang’s work with the rules of towering and threading. Kang’s varied artistic encompasses painting, installation and performance. It is use of the moderate space afforded by engaging the paintings and sculptural objects in an interactive game-like dynamic. Artist Bio The composition in the space is essentially a celebration of the accumulation and Suki Seokyeong Kang was born in Seoul, rhythmic nature of time, whether it is the Korea, live and work in Seoul and London. time spent in the studio and making work Her work exist in a wide variety of media or the time contained in each thing that it including, Painting, Installation and consists. Sculpture. Kang attainted her BFA and MFA in Oriental Painting at Ewha Womans Universitiy (Seoul, Korea), followed by an MA in Painting at Royal College of Art (London, UK). Her work has been selected for Bloomberg New Contemporaries 2012, and as part of the group her work exhibited in the New Contemporaries 2012 show in Liverpool Biennale and ICA, London. She recently finished her site­specitic solo exhibition titled ‘GRANDMOTHER TOWER’ at Space Can and the ‘Polite Owl in the Valley’ at Gallery Factory in Seoul.

Grandmother Tower 2011-2014 Winding thread on found and reproduced industrial dish carrier Dimensions variable Courtesy of the artist

38 39 Yunhee Lee Artwork Description ‘La Divina Commedia’ influenced by Dante Alighieri’s famous trilogy delivers a dreamlike and mysterious story. White, shining ceramic material further intensifies its mystery.

There once was a girl who received an oracle, telling her the future. The knowledge, the predestined desire and insecurity, left her troubled. In search of happiness and peace, she embarked on a journey. Along the way, she encountered many obstacles. But at the end she discovered the peace and she had been striving for. Artist Bio The work ‘La Divina Commedia’ was Yunhee Lee, a Korean artist born in June 4, motivated by a myth. In this narrative of 1986. She majored in Ceramic Glass from taking risks while proceeding to a Hong-Ik University of Korea. destination. I placed a female protagonist. By overcoming anxiety and suppressing She makes sculptural ceramic works which desire. The girl reaches a state of ultimate depicts myths. The characteristic of her peace. works are the mixed identities of East and West which stems from her keen interest in museums and the restoration of cultural assets. Western myths, animation and figurines collected as objects are reflected in her work.

‘La Divina Commedia’ 2014 Ceramic 1st set : 120 x 120 x 15 cm 2nd set : 160 x 200 x 15 cm 3rd set : 120 x 120 x 15 cm Courtesy of the artist

40 41 Yongseok Oh Artwork Description To be precise, the looping images are not from the ending credits of the movies. They are the very last cuts of those movies, continually looping. It is frequently the case that last cuts are show together with ending credits, such that the two overlap. Realistically speaking endlessness is impossible, especially in the field of art. For example, canvas sizes are limited and video cameras cannot capture scenes eternally. Artists thus always arrive at an end point. Due to the limitations of visual space, the view of the world captured by an artist must be downscaled; a set of extremely compressed extracts. Isn’t this Artist Bio why artistic creation involves so much agony? If endlessness were possible, what Yongseok Oh is a Korean-born artist who would happen? With such thoughts in emphasises the crossing of the past and the mind, this work was created as an attempt present, and of the real and the imagined, to eliminate limitations to visual spaces; to by creating a visual collage of stills, moving avoid placing a full-stop at the end of a view images and cinemas. He explores the o the world, and so forth. Regardless of the structure of the cinema and daily life and type of movie involved, I used the very last collapses a certain cinematic narrative scenes that could be continually connected. through collage techniques. Although this would require filler examination, it is enough to say that I made He has been recognized widely and his chief use of long-shot final scenes or those works have been shown at various with a zoom, which enabled me to see international biennales including Seoul landscape images. In addition, the endings Media City Biennale, 2006; Shanghai of films are usually accompanied by the Biennale, 2006; Seville Biennale, 2008; background music, providing the unique Biennale of Cuvee, Lintz, 2008 and Moscow effect of endlessly overlapping lyrical Biennale, 2011. Selected group exhibitions sounds, which I find very interesting. I thus include: Thermocline of Art, ZKM, Karlsruhe, plan to investigate background sound in my 2007; Metamorphosis, Espace Louis future work. Vuitton, Paris, 2008; CINEMA SIM, Itau Culture, San Paulo, 2008; Trance POP, Yerba Buena Center for the Arts, San Francisco, 2008; The Imaginary Line, Gallery Hyundai, Seoul, 2009; Textual Landscapes, Bryce Wolkowitz Gallery, New York, 2009; Sporadic positioning, Arario gallery, Cheonan, 2012 and Plateau, Samsung Museum of Art, Seoul, 2012. Recently, he collaborated on a project with L`OCCITANE, Paris.

Without Ending 2012 single-channel video, random play Courtesy of the artist

42 43 MALAYSIA

44 45 Sherman Ong Artwork Description HanoiHaiku Series

I am interested in the idea of transition and its relationship with the memory of the past, the changing of values, the passing of tradition and the aspirations of a different reality. I am keen to explore this idea through the social/private spaces within an evolving urban environment like Hanoi.

This series is presented like a visual Haiku. Intentionally left untitled, the juxtaposition of images produces their own narratives, temporal connections, and is open to many interpretations infused with the personal Artist Bio experiences of individual viewers. Similar to the Japanese Haiku, they are observations Sherman Ong is a filmmaker, photographer in its purest form, distilled into a simple and visual artist based in Singapore. His gesture, a moment of reflection, a point practice centres on the human condition and in a continuum, touching on the beauty of our relationship with others within the larger imperfection, in delicate, quiet, nuanced milieu. Winner of the 2010 ICON de Martell moments. Cordon Bleu Photography Award, Sherman Ong has exhibited premiered work in art biennales, major film festivals and museums around the world including Venice, Singapore and Jakarta Biennales, Mori Art Museum Tokyo, Fukuoka Asian Art Museum, Martin-Gropius-Bau Berlin, Musee du Quai Branly Paris, Centre Pompidou Paris, Institute of Contemporary Arts London, Noorderlicht Photo Festival, Rotterdam International Film Festival, VideoBrasil International Electronic Art Festival, Singapore Art Museum, Centro Cultural Banco do Brasil, Queensland Art Gallery, South Australia Contemporary Art Centre and Vilnius Contemporary Art Centre, Lithuania.

Sherman Ong serves on the committee of the Singapore International Photography Festival, as an educator at schools and HanoiHaiku-Hair universities, and was an Associate Artist of 2006 the Substation. More recently Ong was Digital print on archival nominated for the APB-Singapore Art paper Museum Signature Art Prize for 2011. 75 x 150 cm In September 2012, Ong collaborated on Courtesy of the artist the Little Sun project headed by Olafur and Xavier G. Florenzano Eliasson which premiered at the Tate Modern London. Today, his works are in HanoiHaiku-Peacock the collections of the Fukuoka Asian Art 2006 Museum, Singapore Art Museum and the Digital print on archival Seoul Art Centre Korea. paper 75 x 150 cm WINNER OF PRUDENTIAL EYE AWARD FOR: Courtesy of the artist BEST EMERGING ARTIST USING PHOTOGRAPHY and Xavier G. Florenzano

46 47 Sabri Idrus Artwork Description The production of Disruptive Nature series attempts to demystify the linear picture making process of Sabri Idrus. This involved the artist engaging with a variety of collaborators and respondents through relative motivation on semiology. The study of semiology offers a fundamental basis for understanding Sabri’s paintings, where he continues his semiotic-reference in art making by tracing down patterns of nature, and he introduces other ‘sign systems’ as signifiers to his paintings. These objects also try to give context to the primary layers of the paintings, thus creating conflicting elements of signs and symbols over the Artist Bio surfaces of the traces and marks of nature. Sabri Idrus engages in different disciplines and mediums as language according to his artistic needs, who is obsessed with experimental approaches in combining painting, graphic design and industrial materials to achieve a liberated socio-cultural dogma towards reinventing a new form of symbol in art. His interest lies in developing works that tries to unfold his critical notion towards the social condition and the parody against institutions that secures that definition between painting and crafting painting. His belief in art making, especially paintings as an inherent social process that submerged him in technical and material advancement through experiments.

Facing West 2014 Mixed media on canvas 127 x 243.5 cm Courtesy of the artist

48 49 Haslin Ismail Artwork Description ‘All I Need is Love’ was my vision I had for my family back in 2011 when I was expecting my first child. It gave me huge inspiration and vision thinking of my role as a father, living happily in a home. These thoughts were constructed into a symbolic form of small houses within a paper box. The books that I altered was from the world of my imagination that gave me many adventurous moments and knowledge.

Artist Bio Haslin Ismail is a serious young contemporary artist who graduated with a BA (Hons) in Fine Art from MARA University of Technology (UiTM) in 2007. The Johor native, who is 29, worked round the clock, creating and exhibiting his fantasy in art pieces in various exhibitions since 2003 and was awarded the Grand Prize for Bakat Muda Sezaman 2010 and first prize for In Print: Contemporary British Art from the Paragorn Press held at the National Art Gallery in 2006. He had his first solo exhibition entitled ‘Exorcismus Persona: Windows into the fantasy worlds of Haslin Ismail’ at the RA Fine Arts Gallery in 2009 and second solo show entitled ‘Transfiguration’ at the G13 Gallery in June 2013. Haslin presents us with moody, dark and sometimes violent pieces that represent a certain vibrancy, and freshness in the local artistic and cultural domain. He gives out that serious vibe; making viewers often ponder the dark nature of his works or what goes on in this young artist’s head as he glides his tools over his artworks.

All I Need is Love 2011 Books, cardboard, watercolor paper and masonite 122 x 170 x 287cm Courtesy of the artist and Rimbun Dahan Aliya & Farouk Khan Collection

50 51 Choy Chun Wei Artwork Description Through disparate urban materials, I explore mixed mediums surface as the surface (space) to negotiate its material function and also to develop my own terms for paint- ing that is relevant to contemporary times fueled by material culture.

This aerial viewpoint (all-over) encrusted surface is not just for aesthetic consideration but reflecting my engagement with urban materiality and humanity. By the process of making, I want to reflect and enable for “materiality” to evoke “meanings” by the way it is been put together either by controlled and spontaneous gestural Artist Bio handlings. Choy Chun Wei was born in Sungai Petani, Through this continuous interplay of surface West Malaysia in 1973. He is trained in tension, its inter-woven nature image graphic design, and graduated with honours construction is made “active” and that by its (second upper) under a full scholarship at cropping, strips of overlapping colour blocks Central St. Martin’s College in London in and sensual layering will hopefully unfolds 1998. Since graduating he has been many viewpoints of reading (seeing) practicing art and has lectured at various art collected urban markings in printed colleges and universities in Malaysia. Along materials reflecting urban dwellers’ with his wife Yau Bee Ling, Chun Wei has obsessive nature with the modern textual been involved in providing art workshops mantras shaped by “advertising industry” for children with special needs through the that controls their identities. National Art Gallery in Kuala Lumpur. He has also participated in various workshops and conferences in the field of art and design.

In 2003 he received an Honorable Mention at the Malaysian Phillip Morris Art Awards, and in 2004 he received the Juror’s Prize at the Malaysian Young Contemporary Art Exhibition. In 2005 he was awarded the Rimbun Dahan Artist-in Residence placement, where he spent the year developing a new series of paintings on cartography and mental maps. In 2007 Chun Wei had his first solo exhibition at Wei-Ling Gallery in Kuala Lumpur and in 2008, he was awarded the 2007/2008 Asian Artist Fellowship by the Freeman Foundation for residency at the Vermont Studio Center in the United States. At the end of 2008, two of his unconventional and challenging mixed media and collage Architecture of Desire paintings were collected by National Art 2011 Gallery as part of their permanent collection. Mixed media and He was the only Malaysian artist to be collage on wood accorded a solo exhibition at ART Basel 108 x 181 cm Hong Kong in 2014 with his Human Courtesy of the artist Landscape project. & Weiling Gallery Private Collection

52 53 SINGAPORE

54 55 Donna Ong Artwork Description Secret, interiors: Chrysalis (19-22) is a 4-room installation installed in Singapore’s former Supreme Court. Situated in the chambers of the judges, they explore the secret lives and fantasies of 4 judges – the private self behind the implacable public façade. Grand projects are dreamt up and an attempt to realise these visions undertaken; using whatever comes to hand, be it a broom or a bucket.

Each project is chosen from a game or dream from childhood, a search to recapture a remembered past with the tools, skills and knowledge of the adult one has become. In Artist Bio this room, the adult occupant plays a child’s game (playing with dolls) and takes the Donna Ong is an installation artist from innocent desire of a child for her dolls to Singapore, best known for her evocative and come alive, far too seriously, resulting in thought-provoking environments made from the following elaborate and obsessive furniture, found objects and original artwork. installation. She has exhibited her work locally and internationally in shows such as the Jakarta Biennale (2009), Kwandu Biennale (2008), 2nd Moscow Biennale (2007) and the inaugural Singapore Biennale (2007). Her installations have appeared in prestigious museums and institutions worldwide, such as the Singapore Art Museum, National Museum of Singapore, Hara Museum (Japan) and the Djanogly Art Gallery in Nottingham University (England).

Commercially, she has shown her work with a variety of well-known galleries and art fairs such as Eslite Gallery (Taiwan), Osage Gallery (Hong Kong), Primo Marella Gallery (Milan),the Hong Kong Art Fair and Art Stage (Singapore). Her artwork is also placed in several important collections such as the Deutsche Bank Collection and Tiroche DeLeon Art Collection. Recent projects include an exhibition jointly organised by The Royal Academy (UK) and the Institute of Contemporary Art (Singapore), as well as a solo show at Primae Noctis Gallery (Lugano, Switzerland).

secret, interiors: chrysalis (19) 2006 Furniture and readymades (multi media installation) WINNER OF PRUDENTIAL EYE AWARD FOR: 250 x 250 x 150 cm BEST EMERGING ARTIST USING INSTALLATION Courtesy of the artist

56 57 Biographies of the Artists

Arin Dwihartanto Sunaryo pg.12 (Indonesia) Chistine Ay Tjoe pg.14 (Indonesia) 2007 Intimate Distance, Indonesian Women Artists, Group Exhibitions Born In Born In National Gallery, Jakarta 2015 Japan New Media Art Festival, Selasar Sunaryo, 1978 in Bandung, Indonesia 1973 in Bandung, Indonesia 2007 Anti Aging, Gaya Art Space Gallery, Bali Bandung 2007 Indonesian Contemporary Art Now, Nadi Gallery, 2015 South East Platform, Art Stage, Singapore Currently Lives and Works in Currently Lives and Works in Jakarta 2014 Trienalle Patung 2, Galeri Nasional,Jakarta Bandung, Indonesia Bandung, Indonesia 2006 Langgeng Contemporary Art Festival 2006, 2014 Typotopia, The 2nd Korea Indonesia Media Langgeng Gallery, Magelang Jejak dalam Jejak, Installation Art Exhibition, Lotte Venue,Jakarta Solo Exhibitions Solo Exhibitions Goethe House, Goethe Institut, Jakarta 2014 Recognition System,Kuandu Bienalle, 2013 Ashfall, Equator Art Project, Singapore. 2013 Myriad of ‘paste’, Ota Fine Arts, Tokyo, Japan 2005 Fragments-KII 13, Edwin’s Gallery, Jakarta Taipei,Taiwan 2012 frozen | stratum, Nadi Gallery Jakarta Indonesia. 2012 The Path Less Found, Michael Ku Gallery, Taiwan 2005 Petisi Bandung, Langgeng Gallery, Magelang 2014 Lumieres ,’L espace Contemporain , La Rochelle, 2010 Fluid Friction #2, Sigiarts Jakarta, Indonesia. 2011 The Famous One from Lucas, Third Floor-Hermès, 2005 Vision & Resonance, Asian Civilization Museum, France 2007 Liquid Friction, Artipoli Gallery, Nordeen, Singapore Singapore 2014 Windows Project , Space Expressions Macif-­ Netherland. 2010 Symmetrical Sanctuary, Sigi Art Gallery, Jakarta 2005 21st and Beyond, Edwin’s Gallery, Jakarta SMIP,Niort, France 2006 Unstable ground, Toni Heath Gallery, London, UK. Lama Sabakhtani club, Lawangwangi, Bandung 2005 Jejak-Jejak Drawing, Edwin’s Gallery, Jakarta 2013 Pressing, VideoInsight, Turin, Italy 2000 Machine Head, Koong Gallery, Jakarta, Indonesia. 2009 Eating Excess, Singapore Tyler Print Institute, 2005 Tanda Kasih, Edwin’s Gallery, Jakarta 2013 Pameran Finalis BaCAA #3, lawangwangi, Singapore Panorama Without Distance, 2005 The Beppu Asia Biennale of Contemporary Art, Bandung Indonesia Group Exhibitions Hong Kong Art Fair, Hong Kong Convention & Beppu Art Museum, Oita Taboo and 2012 Trick or Truth, Fang Gallery, Jakarta – Indonesia 2015 Prudential Eye Awards 2015, Exhibition Centre Transgression in Contemporary Indonesian Art, 2012 Indonesian Contemporay Fiber Art, Art:1 ArtScience Museum, Singapore. 2008 Wall Prison (part two), Scope Miami Art Fair, Johnson Museum, Cornell University, New York Museum, Jakarta – Indonesia 2014 Mooi Indie Samstag Museum, Adelaide, Australia Miami Interiority of Hope, Emmitan Gallery, 2012 Design Art Renegotiating Bundaries Lawang Awards 2014 2nd Annual Collectors’ Contemporary Surabaya wangi, Bandung Collaboration – Passion/Possesion, Hongkong 2007 Silent Supper, Ark Gallery, Jakarta 2009 Inaugural South China Morning Post / Art Futures, 2012 Indonesia Wahana Extranoema, Padi Artground, Arts Centre, Hongkong 2006 Eksekusi Ego, Edwin’s Gallery, Jakarta ART HK09 Art Fair, Hong Kong Bandung, Indonesia 2014 No Country: Contemporary Art for South and 2003 Reach Me, Cemeti Art House, Yogyakarta 2008 Residency at Singapore Tyler Print Institute 2012 What do Pictures Want, Art:1, Jakarta, Indonesia South East Asia, Solomon R Guggenheim 2003 Aku/Kau/Uak, Edwin’s Gallery, Jakarta 2004 Scholarship in Stiftung Kuenstlerdorf 2011 Survey #2.10, Edwin Gallery, Jakarta,Indonesia Museum, CCA Gillman Baracks, Singapore 2002 At The Day of German Unity, Germany Embassy, Schoeppingen, Germany 2011 Hybrid Project: The Butterfly Effect, Barli 2013 SIP! Indonesian Contemporary Art Today, Jakarta 2001 Top 5 of Philip Morris Indonesia Art Awards Museum, Bandung, Indonesia Arndt Gallery Gillman Baracks, Singapore 2002 Buka Untuk Melihat, Redpoint Gallery, Bandung 2011 Pameran Ilustrasi Cerpen KOMPAS, 2013 No Country: Contemporary Art for South and Publications BentaraBudaya, Jakarta, Indonesia South East Asia, Solomon R Guggenheim Group Exhibitions 2014 Myriad of ‘paste’ (ex,cat.), Ota Fine Arts, Tokyo, 2010 Soedjojono dan kawan kawan, Galeri Kita, Museum, New York, United States of America. 2014 Where does it all begin? - Contemporary Abstract 2012 The Path Less Found: Ay Tjoe Christine (ex,cat.) Bandung,Indonesia 2012 Marcel Duchamp in South east Asia, Art in Asia and the West, Pearl Lam Galleries, Michael Ku Gallery, Taipei, 2012 Un-­segmented, Galeri Kita, Bandung, Indonesia Equator Art Project, Gillman Barracks, Singapore. Singapore 2010 lama sabakhtani club: Ay Tjoe Christine in 2010 Manifesto, Percakapan Massa, Galeri Nasional, 2012 Gallery Rachel Opening, Jakarta, Indonesia. 2013 Sip! Indonesian Art Today, ARNDT Berlin, Berlin collaboration with Deden Sambas (ex,cat.), Jakarta, Indonesia 2011 1001 Doors to reinvent traditions, Gallery Ciputra, 2012 Migration, ARNDT Sydney, Sydney Artsociates, Bandung, 2010 Bandung New Emergence 3, Selasar Sunaryo Jakarta Indonesia. 2012 The Asia Pacific Breweries Foundation Signature 2009 Christine Ay Tjoe: Eating Excess (ex,cat.), Artspace, Bandung,Indonesia 2010 Momment to abstract, Canna Gallery, Art Prize 2011 Finalists Exhibition, Singapore Singapore Tyler Print Institute, Singapore, 2010 Post Historia, Building Enterprise 1, Singapore Jakarta Indonesia. Art Museum, Singapore Future Pass, National 2008 INTERIORITY of HOPE (ex,cat.), EMMITAN FINE 2010 Monoprint, Grand Indonesia, Jakarta, Indonesia Taiwan Museum of Fine Arts ART GALLERY, Surabaya, 2010 lets bounce, Grand Indonesia, Jakarta, Indonesia Awards 2011 New Address, New Works, Ota Fine Arts, Tokyo 2007 Ay Tjoe Christine’s Silent Supper (ex,cat.), 2010 Almost White Cube, CG Fine Art, Jakarta, 2002 Indofood Art Award, National Museum, 2011 Indonesian Eye: Fantasies and Realities, Ark Gallery, Jakarta, Indonesia Indonesia. Saatchi Gallery, London 2011 Ciclitira, Serenella. Indonesian Eye: 2009 Post Mortem, Vanesa Artlink, Jakarta, Indonesia 2000 Top 25, Asia-Europe Young Artist Painting 2011 Future Pass, Fondazione Claudio Buziol, Venezia Contemporary Indonesian Art (ex,cat.) 2009 Inhabitant, Galeri Padi, Bandung, Indonesia Competition, South Korea. Italy; Wereldmuseum Rotterdam, Netherlands Skira Editore S.p.A., Milan, pp.68-71. 2009 Survey#2, Edwin’s Gallery, Jakarta, Indonesia 1999 Phillip Morris National Art Award, 2011 Art JOG 11, Taman Budaya Jogja, Yogyakarta 2011 Signature Art Prize 2011: Asia Pacific Breweries 2009 Going Beyond, CMNK, Bandung, Indonesia National Gallery, Jakarta, Indonesia. 2011 Closing the Gap; Indonesian Art Today, Foundation (ex,cat.), Singapore Art Museum, 2009 ParbinulaJarkuli, Aarmuh Space, Ciburial, 1997 PEKSIMINAS, National Art Student Competition, Melbourne International Fine Art, Melbourne, Singapore, Bandung, Indonesia Indonesia Victoria, Australia 2011 Lu, Victoria. Future Pass (ex,cat.), Stichting 2009 Seni Grafis Indonesia Sekarang, Tembi 2009 Indonesia Contemporary Drawing, Wereldmuseum Rotterdam, Rotterdam, Contemporary, Yogyakarta, Indonesia Zoo, Collections National Gallery, Jakarta 2011 Closing the Gap; Indonesian Contemporary Art Soemardja Gallery, Bandung,Indonesia 2010 Critical Point, Edwin Gallery, Jakarta Indonesia. 2009 Awareness, Canvas International Art, The (ex,cat.), MiFA Education, Melbourne, 2009 Tanda Kota, Group Exhibition Pocong Dago 2010 Post-Psychedelia, SSAS, Bandung Indonesia. Netherlands &ButonKultur, Jakarta, Indonesia 2009 EUROART open studios 2009, London UK 2009 Enam Pekan Perempuan, Salihara Gallery, Jakarta Residencies 2007 Scale, 15x15x15 Project, Soemardja Gallery, 2008 10th SSAS Anniversary Exhibition, Bandung, 2009 Bandung Art Now, National Gallery, Jakarta 2008 Artist residency, Singapore Tyler Print Institute Bandung, Indonesia Indonesia. 2008 A Decade of Dedication: Ten Years Revisited, 2007 US/Industry, Galeri Rumah Teh, Bandung, 2008 Ganti Oli, Vallentine Willie Fine Art, Singapore. Selasar Sunaryo Art Space, Bandung Syaiful Aulia Garibaldi pg.16 (Indonesia) Indonesia 2008 Manifesto, National Gallery Jakarta, Indonesia. 2008 Hello Print!, Edwin’s Gallery, Jakarta Born In 2006 Triennale Seni Grafis, Bentara Budaya, Jakarta, 2007 22nd Asian International Art Exibitions, SSAS, 2008 180 x 180, One Gallery, Jakarta 1985 in Jakarta, Indonesia Indonesia Bandung Indonesia. 2008 E-Motion, National Gallery, Jakarta 2006 Miniprint Contemporer, Iowa, USA 2007 Young Masters, Toni Heath Gallery London, UK. 2008 Manifesto, National Gallery, Jakarta Currently Lives and Works in 2006 Exhibition and Workshop, Graphic Art, Semar 2006 Displaced on arrival, Grace Exhibition Space, 2008 Expose#1- A Presentation of Indonesian Bandung, West Java Awards New York, USA. Contemporary Art by Deutsche Bank & Nadi 2013 Best Artworks, Bandung Contemporary Art 2006 The 21th Asian International Art Exhibition, Gallery, Four Seasons Hotel, Jakarta Solo Exhibitions Awards #3 Singapore. 2008 International Print Talk: From The Dark 2014 Interstitial Terhah, Roh Project, Art Basel, 2006 Finalist of Triennale Seni Grafis2, Bentara Budaya 2006 The 5th Euroart Open Studios, London, UK. Background of Etchings, Ark Gallery, Jakarta Hong Kong Jakarta, Indonesia 2005 The 20th Asian International Art Exhibition, 2007 Kuota 2007, National Gallery, Jakarta 2014 Abiogenesis : Terhah Landscape, 2005 The 2nd Winner of Mural Competition, Ayala Museum, Manila, Philippines. 2007 Petisi Bandung, Langgeng Gallery, Magelang Pearllam Galleri, Singapore Cihampelas Walk, Bandung, Indonesia 2005 Leviathan, Candid Gallery, London, UK. 2007 The 22nd Asian International Art Exhibition, 2012 Regnum Fungi, Padi Artground, Bandung, 2004 Post-human images, Semarang Gallery, Selasar Sunaryo Art Space, Bandung Indonesia Residencies Semarang, Indonesia. 2007 Conscience Celebrate, Gandaria Heights, Jakarta 2014 Centre Intermondes, La Rochelle, France

58 59 Bagus Pandega pg.18 (Indonesia) Awards 2013 Brave New World – Re-Enchanting Utopia, 2011 “K-I-S-S-I-N-G” The Container, Tokyo Born In 2013 Kompetisi Karya Trimatra Nasional Salihara finalist Aomori Museum of Art, Aomori, Japan 2011 “SURVIVAL DANCE” MUJIN-TO Production, 1985 in Jakarta, Indonesia 2012 Nominated for the Soemardja Awards 2013 Dojima River Biennale 2013 – Little Water, Tokyo 2012 Bandung Contemporary Art Awards #2 3rd winner Osaka, Japan 2011 “REAL TIMES” MUJIN-TO Production, Tokyo Currently Lives and Works in 2011 Nominated for the Soemardja Awards 2013 Parkett – “220 Artists’ Editions & Collaborations 2010 “imagine” MUJIN-TO Production, Tokyo Jakarta, Indonesia 2011 Bandung Contemporary Art Awards top 25 finalist +5”, Taipei Fine Arts Museum (TFAM), Taiwan 2008 “Becoming Friend, Eating Each Other or 2010 Bienalle Indonesian Art Awards Finalist 2013 25th Anniversary of the 1988 Seoul Olympic Falling Down Together / BLACK OF DEATH Group Exhibitions Games SOMA special exhibition “Where is the curated by MUJIN-TO Production” hiromiyoshii, 2015 Cryptobiosis, Seeds of the world, Special Residencies power, the beauty?” Seoul Olympic Museum of Tokyo Exhibition from the Japan Media Arts Festival, 2014 1335 Mabini, Manila, Art, Seoul , Korea 2008 “Japanese Art is 10 Years Behind” NADiff Selasar Sunaryo Art Space, Bandung, 2014 Instruments Builders Project #2, iCAN, Jogjakarta, 2013 Art Basel – Hong Kong, Hong Kong Convention a/p/a/r/t, Tokyo 2014 Different Things We Talk About, Martell 2012 Le Centre Intermondes, La Rochelle, France, and Exhibition Centre, HongKong, China 2007 “Thank You Celeb Project I’m BOKAN” Contemporary Art Exhibition, Kuningan City, 2013 Towada Art Center 5th Anniversary Exhibition MUJIN-TO Production, Tokyo 2014 Versi, Trienal Seni Patung Indonesia, “Flowers” , Towada Art Center, Aomori, Japan teamLab pg.22 (Japan) 2007 “Oh My God!” MUJIN-TO Production, Tokyo Galeri Nasional, 2013 Zipangu, Takasaki City Museum of Art, Gunma, 2006 “SUPERRAT” MUJIN-TO Production, Tokyo 2014 Jakarta 3rd Contemporary Ceramic Biennale, Established In Japan Coefficient of Expansion, Galeri Nasional, Jakarta, 2001 in Tokyo, Japan 2013 Art Stage Singapore 2013, Marina Bay Sands Group Exhibitions 2014 Bazaar Art Jakarta 2014, ROH Projects Booth, Convention and Exhibition Centre, Singapore 2014 “Duality of Existence – Post Fukushima: Currently Lives and Works in Ritz Carlton Hotel, Jakarta, 2012 Zipangu, The Niigata Bandaijima Art Museum, A group exhibition of Contemporary Japanese 2014 Wood and Good, Ciptra Artpreneurship, Jakarta, Tokyo, Japan Niigata, Japan Art” Friedman Bendam, New York 2014 Causality, 1335 Mabini, Manila, 2012 The Experience Machine, Ikkan Art Gallery, 2014 “Tomorrow Comes Today” National Taiwan Solo Exhibitions 2014 Instruments Builders Project #2, iCAN, Jogjakarta, Singapore Museum of Fine Art, Digital Ark 2014 Wunderkammer Vinyl Vol.X, Oberwelt e.V. 2014 Infinity of flowers, GUCCI SHINJUKU, 2012 Hyper Archipelago – Light of Silence, Aomori 2014 “TAKAHASHI COLLECTION 2014 Mindfulness!” Stuttgart, Germany, Tokyo, Japan Museum of Art, Aomori, Japan Nagoya City Art Museum 2014 PARX, Ciputra Art Museum, 2014 teamLab and Kagawa DIGITAL ART FESTA IN 2012 What a Loving, and Beautiful World, Mizuma Art 2013 “global aCtIVISm” ZKM | Zentrum für Kunst und 2014 Di Antara/In Between, Galeri Salihara, SUMMER, Sun Port Takamatsu Gallery, Tokyo, Japan Medientechnologie Karlsruhe 2013 05 Seniman Suara, Galeri Gerilya, Bandung, 2014 Seto Sea Pallet / Takamatsu City Museum of 2012 Future Pass, National Taiwan Museum of Fine 2013 “Atomic Surplus,” CCA Muñoz Waxman 2013 New Olds, Goethe Institut, Art:1, Jakarta, Art / e-topia-kagawa, Kagawa, Japan Arts, Taichung, Taiwan Galleries, New Mexico 2013 Everyday Is Like Sunday, Langgeng Gallery, 2014 teamLab: Ultra Subjective Space, Pace Gallery 2012 Art Fair Tokyo, Tokyo International Forum, 2013 “adidas Originals PRESENTS BETTER NEVER Tokyo, Japan Magelang, New York, New York, America THAN LATE,” Kodachi Seisakujo, Tokyo 2012 Roppongi Art Night 2012, Roppongi Hills, Tokyo, 2013 Animalia, Galeri Soemardja, Bandung, 2014 teamLab and Saga Merry-go-round 2013 “Now Japan; Exhibition with 37 contemporary Japan 2013 ME.NA.SA, Beirut Art Fair, Lebanon, Exhibition, Saga Prefectural Art Museum / Saga Japanese artists,” Kunsthal KAdE, 2012 Hyper Archipelango, Eye of Gyre, Omotesando, 2013 Disthing , Gallery Rachel, Jakarta, Prefectural Kyushu Ceramic Museum / Saga the Netherlands 2013 Kinetikamekanika, Galeri Soemardja, Bandung, Tokyo, Japan Prefectural Nagoya Castle Museum / Saga 2013 “inToAsia: Time-based Art Festival 2013 – 2013 Running Linchpin, Artsphere, Jakarta, 2011 Volta 7, Basel, Switzerland Prefectural Space & Science Museum, Saga, MicroCities,” Stephan Stoyanov Gallery, 2012 Jakarta 2nd Contemporary Ceramic Biennale, 2011 Art HK, Hong Kong Convention and Exhibition Japan New York Museum Seni Rupa dan Keramik, Jakarta, Centre, Hong Kong, China 2014 teamLab exhibit at Audi Forum Tokyo, Audi 2013 “MOT collection – From Me to You –Close but 2012 MANIS, Le Centre Intermondes, La Rochelle, Forum Tokyo, Omotesando, Tokyo, Japan Awards Distant Journeys–,” Museum of Contemporary France, 2012 teamLab exhibition “We are the Future”, 2014 Ars Electronica, Interactive Art category, 2012 Design/Art: Renegotiating Boundaries, Art Tokyo National Taiwan Museum of Fine Arts, Honorary Mention (Peace can be Realized 2013 “All You Need Is LOVE: From Chagall to Lawangwangi Creative Space, Bandung, Taichung, Taiwan 2012 Bazaar Art Jakarta 2012, Kinetic Art Booth, Even without Order) Kusama and Hatsune Miku,” Mori Art Museum, 2011 teamLab “Live!”, Kaikai Kiki Gallery Taipei, 2013 Unity Awards 2013, Best VizSim Project Tokyo Ritz Carlton Hotel Pacific Place, Jakarta, Taiwan 2012 Prismatic Vibe, Fang Gallery, Jakarta (teamLabBody) 2012 “Artists and the Disaster –Documentation in Group Exhibitions 2012 ART JOG 12, Looking East, A Gaze upon 2012 Lava Virtual ReVolution 2012, Architectural, Progress–” Contemporary Art Gallery, Indonesian Contemporary Art, 2014 We Love Video This Summer, Pace Gallery Art and Culture Award (What a loving, and Art Tower Mito Taman Budaya Jogjakarta, Beijing, Beijing Beautiful World) 2012 “The 9th Shanghai Biennale – REACTIVATION” 2012 Pameran Seni Keramik Kontemporer Indonesia: 2014 mission [SPACE×ART] – beyond cosmologies, 2011 The 14th Japan Media Arts Festival, Shanghai Museum of Contemporary Art Progress Report, Museum Seni Rupa dan MUSEUM OF CONTEMPORARY ART TOKYO, Recommended Works of Review 2012 “Project Daejeon 2012: Energy” Daejeon Keramik, Jakarta, Tokyo, Japan Committee (100 Years Sea Animation Diorama Museum of Art, South Korea 2012 Fountain of Lamneth, Gajah Gallery, Singapore, 2014 LEGACIES OF POWER, Taman Budaya and teamab Hanger) 2012 “Son et Lumière, et sagesse profonde” 21st 2012 Bandung Contemporary Art Awards #2 (BaCAA), Yogyakarta, Yogyakarta, Indonesia Century Museum of Contemporary Art, Artsociates, Lawangwangi Art and Science Estate, 2014 What We Are Mapping, Pier-2 Art Center, Kanazawa Bandung Kaohsiung, Taiwan Chim↑Pom pg.24 (Japan) 2012 “Get Up, Stand Up” Seattle Art Museum 2012 Singapore Art Stage 2012, Edwin’s Gallery Booth, 2014 Art Basel – Hong Kong, Hong Kong Convention Established In 2012 “The Angel of History – I Love Art 12 Marina Bay Sands, Singapore and Exhibition Centre, Hong Kong, China 2005 in Tokyo, Japan Photography” Watari-um Museum, Tokyo 2011 Biennale Jakarta #14.2011, Maximum City: 2014 Media Ambition Tokyo2014, Tokyo City View, 2012 “Turning Around”(curated by Chim↑Pom) Currently Lives and Works in Survive or Escape?, Galeri Nasional, Jakarta, Tokyo, Japan Watari-um Museum, Tokyo 2011 Motion/Sensation, Indonesia first kinetic art 2014 Art Stage Singapore 2014, Marina Bay Sands Tokyo, Japan 2012 “Double Vision: Contemporary Art from Japan” exhibition, Harvey Nicholes, Jakarta Art District, 2012 Moscow Museum of Modern Art (traveled to Convention and Exhibition Centre, Singapore Solo Exhibitions Edwins Gallery, Grand Indonesia, 2013 Distilling Senses: A Journey through Art and Haifa Museum of Art, Israel) 2014 “The Electrical Parade Never was a Satisfaction 2011 Bayang, Contemporary Islamic Art, Galeri Technology in Asian Contemporary Art, to Me.” hiromiyoshii roppongi Awards Nasional, Jakarta, Hong Kong Arts Centre, Hong Kong, China 2013 “Hiroshima!!!!!” Former Bank of Japan 2007 “New Art Competition 2007” Hiroshima City 2011 Ekspansi, Indonesia Contemporary Sculpture 2013 Singapore Biennale 2013, Singapore Art Hiroshima Branch Museum of Contemporary Art Award Exhibition, SIGIarts, Galeri Nasional, Jakarta, Museum, Singapore 2013 “PAVILION,” Taro Okamoto Memorial Museum, 2011 Homo Ludens #2, Emmitan CA Gallery, Surabaya, 2013 Kagoshima Art Festa 2013, Kagoshima Collections 2011 Long Live Milo Sundae, a retrospective exhibition Tokyo Prefectural Citizens Exchange Center, Mori Art Museum (Japan) of Anggi Annisanazhif, Galeri Soemardja, 2012 PARCO Museum, Tokyo Kagoshima, Japan Museum of Contemporary Art Tokyo (Japan) 2011 INTERSECTION, Andi’s Gallery, Atrium 1st Fl. 2011 “LEVEL 7 feat. Hiroshima!!!!” Maruki Gallery For 2013 Show Case for 2013 Open Call for“ Da Vinci The Japan Foundation (Japan) East Mall Grand Indonesia Shopping Town The Hiroshima Panels, Saitama Idea” Seoul Art Space Geumcheon, Seoul 21st Century Museum of Contemporary Art, Kanazawa 2011 “Chim↑Pom” (screening) MoMA PS1, New York Asia Society Museum, New York (U.S.A.)

60 61 Teppei Kaneuji pg.26 (Japan) 2014 “500 meters’ project 001 Re: Would you please 2007 “All About Laughter: Humor in Contemporary Group Exhibitions Born In send it?” Sapporo Odori 500-m Underground Art” Mori Art Museum, Tokyo 2015 Taguchi Hiroshi Art Collection A Walk around 1978 in Kyoto, Japan Wallkway Gallery, Sapporo 2007 “ignore your perspective 3” Kodama Gallery, the Contemporary Art World after Paradigm 2014 “Mono No Aware. Beauty of Things. Japanese Osaka Shift, The museum of fine arts, Gifu Currently Lives and Works in Contemporary Art” The State Hermitage 2007 “VOCA 2007” The Ueno Royal Museum, Tokyo 2014 Taguchi Art Collection TAG-TEN, Matsumoto Museum, Saint Petersburg Kyoto, Japan 2007 “Beautiful New World: Contemporary Visual City Museum of Art, Nagano 2014 “MOT Collection” Museum of Contemporary Art Culture from Japan” Long March Space/ Inter 2013 flowers80.1, TRAUMARIS, Tokyo Solo Exhibitions Tokyo, Tokyo Arts Center/ TOKYO GALLERY+BTAP, Beijing/ 2012 Blind sight, MA2 Gallery, Tokyo 2014 “Now Japan; Exhibition with 37 contemporary 2014 “Cubed Liquid, Metallic Memory” Kyoto Guangdong Museum of Art, Guangzhon 2012 Painting Never Dies, YUKA TSURUNO, Tokyo Japanese artists” Kunsthal KAdE, Amersfoort, 2007 “Exhibition as media” Kobe Art Village Center, Experiment 2014, Kyoto Art Center, Kyoto 2011 Culture, Art Center Ongoing, Tokyo Nederland Hyogo 2014 “Endless, Nameless (Constructions)” STPI, 2011 Girlfriends Forever!, Tokyo Wonder Site Hongo, 2014 “Roppongi Crossing 2013: OUT OF DOUBT” 2007 “All About Laughter: Humor in Contemporary Singapore Tokyo Mori Art Museum, Tokyo Art” Mori Art Museum, Tokyo 2014 “DEEP FRIED GHOST / HARD BOILED 2010 JAPANESE COLORS, Gallery IHN, Korea DAYDREAM” ShugoArts, Tokyo 2013 DOJIMA RIVER BIENNALE 2013, DOJIMA RIVER 2006 “ignore your perspective 2” Kodama Gallery, 2009 VOCA 2009, The Ueno Royal Museum, Tokyo 2013 “Towering Something” chi K11 art space, FORUM, Osaka Osaka 2009 ARTIST IN OHIRA-SO STUDIO vol.1, Shanghai 2013 “Why not live for Art? II” Tokyo Opera City Art 2006 “With Marcel Duchamp” Kodama Gallery, Tokyo 2009 Koganecho Bazaar Taiheiso Studio, Kanagawa 2013 “Towering Something” Ullens Center for Gallery, Tokyo 2006 “DAIWA RADIATOR FACTORY VIEWING ROOM 2008 Who’s Next, MUSEUM at TAMADA PROJECTS, Contemporary Art, Beijing “Somethingintheair” 2013 “what (n) ever” Coop Kitakagaya, Osaka vol.1” Daiwa Radiator Factory Viewing Room, Tokyo RoslynOxley9Gallery,Sydney 2013 “Re: Quest Japanese Contemporary Art since the Hiroshima 2012 “Something on the Planet” ShugoArts, Tokyo 1970s” Museum of Art, Seoul National University 2006 “ALLLOOKSAME? / TUTTTUGUALE?: Arte 2008 EX-SURFACE, artlantico GALLERY, Tokyo 2011 “Ghost in the City Lights” Eslite Gallery, Taipei 2012 “Her name is Abstra” Daido Soko, Kyoto Cina Giappone Corea Arte” Fondazione 2008 Women Without Boundaries, ART LABOR 2011 “POST-NOTHING” Roslyn Oxley9 Gallery, Sydney 2012 “Japan Media Arts Festival in Hong Kong 2012 Sandretto Re Rebaudengo, Trino GALLERY, Shanghai 2010 “Recent Works ‘Post Something’” ShugoArts, Parade: Invisibles In Japanese Media Arts From 2005 “Table Tennis Players” (as a member of artist unit 2008 These Artists Are Good!, NODA Tokyo “Night Parade of One Hundred Demons” to “IS “COUMA”) art project room ARTZONE, Kyoto CONTEMPORARY BEIJING 2010 “Ghost in the Museum” Hyogo Prefectural Parade” ArtisTree, Hong Kong 2005 “ignore your perspective” Kodama Gallery, Tokyo 2007 Niche Young Artist Show, NICHE GALLERY, Museum of Art, Kobe 2012 “Sculpture by Other Means” ONE AND J. 2005 YOKOHAMA 2005: International Triennale of Tokyo 2009 “Teppei KANEUJI: Melting City/ Empty Forest” GALLERY, Seoul Contemporary Art, (as a member of artist unit 2007 Amuse Art Jam, Kyoto Culture Foundation 5F, Yokohama Museum of Art, Kanagawa 2012 “CPUE 2012” LE DECO, Tokyo “COUMA”) YamashitaWharf,Yokohama Kyoto 2009 “Tower” Roslyn Oxley9 Gallery, Sydney 2012 “Building: Art in Relation to Architecture” 2004 “Art Court Frontier 2004 #2” ARTCOURT Gallery, 2006 Hyakka-Ryouran (Blossoms in gay profusion), 2009 “METAMORPHOSIS-objectstoday” Hiroshima City Museum of Contemporary Art, Osaka BOICE PLANNING, Kanagawa gallery M,Tokyo Hiroshima 2004 “Art in Transit Vol.6” The Palace Side Hotel, 2006 The Third Reunited Exhibition, Yokohama 2008 “TEAM 10 Teppei Kaneuji”Ghost In The City 2011 “Akatsuka Fujio Manga University Exhibition” Kyoto 2005 Citizen Gallery, Azamino City Yanaka-Biyori Lights” Tokyo Wonder Site Shibuya, Tokyo Kyoto International Manga Museum, Kyoto 2004 “Re SPORTS (Pre-event of Re OLYMPIC)” (Good day in Yanaka City), Gallery J2, Tokyo 2011 “Ways of World making” The National Museum STUDIO EARKA, Osaka 2008 “Great Escape” project room sasao, Akita Awards 2007 “splash & flake” Hiroshima City Museum of of Art, Osaka 2003 “NICHIJYU” Gallery Sowaka, Kyoto Contemporary Art (Museum Studio), Hiroshima 2011 “The wonderful world of Figure Dolls” 2003 “KOBE ART ANNUAL 2003: Grip the Gap” Kobe 2013 The 5th Kinutani Koji Award, Encouragement 2007 “smoke & fog” Kodama Gallery, Tokyo Borderless Art museum NO-MA, Shiga Art Village Center, Hyogo Award, The Mainichi Newspapers 2007 “hole & all” Kodama Gallery, Osaka 2011 “MakingisThinking” WittedeWith,Rotterdam 2002 “Fukankei” neutron, Kyoto 2009 VOCA 2009, Prize for Excellence, The Ueno Royal 2006 “splash and flakes” Kodama Gallery, Osaka 2011 “JAPANCONGO” Le Magasin – Centre National 2001 “Shuchou Ten” gallery ARTISLONG, Kyoto Museum d’Art Contemporain, Grenoble, France 2006 Accepted at Shell Art Award Exhibition 2006 “liquid collage” TAKEFLOOR, Tokyo Awards 2006 “phenomenon” Kodama Gallery, Tokyo 2011 SingaporeBiennale2011, National Museum of 2004 Accepted at Tokyo Wonder wall Exhibition 2013 Best young Artist Award by City of Kyoto 2004 “small animals and great flood” Kodama Gallery, Singapore, Singapore 2010 Sakuya-konohana award Osaka 2011 “Extra Schicht 2011, Dortmunder U, Germany 2002 Encouragement Prize at “Kyoto City University of Keisuke Jinba pg.30 (Japan) 2004 “ghost in the white nights” Kodama Gallery, 2011 “ROKKO MEETS ARTS 2011, Kobe Arts Works Exhibition” Born In Tokyo 2011 “PACIFIC” Scion Installation L.A., Los Angeles 2003 “smoke / heavy fog” Kodama Gallery, Osaka 2010 “Contemporary airy crafts from Japan to Taiwan” Collections 1985 in Aichi, Japan Project Fulfill Art Space, Taipei 2002 “White / Drift” Kodama Gallery, Osaka Yokohama Museum of Art, Yokohama 2010 “RESONANCE” Suntory Museum, Osaka Currently Lives and Works in Mori Art Museum, Tokyo Solo Exhibitions 2010 “ONE AND J. GALLERY at PIERRE KOENIG” Aichi, Japan Hiroshima City Museum of Contemporary Art, 2015 “Moving Light, Roving Sight” Ikkan Art Gallery, Pierre Koenig Case Study House #21, L.A. Hiroshima Takamatsu City Museum of Art, Kagawa Singapore 2010 “Yellow Gate” Sangrok Gallery, Gwangju Museum Solo Exhibitions The National Museum of Art, Osaka 2015 “DAYDREAM with GRAVITY” HOTEL of Art, Gwangju 2013 Solo Exhibition “ Keisuke Jimba”, Mitsukoshi ANTEROOM KYOTO, Kyoto 2009 “Re: Membering” Gallery LOOP, Seoul Ginza 8F Gallery, Tokyo 2015 “Logical Emotion – Contemporary Art from 2009 “MOT Collection: Summer Play Ground” Kei Imazu pg.28 (Japan) 2010 Solo Exhibition “ Keisuke Jimba”, 2kw Gallery, Japan” Museum Haus Konstructiv, Zurich / Museum Of Contemporary Art Tokyo, Tokyo Born In Osaka Museum of Contemporary Art in Krakow MOCAK, 2009 “WARM UP” Minsheng Art Museum, Shanghai 2010 Solo Exhibition “ Body and Language”, 1980 in Yamaguchi, Japan Krakow / Kunstmuseum Moritzburg Halle, Saale 2009 “Platform 2009 Projects by Invited Curators” Gallery Raku, Kyoto 2014 “Open Storage 2014” MASK (MEGA ART KIMUSA, etc., Seoul Currently Lives and Works in 2010 Solo Exhibition “ Tabula”, Island Medium, Tokyo STORAGE KITAKAGAYA), Osaka 2009 “Hiroshima Art Project 2009 Kippo Maru: Yamaguchi, Japan Group Exhibitions 2014 “A blurry stage on the horizon” Kyoto City Exploring inside the ship !” 2014 “On the root to future”, Kyoto Institute of University of Arts ART GALLERY @ KCUA, Kyoto 2009 Hiroshima City, Hiroshima Solo Exhibitions 2014 “Piling Lines” FAL Musashino Art University, Technology, Kyoto 2009 “City-net Asia 2009” Seoul Museum of Art, Korea 2015 Broken Image, YAMAMOTO GENDAI, Tokyo Tokyo 2013 “Pr project 2013 reunion”, Kyoto University of 2009 “Twist and Shout” Bangkok Art and Culture 2013 PUZZLE, YAMAMOTO GENDAI, Tokyo 2014 “My god|Your god” SEIAN ART CENTER, Shiga Art & Design, Future Pavillion, Kyoto Centre, Bangkok 2012 SHINING REPLACE, Dai-ichi Life Gallery, Tokyo 2014 “Tokyo Art Meeting V, Seeking New Genealogies 2013 “Teshima art meeting in Katayama-tei”, Kagawa 2008 “MOT annual 2008 Unraveling and Revealing” 2010 Flash, YAMAMOTO GENDAI, Tokyo Bodies/ Leaps/ Traces” Museum of Contemporary Museum Of Contemporary Art Tokyo, Tokyo 2013 “At paper 9”, Hotel Anteroom, Kyoto 2010 26th ANA MEETS ARTS Kei Imazu solo Art Tokyo, Tokyo 2008 “Tangent” Aomori Contemporary Art Centre, 2012 “Kiss the heart”, Nihonbashi Mitsukoshi, Tokyo exhibition, Haneda Airport, Tokyo 2014 “Rokko Meets Art 2014” Kobe Aomori 2012 “Hiroshima O”, Ex-Nihon Bank, Hiroshima 2009 Kei Imazu solo exhibition, NODA 2014 “Shape of Picture” ShugoArts, Tokyo 2007 “Mixed Signals” Ronald Feldman Gallery, 2012 “Anteroom Project”, Hotel Anteroom, Kyoto CONTEMPORARY, Nagoya 2014 “SOCCER:What lies ahead of our imageries” New York 2012 “Art Court Frontier”, Art Court Gallery, Osaka Urawa Art Museum, Saitama 2008 Kei Imazu solo exhibition, NODA 2012 “Drawing lesson”, Gallery Aube, Kyoto CONTEMPORARY, Nagoya

62 63 2012 “Ultra Award Colosseum”, Gallery Aube, Kyoto“ 2012 System of Object, Departure Foundation, 2013 Young&Young Artist Project, Youngeun Museum, Awards trans-plex”, Taipei London, UK Goyang, Korea 2014 The 36th JoongAng FineArts Prize selected 2011 “Graduation Exhibition”, Kyoto University Art & 2012 The Sound of Muse, Art Seonjae Centre, Seoul, 2013 Charity bazaar, Space K, Seoul, Korea Artist 10 Design, Kyoto Korea 2013 Small Present, Kim Jae-Sun Gallery, Bunsan, 2014 Daejeon Culture and Arts Foundation Next 2011 “ Ultra award 2011”, Art Project room ARTZONE, 2012 Project for the Sun, Blyth Gallery, London, UK Korea Generation ArtiStar selected Kyoto 2012 Muse London, Korea Cultural Foundation, 2013 Craft Trend Fair, Coex, Seoul, Korea 2012 Special Award, The 4th Icheon Ceramic Trend. 2010 “G-Tokyo 2010”, Mori Arts Center Gallery, Tokyo London, UK 2012 Cross Over, Milal Museum of Art, Seoul, Korea 2012 Ceramix living object, Participation Prize 2010 “Power of a Painting”, Island, Chiba 2012 When I spoke its name, it came to me and 2012 Lighting, L Store, Seoul, Korea 2011 The 9th International Ceramics Competition 2010 “Spurt”, Gallery Aube, Kyoto became a flower/7 Rue Gustave Nadaud, Paris 2012 Y and L, Gallery Puzz, Paju-Heyri, Korea Mino Japan. 2010 “Homework of Art”, Ono machi depart, 2012 5th 4482: Map the Korea, Barge House in Oxo 2012 POSSIBILITY, Gana Art , Seoul, Korea 2011 Special Award, The 30th Seoul Contemporary Wakayama Tower Wharf, London, UK 2012 START Craft-K in Seoul, Ara-Art, Seoul, Korea Ceramic Arts Contest. 2010 “Wakuwaku Kyoto Project”, Ex-Rissei Primary 2009 Variety, National Museum of Contemporary Art, 2012 Yunhee Lee + Serin Oh, Design cube, 284, Seoul, 2011 The 8th Ceramic Arts Award of Korea School, Kyoto Seoul, Korea Korea 2010 Special Award, The 29th Seoul Contemporary 2010 “ Trans-Plex”, Tokyo Wonder Site Hongo, Tokyo 2011 IMAGE VS. IMAGE Hong Ik University, Seoul, Awards Ceramic Arts Contest. 2010 “ Nippon Art Next”, Kyoto University Art & Korea 2013 13th Songeun Art Award, KOREA Design, Tohoku University of Art & Design, Gaien 2011 Maison Objet, Paris Nord Villepinte, France 2007 The 2th New Generations. 2012 Bloomberg New Contemporaries, UK Campus, Kyoto 2011 Une Saison en Coree, Collection Gallery, France Collections 2002 Joongang Art Prize, Korea 2010 “ Open/Island”, 3331 arts chiyoda 203, Tokyo 2011 ASYAAF Invitation Exhibit, Gallery Doo, Seoul, Han Hyang Lim Ceramic Museum, Paju-Heyri, Korea 2010 “ Painting in question”, Gallery 16, Kyoto Residencies Korea SongEun Foundation for Arts and Culture, Seoul, 2009 “Mitsusu – Possibility of observing”, Art project 2014 Nanji Artist Residency 8th (Seoul Museum 2011 Craft Trend Fair, Coex, Seoul, Korea Youngeun Museum, Goyang, Korea room, Artzone, Kyoto of Art, Seoul, Korea) 2010 Zero-in, Art company H, Seoul, Korea 2009 “Art Award Tokyo Marunouchi 2009”, Residencies 2012 Triangle Artist Workshop (NY, USA) 2010 It’s white, Dosan, Seoul, Korea Gyoko chika Gallery, Tokyo 2011 CITE INTERNATIONALE DES ARTS, 2010 24.7, California State University Long Beach, 2014 Artist-in-Residence, ClayArch Gimhae Museum, 2009 “ Stars arising from Chaos 2009”, Spiral Garden, Paris, France America Gimhae, Korea Tokyo 2005 Changdong Artist Studio Residency Program 2010 Five Senses, Gallery curio mook, Seoul, Korea 2013 Artist-in-Residence, ClayArch Gimhae Museum, 2009 “ Tourbillon VII”, O gallery Eyes, Osaka 2010 Contemporary Ceramic Art in Asia, Hong Ik (National Museum of Contemporary Gimhae, Korea 2008 “World”, Kyoto municipal Museum of Art, Kyoto University HOMA, Seoul, Korea Art,Seoul,Korea) 2012 Artist-in-Residence, Korea Ceramic foundation, 2008 “Amuse Art Jam”, Kyoto Cultural Museum, Kyoto 2010 Ceramic Art & Technology, AT center, Seoul, Icheon, Korea 2008 “Art University 2008”, Campus Plaza Kyoto, Korea 2012 Artist-in-Residence, Seoul Art Space-Sindang Kyoto Yunhee Lee pg.38 (Korea) 2009 Co-core, Tama University, Tokyo, Japan (Artist Studio Program Korea), Seoul, Korea 2008 “ Artzone Selection”, Art project room Artzone, Born In 2009 Peep, Songwon Artcenter, Seoul, Korea Kyoto 2008 It’s blue, Gallery Iang, Seoul, Korea 1986 in South Korea 2008 Dohwasuh’s Trip to Daegu, Gallery M, Daegu, Yongseok Oh pg.40 (Korea) Korea Born In Suki Seokyeong Kang pg.34 (Korea) Currently Lives and Works in South Korea 2008 Open Space Paan, Gallery Paan, Seoul, Korea 1975 in Seoul, South Korea Born In 2008 Funny funny, Gallery Sejul, Seoul, Korea 1980 in Seoul, Korea Solo Exhibitions 2008 Crafty, Arty, Party!, Korean Craft Promotion Currently Lives and Works in Foundation, Seoul, Korea Seoul, South Korea Currently Lives and Works in 2013 White night, ClayArch Gimhae Museum, Gimhae, Korea 2008 Korea- Japan- China Ceramist Exchange Seoul, Korea Solo Exhibitions 2013 Singing sanctuary, Gallery AG, Seoul, Korea Exhibition, Guangzhou Foshan Pottery Traditional And Contemporary Art Museum, China 2014 The Horizontal Line Without Cut, Artspace Solo Exhibitions Group Exhibitions 2007 Ceramic Exhibition, Hong Ik University, Seoul, Jungmiso, Seoul. Korea 2013 Polite Owl in the Valley, Gallery Factory, Seoul, 2014 ARTisans- Louis Vuitton social contribution Korea 2011 Square and Square, Federation Square, Korea project, space K, Seoul, Korea 2007 ‘36.5°Ceramic New Generation, Yeoju World Melbourne, Australia 2013 GRANDMOTHER TOWER>, Old house, 2014 Young Revolution 2014, ION ART gallery, Ceramic Livingware Gallery, Yeoju, Korea 2010 Classic, 16 bungee, Gallery Hyundai, Seoul, Space Can, Seoul, Korea Singapore 2007 Craft Trend Fair, Coex, Seoul, Korea Korea Group Exhibitions 2014 49:51, Sasang Indie Station Busan, Korea 2007 大器晩成, Milal Museum of Art, Seoul, Korea 2005 New Artist: Drama, Alternative Space Pool, Seoul, Korea 2015 Looking Out/Looking In, Special Exhibition Art 2014 Layer, Shinsegae Gallery, Seoul, Korea Art Fairs Stage Singapore, Singapore 2014 Walk The Pilgrim, Indian Art Museum Seoul, 2014 Art Show Busan, BEXCO, Busan, Korea Group Exhibitions Korea 2014 Multi-Painting, OCI Museum, Seoul, Korea 2014 AHAF, Marcopolohotel, Hong Kong 2015 Sublime Masochism, MoA, Seoul, Korea 2014 Air&Air-Thinking of travel, Busan International 2014 Band of Feeling, Naji Gallery, Nanji Artist 2014 Art Road 77 Art Fair 2014, Gallery puzz, 2014 Digital Triangle, Alternative space Loop, Seoul, Airport, Busan, Korea Studio, Seoul, Korea Paju-Heyri, Korea Korea 2014 The 36th JoongAng FineArts Prize, Hangaram 2014 Today’s Salon, Common Center, Seoul, Korea 2014 Start Art Fair, Saatchi Gallery, U.K 2014 Future is Now , MAXXI, Rome, ltaly Museum, Seoul, Korea 2013 Songeun Art Award, Songeun Art Space, Seoul, 2014 Singapore Affordable Art Fair, Singapore 2014 PILLARS, Arario Gallery, Seoul, Korea 2014 ART BARGAIN!, Gallery Toast, Seoul, Korea Korea 2014 Daegu Art Fair, Exco, Daegu, Korea 2014 Media Art from Finland and Korea-A View 2014 Projection, Hanwonmuseum, Seoul, Korea 2014 New scene #2, Buk Seoul Museum of Art, Seoul, 2014 Shanghai Art Fair, SHANGHAI MART, China from the Other Side, Moonshin Museum, Seoul 2014 Contemporary Ceramic Art in Asia, ClayArch Korea 2013 AHAF, Conrad hotel, Seoul, Korea 2014 ECOS SIMULTÁNEOS, FORTABAT MUSEUM, Gimhae Museum, Gimhae, Korea 2013 Noumenon, LIG Art Space, Seoul, Korea 2013 Daegu Art Fair, Exco, Daegu, Korea BUENOS AIRES, ARGENTINA 2014 Korea Tomorrow2014, DDP, Seoul, Korea 2013 Show on progress, Amado Art Space, Seoul, 2013 Art Road 77 Art Fair 2013, Gallery puzz, 2013 tele-Be, GALLERY HYUNDAI, Seoul, Korea 2014 Interchange, ClayArch Gimhae Museum, Korea Paju-Heyri, Korea 2013 Future is Now, National Museum of Modern and Gimhae, Korea 2013 ICA Intercourse 3, Talent of the Future, Auction, 2012 Art Road 77 Art Fair 2012, Gallery puzz, Contemporary Art, Korea, Gwacheon, Korea 2014 MADE IN KOREA, Coex, Seoul, Korea ICA, London, UK Paju-Heyri, Korea 2013 Maden Pictures 2013, Arario Gallery, Seoul 2014 Charity Bazaar, Space K, Seoul, Korea 2013 On mobility, Kobalt + Factory, Seoul, Korea 2012 An’c 4crafts Art Fair 2012, Hyundai, Seoul, 2012 (Im)Possible Landscape, PLATEAU, Museum of 2013 HOT Rookies -Gyeonggi International Ceramic 2013 Bloomberg New Conetemporaries, ICA, Korea Samsung, Seoul, Korea Biennale 2013, Icheon, Korea London, UK 2011 ASYAAF, Hong Ik University HOMA, Seoul, 2012 Sporadic Positioning, Arario Gallery, Cheonan, 2013 Craft Trend Fair, Coex, Seoul, Korea 2013 The Show must go on>, Praxis Space, ICAS, Korea Korea 2013 CROSS OVER, Milal Museum of Art, Seoul, Singapore 2011 Art Road 77 Art Fair 2011, Gallery puzz, 2012 How The city Works – Daegu Photo Biennale Korea 2012 Bloomberg New Contemporaries, LJMU Paju-Heyri, Korea Special Exhibition, Daeguartfactory, Daegu 2013 Black and White, Yido, Seoul, Korea Copperas Hill Building, Liverpool biennale, UK Gwangju 2013 Not a Ceramic, Space K, Seoul, Korea 2012 Royal Academy Summer Show,London, UK 2010 The Trickster, Gyeonggi Museum of Modern Art

64 65 2010 Power house, Gallery Hyundai, Seoul, Korea, 2013 Asia Pacific Triennial of Contemporary Art 2010 Tokyo International Film Festival, Japan 2005 Exodus - Wanita Yang Berlari Korea (Cinema), Gallery of Modern Art, Brisbane, 2010 Singapore International Film Festival, Singapore 2005 Videobrasil International Electronic Art Festival, 2009 The Imaginary Line, GALLERY HYUNDAI , Seoul, Australia 2010 Montreal World Film Festival, Canada Sao Paulo, Brazil Korea 2013 Cinema Encounters: Sherman Ong, Casa Asia, 2010 Bangkok World Film Festival, Thailand 2005 10th Hong Kong Independent Film and Video 2009 Textual Landscapes, Bryce Wolkowitz Gallery, Barcelona & Madrid, Spain 2010 Durban International Film Festival, South Africa Awards, China New York, NY, USA 2013 Migrants (in)visibles, Espace Khiasma, Paris, 2010 Mumbai International Film Festival, India 2005 Jakarta International Dance Film Festival, 2009 The Cinematic Montage, Seoul Museum of Art, France 2010 Rome Asian Film Festival, Italy Indonesia Seoul, Korea 2013 18th Contemporary Art Festival Videobrasil, 2010 Milan Festival of African, Asian and Latin 2005 VideoLisboa#5, Portugal 2008 The 3th Seville Biennale, Seville, Spain Sao Paulo, Brazil American Cinema, Italy Cinemanila, Manila, 2005 Drought, Yokohama Art Triennial 2008 Fiction and Non-Fiction, Seoul Museum of Art, 2012 Little Sun Project by Olafur Eliasson, Tate Modern, Philippines (Closing Presentation), Japan Seoul, Korea London, United Kingdom 2010 Jogja-NETPAC Asian Film Festival, Jogjakarta, 2005 Is it easy to kill/pray? 2008 Trance POP-Korea Vietnam Remix, Arko Art 2012 Asia Serendipity, Teatro Fernando Gomez, Indonesia 2005 4th Bangkok International Experimental Center, Seoul, Korea, Sai Gon, Vietnam; Yerba Photo Espana Madrid, Spain 2010 When the end of Winter is almost Spring Film Festival Thailand Buena Center for the Arts, San Francisco, USA 2012 Panorama, Singapore Art Museum, Singapore 2010 Montreal World Film Festival, Netherlands 2005 Meat, Vegetables & Dessert 2008 Cuvee Biennale, OK Center for Contemporary 2012 PIMP the TIMP Volume II, Galerie Lichtblick, 2009 Ming Wong:Life of Imitation, Singapore Pavilion, 2005 International Documentary Film Festival Art, Lintz, Austria 21st International Photoszene Cologne, Germany Venice Biennale, Venice, Italy Amsterdam, Netherlands 2007 Thermocline of Art- New Asian Waves, ZKM/ 2012 Cross-Scape, GoEun Museum of Photography, 2009 Code Share:10 Biennales, 20 Artists, 2005 ArtConnexions, Space 217, Singapore Center for Art and Media, Karlsruhe, Germany Busan, Korea Contemporary Art Centre, Vilnius, Lithuania 2005 The Circle, DIBA Digital Barcelona International 2006 Shanghai Biennale, Shanghai Art Museum, 2012 I want to remember, Rotterdam International Film 2009 Fluid Zone:Jakarta Biennale, National Gallery, Film Festival, Spain Shanghai, China Festival, Netherlands Jakarta, Indonesia 2005 El Pollo de Quijote, Finalist 4th Centennial of 2006 Seoul International Media Art Biennale-media 2012 Crossing SEA(s), 2902 Gallery, Singapore 2009 Die Tropen - Views from the Middle of the Globe, city seoul, Seoul Museum of Art, Seoul, Korea 2011 Unseen: Cinema of the 21st Century, Queensland Martin-Gropius-Bau, Berlin, Germany Don Quixote Short Film Awards, Spain 2004 Young Video Show Show Show, Ssamzie Space, Art Gallery, Australia Changwon Asian Art 2009 Banjir Kemarau | Flooding in the Time of Drought 2005 State of Things, Singapore Short Cuts, Seoul, Korea; MAAP Multimedia Festival, Sungsan Arts Hall, Changwon, Korea 2009 Hong Kong International Film Festival Singapore History Museum, Singapore 2004 MAAP Multimedia Art Asia Pacific, Singapore 2011 17th International Contemporary Art Festival 2009 Cinema Digital Seoul, Korea 2004 Singapore Season, Institute of Contemporary 2003 Up and coming film festival, Hannover, Germany Videobrasil, Sao Paolo, Brazil 2009 Bangkok World Film Festival, Thailand Arts, London, UK 2003 City-Zooms, Bremen, Germany 2011 Prague Quadrennial of Performance Design and 2009 Osian Cinefan International Film Festival, India 2004 Month of Photography, Singapore Arts Festival, Space, Prague, Czech Republic Alliance Francaise, Singapore Residencies 2009 Cinemanila International Film Festival, Philippines 2011 Cross-Scape, Kumho Museum of Art, Seoul, 2009 Q! Film Festival, Jakarta 2004 Spirituality in Modern Singapore, Goethe 2014 ISCP, New York, USA Korea 2008 Indonesia Wonder, Singapore Biennale, City Hall, Institut, Singapore 2013 Baikal Nomadic, Irkutsk, Russia 2011 Cross-Scape, Jeonbuk Museum of Art, Jeonju, Singapore 2004 Exodus – Wanita Yang Berlari 2011 Artspace, Asialink, Sydney, Australia Korea 2008 In-between (Asian Video Art), Mori Art Museum, 2004 International Panorama of Independent 2011 The National Art Studio, National Museum of 2011 Metropolis - City Life in the Urban Age, Tokyo, Japan 2004 Filmmakers, Greece La Cittadella del Corto Contemporary Art, Seoul, Korea Noorderlicht International Photofestival, 2008 Cut2: New Photography from Southeast Asia, International Short Film Festival, Italy 2010 Nanji Art Studio, Seoul Museum of Art, Seoul, Netherlands Valentine Willie Fine Art, Singapore (Special Festival Prize) Korea 2011 Ming Wong:Life of Imitation, Frye Art Museum, 2008 The Last Book, Biblioteca Nacional Buenos Aires, 2004 New York Asian American International Film 2008 Trance POP-Korea Vietnam Remix, Sai Gon, Seattle, Washington, USA Argentina Festival USA Vietnam 2011 Ming Wong:Life of Imitation, Contemporary Art 2008 Photo Art Asia, Bangkok, Thailand 2003 Towards the Month of Photography 2004, Spaces Tasmania, Australia 2008 Out of Berlin...pass the picture! Goethe Institute, Alliance Francaise, Singapore Sherman Ong pg.44 (Malaysia) 2011 Ming Wong:Life of Imitation, Hara Museum of Kuala Lumpur, Malaysia 2003 Exodus – Wanita Yang Berlari Contemporary Art, Tokyo, Japan Born In 2008 OsTropicos - Views from the Middle of the Globe, 2003 Q Film Festival Jakarta, Indonesia 2011 I want to Remember, Singapore Arts Festival, Centro Cultural Banco do Brasil, Rio de Janeiro, 2003 Di Mana Bumi Dipijak | The Ground I Stand 1971 in Malacca, Malaysia Singapore Brazil 2003 Videobrasil - International Electronic Art Festival Currently Lives and Works in 2011 Singapore Survey 2011: Imagine Malaysia, 2008 Cut: New Photography from Southeast Asia, 2002 60’s Now, Singapore Art Museum, Singapore Valentine Willie Fine Art, Singapore Valentine Willie Fine Art, Kuala Lumpur, Malaysia Singapore 2002 Di Mana Bumi Dipijak | The Ground I Stand 2011 Photo Ireland, Dublin, Ireland 2007 Photoquai-World Visual Arts Biennale, Musée du 2002 7th Malaysian Video Awards, Malaysia Solo Exhibitions 2010 Ming Wong:Life of Imitation, Singapore Art Quai Branly, Paris, France 2002 8th Hongkong Independent Short Film & Video Museum, Singapore 2007 OsTropicos - Views from the Middle of the Globe, Festival 2014 Spurious Stories from the Land and Water, Art 2010 Malaysia-Singapore Cinema, Centre Pompidou, Centro Cultural Banco do Brasil, Brasilia, Brazil 2002 Women Inspire Film Festival 2002, Singapore Plural Gallery, Singapore Paris, France 2007 Singapore Art Show, Singapore Art Museum, 2002 2nd Singapore Shorts Film Festival, Singapore 2010 ICON de Martell Photography Award, 2010 Daegu Photography Biennale, Daegu Culture and Singapore 2002 Contemplation Room, Danish Ministry of Institute of Contemporary Arts, Singapore Arts Center, Korea 2007 HDB Housing Project, History Gallery, National Culture, Overgaden Gallery, Copenhagen, 2010 Ticket Seller, Sikkema Jenkins & Co., New York, 2010 Nanjing Biennale, Jiangsu Art Museum, Nanjing, Museum Singapore Denmark USA China 2006 Another Asia, Noorderlicht Photo Festival, Fries 2002 Danger Museum, Institute of International Visual 2009 Sherman Ong, Contemporary Art Centre of 2010 Rainbow Asia, Hangaram Museum, Seoul Art Museum, Leeuwarden, Netherlands Arts, London, UK South Australia, Australia Centre, Seoul, South Korea 2006 40o1`N/3o36`W, Aranjuez, Plaza de Parejas, 2002 Aus Kobberling, Kassel, Germany 2008 Hanoi Monogatari (Hanoi Story), Zeit Foto 2010 The Tropics-Views from the Middle of the Globe, Aranjuez Spain Salon, Tokyo, Japan HanoiHaiku: Month of Jim Thompson Art Centre, Bangkok, Thailand 2006 Landscape & Architecture, Art Salon, Awards Photography Asia, 2902 Gallery, Singapore 2010 The Last Book, The Zentralbibliothek Zürich, Kuala Lumpur, Malaysia 2013 Honorable Jury Mention (Motherland), 18th 2007 Missing You, Fukuoka Art Asian Museum, Switzerland 2006 ArtConnexions, Goethe Institut/IFA Contemporary Art Festival Videobrasil, Fukuoka, Japan 2010 Banjir Kemarau | Flooding in the Time of Drought 2006 RMIT Gallery, Melbourne, Australia National Sao Paolo, Brazil 2006 HanoiHaiku, Angkor Photography Festival, Siem 2010 Rotterdam International Film Festival, Museum Jakarta, Indonesia 2011 Nominated for the APB-Singapore Art Museum Reap, Cambodia Netherlands 2006 Vietnam Fine Arts Museum, Hanoi Vietnam Signature Art Prize 2010 Barcelona Asian Film Festival, Spain Group Exhibitions 2006 IFA Gallery Stuttgart, Germany 2010 ICON de Martell Cordon Bleu Photography 2010 Rome Asian Film Festival, Italy 2006 IFA Gallery Berlin, Germany Award, Singapore 2014 Daegu Photography Biennale, Daegu, Korea 2010 Kumbukumbu Za Mti Uunguao | Memories of a 2006 Exodus - Wanita Yang Berlari 2010 Hubert Bals (Script Development) Fund, 2014 Fukuoka Asian Art Triennale, Fukuoka, Japan Burning Tree 2006 3rd International Dance Video Festival, Tokyo, Netherlands 2014 Lost in Landscape, MART Museum of 2010 Rotterdam International Film Festival, Japan 2009 Special Mention (Life of Imitation, Singapore Contemporary Art of Trento and Rovereto, Italy 2010 Netherlands Goteborg International Film Festival, 2006 The Circle, Commonwealth Film Festival, Pavilion) Venice Biennale, Venice, Italy 2014 Art Stage Singapore, Art Plural Gallery, Sweden Manchester, United Kingdom Singapore 2010 Hong Kong International Film Festival, China 2009 Best Screenplay (Hashi), Singapore Film Awards, Singapore

66 67 2009 Forget Africa Commission, Rotterdam 2013 Water: A group exhibition by Sabri Idrus, Budi 1994 Asian Art Workshop. BELUM. National Art Gallery, 2009 Exorcismus Persona - Windows into the Fantasy International Film Festival, Netherlands Agung Kuswara, Jigger Cruz & I Made Arya Kuala Lumpur Worlds of Haslin Ismail, RA Fine Arts Gallery, 2007 Fukuoka Asian Art Museum Artist Residency Palguna. Taksu, Kuala Lumpur 1993 Shah Alam Boat Show, Galeri Shah Alam Ampang, KL Award, Fukuoka, Japan 2013 UTP STANZA, University of Technology and Life 1993 Earth Day Exhibition, Central Market, KL Group Exhibitions 2005 Special Jury Prize (Exodus), Independent Film & Sciences , Bydgoszcz, Poland. 1992 Nature Art Camp, Bukit Cerakah, Selangor Video Awards, Hong Kong, China 2012 DUA: Sabri Idrus & Tony Twigg. Taksu, 1992 92’ Open Show, National Art Gallery, KL 2015 Extreme Portrait, Chandan Gallery, Publika, KL 2005 ArtConnexions:Goethe-Institut Artist Residency Kuala Lumpur 1991 The Young Contemporary Show. National Art 2014 Recent Acquisitions Exhibition, National Art Award, Singapore 2012 Peninsular & Islands, Taksu, Singapore Gallery, Kuala Lumpur Gallery, KL 2004 Best Experimental Film (Exodus), Int’l Panorama 2012 1 meter Diameter. HOM Art Trans. Ampang, 1991 One World No War Exhibition, City Hall, Kuala 2014 Cheritera Homecoming, Chandan Gallery, of Independent Filmmakers, Greece Kuala Lumpur Lumpur Publika, KL 2004 Special Jury Prize (Exodus), Malaysian Video 2011 JAGA. National Art Gallery, Kuala Lumpur 1991 Question Of Identity, National Art Gallery, Kuala 2014 Merdeka! Haslin Ismail & Samsudin Wahab, Awards, Kuala Lumpur, Malaysia 2011 Figure in Paint, Galeri Petronas, Kuala Lumpur Lumpur Petronas Gallery, KLCC 2004 Special Festival Prize (Exodus), La Cittadella del 2011 Locals only. Taksu gallery.Kuala Lumpur 1991 The Open Show, National Art Gallery, Kuala 2014 Readrawing, Petronas Gallery, KLCC Corto Short Film Festival, Italy 2011 40 x 100. HOM Art Trans. Ampang, Kuala Lumpur Lumpur 2014 Cheritera, Start Art Fair, Chandan Gallery, 2002 Best Documentary (The Ground I Stand), 2010 Bakat Muda Sezaman (The Young Contemporary). 1990 The Open Show. National Art Gallery, Saatchi Gallery, London Malaysian Video Awards, Malaysia National Art Gallery, Kuala Lumpur Kuala Lumpur 2014 Pulpa: At The Cutting Edge, Chandan Gallery, 2010 Antara Bahan Campuran, National Art Gallery, Collections Awards Publika, KL Kuala Lumpur 2014 Alter Ego, Chandan Gallery, Publika, KL Fukuoka Asian Art Museum, Japan 2014 Malaysia Open Show, Juror’s Award. National 2010 Locals only! Taksu gallery.Kuala Lumpur 2014 Segaris Open 2014, Segaris Gallery, Publika, KL Singapore Art Museum, Singapore Visual Arts Gallery, Kuala Lumpur 2010 A Meter Perspective. HOM Art Trans. Ampang, 2013 Expanded Passion: Contemporary Art From Seoul Art Centre, Korea 2011 UOB Art Award – Special Mention Kuala Lumpur Malaysia, Fukuoka Asian Art Museum, Japan Malaysia-Singapore Collection, 2004 BMS04/The Young Contemporary Art Award 2010 Boleh! Taksu Gallery, Singapore 2013 Art Expo 2013, Matrade, KL National University of Singapore (Painting Category) National Visual Arts Gallery, 2010 Combines! A Tribute to Rauschenberg. 2013 Art In Search of Words, Interpr8 art space, Kuala Lumpur, Malaysia Residencies Taksu Gallery, Singapore Publika, KL 2009 Himpunan Tetap, National Art Gallery, 2009 Rotterdam Film Festival Forget Africa Residency Collections 2013 Absurd(c)ity, Balai Seni Visual Negara, KL Kuala Lumpur (Dar Es Salaam, Tanzania) 2013 Jelas Abstrak, Morne Gallery, Menara MARA, KL 2009 Malaysia-Poland Cultural & art exchange. Pyzdry Central Bank of Malaysia 2013 Destiny: Young Group Show, Balai Seni Visual 2007 Fukuoka Asian Art Museum, Japan 2009 Malaysia-Poland Cultural & art exchange. Shalini National Visual Arts Gallery, Kuala Lumpur Negara, KL 2005 Goethe Institute Art Connexions Residency Ganendra Fine Art, Petaling Jaya, Malaysia. Khazanah Nasional, Malaysia 2013 Sekaki, Segaris Gallery, Publika Mall, KL (Hanoi, Vietnam) 2009 Beyond Canvas. Wei Ling Gallery. Kuala Lumpur Ministry of Finance, Malaysia 2013 Kembara Jiwa/ Conception In Reconciliation, 2008 Susur Masa. National Art Gallery, Kuala Lumpur Galeri PETRONAS, Kuala Lumpur Prince Court Medical Centre, Kuala Lumpur Chandan Gallery, Publika, KL Sabri Idrus pg.46 (Malaysia) 2008 18@8, Wei-Ling Gallery, Kuala Lumpur 2007 18@8. Wei-Ling Gallery, Kuala Lumpur PETRONAS University of Technology, Tronoh, Malaysia 2013 20@13, G13 Gallery, Kelana Jaya, KL Born In 2007 Between Generations:50 Years Across modern Art University Of Arts, Poznan, Poland 2012 Kembara Jiwa/ Conception In Reconciliation, 1971 in Kedah, Malaysia in Malaysia. Asian Art Museum, University of University of Technology and Life Sciences , Taman Budaya Yogyakarta, Indonesia Bydgoszcz, Poland 2012 Transit A4, HOM Gallery, Ampang, KL Currently Lives and Works in Malaysia, Selangor and Muzium & Galeri Tuanku Fauziah, Universiti Sains Malaysia, Penang Muzeum Ziemi Pyzdrskeij, Pyzdry, Poland 2012 Art Expo Malaysia 2012, MATRADE Tower, KL Selangor, Malaysia 2006 Tabik (Salute) Jerry Show. National Art Gallery, University College Shahputra, Kuantan, Pahang, Kembara Jiwa/ Conception In Reconciliation, Selasar Sunaryo Art Space, Bandung, Indonesia Solo Exhibitions Kuala Lumpur Malaysia 2006 The Investor. Wei-Ling Gallery, Kuala Lumpur Embassy of Poland, Kuala Lumpur, Malaysia 2012 The Young Contempo Auction 2012, Henry 2012 ANTARA. Taksu Gallery, Singapore 2006 Malaysian Expressions .National Art Gallery, Muzium & Galeri Tuanku Fauziah, Universiti Sains Butcher Auctioneers, Black Box MAP, Publika, 2010 MUFAKAT: SPACE FOR THE PUBLIC. Kuala Lumpur Malaysia, Penang. Solaris Dutamas, KL The Painting Garage, Bandung, Indonesia 2006 18@8, Kuala Lumpur-Karachi. Wei-Ling Gallery, Hijjas Kasturi Associates @Rimbun Dahan Gallery, 2012 Drawing A Distance: Drawings from 3 cities, 2010 MASA SERIES: A REDUCTION PROCESS. Karachi, Pakistan Selangor HOM Gallery, KL. Taksu Gallery, Kuala Lumpur, Malaysia 2005 18@8 Malaysian Artist, Wei-Ling Gallery, Grand Hyatt, Kuala Lumpur 2012 Young Talents, Segaris Art Center, Publika, KL 2009 IN TRANSIT. MALAYSIA-POLAND . Aula Kuala Lumpur Westin, Singapore 2012 Snapshots, Art For Nature 2012, Rimbun Dahan Gallery, University of Arts Poznan, Poland 2005 Print In Malaysia-British in Print. National Art Gallery, Kuang, KL. 2008 MYDOMAIN. Ahmad Zakii Anwar’s Gallery At Gallery, Kuala Lumpur Residencies 2012 Within Darkened Disorder, Muse and Reverie.. The Back Of The House, Johor Bahru, Malaysia 2004 BMS 2004 (The Young Contemporary Show), 2014 19th Rimbun Dahan, Malaysia – Australia Visual The Wicked Women Let Out A Curse (2 Man 2006 KERONCONG SERIES: A NEW FORM OF National Art Gallery, Kuala Lumpur Arts Residency, Kuang, Selangor, Malaysia. Show with Meme), Taksu Gallery, KL PHYSICAL LISTENING, Wei-Ling Gallery, 2003 Phillip Morris, ASEAN Art Awards Show,National 2013 Artist in Residence: University of Technology 2012 Songsang, Chandan Gallery, KL Kuala Lumpur 2003 ALAMI, National Art Gallery, Kuala Lumpur and Life Sciences in Bydgoszcz, Poland. 2012 Ghost in the Shell, Rimbun Dahan 17th 2004 BANGAU OH BANGAU. Balai Berita NST. 2002 Malaysia Open Show. National Art Gallery, 2010 Artist In Residence, Hegarbudhi Community, Residency Programme, Rimbun Dahan Gallery, Kuala Lumpur, Malaysia Kuala Lumpur Bandung, Indonesia Kuang, KL 2004 LOREK-LOREK. THE CREATION OF LINES. 2002 Mac World Expo, Singapore 2009 Artist In Residence Poland – University Of Arts, 2012 Locals Only, Taksu Gallery, KL Townhouse Gallery, Kuala Lumpur, Malaysia 2001 Phillip Morris, ASEAN Art Awards Show. National Poznan, Poland 2011 Ties, HOM Gallery, KL 1999 THE SEARCH OF THE UNCERTAINTIES. The Art Gallery, Kuala Lumpur 2011 Open House Chandan 2011, Chandan Gallery, Painting Hall, Selangor, Malaysia 2000 BMS 2000 (The Young Contemporary Show). KL National Art Gallery, Kuala Lumpur Haslin Ismail pg.48 (Malaysia) Group Exhibitions 2011 Kedai Runcit No.12, Balai Seni Lukis Pulau 1999 Phillip Morris, ASEAN Art Awards Show. National Born In 2014 Eye Zone, Start Art Fair 2014, Saatchi Gallery, Pinang, Penang Art Gallery, Kuala Lumpur 1984 in Bukit Gambir, Malaysia 2011 Figure In Paint, Petronas Gallery, KL London. 1995 Phillip Morris. ASEAN Art Awards Show. National 2011 Proud To Be Nude, MOMA Gallery, KL 2014 Malaysia Open Show 2014, National Visual Art Art Gallery, Kuala Lumpur Currently Lives and Works in 2011 Here Today, Gone Tomorrow, WWF Annual Gallery, Kuala Lumpur. 1995 95’ PPM Annual Show, Galeri Petronas, Petronas Bukit Gambir, Malaysia Show, Rimbun Dahan Gallery, KL 2014 Prudential Malaysia Eye, White Box, Publika, Twin Towers, Kuala Lumpur. 2011 Bapak, MOMA Gallery, KL Kuala Lumpur. 1995 Alternative Printmaking, Galeri Petronas, Petronas Solo Exhibitions 2011 Utopia (2 Man Show with Chee Way), Wei-Ling 2014 Malaysia–Australia Visual Arts Residency, Twin Towers, Kuala Lumpur. 2014 Mindmix, G13 Gallery, Kelana Jaya Square, Disruptive Nature: Sabri Idrus (Malaysia) + 1995 Urban Vision, Concorde Hotel, Kuala Lumpur Selangor Gallery, KL Habitat: Sean Cordeiro & Claire Healy 1994 The Young Contemporary Show. National Art 2014 Book Land, G13 Gallery, Art Stage 2014, 2011 RTF(X), Light Editions Gallery, Singapore (Australia), Rimbun Dahan, Kuang, Selangor. Gallery, Kuala Lumpur Marina Bay Sands, Singapore 2011 Sequential Narrative, Chandan Gallery, KL 2014 ReimagineNation: Love, Vision and Hope, 1994 Inspirasi 94, Maybank Gallery, Kuala Lumpur 2013 Transfiguration, G13 Gallery, Kelana Jaya 2011 Vertical & Horizontal, HOM Gallery, KL Galeri Chandan, Publika , Kuala Lumpur Square, Selangor

68 69 2010 Merapi Eruption Charity Show, HOM Gallery, KL 2007 Mana Batik, Annexe Gallery, KL 2011 HERE AND NOW, Wei-Ling Contemporary, Kuala 2005 ROOSTER MANIA, Townhouse Gallery, Bangsar, 2010 Bakat Muda Sezaman 2010, National Art Gallery, 2007 Tabah Dalam Derita - A Palestinian Art Exhibition Lumpur, Malaysia. Kuala Lumpur, Malaysia. 2010 Sequential Narrative, 360 Gallery, KL with Palestinian and Malaysian Artists, RA Fine 2008 TRAILS, Red Mill Gallery, Johnson, Vermont, 2005 THE POWER OF DREAMING: TAMAN SARI, 2010 Tanah Tumpahnya Darah Ku, Folk Art Gallery, Arts, Ampang, KL United States. THE GARDEN OF DELIGHT AND IDENTITY, Malacca 2007 Open House Show, Kebun Mimpi Art Gallery, 2007 KALEIDOSCOPIC LANDSCAPES, Wei-Ling curated by Laura Fan, WWF Art for Nature, 2010 14th Asian Art Biennale Bangladesh 2010, Bangsar, KL Gallery, Kuala Lumpur, Malaysia. Rimbun Dahan, Selangor, Malaysia. Bangladesh Shilpakala Academy 2007 Art @ Pavilion, Parkson Pavilion (organised by Group Exhibitions 2005 18@8 CONTEMPORARY ARTISTS FROM 2010 Art Expo Malaysia 2010, Matrade Tower, KL Kebun Mimpi Gallery), KL MALAYSIA AND BEYOND, Wei-Ling Gallery, 2014 The PEAK Group Show- HO MIA, Wei-Ling 2010 1Malaysia Contemporary Art Tourism : Sparkles 2007 Open Show, Shah Alam Art Gallery, Shah Alam, Brickfields, Kuala Lumpur, Malaysia. Contemporary, Kuala Lumpur, Malaysia. In Penang (SIP), Adiwarna Gallery, Universiti Sains Selangor 2005 ART BELOW 1000, Valentine Willie Fine Art, 2013 18@8 Mirror, Mirror on the wall, Wei-Ling Malaysia, Penang 2007 Pact Max Malaysian Art Awards, Foodloft Art Kuala Lumpur, Malaysia. 2010 Now!, Visual Art Award (VAA), Starhill Gallery, KL Gallery, Penang Contemporary, Kuala Lumpur, Malaysia. 2005 FREE SHOW, Reka Art Space, Selangor, 2010 ABC (Antara Bahan Campur), National Art Gallery, 2007 Mekar Citra, Shah Alam Art Gallery, Selangor 2012 18@8, KUL-SIN, ION Art, Singapore Malaysia. KL 2007 Weird Art!, Chinese Assembly Hall (MCPA), 2012 18@8 KUL-SIN, Wei-Ling Contemporary, 2004 YOUNG CONTEMPORARY FINALIST 2010 Self-Conflict, Social Cohesion, Malaysia Tourism Kuala Lumpur Kuala Lumpur, Malaysia. EXHIBITION, National Art Gallery, Centre (MATIC), KL 2007 Segitiga, Degree Show, Tuanku Nur Zahirah Art 2012 TIMELESS, Wei-Ling Contemporary, Kuala Kuala Lumpur, Malaysia. 2010 Young Malaysian Artists - New Object[ion], Gallery, Universiti Teknologi MARA, Shah Alam Lumpur, Malaysia. 2004 PARADISE LOST / PARADISE FOUND, curated Petronas Gallery, KLCC, KL 2006 Open House Show, Gemarimba Art Gallery, KL 2012 SNAPSHOTS, WWF Art for Nature, Rimbun by Laura Fan, WWF Art for Nature, Rimbun 2010 Paperworks : Marks and Trails of Artistic Minds, 2006 Enchanting Watercolour, Malaysian Watercolours Dahan, Malaysia Dahan, Malaysia. Chandan Gallery, KL 2006 National Art Gallery 2012 PRECIOUS LITTLE PIECES, Wei-Ling Gallery, 2004 HOME IMPROVEMENT, Two-person Show, Reka 2010 Artriangle 2010, National Art Gallery, KL 2006 Ekspresi Selatan, Johor Art Gallery Kuala Lumpur, Malaysia. Art Space, Malaysia. 2010 IMCAT, Galeria Sri Perdana, KL 2005 Diploma Show, PERZIM, Malacca 2011 ART STAGE SINGAPORE, Marina Bay, 2004 SEMANGAT: ARTISTS FOR THEATER, Fund 2010 Combines! A Tribute to Rauschenberg, Taksu, KL 2004 Landscape Painting, PERZIM, Malacca Singapore raising exhibition for 5 arts Centre, Valentine 2010 Boleh!, Taksu Singapore, Singapore 2004 Historical Buildings Exhibition, Johor Art Gallery 2011 18@8 SAVE THE PLANET, Wei-Ling Willie Fine Art, Kuala Lumpur, Malaysia. 2010 Earth Hour, Zinc Gallery, KL 2003 HITAM PUTIH Seni Cetak, PERZIM, Malacca Contemporary, Kuala Lumpur, Malaysia. 2004 ART BELOW 1000, Valentine Willie Fine Art, 2010 New Space, Taksu Singapore, Singapore 2010 NEGARAKU: NATIONALISM AND PATRIOTISM Awards Kuala Lumpur, Malaysia. FIFTEEN, Darling Muse 2010 Contemporary Rhetoric, Valentine Willie Fine Art IN MALAYSIAN CONTEMPORARY ART, The 2011 Grand Prize Winner, Bakat Muda Sezaman 2010, Gallery, Kuala Lumpur, Malaysia. Gallery, KL Aliya and Farouk Khan Collection, Galeria Sri Balai Seni Lukis Negara, KL 2004 FREE SHOW, Reka Art Space, Malaysia. 2009 18@8 : 1 Malaysia : Beyond the Canvas, Wei-Ling Perdana, Kuala Lumpur, Malaysia. 2011 Rimbun Dahan 17th Residency Program, 2003 PHILIP MORRIS ART EXHIBITION, National Art Gallery, KL 2010 SURVIVAL, WWF Art for Nature, Rimbun Dahan, Rimbun Dahan, Kuang, Selangor Gallery, Kuala Lumpur, Malaysia. 2009 Art Expo Malaysia 2009, Matrade Tower, KL Selangor, Malaysia. 2010 Winners Visual Art Award (VAA), Starhill Gallery, 2003 GAMES WE PLAY, curated by Laura Fan, WWF 2009 Just What Is It That Makes Today’s Art So 2010 ABSOLUT 18@8, Wei-Ling Gallery, Kuala Different, So Appealing? (A Collage Group Art 2010 The Winner of Visual Art (Painting) category, Art for Nature, Rimbun Dahan, Lumpur, Malaysia. Exhibition), RA Fine Arts Gallery, Ampang, KL Selangor Young Talents’ Award, PJ, Selangor 2003 ART BELOW 1000, Valentine Willie Fine Art, 2009 Finalist of MEA Award 2009 (Malaysia Emerging 2009 IMCAS, Danga Bay City Mall, Johor Bahru, 2009 Dazed in Mazes (4 man show), Valentine Willie Kuala Lumpur, Malaysia. Artists), Soka Gakkai Malaysia (SGM), KL. Malaysia. Fine Art, Bangsar, KL 2002 TOUCH, curated by Laura Fan, WWF Art for 2009 Finalist of IMCAS Art Award, Danga City Mall, 2009 TANAH AIR, WWF Art for Nature, Rimbun 2009 MEA Award 2009, Soka Gakkai Malaysia (SGM), Nature, Rimbun Dahan, Malaysia. Johor Bharu, Johor. Dahan, Selangor, Malaysia. KL 2002 WORKS ON PAPER, Valentine Willie Fine Art, 2008 1st Prize, Calling For Manga Artists! 2008 SHIFTING BOUNDARIES, WWF Art for Nature, 2009 UN-CUT 09 Malaysian Paintings, Malaysian Arts Kuala Lumpur, Malaysia. Competition, Kinokuniya Bookshop, KLCC. Rimbun Dahan, Selangor, Malaysia. Festival, Gallery Shambala, Copenhagen, 2001 OPEN SHOW, National Art Gallery, Kuala 2007 Finalist of Pact Max Malaysian Art Awards, 2008 18@8: VICE & VIRTUE, Wei-Ling Gallery, Kuala Denmark Lumpur, Malaysia. Foodloft Art Gallery, Penang. Lumpur, Malaysia. 2009 Overlook, Taksu Gallery, KL 2001 INHABITANT: Two-person Show, Valentine Willie 2007 3rd Prize, Charcoal/Pencil/Ink Category, Tanjung 2008 TUKAR GANTI : NEW MALAYSIAN PAINTINGS, 2009 An International Art Exhibition: Art, Peace and Fine Art, Kuala Lumpur, Malaysia. Heritage, KL. Valentine Willie Fine Art Singapore, the Global Village-Against Violence, Penang State 2001 EXHIBIT A: MALAYSIAN STILL LIFE, Valentine 2006 One Person Exhibit, 14, Gray’s School of Art and HT Contemporary Space, Singapore. Museum & Art Gallery, Penang Willie Fine Art, Kuala Lumpur, Malaysia. Design, Aberdeen, Scotland. 2008 LA GALLERIA, Pall Mall, London, 2009 IMCAS09, Danga City Mall, Johor Bharu, Johor 2001 ART BELOW 1000, Valentine Willie Fine Art, 2006 Grand Prize Winner, In-Print Competition, United Kingdom. 2009 PALESTIN – Pameran Amal 2009, National Art Kuala Lumpur, Malaysia. Gallery, KL National Art Gallery, and was awarded a grant 2008 CIGE, China World Trade Center, Beijing, China. 2000 ART BELOW 1000, Valentine Willie Fine Art, 2009 Locals Only, Taksu Gallery, KL from the British Council and Scotland’s Robert 2008 FORCE OF NATURE, Pace Gallery, Malaysia. Kuala Lumpur, Malaysia. 2009 Rasa Terasa, Annexe Gallery, KL Gordon University to study printmaking at Gray’s 2007 00:15 SUPERSTAR, WWF Art for Nature, Rimbun 1999 AKU: PORTRET DIRI 99, Petronas Gallery, Kuala 2008 Palestinian Art Exhibition, National Library, KL School of Art and Design for 2 weeks. Dahan, Malaysia. Lumpur, Malaysia. 2008 KL Film Fest & Art Exhibition on Palestine, 2006 2nd Prize, Portrait Drawing Contest, National 2007 ARTRIANGLE: MALAYSIA PHILIPPINES 1998 MENTAL SAINT TART TINS, Degree Show, Annexe Gallery, KL Art Gallery. INDONESIA, Soko Gakkai Malaysia, Long Acre, London, United Kingdom. 2008 Open House 08, Kebun Mimpi Art Gallery, 2006 3rd Prize, Drawing Competition, National Art Kuala Lumpur, Malaysia. Gallery. 1997 YOUNG DESIGNERS, Malaysian Design Bangsar, KL 2007 BETWEEN GENERATIONS: 50 YEARS ACROSS 2006 Merit Prize, 1st Putrajaya National Watercolour Council, Menara Tan & Tan, Kuala Lumpur, 2008 The 12 Outstanding Manga Artworks, Kinokuniya MODERN ART IN MALAYSIA, Asian Art Competition, National Art Gallery. Malaysia. Bookshop, KLCC Museum, University of Malaya, Selangor, 2000 Consolation Prize, Formula Malaysia. 1996 WATERWORLD, Bank Negara, Kuala Lumpur, 2008 Tradition Into Modernity, The 6th AFA- Asia Malaysia and Muzium & Galeri Tuanku Fauziah, Malaysia. Fiber Art Exhibition, Bentara Budaya Jakarta, Universiti Sains Malaysia, Penang, Malaysia. 1995 DIALOGUE, Maybank Gallery, Kuala Lumpur, Jakarta, Indonesia 2006 RIMBUN DAHAN ARTIST IN RESIDENCY Malaysia. 2008 Rapat Umum, RA Fine Arts Gallery, Ampang, KL Choy Chun Wei pg.50 (Malaysia) SHOW, Rimbun Dahan, Kuang, Selangor, quddinandfriends ’08, McCann World Group, Born In Malaysia. SIGNED AND DATED: VALENTINE Awards Petaling Jaya, KL 1973 in Kuala Lumpur, Malaysia WILLIE FINE ART 10TH ANNIVERSARY, 2008 Vermont Studio Center Asian Artist Fellowship, 2008 Art @ Pavilion, Parkson Pavilion (organised by Valentine Willie Fine Art, Kuala Lumpur, Vermont Studio Center, USA 2005 Artist in Kebun Mimpi Gallery), KL Currently Lives and Works in Malaysia. Residence, Rimbun Dahan, Malaysia 2008 Friction (2 Man Show with Ilham Fadli @ Kojek), Kuala Lumpur, Malaysia 2006 FEED ME! AN EXPLORATION OF APPETITES, Kebun Mimpi Gallery, Bangsar, KL 2004 Juror’s Choice Award (2D category), Bakat Muda WWF Art for Nature, Rimbun Dahan,Malaysia. Sezaman (Malaysian Young Contemporary) 2008 An Interlude: Artistic Expressions, RA Fine Arts Solo Exhibitions 2006 18@8 KUALA LUMPUR - KARACHI, Amin Gallery, Ampang, KL 2003 Honourable Mention, Philip Morris Malaysia/ 2015 Art Stage Singapore 2015, Marina Bay Sands, Gulgee Gallery, Karachi, Pakistan in 2008 Bukak Mata, Ruang Kala, Shah Alam, Selangor Asean Art Awards Singapore collaboration with Wei-Ling Gallery. 2008 360>LoveArtPassion, Threesixty Art Development 1997 The London Institute (University of Arts, London) 2014 Art Basel Hong Kong 2014, Hong Kong Full Scholarship Studio, KL Convention Centre, Hong Kong.

70 71 1995 Higher National Diploma (HND) Teo Soo Ching 2009 JOYCE boutique, “Live Harder, Dream Bigger, Full Scholarship Love Deeper”, Hong Kong 2009 Jakarta Biennale, “Fluid Zones”, Indonesia Collections 2009 Osage Kwun Tong, “Some Rooms”, Hong Kong Amerada Hess, Malaysia 2008 Kwandu Biennale, Kwandu Museum (Sept 26 – Architron Design Consultants Nov 30), “I have a Dream”, 10 Solos by 10 Asian Australian International School, Malaysia Artists, Taiwan Bank Negara Malaysia 2008 11. International Architecture Exhibition, La Big Dutchman Asia Biennale di Venezia, “Singapore Supergarden; CWL Design, Malaysia An Ecosystem of Design Thoughts”, Italy Edward Soo & Co. Advocates and Solicitors 2008 Eslite Gallery, “Coffee, Cigarettes and Phad Hijjas Kasturi Association / Rimbun Dahan, Malaysia Thai”, Taiwan National Art Gallery 2008 8Q, Singapore Art Museum, “8Q-rate: School”, Private Collectors Singapore Seksan Design 2007 2nd Moscow Biennale of Contemporary Art, The Aliya and Farouk Khan collection “Footnotes on Geopolitics, Market and Veritas Design Group, Malaysia Amnesia”, Russia Zain & Co. Advocates and Solicitors 2007 Singapore Arts Festival, “Project : Eden”, Singapore Donna Ong pg.50 (Singapore) 2006 Singapore Biennale, “Belief”, Singapore Born In Awards 1978 in Singapore 2009 Young Artist Award, National Arts Council, Currently Lives and Works in Singapore Singapore/Berlin 2009 People’s Choice Award, President’s Young Talents 2009 Singapore Art Museum and Credit Suisse Solo Exhibitions 2003 1st Prize, Sefton Open 2003 (2D Art), UK 2014 Kunstlerhaus Bethanien, “The Forest Speaks 2002 Shell-NAC Scholarship, National Arts Council, Back”, Germany Singapore 2013 Primae Noctis Art Gallery, “And We Were Like 2002 Architecture theory prize, University College Those Who Dreamed”, Switzerland London 2009 Wada Fine Arts Gallery, “Asleep, A Room 1999 Singapore Undergraduate Scholarship, Awakens”, Japan University College London 2004 Arts House, “Palace of Dreams”, Singapore Collections Group Exhibitions Deutsche Bank Collection 2014 Moscow Biennale for Young Art 2014, “A Time Tiroche-Deleon Collection For Dreams”, Museum of Moscow, Russia Singapore Art Museum Collection 2014 Kunstlerhaus Bethanien, “Das Mechanische Corps Residencies Auf den Spuren von Jules Verne”, Germany 2013 Kunstlerhaus Bethanien, Germany 2013 Museum Van Loon, “Suspended Histories”, 2009 Koganecho Area Management, Koganecho Holland Bazaar, Japan 2013 Louis Vuitton Island Maison, Marina Bay Sands, 2009 Singapore Tyler Print Institute, “BMW Young “Landscape Memories”, Singapore Artists”, Singapore 2012 Hara Museum, “Home Again: 10 Artists Who 2008 Arts Initiative Tokyo Residency, Japan Have Experienced Japan”, Japan 2012 Institute of Contemporary Arts Singapore, “Encounter: The Royal Academy in Asia”, Singapore 2012 Singapore Art Museum, “The Singapore Show: Future Proof”, Singapore 2012 Singapore Art Museum, “The Collectors Show: Chimera”, Singapore 2011 Fendi Boutique, “Fatto a Mano for the Future”, Singapore 2011 Eslite Gallery, “Donna Ong, Jane Lee, Wilson Chieh”, Taiwan 2011 Institute of Contemporary Arts Singapore, “Dust on the Mirror”, Singapore 2010 Osage Shanghai, “Homestay”, China 2010 Djanogly Art Gallery, “Dust on the Mirror”, England 2009 Singapore Art Museum, “President‘s Young Talent Exhibition”, Singapore 2009 Monash University Museum of Art, “Photographer Unknown”, Australia 2009 National Museum of Singapore, “Night Festival”, Singapore 2009 Soundpocket (Apr 30 – May 30), “AROUND Sound Art Festival”, Lamma Island, Hong Kong

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74 75 WWW.PRUDENTIALEYE.COM Editor Thank you to those who have contributed Serenella Ciclitira Ikkan Art Gallery Shugo Arts Assistant Editor Yamamoto Gendai Luke Fowler SCAI the Bathhouse Ota Fine Arts Curators ROH Projects Serenella Ciclitira Wei-Ling Gallery Honor Harger Satriagama Rakantaseta T.O.P Lee Youngjoo Thank you to all the artists and all the collectors who have kindly loaned their works Project Manager Michelle Uribe

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