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$Download Kindle \\ Tibetan Peach Pie: a True Account of An$ BZ63PNT0SSJD » eBook » Tibetan Peach Pie: A True Account of an Imaginative Life Read PDF TIBETAN PEACH PIE: A TRUE ACCOUNT OF AN IMAGINATIVE LIFE HarperCollins, 2014. CD-Audio. Condition: New. Unabridged. Language: English . Brand New. Internationally bestselling novelist and American icon Tom Robbins delivers the long-awaited tale of his wild life and times, both at home and around the globe.Tom Robbins warm, wise, and wonderfully weird novels--including Still Life with Woodpecker, Jitterbug Perfume, and Fierce Invalids Home from Hot Climates--provide an entryway into the frontier of his singular imagination. Madcap but sincere, pulsating with strong social and philosophical undercurrents, his irreverent classics have introduced... Read PDF Tibetan Peach Pie: A True Account of an Imaginative Life Authored by Tom Robbins Released at 2014 Filesize: 6.07 MB Reviews The book is great and fantastic. It is rally exciting throgh reading time period. I am pleased to let you know that this is basically the greatest ebook i actually have go through inside my very own life and may be he best book for possibly. -- Mr. Hyman Ankunding DDS Undoubtedly, this is the nest job by any article writer. it had been writtern very perfectly and benecial. Its been printed in an exceedingly simple way in fact it is only following i finished reading this ebook by which basically modified me, modify the way in my opinion. -- Lane Dicki TERMS | DMCA Y7FNPONE4VYJ » Book » Tibetan Peach Pie: A True Account of an Imaginative Life Related Books Born Fearless: From Kids' Home to SAS to Pirate Hunter - My Life as a Shadow Warrior The Way of King Arthur: The True Story of King Arthur and His Knights of the Round Table (Adventures in History) The Well-Trained Mind: A Guide to Classical Education at Home (Hardback) Studyguide for Introduction to Early Childhood Education: Preschool Through Primary Grades by Brewer, Jo Ann Hitler's Exiles: Personal Stories of the Flight from Nazi Germany to America.

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Tom Robbins on Creativity
m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0 27 Robbins Rants Tom Robbins is the author of numerous books, including Fierce Invalids Home from Hot Climates, Still Life with Woodpecker, Skinny Legs and All, Even Cowgirls Get the Blues and Another Roadside Attraction. feelings or experiences that sponta- neously wish to arise. It may take THE TIN CAN was invented in 1811. The can opener was not invented exploring with different attitudes until 1855. In the intervening 44 years, people were obliged to access and occasionally focusing our their pork ’n’ beans with a hammer and chisel. attention on various considerations, Now, the psychedelic can opener, the device that most efficiently especially if we are prone to getting opens the tin of higher consciousness, was discovered thousands of years tense by trying too hard. Things that ago and put to beneficial use by shamans and their satellites well before may work in one situation may not the advent of what we like to call “civilization.” Yet, inconceivably, work the next time, and a fresh modern society has flung that proven instrument into the sin bin, forcing approach is required. And since we its citizens to seek access to the most nourishing of all canned goods with are all different, results may well the psychological equivalent of a hammer and chisel. (I’m referring to vary considerably from person to Freudian analysis and the various, numberless self-realization tech- person.
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AN ABSTRACT of the THESIS of Cxnthia M. Akers for the Master Of
AN ABSTRACT OF THE THESIS OF Cxnthia M. Akers for the Master of Arts in English presented on 8 Ma;y 1986 Title: From Bubblegum to Personism: The C;ycle of Choice in the Novels of Tom Robbins Abstract approved: ~ s/~¥C--;--:.- The four novels of Tom Robbins, Another Roadside Attraction, Even Cowgirls Get the Blues, Still Life with Woodpecker, and Jitterbug Perfume, represent an apparent shift by Robbins from the post-modernist conventions in his first two novels to certain conventions of mimetic literature in his last two novels. Robbins' critics as yet have not adequately explained this shift, nor have they defined a central theme in his fiction. However, Robbins reveals in his last two novels that a controlling theme, choice, is pre sent in all four novels. The existence of this theme, which consists of a two-part cycle, explains the movement in Robbins' fiction from non-linear to linear structures. Robbins' gradual awareness of his theme also indicates that his novels have progressed not from a post-modernist to a mimetic literature, but from the techniques of bubblegum fiction to the aesthetic of personism. Robbins' theme of choice manifests itself in the response of the reader to each novel, which in turn affects the roles of the thematic character who embodies choice and the narrator of each novel. In Robbins' first two novels, the reader is a participant in the non-linear structures and a passive observer of the cycle of choice as it is represented by the static thematic characters and unreliable narrators of those novels.
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The Role of Trickster Humor in Social Evolution William Gearty Murtha
University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects January 2013 The Role Of Trickster Humor In Social Evolution William Gearty Murtha Follow this and additional works at: https://commons.und.edu/theses Recommended Citation Murtha, William Gearty, "The Role Of Trickster Humor In Social Evolution" (2013). Theses and Dissertations. 1578. https://commons.und.edu/theses/1578 This Thesis is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. THE ROLE OF TRICKSTER HUMOR IN SOCIAL EVOLUTION by William Gearty Murtha Bachelor of Arts, University of North Dakota, 1998 A Thesis Submitted to the Graduate Faculty of the University of North Dakota in partial fulfillment of the requirements for the degree of Master of Arts Grand Forks, North Dakota December 2013 PERMISSION Title The Role of Trickster Humor in Social Evolution Department English Degree Master of Arts In presenting this thesis in partial fulfillment of the requirements for a graduate degree from the University of North Dakota, I agree that the library of this University shall make it freely available for inspection. I further agree that permission for extensive copying for scholarly purposes may be granted by the professor who supervised my thesis work or, in his absence, by the Chairperson of the department or his dean of the Graduate School. It is understood that any copying or publication or other use of this thesis or part thereof for financial gain shall not be allowed without my written permission.
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TOM ROBBINS Mark Twain with an Illegal Smile
TOM ROBBINS Mark Twain with an Illegal Smile n what TIME magazine deemed “the year that changed the world,” Tom Robbins em- bodied the Altered States of America. Robbins, 36, was an Air Force veteran, grad school Idropout and seasoned journalist. He had been an art critic for The Seattle Times until he famously quit one day by calling in “well.” By 1968 he was mustache-deep in countercul- ture. He hosted a free-form radio show called Notes from The Underground on non-com- mercial KRAB, “the only station in America with macrobiotic kilowatts.” He wrote for Helix, Seattle’s underground paper. He found his writing voice there, he declared, with a concert review the previous year. It began: “On July 23 and 24, Eagles Auditorium was raped and pillaged, anointed and sanctified by The Doors.” Reviewing Jimi Hendrix’s 1968 “homecoming” Seattle concert, Robbins called the revolutionary guitarist “Oscar Wilde in Egyptian drag” and said, “What he lacks in content, he makes up in style.” Seattle’s distractions proved too much, though, for the aspiring novelist who hailed from North Carolina hill country but fell for Washington’s firs and ferns, its sloughs and salmon. In 1968, Robbins decamped to tiny South Bend in Pacific County where he and his girlfriend Terrie Lunden rented a place for $8 a month. They grazed on restaurant leftovers she brought home from waitressing. “I finally figured if I was going to write this book, I had to get out of town,” he said. “This book” turned out to be Another Roadside Attraction, a fantastical novel of out- laws and Buddhism, mischief and metaphysics, erotica and exotica.
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VILLA INCOGNITO TOM ROBBINS Reissue SALES POINTS
VILLA INCOGNITO TOM ROBBINS reissue SALES POINTS: • Tom Robbins has an incredibly strong fan base • Tom Robbins is No Exit's strongest backlist seller MARKET: Reissue date: 24th January 2008 Literary fiction, all Tom Robbins’ fans worldwide. price: £9.99 isbn: 978-1-84243-102-3 DESCRIPTION: Binding: paperback Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Format: B (198 x 129mm) extent: 256pp Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Rights: UK & South Africa Japanese folklore. Market Not for sale in the USA Restrictions: & Canada Imagine just those things (don't even try to imagine the love story) and you'll have a foretaste of Tom Robbins's eighth and perhaps most beautifully crafted novel — a work as timeless as myth yet as topical as the latest international threat. BIC code: CTB On one level, this is a book about identity, masquerade and disguise — about Report Code: NP "the false moustache of the world"—but neither the mists of Laos nor the smog of Bangkok, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the linguistic phosphor that illuminates the pages of Villa Incognito. REVIEW COVERAGE: For a review copy, or for further information, please contact: Chris Burrows PR Praise for Tom Robbins: +44 (0)161 445 6635 "...Tom Robbins has a grasp on things that dazzles the brain and he's also
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Realism, Multivocality, and the Margins Of
EXTRAORDINARY OBJECTS, EXCEPTIONAL SUBJECTS: MAGIC(AL) REALISM, MULTIVOCALITY, AND THE MARGINS OF EXPERIENCE IN THE WORKS OF TOM ROBBINS A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in English in the University of Canterbury Sionainn Emily Byrnes University of Canterbury New Zealand 2015 Table of Contents i TABLE OF CONTENTS Acknowledgements ................................................................................................................ ii Abstract ................................................................................................................................. iii Introduction ............................................................................................................................ 1 Chapter One: Alternative Realities and the Extraordinary Object .................................. 6 Introduction .......................................................................................................................... 6 The Emergence of the Magic(al) Realist Genre .................................................................. 7 Postmodernism and Identity Politics ................................................................................. 13 Still Life with Woodpecker ................................................................................................. 18 Discursive Objects ............................................................................................................. 21 Object-Oriented Ontology ................................................................................................
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A Comparative Study of Tom Robbins's Still Life with Woodpecker and Ishmael Reed's Flight to Canada Michael Philip Mattison Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1996 Un(Reed)ing Robbins: a comparative study of Tom Robbins's Still Life with Woodpecker and Ishmael Reed's Flight to Canada Michael Philip Mattison Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Mattison, Michael Philip, "Un(Reed)ing Robbins: a comparative study of Tom Robbins's Still Life with Woodpecker and Ishmael Reed's Flight to Canada" (1996). Retrospective Theses and Dissertations. 16190. https://lib.dr.iastate.edu/rtd/16190 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Un(Reed)ing Robbins: A comparative study of Tom Robbins's Still Life with Woodpecker and Ishmael Reed's Flight to Canada by Michael Philip Mattison A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS DePartment: English r: English (Literature) Signatures have been redacted for privacy Iowa State University Ames, Iowa 1996 ii TABLE OF CONTENTS INTRODUCflON 1 "A" IS FOR AUTHOR 13 MYTHISTORY 32 CONCLUSION 63 1 INTRODUCTION "In 1968 the student movement had swept across Europe, striking against the authoritarianism of the education institutions and in France briefly threatening the capitalist state itself.
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Tom Robbins: a Man Doing Feminism Through His Fiction
1. Introduction This thesis, entitled “Tom Robbins: A Man Doing Feminism through His Fiction” 1, explores the novels written by Tom Robbins and focuses on their feminist aspects. Strikingly, even though Robbins is a male author, his novels are abounding with feminist ideas. Nevertheless, there is some disagreement among feminists as to whether Robbins should or should not be considered a feminist author. One of the objectives of this thesis, therefore, is to provide sufficient evidence, by means of analyzing three of his novels, to prove that Tom Robbins indeed is a feminist author. Due to the fact that the story of his second novel, Even Cowgirls Get the Blues 2, centers around feminist movement and its related isssues, I will demur at Robbins’s connection to contemporary feminist movement. Thus, at the beginning of the thesis, I explore the feminist debates of the late 1960’s and early 1970’s. For the purpose of this thesis, the period of the turn of the decades is significant for two reasons: it marks the re-emergence of feminist movement which, at that time, became a cultural and political phenomenon. The other reason for which I focus on such a narrow period of time lies in the fact that Robbins started to publish his novels in 1971 and the feminist debates of the day clearly had an impact on and are reflected in the story of Cowgirls , published in 1976, the most feminist of Robbins’s novels. Apparently, it was the feminist debates of that period which provided food for thought for the young author and influenced him in such a way that he himself became profeminist.
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Even Cowgirls Get the Blues
EVEN COWGIRLS GET THE BLUES Written by Gus Van Sant Based on a novel by Tom Robbins SHOOTING DRAFT 1993 INT. CAVE NIGHT There is a huge ancient hourglass made of animal skins, and acorns plop through the waist of the hourglass one by one. It sits in a pool of water. In the water swim EYELESS CATFISH in geometric patterns. An underground stream feeds the pool of water and then flows into a huge underground crevasse that on occasion emits a LOW RUMBLE. INDIANS with torches surround the hourglass, which now we can see is in a cave. And as soon as the acorns have finished passing through the hourglass, a crew of Indians turn it on its opposite end. One of the Indians appears to be JAPANESE. ONE INDIAN stands at the wall of the cavern in front of a series of symbolic carvings and scratches, with stone in hand he makes a few hatchmarks, and keeps an eye on the CREVASSE. THE CREVASSE RUMBLES once more, loosening a few chunks of rock from the cave. The earth begins to shake. THE CHART KEEPER She is restless tonight. ANOTHER INDIAN She dreams of loving. STILL ANOTHER She has the blues. View of the chartkeeper's drawings. One is of a crane with a very long neck. Another is a primitive drawing of a naked girl, who has long flowing hair. She also has, pointed out from her sides, thumbs that are three times normal human proportions. A MUSICAL CHORUS sounds at the sight of this drawing of a girl with the thumbs.
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Another Roadside Attraction Tom Robbins Reissue
ANOTHER ROADSIDE ATTRACTION TOM ROBBINS REISSUE SALES POINTS: Tom Robbins is an international bestseller with a worldwide following Robbins' debut novel bears all the wild signature characteristics that have th Pub. date: 17 August 2012 made him famous Price: £12.99 ISBN13: 978-1-84243-129-0 DESCRIPTION: Binding: Paperback Another Roadside Attraction. An Apocalyptic Entertainment. Format: B (198 x 219mm) A Metaphysical Suspense. Extent: 352pp What if the Second Coming didn't quite come off as advertised? What if "the Corpse" on UK and Commonwealth Rights: excl. Canada display in that funky roadside zoo is really who they say it is - what does that portend for Market Not for sale in the USA the future of western civilization? And what if a young clairvoyant named Amanda re- Restrictions: & Canada establishes the flea circus as popular entertainment and fertility worship as the principal Market: Fiction religious form of our high-tech age? BIC code: FA Rpt. Code: RI Another Roadside Attraction answers those questions and a lot more. It tells us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. CRITICAL PRAISE: critical acclaim: "written with a style and humour that haven't been seen since Mark Twain..." For a review copy, or for further - Los Angeles Times information, "Tom Robbins has a grasp on things that dazzles the brain and he's also a world-class please contact: Alexandra Bolton storyteller..." - Thomas Pynchon Tel: 01582 766 348 Mob: 07824
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Accl Journal Winter 2014
It's a Matter of Time: Delay and Change James Duy O'Connor* Time is an outlaw. It's got its own rules. We can't control it. We can only abide by it; we are its mere accomplices. It doesn't reckon the meaning of words like “whoa,” “stop” or “stay.” It is private and primitive, forgetful and frivolous. If we entrust our fate to Time, it will make an example of us. The consequence of its havoc can spread as quickly as a rash in a Jacuzzi. By contrast, it can also pass as slowly as a kidney stone. It can be the jobsite where trades go to listen to the wind blow. When you don't need it, Time shows up looking as pale as the drool o a madman's lips. And when you do need it, it vanishes as completely as Jimmy Hoa. In the construction industry, Time dresses itself in Delay and Change.1 I. Delay A. Time Not Presumed of the Essence Back when salt was a novelty, the process of construction was considered too unmanageable to be saddled with constraints of timeliness, as opposed to other factors like quality and cost that were considered more controllable and measured with money. Over centuries of history, it was presumed that building construc- tion should take decades to bring to completion. To this day, un- less the parties expressly agree to the contrary, time to a construction contract is not of the essence of the bargain.2 * James Duy O'Connor is a partner in the Minneapolis, MN based law rm of Maslon Edelman Borman & Brand, LLP, where he heads the Construc- tion Law Group.
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Filozofická Fakulta Univerzity Palackého
Filozofická fakulta Univerzity Palackého KATEDRA ANGLISTIKY A AMERIKANISTIKY How to Stay in Love Forever? Themes and Principles of Romantic Love in Tom Robbins's Jitterbug Perfume (BAKALÁRSKA PRÁCA) Autor: Emília Karisná (Anglická filológia- Japonská filológia) Vedúci práce: Mgr. David Livingstone, Ph.D. Olomouc 2012 | 2 Prehlasujem, že som túto bakalársku prácu vypracovala samostatne a uviedla som úplný zoznam citovanej a použitej literatúry. V Olomouci dňa 21.8.2012 ................................................. | 3 I would like to express my gratitude to my supervisor Mgr. David Livingstone PhD. for his professional help, patience, kindness, encouragement and resourceful comments that contributed to the successful completion of my thesis. I also would like to thank Prof. Dr. Bernd Herzogenrath for his kindness, helpfulness and willingness to help with finding source material for my thesis. Last, but not least, my thanks belong to Renáta Foltanovičová for her help and encouragement. | 4 Contents 1. INTRODUCTION ..................................................................................................... 5 2. BIOGRAPHY ............................................................................................................ 7 3. CULTURAL CONTEXT ........................................................................................ 10 The Counterculture ...................................................................................................... 10 The Sexual Revolution ...............................................................................................
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