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[1]
Billington, Michael, One night stands: a critic’s view of modern British theatre, [New ed.]. London: Nick Hern, 2002.
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Billington, Michael, State of the nation: British theatre since 1945. London: Faber, 2007.
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M. Fisher, How to write about theatre. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, 2015.
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Bond, Edward and Davis, David, Saved. London: Methuen Drama, 2009 [Online]. Available: http://dx.doi.org/10.5040/9781408167342.00000005
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Kane, Sarah, Complete plays: Blasted, Phaedra’s love, Cleansed, Crave, 4.48 psychosis, Skin, vol. Methuen contemporary dramatists. London: Methuen Drama, 2001.
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Pinter, Harold and Hern, Patricia, The birthday party, Rev. 2nd ed. London: Eyre Methuen, 1965.
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Pinter, Harold, The homecoming, 2nd ed., vol. Methuen modern plays. London: Eyre Methuen, 1966.
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Beckett, Samuel, Waiting for Godot: a tragicomedy in two acts, 2nd ed. London: Faber, 2006.
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Osborne, John, Look back in anger: a play in three acts. London: Faber, 1960 [Online]. Available: https://roe.idm.oclc.org/login?url=https://www.dramaonlinelibrary.com/plays/look-back-in-a nger-iid-129957
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‘Look Back in Anger by John Osborne (from: John Osborne Plays 1).’ [Online]. Available: http://www.dramaonlinelibrary.com/plays/look-back-in-anger-iid-129957/do-978057128599 0-div-00000011
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H. Pinter, ‘The Homecoming’, in The 101 Greatest Plays: From Antiquity to the Present, Guardian Faber Publishing; Main edition, 2015, pp. 380–381.
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D. Radosavljevic, THEATRE CRITICISM. London: Bloomsbury Publishing PLC, 2016.
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Archer, W., The Theatrical ‘World’. (Volume 1893). General Books (12 Jan 2012), 2012 [Online]. Available: http://www.amazon.co.uk/The-Theatrical-World-Volume-1893/dp/0217612636/ref=sr_1_fk mr0_2?ie=UTF8&qid=1377772016&sr=8-2-fkmr0&keywords=The+Theatri
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Archer, W., The Theatrical ‘world’., Volume 2. Ulan Press (31 Aug 2012), 2012.
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Archer, W., The Theatrical ‘World’., Volume 3 [Paperback]. Nabu Press (20 April 2010), 2010.
[16]
Bennett, Susan, Theatre audiences: a theory of production and reception, 2nd ed. London: Routledge, 1997.
[17]
Billington, Michael, One night stands: a critic’s view of British theatre from 1971 to 1991. London: Nick Hern Books, 1993.
[18]
Billington, Michael, State of the nation: British theatre since 1945. London: Faber, 2007.
[19]
Counsell, Colin and Wolf, Laurie, Performance analysis: An Introductory coursebook. London: Routledge, 2001 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9780203977002&uid=^u
[20]
Coveney, Michael, The aisle is full of noises: a vivisection of the live theatre. London: Nick Hern Books, 1994.
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[21]
Delgado, Maria M. and Svich, Caridad, Theatre in crisis?: performance manifestos for a new century, vol. Theatre : theory, practice, performance. Manchester: Manchester University Press, 2002.
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Dolan, Jill, The feminist spectator as critic. Ann Arbor, MI: University of Michigan Press, 1991.
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J. Dolan, ‘Reviewing the reviews’, in The feminist spectator in action: feminist criticism for the stage and screen, Basingstoke, Hampshire: Palgrave Macmillan, 2013, pp. 196–197.
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Dromgoole, Nicholas, Role of the critic. London: Oberon Books, 2010 [Online]. Available: https://roe.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/roehampton-ebook s/detail.action?docID=1624122
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Eagleton, Terry, Literary theory: an introduction, Anniversary ed. Malden, Mass: Blackwell, 2008 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9781118306291&uid=^u
[26]
Elsom, John, Post-war British theatre criticism. London: Routledge & Kegan Paul, 1980 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9781315733289&uid=^u
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Fortier, Mark, Theory/theatre: an introduction, 2nd ed. London: Routledge, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9780203994153&uid=^u
[28]
Freshwater, Helen, Theatre & audience. Basingstoke: Palgrave Macmillan, 2009.
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Knowles, Richard Paul, Reading the material theatre, vol. Theatre and performance theory. Cambridge: Cambridge University Press, 2004.
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R. P. Knowles, How theatre means. Basingstoke, Hampshire: Palgrave Macmillan, 2014.
[31]
Lacey, Stephen and ebrary, Inc, British realist theatre: the new wave in its context 1956-1965. London: Routledge, 1995 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-eboo ks/detail.action?docID=180010
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Lloyd Evans, Gareth and Lloyd Evans, Barbara, Plays in review 1956-1980: British drama and the critics. London: Batsford Academic and Educational, 1985.
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Marowitz, Charles, Confessions of a counterfeit critic: a London theatre notebook, 1958-1971. London: Eyre Methuen, 1973.
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Morley, Henry, The journal of a London playgoer, 2nd ed. reprinted., vol. The Victorian library. Leicester: Leicester University Press, 1974.
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Morley, Sheridan, Our theatres in the eighties. London: Hodder & Stoughton, 1990.
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D. Radosavljevic ́ , Theatre-making: interplay between text and performance in the 21st century. Basingstoke: Palgrave Macmillan, 2013.
[37]
Reason, Matthew, Documentation, disappearance and the representation of live performance. Basingstoke: Palgrave Macmillan, 2006 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9780230598560&uid=^u
[38]
Rebellato, Dan and ebrary, Inc, 1956 and all that: the making of modern British drama. London: Routledge, 1999 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-eboo ks/detail.action?docID=169686
[39]
Roberts, Peter, The Best of Plays and Players. London: Methuen Drama, 1989.
[40]
G. Rowell, Ed., Victorian dramatic criticism, vol. Routledge library editions. Victorian theatre. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9781315677842&uid=^u
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Saunders, Graham, ‘Love me or kill me’: Sarah Kane and the theatre of extremes, vol. Theatre theory practice performance. Manchester: Manchester University Press, 2002.
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Shaw, Bernard, Our theatres in the nineties: vol.1. London: Constable, 1932.
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Shaw, Bernard, Our theatres in the nineties: Vol.2, Standard ed. London: Constable, 1932.
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Shaw, Bernard, Our theatres in the nineties: Vol.3. London: Constable, 1932.
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B. Shaw and J. F. Matthews, Shaw’s dramatic criticism (1895-98). Westport, Conn: Greenwood Press.
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Shellard, Dominic, Harold Hobson: witness and judge : the theatre criticism of Harold Hobson. Keele: Keele University Press, 1995.
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Shellard, Dominic, Kenneth Tynan: a life. New Haven: Yale University Press, 2003.
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Sierz, Aleks, In-yer-face theatre: British drama today. London: Faber, 2001.
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Stephenson, Heidi and Langridge, Natasha, Rage and reason: women playwrights on playwriting. London: Methuen, 1997.
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Tynan, Kathleen, The life of Kenneth Tynan. London: Weidenfeld and Nicolson, 1987.
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Tynan, Kenneth, Curtains: selections from the drama criticism and related writings. London: Longmans, 1961.
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Tynan, Kenneth, Tynan right & left: plays, films, people, places and events. London: Longmans, 1967.
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Tynan, Kenneth, A view of the English stage, 1944-1965. London: Methuen, 1984.
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Tynan, Kenneth and Shellard, Dominic, Theatre writings. London: Nick Hern, 2007.
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Tynan, Kenneth and Tynan, Kathleen, Profiles, New ed. London: Nick Hern, 2007.
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Ward, A. C. ; A. C. Ward, Specimens of English Dramatic Criticism. Alcester: Hughes Press, 2007.
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Wardle, Irving, Theatre criticism, vol. Theatre concepts. London: Routledge, 1992.
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Féral, Josette, ‘“The Artwork Judges Them”: the Theatre Critic in a Changing Landscape’, New Theatre Quarterly, vol. 16, no. 04, pp. 307–314, 2000, doi: 10.1017/S0266464X00014056.
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Luckhurst, M, ‘Against Theatre Reviewers’, Contemporary Theatre Review, vol. 15, no. 3, pp. 369–386, 2005, doi: 10.1080/10486800500254573.
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Roberts, David, ‘Making the Word Count: towards an Analytical Database of Theatre Reviews’, New Theatre Quarterly, vol. 15, no. 04, pp. 332–338, 1999, doi: 10.1017/S0266464X00013269.
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Roberts, David, ‘Shakespeare, Theater Criticism, and the Acting Tradition’, Shakespeare Quarterly, vol. 53, no. 3, pp. 341–361, 2002, doi: 10.1353/shq.2003.0014.
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Roberts, David, ‘As Rude As You Like Honest: Theatre Criticism and the Law’, New Theatre Quarterly, vol. 19, no. 3, pp. 265–277, 2003, doi: 10.1017/S0266464X03000162.
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‘Culturebot | Critical conversations on art and culture.’ [Online]. Available: http://www.culturebot.org/
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‘Exeunt Magazine | Home.’ [Online]. Available: http://exeuntmagazine.com/
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‘The Guardian.’ [Online]. Available: http://www.theguardian.com/uk
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Billington, ‘Michael Billington on what you need to be a theatre critic’, 2010. [Online]. Available: http://www.theguardian.com/culture/2010/feb/17/critics-notebook-michael-billington
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Spencer, C, ‘Shakespeare’s greatest hits, from Robeson to Russell Beale - Telegraph’, 2009. [Online]. Available: http://www.telegraph.co.uk/journalists/charles-spencer/6485655/Shakespeares-greatest-hit s-from-Robeson-to-Russell-Beale.html
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Wilkinson, ‘Noises off: The rules of being a theatre critic’, 2009. [Online]. Available: http://www.theguardian.com/stage/theatreblog/2009/nov/18/theatre-critic-rules
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‘theatreVOICE – the web’s leading resource for audio about British theatre.’ [Online]. Available: http://www.theatrevoice.com/
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‘Whats On Stage.’ [Online]. Available: http://www.whatsonstage.com/
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Atkinson, Brooks and Hirschfeld, Al, The lively years, 1920-1973. New York: Association Press, 1973.
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Bladel, Roderick, Walter Kerr: an analysis of his criticism. Metuchen: Scarecrow Press, 1976.
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Brantley, Ben, The New York Times book of Broadway. New York: St. Martin’s, 2002.
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Fuchs, Elinor, The death of character: perspectives on theater after modernism, vol. Drama and performance studies. Bloomington: Indiana University Press, 1996.
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Kalb, Jonathan, Free admissions: collected theater writings, 1st ed. New York: Limelight Editions, 1993.
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Kalb, Jonathan, Play by play: theater essays and reviews, 1993-2002, 1st Limelight ed. New York: Limelight Editions, 2003.
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Kerr, Walter, How not to write a play. Reinhardt, 1956.
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Kerr, Walter (1998) Paperback by Walter Kerr, How Not to Write a Play by Kerr, Walter (1998) Paperback. Dramatic Pub Co, 1700 [Online]. Available: http://www.amazon.co.uk/Write-Play-Kerr-Walter-Paperback/dp/B00ZM2W1E4/ref=sr_1_1?i e=UTF8&qid=1441107932&sr=8-1&keywords=how+not+to+write+a+pla y+kerr
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Kerr, Walter, Journey to the center of the theater, 1st ed. New York: Knopf, 1979.
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Lahr, John, Light fantastic: adventures in theatre. London: Bloomsbury, 1997.
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Miller, Tice L., Bohemians and critics: American theatre criticism in the nineteenth century. Metuchen, N.J.: Scarecrow Press, 1981.
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Rich, Frank, Hot seat: theater criticism for the New York times, 1980-1993. New York: Random House, 1998.
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Rich, Frank, Ghost light: a memoir. New York: Random House, 2001.
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Simon, John Ivan, John Simon on theater: criticism, 1974-2003. New York: Applause, 2005.
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