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Home , Britannia silver, Dragestil, Empire style, Jean Puiforcat

FINE & DECORATIVE ARTS Friday 24th and Saturday 25th July 2020

FINE AND DECORATIVE ARTS

To be held at: Davies House, Davies Road, Evesham, Worcestershire WR11 1YZ

FRIDAY 24TH JULY SATURDAY 25TH JULY

Viewing Wednesday 22nd July - 10.00am to 5.00pm Thursday 23rd July - 10.00am to 7.00pm Friday 24th July - 8.30am to 10.00am Saturday 25th July - 8.30am to 10.00am

Day of the Sale The auction is scheduled to start at 10.00am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale.

Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with fully illustrated catalogue.

Catalogue £10.00 (£12.00 by post)

Kingham & Orme Auctioneers Ltd (Collection Address) Davies House, Davies Road, Evesham, Worcestershire, WR11 1YZ NB. Please telephone to arrange collection.

Telephone: 01386 244224 Mobile: 07976 919836 Email: [email protected] Website: www.kinghamandorme.com 2

MAP AND DIRECTIONS

Our auction site is based in the market town of Evesham just north of the Cotswolds.

By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44

By Rail Evesham’s train station is less than two miles from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 90 miles

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email [email protected] for a quote or call01386 244224 for a quotation.

For : Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

For Small Items: Mailboxes, Cheltenham Branch Tel: 01242 530130 Email: [email protected] 3

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kingham & Orme Auctioneers Ltd: Buyer’s Premium There are several ways you can bid at our auctions; in There is a buyer’s premium of 23% plus VAT on the first person, by leaving a commission bid, on the telephone and £200,000 of the price of each lot. 15% plus VAT live via the internet. on the excess of £200,001 and up to £1,000,000 of the hammer price of each lot, and 12% plus VAT on the excess of £1,000,001 of the hammer price of each lot. Bidding in Person It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in Payment order for a bidding number to be allocated which can then Must be made in full before items can be removed from the be used when bidding for an item. premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: Commission Bids • Cash - up to £9,000 (subject to money laundering regulations). Kingham & Orme will execute bids if you are unable to attend the sale. Bids can be left with our staff afterer/during • Cheques - following 5 working days clearance. viewing, or in advance by telephone or e-mail: • Debit/Credit Cards - American Express or Diners Club [email protected] not accepted. We accept maxiumum payments of £500 on credit card. Telephone Bids • Bank transfer to: Lines should be booked by 5pm the day before the auction HSBC Bank, 32 Bridge St., Evesham, WR11 4RU begins. Lines are booked on a first come first served Account No.: 51655345 basis. Full name, address and telephone numbers will be Account Name: Kingham & Orme Auctioneers Ltd required together with proof of identity. Banl and/or Sort Code: 40-20-27 credit/debit card details are necessary to secure the line. IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for Live Internet Bidding international bank payments. Register online via the saleroom.com, invaluable.com and easyliveauctions.com. Various charges apply, please check with your bidding platform.

Condition Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale). 4

CONTENTS

DAY 1 and Plate 1 – 207 and 208 – 282 Militaria and Coins 283 – 306 Works of Art and Metal 307 – 398 Glass 399 – 453

DAY 2 Oriental Ceramics and Works of Art 454 – 479 Books 480 – 485 Pictures 486 – 522 Furniture and Clocks 523 – 537 Continental Ceramics 538 – 550 Moorcroft 551 – 720 Art Pottery 721 – 783 British Ceramics 784 – 910 DAY ONE 6

SILVER AND PLATE

1. A Ukranian silver Kiddush cup, Kiev cicra 1890, bulbous form on baluster stem and stepped foot, engraved with alternating architectural and foliate cartouches, 13cm high, 3.05ozt £100 - £150

2. An Iraqi silver model of a horse, realistically modelled with one leg up, 12cm long, 5.80ozt £100 - £150

3. A Persian metal sprinkler bottle, 19th century Kutch, footed spherical form with knopped and tapered neck, and floral nozzle, embossed and etched with foliate scrolls and rosettes, 26cm high, 6.31ozt £60 - £100

4. A Chinese export silver tray, Zeewo, Shanghai circa 1930, circular planished form with bamboo moulded rim, on three hemispherical feet, 38cm diameter, 43.56ozt £900 - £1200

5 9 5. A 19th century Chinese export silver vinaigrette, circa 9. A monumental Japanese silver bowl, Meiji, circa 1880, 1884, cast and chased in relief with Oriental figures in garden squat ovoid form with conical foot an everted ogee rim, the outer landscapes to each side, within foliate borders, the grille pierced with shell heavily embossed in high relief with naturalistic irises in a watery lotus flower, 3.2cm long, 0.90ozt £500 - £800 landscape of plank walkway and gates, double walled, signed, 41cm diameter, 24cm high, 202.55ozt £2000 - £3000 6. A Chinese export silver rosewater sprinkler, MK, Canton circa 1890, the spherical body on a knopped cylindrical foot, 10. A pair of Portuguese silver beakers, Joaquim Prudêncio embossed and chased with peonies, below a slender blade knopped Vital Dinis, circa 1812-52, plain cylindrical form, gilt interiors, tapering neck engraved with foliate lappets, surmounted by a bird, 8.5cm high, 10.70ozt (2) £400 - £500 wings spread, standing on a flower head, 38cm high, 10.92ozt £350 - £400 11 . A 19th century Portuguese silver goblet, Lisbon circa 1840, the rounded bowl embossed and chased with foliated C scroll and 7. A matched set of four Chinese export silver napkin rings, floral decoration, on a sweeping foot, gilded to the interior, 14cm Wank Hing, Hong Kong circa 1900, each with applied character high, 6.96ozt £200 - £300 marks to the outside, 5.63ozt (4) £140 - £180 12. A Dutch silver snuff box, 1900, rectangular section bombe 8. A large Japanese silver box, Meiji, circa 1900, cushion form, embossed in relief with a hunting scene to the sides, the lid with topped cuboid form, etched and engraved with naturalistic bamboo a farm view within C and S scroll border, the base with allegorical on a textured ground, gilded to the interior, stamped marks USF, mother and child scene, gilt interior, 8cm long, 6cm wide, 2.76ozt Sterling, 23cm wide, 8cm high, 15cm deep, 33.02ozt £150 - £200 £900 - £1200 13. A set of Dutch silver fish eaters, 1915, single cast knives and forks, with dog nose terminals, and poppy head four tine bowls, 21cm long, 16.53ozt (12) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 7

14. A 19th century Dutch silver tea caddy, import marks 19. A Viennese silver gilt and enamelled small ewer, pedestal Samuel Boyce Landeck, Sheffield 1899, rounded lozenge section, moonflask form, decorated to each side with 18th century courting embossed in low relief with putti working in a country house garden, scenes, on red ground with gilt trellis and scroll decoration, marked between foliate scroll borders, 9cm high, 3.20ozt to foot, 11cm high, 2.68ozt £400 - £500 £30 - £50 20. A 17th century Norwegian silver gilt spoon, Johan 15. A Dutch silver tea caddy, cuboid form with hinged lid, Schluter, Bergen circa 1630, the pear shaped bowl with chased flame embossed with rural scenes and putti, within foliate scroll and shell decoration, on a moulded pilaster with twisted square section stem borders, gilded to the interior, 8.5cm wide, 9.5cm high, 5.5cm deep, and ball finial, 13.5cm long £1000 - £1200 4.83ozt £100 - £150 21. An 18th century German silver beaker, rounded cylindrical tumbler form with incised concentric bands to the rim, gilt interior, 4.5cm high, 1.91ozt £400 - £500

22. An 18th century German silver beaker, Wertheim, rounded conical tumbler form with incised concentric bands to the rim, gilt interior, 5cm high, 2.34ozt £400 - £500

23. An early 19th century German silver gilt tea caddy or sugar box, Johann Ludwig Gerike, Berlin circa 1815, chamfered cuboid form, applied with relief cast motifs of putti between lappets, on four lions paw feet, the lockable lid with reclining, 15cm wide, 8cm high 11cm deep, 14.23ozt £400 - £500

24. A matched pair of German silver novelty swan pin cushions or salts, Martin Mayer, circa 1900, realistically modelled, stamped marks 925 and 800, 6cm long, 0.98ozt (2) £70 - £100

25. A Continental silver and glass swan bowl, E Ltd., London import marks 1981, cut glass body and pierced embossed wings, 16 hinged, 10.5cm high £70 - £100 16. I E Morozov, an Imperial Russian silver tea accoutrement set, PJS, St Petersburg circa 1900, including tongs, caddy spoon, strainer and fork, matte finish, multi faceted and wrythen reeded stems with lobed mushroom finials, in fitted velvet lined wooden box, 5.29ozt (4) £500 - £800

26 26. A Louis XV silver and mother of snuff box, discharge mark circa 1750, modelled as a chest of four drawers, the side 17 and base panels carved with Rococo foliate cartouches on a geometric chain scroll ground, the lid with a depiction of Bruegel’s 17. An Imperial Russian silver purse, Moscow circa 1910, painting The Merchant [Pedlar] Robbed by Monkeys, 1562, signed engraved cheque decoration, silk lined, 7cm long, 2.00ozt to the reverse G A Forsman frecit, 6cm wide, 3cm high, 5cm deep £40 - £70 £400 - £600

18. An Imperial Russian silver gilt dish, IW, St Petersburg 1853, 27. A French silver gilt mounted porcelain scent bottle, JG lobed ogee section with oval centre, the centre engraved with a floral mark, cylindrical form, painted with a maiden with birds and flowers, bouquet within panels of foliate tendrils, bordered in scrolls, 28cm in a silvered ground, 5.5cm long £300 - £400 long, 13.23ozt £350 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 8

33. Tiffany and Co., a silver and enamelled box, circa 1950, the burgee flags of the New York Yacht Club and Cornelis Shields, above the yacht name Aileen, cylindrical form with cushion domed lid, gilt interior, 7cm diameter, 4.11ozt £300 - £400

28 34. Tiffany and Co., after James Scott of Dublin 1797, a revivalist silver beaker, 28. A Gallia silver plated tray, circa 1915, rounded form with everted rim, Christofle, Paris circa 1900, rectangular stamped marks, Reproduction Original by 40 twin handled form, cast with laurel festoons, James Scott, 9.5cm high, 5.85ozt husks and ribbon entwined interlocking 40. A George III Scottish Provincial borders, stamped marks 5024, retailer H £300 - £400 silver mustard spoon, Alexander Decugis, 45cm long, 19cm wide Cameron, Dundee circa 1818, Fiddle £30 - £50 35. An American silver tea caddy, Pattern, gilt bowl, 12.5cm long, 0.46ozt Towle, Newburyport, MA, circa 1930, £20 - £40 footed shouldered beaker form with domed lid, in the Neoclassical style, marked sterling 41. A collection of George III and 7462, 12.5cm high, 5.60ozt later English Provincial silver condiment £200 - £300 spoons, Exeter makers and dates 1812 to 1875, including Kings Pattern, Fiddle and 36. A George III provincial silver Bright Cut, mustard and salt, 13.5cm long, beaker, George Ashforth and Co., 3.40ozt (7) £30 - £50 Sheffield 1794, conical form, with gilt interior, 8.5cm high, 3.62ozt £30 - £50 29 29. , a French silver box, Paris circa 1960, relief moulded engine turned rattan weave design, invisible hinge and seam, with button and sprung lid, signed, 9cm x 5cm x 1.5cm, 3.47ozt £200 - £300

30. A Swiss silver and enamelled cigarette case, Achef, circa 1930, plain hip fitting cushioned square form with oval vignette of courting couple in guilloche and painted enamel, gilt interior, 8.5cm, 6.61ozt 37 42

£400 - £450 37. A George III Irish silver coaster or 42. A Gibraltarian Colonial silver gaming counter tray, William Bond, teaspoon, Francesco Ramayon, Gibraltar Dublin 1789, plain form with reeded rim, circa 1830, Fiddle Pattern, 14cm long, 9cm diameter, 1.45ozt £120 - £180 0.52ozt £30 - £50

38. A pair of George III English 43. A George III Provincial silver Provincial silver salt spoons, Jason Holt of ladle, David Crawford, Newcastle 1779, Plymouth or Joseph Hicks, Exeter circa Old English Pattern, 36.5cm long, 4.43ozt 1784, Old English pattern with oval bowl, £200 - £300 10cm long, 0.56ozt (2) £20 - £40 44. George III and later silver spoons, 39. William IV and later Scottish silver various dates and makers, London 1812,

condiment spoons, William Forrest, Exeter etc., Fiddle pattern teaspoons and 31 Edinburgh 1829, Peter Arthur, Glasgow salt spoons, 4.40ozt £30 - £50 31. An Italian cold painted silver 1831 and D C Rait, Glasgow 1868, model of a red crested pochard duck, R including Old English Beaded, Fiddle and 45. A George III Irish silver ladle, Miracoli, Milan circa 1980, realistically Shell and Half struck Kings Patterns, 12.5cm John Power, Dublin 1806, Fiddle Pattern, modelled and coloured, incised name long, 2.48ozt (5) £20 - £40 34cm long, 6.81ozt £250 - £300 Fistione Turco (Netta Rufina), 11cm long, 3.64ozt £300 - £350 46. A matched set of six George III and later silver tablespoons, various 32. After Paul Revere, an American dates and makers, 1807 to 1833, Old Revivalist silver bowl, Marcus and Co., English Pattern, 22.5cm long, 11.78ozt (6) New York circa 1920, planished and £80 - £120 footed, ‘copied form Revere’, 15cm diameter, 9.84ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 9

47. A set of six early Victorian silver 63. A George III silver fish slice, dessert spoons, Charles Lias, London William Eley and William Fearn, London 1844, Old English Pattern, 17.5cm long, 1803, Old English pattern, the lozenge 7.40ozt (6) £40 - £70 shaped blade with reticulated lattice, 28.5cm long, 3.91ozt £80 - £120 48. Two pairs of George V and 64. A collection of George IV and later Elizabeth II silver egg spoons, William Hutton, Sheffield 1926 and James Dixon silver flatware, various makers and dates, and Sons, Sheffield 1974, Kings Pattern, including Old English pattern teaspoons, Fiddle pattern table forks, Queen’s pattern 12.5cm long, 3.94ozt (4) £30 - £50 spoon etc., 17.00ozt £100 - £150 54 49. Four George IV silver salt spoons, 65. A pair of George III silver William Eaton and William Fearn, London 54. Four matched George III silver tablespoons, converted to berry spoons, 1822, William Chawner, London 1829, salt spoons, Josiah and George Piercy, circa 1760, the bowls embossed with fruit, Adey Bellamy Savory, London 1829, and London 1815 and 1817 and Thomas etched to the stems with vines, 20.5cm long, London 1825, including Kings, Queen’s Wilkes Barker, London 1820, Kings 4.27ozt (2) £40 - £70 , Kings Husk and Fiddle, Thread and Hourglass pattern, with gilded bowl, Husk Heel patterns, 12cm long, 3.86ozt (4) including a pair, 11.5cm long, 3.46ozt (4) 66. A George III silver meat skewer, £30 - £50 £40 - £60 Richard Crossley, London 1793, plain form with simple terminal, 25.5cm long, 50. A matched set of ten George III 55. A collection of George III and 2.15ozt £80 - £120 and later silver egg spoon, various later silver teaspoons, including a set of London makers and dates 1816 to circa six Victorian Onslow pattern spoons, Josiah 67. A pair of George V silver vases, 1883, Fiddle and Thread pattern, 12.5cm Williams and Co., London 1885, feathered Walker and Hall, Sheffield 1921, footed long, 7.46ozt (10) £50 - £80 bowls, together with Fiddle Pattern, Old ogee square section fluted trumpet form English etc. 14.5cm long, 8.40ozt with serpentine rims, together with an Art 51. Victorian silver condiment and £50 - £80 Deco style caster, weighted, 18cm high (3) egg spoons, various maker and dates, £80 - £120 London 1840 to 1867, Victoria, Albert and 56. A pair of George IV silver serving 68. A large Victorian silver plated tray, Lily patterns, including salt and mustard spoons, John Meek London 1827, fiddle James Dixon and Sons, oval galleried form spoons, 13.5cm long, 3.60ozt (5) pattern, 22cm long, 3.88ozt (2) with reticulated quatrefoil trellis border and £30 - £50 £40 - £60 twin handles, on six winged lions paw bracket feet, the centre etched and bright 57. Two George III silver table spoons cut with Neoclassical interlocking garlands, converted to berry spoons, Solomon 70.5cm long £80 - £120 Hougham, London 1808 and Christopher and Thomas Wilkes Barker, London 1800, 69. A Victorian silver plated biscuit embossed and gilded bowls, engraved box, Henry Hobson and Son, Sheffield, handles, 21.5cm long, 4.06ozt (2) Neoclassical cuboid form, engraved with £80 - £120 floral garland swags suspended from ribbon bows and festoons, the integrated shallow 58. A set of twelve George V silver tray with egg and dart border on four ball coffee spoons, William Suckling Ltd., and feet, 18cm high, 17cm wide,

Birmingham 1936, shouldered oval bowls 15cm deep £80 - £120 52 on slender stems, 9.5cm long, 2.53ozt (12) 52. Four pairs of George III and £60 - £80 Victorian silver egg spoons, George Smith II, London 1796, John Williams, 59. A George III silver ladle, George Exeter 1882, Samuel Hayne and Dudley Smith III, London 1783, Old English Beaded Cater, London 1845 and Henry Wigfall, pattern, 34cm long, 4.98ozt Sheffield 1879, including Old English, Old £150 - £200 English Beaded, Fiddle Thread and Shell and Louis XV patterns, 13cm long, 4.69ozt 60. A William IV silver ladle, William (8) £30 - £50 Theobalds, London 1832, double struck Fiddle and Shell pattern, 32m long, 9.45ozt 53. A matched set of seven George III £200 - £300 and later silver salt spoons, various makers including William Eley and William 61. A George III silver ladle, Duncan Fearn, London dates 1806 to 1846, Fiddle Urquhart and Naphtali Hart, London 1792, and Thread pattern, two pairs, the three by Old English with shell moulded bowl, 70 Eley and Farn engraved with Royal arms or 34.5cm long, 5.58ozt £200 - £250 70. An Elizabeth II silver gilt and crests within Garters, 11.5cm long, 4.85ozt plastic toilet bottle, Asprey and Co., (7) £40 - £70 62. A George III silver ladle, Hester London 1954, the fluted cuboid container Bateman, London 1787, Old English encased within a gilded cage with pattern, 34.5cm long, 4.48ozt reticulated cast foliate corners and a screw £250 - £300 cap, 10cm high, 6.5cm wide, 4cm deep, original box £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 10

71. An Edwardian silver easel back 78. A George V silver cigarette case, 83. A Victorian silver plated and cut mirror, Henry Matthews, Chester 1905, Joseph Gloster Ltd., Birmingham 1923, glass claret jug, the tapered body with embossed and reticulated foliate scroll rectangular hip form, with engine turned bands of engraved floral and foliate stems design on a red velvet backing, central stripe design, 9cm long, 3.93ozt between hobnail and octagonal mitre cut vacant cartouche, 52cm x 34cm £30 - £50 cheque panels, bright cut mount with cast £100 - £150 grape vine and acanthus scroll handle, 79. A Victorian silver salt cellar, Henry 30.5cm high £50 - £100 Holland, London 1877, squat cauldron form, embossed with floral and foliate garlands, gadrooned rim, on three lions paw feet, together with a George III silver and mother of pearl butter knife and a Victorian silver spoon, 7cm diameter (3) £30 - £50

72 84 72. An Elizabeth II novelty silver milk jug, Peter Nicholas and Co., London 1989, 84. A Victorian silver and cut glass churn form with pulled lip and a cast figure Betjemann’s patent spirit decanter, of a cat peering over the edge forming the 80 George Betjemann and Sons, London handle, 8.5cm high, 4.43ozt £40 - £60 80. A pair of 18th century gilt stork 1897, the square section hobnail cut flask and baby ribbon threaders, modelled as within a lockable cage with angled ear 73. A George V silver photo frame, a bird on a tortoise, scissor action, opening handle, 25.5cm high £150 - £250 Mappin and Webb, London 1916, oval to reveal a swaddled child, 10cm high, form, engine turned barley design, wooden 1.42ozt £150 - £200 easel back, opening 13.5cm x 10cm, overall 15.5cm x 12cm £30 - £50 81. A Victorian silver hip flask, Henry Adams, Birmingham 1864, shaped oval 74. A Victorian silver jug, William form, screw cap and integrated gilt lined Hutton, London 1884, oval barrel form, half beaker, 10cm long, 3.29ozt £350 - £400 fluted below band of embossed foliate scrolls and bright cut rim, gilt interior, 7.5cm high, 2.35ozt £30 - £50

75. A Victorian silver water jug, James Dixon and Sons, Sheffield 1891, oval barrel form, two thirds reeded, below a foliate scroll embossed band, ebony handle and finial, 20.5cm high, 13.39ozt £80 - £120

76. A Victorian silver photo frame, Deakin and Francis, Birmingham 1898, rectangular form, reticulated and embossed C scroll and floral design, Moroccan leather 85 backing and easel support, opening 85. A Victorian silver mounted etched 13.8cm x 10cm, overall 18cm x 13cm glass claret jug, Robert Hennell, London £40 - £60 82 1858, the moonflask body with vine leaves 82. A Victorian silver mounted claret and grapes, the pierced collar with ogee 77. A Victorian white metal child’s jug, Thomas White, Birmingham 1899, the vignettes, engraved and relief moulded whistle rattle, embossed with foliate scrolls body moulded in the form of a stylised duck foliated and bead drops, 22cm high and five bells, 7cm long, 0.94ozt or club head, raised lattice decoration, with £100 - £150 £40 - £70 ring and cork stopper, 18cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 11

91. An early Victorian silver castle top card case, Nathaniel Mills, Birmingham 1838, reticulated and embossed in low relief with a castle to each side, Windsor and Warwick, between pierced foliate scrolls, 10cm x 7cm, 2.60ozt £700 - £900

86 95 86. An early Victorian silver wine label for Malaga Seco, William Knight II, 95. A George V silver and enamelled London 1845, of scrolled cartouche form, vesta case, Horace Woodward and Co., embossed in relief with foliate swags and Birmingham 1916, slimline cushioned shells, engraved, suspended on a rolo rectangular form with black and white chain, 6cm wide, 4cm high, 0.52ozt portrait plaque, 5.5cm wide, 1.45ozt £80 - £120 £250 - £300

87. A set of six Victorian silver gilt 96. A George V silver double figural bottle stoppers, AP, London 1898, 92 sovereign case, Aaron Lufkin Dennison, Birmingham 1912, plain cushioned form, modelled as Cries of London characters, 92. An early Victorian silver castle top 9.5cm long, in later fitted case (6) 6cm long, 1.17ozt £150 - £200 spectacles case, Nathaniel Mills, £600 - £700 Birmingham 1846, embossed in low relief with a castle to each side, Windsor and 88. A George III silver wine funnel, Warwick, between chased foliate scrolls, Samuel Whitford, London 1807, plain 12cm x 6cm, 2.03ozt £700 - £900 tapered form with ribs to the neck, the strainer with cast shell thumbpiece, 17.5cm 93. An early Victorian silver castle top long, 6.10ozt £500 - £600 and page turner, Taylor and Perry, Birmingham 1842, engraved with a view of 89. A George III silver vinaigrette, York Minster, within a scrolling foliate Matthew Linwood, Birmingham 1810, cartouche, embossed acanthus terminals, rectangular form with bright cut and chased 25cm long £300 - £400 decoration, the central wreath within a speckled sunray ground and bead border, the gilded grille of reticulated design, the reverse with central rosette cartouche, 4.2cm x 3.2cm, 0.88ozt £220 - £280

90. An early Victorian silver castle top basket, Nathaniel Mills, Birmingham 1845, embossed in high relief with an image of 97 Windsor Castle, within chased foliate scroll 97. A Victorian silver and enamelled and floral ground, swing handle, 14cm vesta case, Sampson Mordan, London diameter, 2.39ozt £500 - £800 1886, cuboid form, the face with motto in champleve enamel ‘In me a [match] you’ll 94 always find’, 4.2cm long, 0.69ozt £300 - £400 94. An early Victorian silver gilt and coral fork, William Fountain, London 98. A pair of George V silver photo 1839, the nautical trident tines emanating frames, Mappin and Webb, London 1920, from a cast and chased seaweed mount on rectangular form, engine turned, with natural coral handle, 15.5cm long wooden easel backs, opening 15.5cm x £200 - £300 8.5cm, overall 18cm x 11cm (2) £50 - £100

99. A George V silver photo frame, 91 Mappin and Webb, London 1920, rectangular form, engine turned pin stripe design, leather back, opening 17.5cm x 11.5cm, overall 21cm x 15cm £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 12

100 104

100. A set of four William IV silver salt 103. A collection of twelve Victorian and 110 . A matched Victorian and cellars, Edward, Edward junior, John and later silver napkin rings, various dates and Edwardian silver three piece tea set, J William Barnard, London 1836, pedestal makers, plain and engine turned designs, Sherwood and Sons, Birmingham 1900 and squat campana form with embossed and circular, rectangular and oval forms, 1905, lobed and reeded lappet form, 19cm chased overhanging foliate rim, 10.25ozt (12) £70 - £100 long, 13.75ozt £250 - £300 naturalistically modelled as leaves and flowers, the foot similarly decorated with 104. A George III silver jug, Thomas 111 . A George II silver mug, Gabriel textured lappets and reeded flutes, gilded to Heming, London 1765, footed baluster Sleath, London 1730, cylindrical baluster the interior, 12cm diameter, 22.37ozt (4) form, reeded rim and ogee domed hinged form, on stepped foot, with ear handle, £800 - £1200 lid, with rattan handle, 28cm high, 22.1ozt 9.5m high, 6.68ozt £500 - £600 £600 - £700 112 . A George III silver six division 105. A Victorian silver tankard, Charles toast rack, Rebecca Emes and Edward Stuart Harris, London 1895, footed baluster Barnard, London 1820, the double tear form with acanthus ear handle, 14cm high, wirework dividers with central foliate ring, 10.66ozt £180 - £220 the gadrooned border on shell and foliate bracket feet, 16.5cm long, 8.42ozt 106. An Edwardian silver tankard, Adie £250 - £300 Brothers, Birmingham 1902, octagonal faceted barrel form, with angled ear handle, 113 . Three silver topped glass jars, 11.5cm high, 11.19ozt £300 - £400 including an Edwardian silver topped cut glass pot, Adie & Lovekin Ltd., London 107. A large George V silver cigar 1902, embossed foliate scrolls to the lid, box, and and two German 950 silver lids, plain Company, London 1918, plain cushion domed with cork lid seals, 7cm diameter (3) 101 topped cuboid form, cedar lined interior £30 - £50 with gilt lid, 23cm wide, 10cm high, 101. A Victorian silver gilt basket, F B 15.5cm deep £750 - £850 114 . A George III silver jug, George Thomas and Co., London 1879, Smith and Thomas Hayter, London 1794, Neoclassical reticulated rounded oval form 108. A Victorian silver cigar case, John pedestal ogee urn form, on square foot, on four helix and hoof legs, relief moulded Harris, London 1855, plain rectangular with rat tail handle, 15cm high, 3.09ozt with laurel swags, acanthus lappets and cushion form, gilt interior, with the crest of £120 - £150 rams head masks, 16cm wide, 12.5cm Milnes Gaskell, 12.5cm long, 5.96ozt high, 11.71ozt £280 - £350 £240 - £280 115 . A Victorian silver vesta case, William Summers, London 1877, cushioned 102. An Elizabeth II silver Armada 109. A Victorian silver coffee pot, oval section rectangular form, with fluted dish, William Comyns, London 1989, William Ker Reid, London 1853, octagonal bands, push button action and cast gold engraved with presentation inscription section baluster form, engraved to each monogram, 6cm long, 1.04ozt Anglia News Chase Towcester, 15cm panel with foliate scroll cartouches, £80 - £120 diameter, 5.54ozt £30 - £50 alternating with falconers, 26.5cm high, 28.36ozt £550 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 13

116 . An Elizabeth II silver handled 123. A Victorian silver bell, Holland, 129. A Victorian silver and cut glass walking stick, W I Broadway and Co., Aldwinckle and Slater, London 1901, the mustard pot, James Barclay Hennell, London 1985, the crook end relief moulded ogee bowl on a naturalistic vine and lead London 1877, the facet cut shouldered as a fox eating a pheasant, mounted on a open handle, 11.5cm high, 5.35ozt body with basket weave moulded lid, 9cm hickory shaft, 87cm long £40 - £60 £300 - £400 high £30 - £50

117 . An Edwardian silver teapot, 124. Two Victorian silver and cut glass 130. A Victorian silver and glass Walker and Hall 1903, footed spherical mustard pots, Thomas Bradbury and Sons, mustard pot, Hukin and Heath, London form, with wavy rim and conical spout, Sheffield 1848 and Mackay and Chisholm, 1887, cylindrical form, wrythen fluted body stamped date mark only, 22.5cm long, Edinburgh 1859, one with lens cut body, and flat top lid with shell thumbpiece, 8.70ozt £50 - £80 both with cast foliate finials, 12.5cm high 5.5cm high £30 - £50 (2) £40 - £60 118 . An Elizabeth II silver pin dish, 131. An Edwardian silver multifunctional Carrs of Sheffield, Sheffield circa 2000, 125. A Victorian silver reticulated compact card case, William Neale, Armada form, 12.5cm diameter, 3.27ozt mustard pot, John Evans II, London 1855, Chester 1908, cushioned rectangular form, £20 - £40 cylindrical form, pierced with foliate scroll opening to reveal a gilded interior, one side decoration, S scroll handle, blue glass liner, with two hinged compartments, the other 119 . A pair of Victorian silver salt 6.5cm high, 2.73ozt £120 - £180 with hinged mirror opening to reveal an cellars, Nathan and Hayes, Chester 1897, aide memoire and card holder, 8.5cm x twin handled boat form, embossed with 6.5cm, 6.90ozt £250 - £300 floral and C scroll decoration, 9.5cm long, 1.85ozt (2) £30 - £50 132. An Edwardian silver bridge box, Stuart Clifford and Co., London 1910, plain 120. A Victorian silver squeeze action cuboid form with domed lid and applied tobacco box, William Summers, London lettering Bridge, lined with Moroccan leather 1892, oval pebble form, gilt interior, 9.5cm to the interior, 19.5cm long, 5cm high, 8cm long, 2.87ozt £150 - £200 deep £40 - £70

121. An Edwardian silver novelty pin 133. An Edwardian silver rose bowl, cushion, Spurrier and Co., Birmingham Charles Stuart Harris, London 1902, footed 1905, in the form of a pig, 8.5cm long 126 hemispherical form with incised horn scrolls, and denticulated c scroll and head £150 - £200 126. A Victorian silver novelty mustard rim, on gadrooned foot, 20.5cm diameter, pot, John Batson, London 1880, in the form 20.60ozt £150 - £250 122. Jenner and Knewstub, a Victorian of a pig, hinged back and gilt interior, 8cm silver and enamelled etui, Henry William long, 3.15ozt £800 - £900 134. A Victorian silver salver, Joseph Dee, London 1868, in the form of an egg, and Albert Savory, London 1851, circular screw form with red guilloche and blue form, cast with foliate scroll ogee border, enamel stripes and motto tria juncta in uno, etched with a floral and foliate wreath and containing a gilt double spool and a inscription, on three cast shell bracket feet, thimble, 5.5cm long, 1.76ozt 26cm diameter, 19.75ozt £150 - £250 £120 - £180

127 127. A white metal mustard pot, 19th century, reticulated cylindrical form with panels of foliate scrolls, the flat top with shell thumb piece, S scroll handle, blue glass liner, 7cm high £20 - £30

135 128. Two Victorian silver and cut glass mustard pots, Edward Barnard and Sons, 135. A George II Old Sheffield Plate London 1845 and Samuel Hayne and tankard, circa 1755, conical form with Dudley Cater, London 1859, one with ribbed bands and S scroll handle, with chased foliate decoration to the ogee baluster bracket thumbpiece and teardrop domed lid, 13cm high (2) £30 - £50 terminal, turned wooden base, 16cm high £40 - £60 123

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 14

138. A Charles II silver porringer, Abraham Hinde, London 1676, cup form, with cast S scroll handles, the body repousse decorated with acanthus lappets to the base, 19.5cm wide, 8.68ozt £2000 - £2500

139. A George II silver bowl, Humphrey Payne, London 1728, footed, rounded form, later embossed with wrythen fluting and chased floral scrolls, gilt interior, 11.5cm diameter, 6.81ozt £400 - £500

140. A pair of George III silver salvers, Thomas Chawner, London 1784, navette form, with beaded borders, on beaded bracket feet, engraved crests within cartouches, 20.5cm long, 19.72ozt (2) £800 - £1200

136 136. A George I silver teapot, Timothy Ley, London 1726, spherical pear form, footed, with conical spout, fruitwood handle, 22cm long, 12.57ozt £2500 - £2600

141 141. A pair of George II cast silver candlesticks, John Cafe, London 1750, ogee moulded and stepped petal form, on turned baluster and lobe knopped stems, with removable sconces, 20cm high, 31.14ozt (2) £2000 - £2500

142. An 18th century silver snuff box, WH makers mark only, the rectangular lid embossed with Dido and Aeneas, within a foliate scroll 137 border, on a form body, 7cm long, 5,5cm deep, 2.35ozt £250 - £300 137. A Queen Anne silver chalice, James Goodwin, London circa 1710, the conical bowl on a ball knopped stem and stepped foot, makers mark only, 10cm high, 3.45ozt £1200 - £1500

138 143

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 15

143. A Queen Anne silver beaker, Seth Lofthouse, London 1705, 149. A pair of George III silver sauce tureens, Abraham wide conical form with everted rim,10cm high, 10cm diameter, Peterson, London 1800, Neoclassical twin handled pedestal boat 6.10ozt £1500 - £1800 form, on oval feet, rat tail loop handles, and urn finials, 24cm long, 36.20ozt (2) £1400 - £1500 144. A George IV silver mug, William Knight II, London 1829, conical form with bands of reeding, angled ear handle, 8cm high, 4.30 £180 - £220

145. A collection of George III and later silver, including table spoon, cigar box silver handled knives, napkin rings, etc. £30 - £50

146. A George VI silver topped glass box, Padgett and Braham Ltd, London 1939, engine turned with foliate borders, gilt interior, the glass cut and engraved with floral boughs, 11.5cm wide, 5cm high, 9cm deep, silver weight 3.65ozt £80 - £120

147. An Elizabeth II silver photo frame, Mappin and Webb, Sheffield 2006, plain rectangular form, easel back, in box, opening 25cm x 19.5cm, overall 29.5cm x 24.5cm £120 - £180

150 150. A George V commemorative silver ship model, William Comyns, London 1927, realistically modelled as an Elizabethan galleon in full sale, with three decks of canon, rigging and figures, on wooden plinth with presentation plaque for the SS San Claudio from the Eagle Oil Transport Co. Ltd., 54cm long, 49cm high £3000 - £5000

148 148. An Elizabeth II silver Hanukiah, Alexander Smith, Birmingham 1956, traditional eight branch form, on square base and octagonal section bowed stem, surmounted by a star, with a removable 9th light branch, 26.5cm high, 9.63ozt £300 - £400

151 151. A large Victorian silver salver tray, Hunt and Roskell, late Storr, Mortimer and Hunt, London 1850, circular ogee rimmed with shallow reticulated gallery entwined with cast foliate vine, the plate engraved with a foliated scroll wreath, on four pierced C scroll bracket feet, 47cm diameter, 93.23ozt £3000 - £4000

149

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 16

152. A Victorian silver goblet, Fenton 163. An Edwardian silver inkstand, Brothers, Sheffield 1878, the tulip bowl on Goldsmiths and Silversmiths Company, a beaded knop stem, engraved with ferns, London 1904, the central fluted glass bottle vacant cartouches, 15cm high, 4.16ozt with flat oval hinged lid, within a £180 - £220 denticulated oval tray with lobed scroll handles on squat bun feet, 19cm long, 153. A Victorian silver christening set, 5.27ozt £150 - £250 Edward and John Barnard, London 1866, including goblet, knife, fork and spoon, 164. A Victorian novelty silver tea each etched and engraved with husk and caddy, Stevenson and Law, Sheffield 1899, foliate cartouches and bands, in a velvet in the form of a bowling pin, inscribed for lined fitted box, 7.07ozt £500 - £600 the Leek Central Liberal Club, 20.5cm high, 8.90ozt £500 - £600 154. A pair of Edwardian silver candlesticks, James Dixon and Sons, 165. A pair of George III silver sauce Sheffield 1904, octagonal section Tuscan boats, Charles Hougham, London 1786, column form, on square stepped and fluted ogee ovoid tongue form, on three stepped bases, 14cm high, weighted (2) hoof and foliate fluted feet, open acanthus £250 - £300 S scroll handles, 17cm long, 12.19ozt (2) £600 - £700 155. A very large George V silver mounted glass match striker, Birmingham circa 1927, spherical form, ribbed, 13cm diameter £150 - £180

160 156. A pair a of Victorian silver reticulated baskets, Charles Stuart Harris, 160. A George V novelty silver cigar London 1893, serpentine edged boat form, table lighter, Grey and Co., Chester 1923, pierced with diaper lattice and embossed modelled as a hunting horn, 20.5cm high, laurel garlands below a beaded rim, the 3.73ozt £140 - £180 base with alternating C scrolls, on four shell cast bracket feet, 15cm long, 11.44ozt (2) 161. A pair of Victorian Hanau silver £420 - £480 interlocking beakers, import marks for Sheffield 1896, the rounded bowls on 157. A Victorian silver novelty cruet, cylindrical bases, embossed and chased George Fox, London 1877, the mustard with ribboned festoons of fruit, the stems and pepper pots in the form of barrels, in a etched and edged in egg and dart borders,

George II style stand with S scroll handle, inscribed, 17cm high combined, 6.93ozt (2) 166 10cm long, 6.32ozt £180 - £220 £300 - £400 166. A silver gilt glass lined cream pail, 158. A Victorian silver christening set, in the 18th century style, apparently Aaron Hadfield, Sheffield 1848, including unmarked, flared basket form, open wire plate, spoon, fork and knife, each etched construction with cast foliate and floral with foliate scrolls and a central wreath of boughs, below a gadrooned rim, the twisted flowers to the plate, in fitted case, 7.79ozt swing handle with crest to the underside, (4) £250 - £300 11.5cm high to handle, 2.55ozt £150 - £200

162 162. A George III silver tea caddy, Henry Chawner, London 1797, straight sided lobed or reeded oval form, bright cut decorated with floral swags below foliate 167 and garland lappet border, the stepped and ogee domed lid with urn finial, 17cm high, 159 167. A Victorian silver and enamelled 16.20ozt £1000 - £1200 bookmark or letter clip, John Millward 159. A George III silver mug, Joseph Banks, London 1897, the terminal with a Steward, London 1793, footed baluster red heart, 11.5cm long, 1.17ozt form, later embossed with C scrolls and floral garlands, 11cm high, 4.65ozt £230 - £260 £220 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 17

168. A pair of George VI silver menu 172. A Victorian silver jug, Holland, holders, Vander and Hedges, London Aldwinckle and Slater, London 1899, 1937, cast in the form of pheasants on baluster form, embossed and chased in the foliated branches, 7.5cm high, 4.08ozt (2) Persian Kutch style with foliate scrolls £600 - £700 punctuated by birds and flowers, between geometric and floral bands and a C scroll 169. A Victorian silver tea caddy, handle, gilded to the interior, 12.5cm high, Horace Woodward and Co., London 1891, 7.91ozt £160 - £180 footed spherical form with domed lid, heavily embossed and chased with foliate 173. A George IV silver hot water jug, scroll decoration, gilt interior, 13cm high, Richard Sibley, London 1822, angled 6.00ozt £350 - £400 baluster form, half reeded, the rim gadrooned and the spout cast with acanthus 170. A pair of Victorian silver pepper fronds, fruitwood handle and finial, 21.5cm high, 31.55ozt £600 - £700 pots, Josiah Williams and Co., London 177 1897, footed cylindrical form, embossed and chased to the lower halves with 174. Two Victorian silver Revivalist 177. An Arts and Crafts silver Hovis scrolling tendrils and floral fronds, below a condiment spoons, George Unite, cup, Bravingtons, London 1931, pedestal raised rope twist band, the lids pierced, Birmingham 1871 and 1872, salt and ogee urn form with two S scroll foliate 10cm high, 3.60ozt (2) £100 - £150 mustard, each hand engraved and chased handles, applied with a relief moulded cast in the Mannerist style, 12cm long, 0.68ozt plaque of the Hovis emblem within a heart £20 - £30 shaped cartouche, 20cm high, 16.23ozt £280 - £350 175. An silver overlay glass trivet, probably American circa 1900, 178. Omar Ramsden, an Arts and circular form, with open foliate tendril and Crafts silver dish, London 1935, circular floral decoration, 15.5cm diameter planished form with applied ogee foliate £60 - £80 handle and moulded lip, presentation inscription, 10.5cm diameter, 4.70ozt 176. Liberty and Co., an Arts and £500 - £600 Crafts silver and enamelled photo frame, Birmingham 1919, rectangular form, 179. An Arts and Crafts silver plated studded with alternating floral rosettes and butter knife, James Dixon and Sons, blue enamel bosse cabochons, Sheffield circa 1910, in the Art Nouveau easel back, opening 21cm x 15cm, overall style, the pierced foliate terminal with 171 27cm x 20m £1600 - £1700 sinuous spear head and floral motifs, 14cm long £20 - £30 171. A George II silver reticulated basket, Henry Brind, London 1744, ogee rimmed oval form, footed with everted rim, embossed with laurel festoons over a pierced floral and fluted body, gadrooned to the edge, the swing handle similarly decorated with fretted fishscale design, on an openwork geometric and quatrefoil lattice foot in the Chippendale Chinoiserie style, 16cm long, 6.94ozt £300 - £400

172

176

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 18

180. An Arts and Crafts silver five piece tea and coffee set, Elkington and Co., Birmingham 1901, footed baluster form, embossed with bands of waves punctuated by stylised poppy head motifs, and rope twist handles, including kettle on stand, coffee pot, teapot, jug and bowl, stamped number 18863, 121.5ozt £3600 - £4000

181 181. Omar Ramsden, an Arts and Crafts silver spoon, London 1922, planished with cast shamrock and scrolling tendril terminal, 16cm long, 1.59ozt £450 - £550 180

183. Omar Ramsden, an Arts and 185. A set of six Art Nouveau silver Crafts silver spoon, London 1920, buttons, import marks Robert Freiderich, planished and cast with geometric scrolls to London 1902, each cast with a maiden’s the stem, terminating in a bunch of grapes head within entwined tendril and feathered suspended from a Celtic knot, surmounted frond cartouche, 2.5cm diameter, 0.95ozt by stylised vine leaves, the back with rat tail (6) £100 - £150 spine and scrolls to bowl, 16.5cm long, 1.70ozt £450 - £550

182 182. A pair of Arts and Crafts silver spoons, Goldsmiths and Silversmiths Company, London 1905, the circular ogee rimmed bowls on double cast rope entwined zoomorphic stems, punctuated by lion’s head roundels, surmounted by winged Viking heads and ships in full sail, 17.5cm long, 4.21ozt (2) £250 - £350

184 186 184. Kate Harris for William Hutton and Sons, an Arts and Crafts silver box, 186. An Arts and Crafts silver photo Birmingham 1902, bell form, the hinged lid frame, J Aitkin and Son, Birmingham 1908, cast in the Art Nouveau style with a foliated the circular glass within a wooden backed woman suspended within a knotted lattice embossed square section cartouche of ogee cartouche, 7.5cm wide, 2.24ozt topped pilaster and bracket feet with Art £300 - £500 Nouveau style flowers, easel back, opening 9cm diameter, overall 16cm x 14.5cm £80 - £120 183

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 19

193. A Norwegian silver server, Magnus Aase, Bergen circa 1930, reticulated foliate and stylised floral handle with Nordic coronet terminal, 19.5cm long, 2.10ozt £70 - £90

194 194. Johan Rohde for Georg Jensen, a pair of Danish Secessionist silver Konge (Acorn) salt or pepper pots, model 423, circa 1930, multi sided trumpet form, planished, with relief moulded leaf and berry domed tops, bayonet screw caps to the underside, marked pre 1945, 3.5cm high, 1.01ozt (2) £80 - £120 189 195. A set of six French silver plated knife rests, the demi lune 187. An Arts and Crafts Iona style segmented ends with incised decoration, Henry Matthews, Birmingham silver cruet, united by square section bars, 8cm long (6) 1912, pedestal ogee form with cast bands £60 - £80 and roundels of Celtic knots and zoomorphic scrolls in the manner of Alexander Ritchie, including pepper pot, salt cellar and mustard, 8.5cm high, 5.32ozt (3) £50 - £100

188. W A S Benson, an Arts and Crafts silver plated teapot, circa 1890, electroplated and , squat ogee bowl form, with faceted spout and turned wood finial, the ear handle with rubber insulating pads, variation of model 692, 25.5cm long £70 - £100

189. Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts

London 1904, the planished 191 silver bowl, 196 dish supported on three cast seahorses, on 191. Kate Harris for William Hutton, an a domed foot, embossed and etched with Arts and Crafts silver and gilt bell, 196. A French Art Deco silver plate writhing dolphins in an agitated sea, on Chester 1911, in the form of a flower, the and Macassar teapot and sugar bowl, three cushioned pads, 15cm diameter, handle of sinuous tendril design, 15.5cm circa 1930, straight sided flattened 9.5cm high, 8.82ozt £2500 - £3000 high, 21.71ozt £1000 - £1500 hexagonal form, with stepped escutcheons and chamfered lozenge section . finials, angular handles, the interiors gilded, 190 Guild of Handicraft, an Arts and 192. A silver plated photo Crafts silver spoon, London 1956, stamped marks, tea pot 18cm high, sugar frame, pilaster and pediment form, box 16cm long (2) rectangular section seal top, rat tail, 14cm embossed with flowers and heart motif long, 1.28ozt £60 - £100 tassels, easel back, opening 14.5cm x Note: the streamlined cubist form was 9.5cm, overall 20.5cm x 14cm pioneered by French designers and makers £50 - £80 such as Jean Despres, Jean Puiforcat and Adolphe Boulenger, under the influence of fine artist working in Paris for a decade prior. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 20

200. Asprey and Co., a novelty silver 203. Stuart Devlin, a Modernist silver plated cocktail shaker, Hukin and Heath, gilt surprise egg, London 1972, textured, model 3447, in the form of a hand bell, opening to reveal a frog and lily pad, stamped marks, 28.5cm high numbered 24, 7.5cm £150 - £250 £600 - £800

197 197. An Art Deco German silver beaker, Wilhelm Binder, circa 1925, rounded cylindrical form with an embossed band of oval beads and pellets, 8cm high, 1.51ozt £30 - £50

201 201. Napier and Co., an Art Deco silver plated novelty cocktail shaker, circa 1945, in the form of a cockerel or rooster, the spherical body with applied wings and strap tail handle, the lid in the form of the head, with cork seal, and inner 204 198 strainer, stamped marks, 24cm high 204. A Modernist silver and enamelled £400 - £600 198. A set of five Art Deco silver vase, MP, Spanish circa 1960s, footed casters, NS, Birmingham 1938, stepped baluster form, decorated with abstract floral conical form, including two pairs of salt and motifs, in orange on a speckled green and pepper pots, and a sugar shaker, weighted, white flecked ground, stamped marks, 18cm high (5) £250 - £300 21cm high, 8.29ozt £70 - £100

199. An Art Deco German silver gilt 205. Georg Jensen, a Modernist silver and enamelled blotter, circa 1930, the gilt and enamelled spoon and fork set, rectangular plate with yellow guilloche Denmark 1980, each with champleve enamel within blue bands, 12cm long, enamel daisies to the terminals, cast marks 4.40ozt £300 - £350 RA AB, 15cm long, 2.74ozt (2) £60 - £80

202 206. Carl Henning Pedersen for Anton Michelsen, a Danish Modernist silver gilt 202. A Modernist silver and wooden and enamelled spoon, July 1974, the bowl, DBF, Birmingham 1978, the concave terminal with champleve guilloche enamel dished ring supported on a turned mixed in red and blue, stylised foliate and specimen wood stand, incised to the motif, 16cm long, 1.43ozt £40 - £60 midsection, 10.5cm diameter, 5.5cm high, silver weight excluding base 3.28ozt 207. A Modernist silver commemorative £40 - £60 napkin ring, Asprey and Co., London 1969, for the Investiture of the Prince of Wales, cast in relief with a crown, banner and flags, over three ostrich feathers, in fitted box, 4.2cm diameter, 1.19ozt £40 - £70

200 203

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 21

JEWELLERY AND WATCHES

218. A Modernist 9 gold bangle, Birmingham 1974, bark textured and engraved with entwined leaf motifs, 6cm diameter, 30.5g £200 - £300

219. Three gilt military Firmin buttons converted to jewellery, mounted on 9 carat gold bar and a ring, marked, 6.5cm long (3) £30 - £50

220. A 9 carat gold, and seed 208 pearl bar , the alternating stones in 229 a wreath form, 7cm long, 3.6g £30 - £50 208. An 18 carat white gold and 229. A Chinese carved and reticulated diamond ring, wedding band form set with , on gold suspension, oval a channel of ten stones, approx. size K, form with bird and flowers, 4.5cm long 6.6g £300 - £400 £40 - £60

209. An 18 carat white gold and 230. A pair of gold and diamond diamond solitaire ring, approx. 0.8 cluster drop , graduated old cut carats, size K, 4.5g £1350 - £1500 stones suspended on chain links, replacement simulated pearl to one, 2.5cm long £300 - £500 210. A 9 carat gold white and blue stone ring, navette form, approx. size J, 2.5cm long £60 - £80

211. A pair of diamond stud earrings, in 18 carat white gold, approx. 2.5mm 221 diameter £200 - £300 221. Two 9 carat gold and pearl brooches, each in the form of a wreath with 212. An 18 carat gold wedding ring, leaves and white , one on a bar, 5cm facet cut hobnail and leaf decoration, long, 4.9g £40 - £60 approx. size L, 3.3g £40 - £70 222. Two Imperial Russian silver and 213. A 22 carat gold wedding ring, gold egg , the silver example set approx. size L/M, 3.3g £60 - £80 with a sapphire in a textured body, the gold

mounted chrysoprase stone stamped to the 231 214. Three 9 carat gold rings, including loop, 2cm (2) £60 - £80 wedding bands, approx. sizes J to M, 8.7g 231. Carl Edvard Bolin, an Imperial (3) £70 - £100 223. A string of graduated pearls, Russian gold diamond and pearl ring, pinkish white colouration, 2mm to 5.5mm circa 1915, in the Secessionist style, the old 215. A 22 carat gold wedding ring, diameter, 43cm long £80 - £120 cut in an asymmetrical geometric approx. size L/M, 2.9g £50 - £80 millegrain setting, around a central pearl, 224. A double string of graduated 2.5cm, approx size J 1/2, in original box 216. A 22 carat gold wedding ring, pearls, with yellow metal clasp, possibly £3000 - £5000 approx. size K 1/2, 1.9g £40 - £60 natural, 2mm to 5mm diameter, 36cm long £100 - £150

225. A graduated pearl , with 14 carat white gold clasp, knotted, 2mm to 8mm, 48.5cm long £80 - £120

226. A coral necklace, graduated beads, on gold clasp, 42cm long £40 - £70

227. An Imperial Russian gold and

enamelled cross pendant, on a gold 217 chain, 3cm long, 5.5g £80 - £120 232 217. A 22 carat gold wedding ring, approx. size K 1/2, 3.8g £60 - £80 228. A suite of Jade jewellery, including 232. Bolin (attributed), a 14 carat gold and ring, rectangular plaques and diamond brooch, naturalistic floral £40 - £70 form, the stamens set with brilliant cut diamonds, 4cm long, 14.2g £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 22

233. A 15 carat gold and enamelled 241. Two 9 carat gold brooches, one of RAF Warrant Officer sweetheart modernist feathered design, the other with brooch, with safety chain, 5cm long filigree reticulated leaves, 4cm long, 9.6g £80 - £120 (2) £80 - £120

234. A 9 carat gold and enamelled 242. A 19th century yellow metal and RNAS sweetheart brooch, with white fob seat, engraved with “Save metal Royal Navy anchor, flanked by Air my” and an image of an envelope, 2.5cm Service wings, 6cm long £100 - £150 high £30 - £50 233 235. A 9 carat gold and enamelled RAF sweetheart brooch, with safety chain, 5.5cm long £60 - £80

236. An 18 carat gold, diamond and Royal Navy and Merchant Services sweetheart brooch, with diamond encrusted nautical crown, 5cm long £300 - £500

237. A 9 carat gold and enamelled 243 234 Blues and Royals sweetheart brooch, crowned garter and laurel spread eagle, 243. An early 19th century yellow Royal Horse Guards and 1st Dragoons, metal and smoky fob seal, 3.5cm long £80 - £120 intaglio engraved with the arms and crest of Astley, 2.5cm long £30 - £50

244. A 9 carat gold aide memoire, J C Vickery, circa 1919, silk lined, 9cm x 4.5cm £60 - £80

245. An Arts and Crafts South African 235 diamond and sapphire double drop necklace on 15 carat gold, circa 1905, the asymmetrical bars of rose cut and cut stones with pear shaped drops, suspended from a cushion stone, 4.5cm long, chain 42cm long, 5.8g £1500 - £2000

238 246. Jewellery including 9 carat gold 238. A George IV gold and enamelled gem set rings, gold heart locket, silver mourning ring, the central black enamel and bangle £50 - £80 236 band with Gothic letters, between relief moulded foliate borders, inscribed inside 247. 9 carat gold including two cross Emma Louisa Dyson died September 9th pendants on chains, chain necklace, chased 1823 aged 23 years, approx. size J 1/2, and an 18 carat gold cufflink, 5.6g £80 - £120 19.1g £100 - £200

239. A gold, turquoise and diamond 248. A 22 carat gold wedding ring, ring, approx. size H, 1.8g £20 - £40 approx. size J 1/2, 1.7g £30 - £50

249. Four 9 carat gold rings, including signet rings, one set with bloodstone, 24.4g (4) £150 - £200

250. A 9ct gold sapphire and pearl bar brooch, and three other examples. (4) £120 - £140

251. A Wedgwood and gold mounted 240 pendant, circular jasperware plaque within an open scroll wirework border 240. A yellow metal and set £200 - £300 brooch, in the form of a salamander, 237 6.5cm long, 5.2g £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 23

252. A diamond set yellow metal 260. Liberty and Co., an Arts and gypsy ring £120 - £180 Crafts silver and enamelled pendant, William Hair Haseler, Birmingham 1908, 253. A pair of 18 carat white gold and interlocking quatrefoil design in blue and diamond cufflinks. £80 - £120 green, 4cm long £80 - £120

254. A 9ct gold oval miniature frame, beaded border and hanging loop £180 - £220

255. A Modernist 9 carat gold pendant 267 on chain together with a chain , the circular pendant of rusticated lattice 267. Charles Horner, an Arts and form, 1.5cm diameter, chain 44cm long, Crafts silver and enamelled hat pin, 3.6g £30 - £50 Chester 1909, in the form of an Egyptian scarab, blue and green enamel, head 3cm 256. A late Victorian oval cameo wide £50 - £100 brooch depicting harp player and putti, 261 within a wire twist frame. £80 - £120 261. Theodor Fahner for Murrle 257. A Norwegian silver gilt Bolesolje Bennett and Co., an Arts and Crafts or ring brooch, filigree and stud decorated silver brooch, the central turquoise stone with six cylindrical rosettes, 8cm diameter, cabochon set within an open tendril and 1.68ozt £80 - £120 stylised thistle setting, stamped marks, 3cm £150 - £200

262. Charles Horner, an Arts and Crafts silver and enamelled brooch, Chester 1919, open stylised axe head form in the Jugendstil style, turquoise and blue 268 champleve enamel, 4cm long, the chain 46cm long £120 - £180 268. Child and Child, an Arts and Crafts enamelled brooch, circa 1905, the blue and green turquoise guilloche enamel set with a diamond and two pearls, backed in gold, marked, 4cm long £300 - £500

258 269. Andreas Daub, a Modernist silver 258. An Arts and Crafts silver and brooch, reticulated and rusticated shards, enamelled brooch, in the Art Nouveau stamped marks, 4.5cm long £20 - £40 style, the three petals in blue and green enamel, around a maiden’s head with open 270. An 18 carat gold gents tendrils, 3cm diameter £80 - £120 263 chronograph , 4cm wide £40 - £60 263. An Arts and Crafts silver and enamelled brooch, CV and Co., in the 271. A 9 carat gold Smiths gents form of a butterfly, with central mother of wristwatch, silvered dial, subsidiary seconds pearl plaque, 3.5cm wide £50 - £80 dial, manual wind, circa 1950 £50 - £80

264. An Arts and Crafts silver and enamelled pendant, Smith and Ewen, Birmingham 1909, in the form of an ogee petal flower, with green cabochon drop, green pink over blue enamel, 4.5cm long, chain 42cm long £100 - £150

265. A Jugendstil silver and plique a jour enamelled pendant, open circular form with purple enamel, set with mother of 259 pearl and seed pearl, suspended on two chains, stamped 900, 5cm long, chain 259. An Arts and Crafts silver and 42cm enamelled pendant, ogee trefoil drop £80 - £120 form with oval lightning strike enamel 272 266. James Fenton, an Arts and Crafts plaque, between turquoise cabochons and Birmingham 272. A 14 carat gold Auguste Ericsson a natural pearl below, 6cm long, the chain silver and enamelled brooch, 1908, lobed ogee cartouche form with fob watch, the white enamelled dial with 48cm long £120 - £180 foliate fronds of blue enamel and green subsidiary seconds dial, 3.2cm diameter lozenge, 3cm £80 - £120 £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 24

273. A German silver , 289. , Probus, Antoninianus, Schild Freres and Co., gilt face with MILITARIA Salus standing right feeding snake, billon subsidiary seconds dial, in a textured Tetradrachm, Eagle left LB, and a similar slimline case, 5cm diameter £40 - £70 AND COINS example; Constantine I, three bronze Follis, Sol standing holding globe, another two soldiers 274. A 9 carat gold Marvin automatic 283. A silver topped Military Police holding spears and shields with two standards wristwatch, champagne dial, on later swagger stick, Birmingham 1952, cap with between them, another Roman castle camp- gate, two AE3; Crispus, two bronze Follis, laurel strap, 3.6cm wide £100 - £150 regimental insignia and malacca shaft, 71cm long, together with a Royal Engineer’s wreath enclosing VOT X, another PTR Globe officer’s swagger stick, white metal cap with set on altar inscribed VO/TIS / XX; Constans I, 275. A Cartier ladies Tank wristwatch, regimental insignia and birch shaft, 6cm bronze Follis, VOT / XX / MVLT / XXX SMALA; , original box and papers long (2) £30 - £50 Constantius Gallus, bronze Follis, Siscia mint, £900 - £1200 soldier left, holding shield and spearing falling 284. A George V silver mounted horseman (12) £30 - £50 276. A Salvador Dali Softwatch malacca military presentation baton, wristwatch, gold plated on green leather presented to Lieut A Whiteley, 1st 290. Henry III, silver Penny 1251-1272, strap, Swiss quartz movement, box and Portsmouth RFR Battalion May 1921, 92cm silver Penny 1248; Edward I, three silver papers, 4.8cm long, together with a stainless long £30 - £50 Halfpennies 1509-1547, silver Penny, silver steel Fishbone watch (2) £40 - £60 penny (S.1386), silver Farthing 1279-1300 (S.1445); Edward IV silver Half Groat (9) 285. Trafalgar interest, a keel section 277. A ladies Rotary wristwatch on 9 £80 - £120 block of oak reputedly from HMS carat gold link strap, 1.6cm wide, 20.2g Temeraire, ante 1805, broken up in 1838,

£80 - £120 paper label attached, 30cm long 291. Henry VII, two silver Half Groats 1485-1509, silver Testoon (S.2253); Henry 278. A 9 carat gold ladies Hamilton Provenance: John Beaston, ship breaker at VIII, silver Half Groat 1544-1547 (4) Rotherhithe; Harry Burrows RMLI 1914-18; wristwatch, on gold foxtail chain bracelet, £30 - £50 manual wind, 2cm wide, 14.5g thence by descent £250 - £350 £70 - £100 292. Mary I, two silver Groats (1553- 1554), crowned bust left, rev. Royal Arms quartered by long cross, three silver Groats (5) £70 - £90

293. Elizabeth I, six silver Sixpences, 1594, 1572, 1562, 1561-1571, 1561- 1577, 1590, silver Threepence, 1569, silver hammered Shilling 1582-1600 (8) £80 - £120

294. James I, two silver Shillings, 1604- 1619, 1620-1624, silver sixpence 1604; Charles I, two silver Shillings, 1645-1646; Charles II, silver hammered Threepence, 286 copper Halfpenny 1680, (7) £80 - £120 286. Elizabeth II Territorial Efficiency Decoration with Territorial top bar, 295. Charles I, Siege of Scarborough unnamed as issued but dated 1956, (1644-1645) obsidional coin, silver together with Elizabeth II Coronation Medal, replica of Two Shillings, Scarborough castle and a mounted miniature group including with S and II below, reverse engraved 'OBS a 1939-1945 Star, the Burma Star, the Scarborough 1645' £100 - £150 and Germany Star, the Defence 279 Medal, the War Medal 1939-1945, the 296. William III, copper Halfpenny Coronation Medal, and the Territorial 279. Alfred Dunhill, a Unique silver Efficiency Decoration, also with a medal 1700-1701, second issue; George I, plated pocket lighter, vertical ribs, lever ribbon bar, parachute badges, Royal copper Farthing 1724; George II, silver arm, 22395, 6.5cm long £40 - £70 Marines buttons, various metal badges Sixpence 1757; George III, silver Shilling 1787, copper Cartwheel Penny 1797 (5) £30 - £50 280. 18ct gold and glass cylindrical £50 - £70 perfume flask £180 - £220 287. First World War medal pair: 297. Victoria, silver Sixpence 1594, Sapper W Davies, Royal Engineers; British sixth issue, silver Shilling 1893, silver Half 281. A 9 carat gold propelling pencil, War Medal and Victory Medal (82372 SPR Crown 1900; George V, Florin 1928, Half Chester, tubular form, 7.1g £50 - £80 W DAVIES RE), together with framed group Crown 1925, 1930 (6) £80 - £120 of British regimental badges £30 - £50 282. A 9ct gold cigar piercer 298. India - Princely States, Ranjit £80 - £120 288. Rome, Sabina, wife of Singh, Sikh Empire, silver Rupee, 2 silver Hadrian, silver Denarius A.D. 117-138, draped bust right, rev. Juno standing l. coins and 4 others (9) £50 - £70 holding patera and sceptre £20 - £30

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 25

299. Tokens, Burford Æ farthing 1653, 303. Italian States, Ferdinand IV of shield bearing the grocers' arms, · IOHN· Naples, silver 120 Grana 1790, bare WORKS OF ART SINDRIY · · *, rev. ·S· above I·E in centre, head right, verso shield of the Two Sicilies; R. OF· BVRFORD· 1653, Edinburgh copper together with French silver 1/10 Ecu 1778 AND METAL Halfpenny 1791, St Andrew standing (2) £40 - £60 holding saltire cross and looking right, rev. 307. An 18th century French gold Edinburgh Coat of Arms beneath anchor (2) 304. France, I, silver 2 mounted tortoiseshell snuff box, the lid £20 - £30 Francs 1812, bare head right, verso value with a glazed painting of a village circus within wreath; together with two silver 5 performance, within rope twist borders, 300. Dutch Republic, silver 1 gulden Francs 1840 and 1876, 1 Franc 1858, 50 stamped marks, 7.5cm diameter 1720, Crowned arms dividing value, rev. Centimes 1856, 1/4 Franc 1828 (6) £1000 - £1200 Dutch virgin; 25th Anniversary of the Reign £30 - £50 of King Wilhelm II, silver 3 Mark 1913, 308. An 18th century Bilston enamel Uniformed bust of Wilhelm II facing right, 305. Great Britain silver coins, George snuff box, modelled in relief as a coiled rev. eagle with a shield on its breast (2) II Sixpence 1757, George III Shilling sheep on grassy tuft, the lid painted with floral £20 - £30 1817, George V Florin 1936, three bouquet, 6cm diameter £1000 - £1500 Threepence 1913, Sixpence 1929, Australia 301. A silver bullion coin Shilling 1914 and Sixpence 1912, George 309. An 18th century Biltson enamel 1998, together with a Mexico 25 pesos VI two Sixpence 1940 and 1944 (11) snuff box, modelled in relief with a resting Olympics coin 1968 (2) £20 - £30 £30 - £50 dog on a cushion, the lid with stylised floral sprigs on a gingham type ground, 6cm x 4cm 302. Spanish Mexico, Ferdinand VII, Provenance: DM & P Manheim, New York, silver 8 Reales 1809, armoured laureate label and collectors stickers to interior bust right, verso shield with 4 part crest; £1000 - £1200 together with Spanish Philip V silver 1 Real 1731, Seville (2) £50 - £70 310. An 18th century French gold mounted tortoiseshell snuff box, the lid with a glazed portrait of a woman at a keyboard, 8cm diameter £200 - £300

311. An 18th century French gilt metal mounted tortoiseshell snuff box, the lid with a glazed portrait of a woman, 7.5cm diameter £250 - £300

306 312. An 18th century gilt metal 306. Dassier’s Medals of the mounted ivory and tortoiseshell snuff Sovereigns of England, 1797, a boxed set box, the lid glazed and painted with a 303 of 34 bronze medals with portrait bust and Romantic landscape after Claude, 8cm tombs verso, fitted in a tooled leather case, diameter £200 - £300 with original brochure of the date £300 - £500 313. An 18th century Bilston enamel patch box, modelled in relief as a resting stag on grassy tuft, the lid painted with floral bouquet, 4cm long £500 - £700

307 313

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 26

314. An 18th century Biltson enamel snuff box, modelled in 321. λ A mid-18th century Jacobite related straw work fan with relief with a parrot and fruit, the lid painted with floral sprigs, 4.5cm paper leaf painted with a military encampment and an elegant lady, diameter £800 - £1200 fan in hand, being received by an officer, most likely Prince William, Duke of Cumberland also Marquess of Berkhamstead, Earl of 315. An 18th century Bilston enamelled pounce pot, footed Kennington, Viscount Trematon and Baron Alderney (Great Britain, baluster form, painted with a parkland landscape and a floral 1726), below a sign inscribed ‘Valliant Troop’, circa 1746, the ivory bouquet, within foliate cartouches, 9cm high £200 - £250 sticks set with painted and inlaid straw-work and mother of pearl, the head of the sticks and guards carved to form a shell, Prince William, Duke of Cumberland is best remembered for his role in putting down 316. An 18th century ivory and gold mounted toothpick box, the Jacobite Rising at the Battle of Culloden in 1746, which made oval form, the lid set with a glazed allegorical painting of Terpsichore, him immensely popular throughout Britain, he is often referred to by within a gold frame, opening to reveal a velvet lined interior with the nickname given to him by his Tory opponents: ‘Butcher’ mirror, 9cm long £150 - £200 Cumberland, 27cm long (contained in a black shagreen case) £3000 - £5000 317. An 18th century ivory, cut steel and gold mounted toothpick box, navette form, the lid set with a glazed painting of a 322. λ A late 18th century miniature Chinese Canton carved boy with bow, within facet cut bead borders, opening to reveal a ivory painted brisé export fan (中國象牙扇), possibly made for a velvet lined interior with mirror, 9cm long £150 - £200 child, circa 1790, the front guardstick carved in relief with birds and flowers, the upper area of the sticks finely carved with wild beasts, insects and birds, below this, the whole central area hand painted with a scene of a young couple promenading, to one side cupid firing his arrow at them from his bow, all within a gilt border, 12cm long (boxed) £600 - £800

323. λ A Chinese mid-19th century Qing dynasty Cantonese ‘thousand faces’ mandarin export fan (中國象牙扇), the colourful paper leaf, painted recto and verso with a multitude of courtiers and scholars in interiors, with applied ivory faces and silk fabric robes, having deep carved and pierced ivory guards superbly carved in very high relief, the sticks similar but in low relief, with silk tassel on suspension loop, contained within its original fitted gilt lacquer box which retains the original interior glass lid and is lined with silk and similarly painted to the leaf, 28cm long £800 - £1200

324. λ An 18th century ivory fan, the ivory sticks and guards carved, pierced, silvered and gilt, the leaf brightly hand painted with 318 a classical scene of a lady in elegant attire having an audience with her king, the verso with hand painted floral sprays, 25cm long 318. A micro mosaic plaque of the Temple of the Dioscuri, £200 - £300 Rome, inlaid in red hardstone, 2.5cm x 2cm £80 - £120

325. λ A mid 17th century large ivory and vellum European 319. λ An unusual 19th century Japanese ivory and gilt fan painted with various musicians in a landscape, along with exotic lacquered brise fan, both sides similarly decorated in various tones flying birds, circa 1660, the ivory guards and sticks carved and of fine gold lacquer work with scenes of daily life, with oriental figures pierced, the sticks being threaded through the lower section of the in a landscape, this fan is smaller than those normally associated with leaf, the verso with flowers contained in ‘architectural’ containers, the this type of work and also has only one ribbon hole per stick, these fan comes with various written communications between a former traits are more commonly found in Chinese fans of the period, 20cm owner and Helene Alexander, founder of the Fan Museum long (boxed) £1000 - £1500 Greenwich, in which she confirms the date and significance of this scarce mid-17th century fan and suggests a possible link to the Grand λ 320. An 18th century articulated ivory fan, the ivory sticks and Dauphin Louis of France (1 November 1661 – 14 April 1711), eldest guards finely carved, pierced, silvered and gilt, each of the upper son and heir of Louis XIV, King of France, and his spouse, Maria guards with a roundel under glass containing an articulated figure, Theresa of Spain, 31cm long (boxed) £4000 - £6000 each worked by a hidden lever, the front guard has a female figure who raises her hand upon which there is a small bird, the rear guard 326. λ An early 18th century ivory fan, circa 1740, with carved has a gentleman, who, when the lever is operated, raises his hat to and pierced guards and sticks, all profusely inlaid with the finest of his face, the leaf which is mounted ‘a l’anglaise’ depicts a scene of intricate silver pique work, the skin leaf mounted ‘a l’anglaise’ and Aeneas carrying his aged father from Troy, the verso with a simple painted with a scene of David the humble shepherd and talented sketch of a plinth, along with what appears to be an old price ticket, musician, presenting the head of the Philistine Goliath to King Saul 27cm long (boxed) £1500 - £2500 of Israel, two children amongst the entourage carry Goliath’s own sword with which David had beheaded the giant, numerous flowers to the verso, typical of early 18th century fans, 28cm long £1000 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 27

319 320

321 322

323 325

326 327

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 28

328 329

330

331

327. λ An early 18th century ivory fan, circa 1730, with carved 330. λ A late 18th century Chinese Canton carved ivory and pierced ivory guards and sticks, the painted leaf depicting a export brisé fan, each guardstick carved in relief with six Chinese country dance scene, the guards are carved with a single female figures, the reverse of each with four of the eight immortals, the sticks figure and foliate scrollwork and shells, with mother-of-pearl carved in relief with oriental figures and scholars and scenes of daily thumbpiece and tip, the sticks similarly carved and pierced across the life to one side only, the upper sticks are carved with individual figures entire monture, the double paper leaf is hand-painted with an elegant in various pursuits, below this is a with carved fish and dragons couple dancing to the tune of a seated piper, all three in fine attire, chasing a flaming pearl, to the centre is a cartouche with further all bordered by alternating green and red swags, the verso with a numerous figures including an elder holding a baby and a figure delightful scene of fabulous birds including peacocks, 27cm long being pushed in a carriage, 16cm long (boxed) £500 - £700 (boxed) £1000 - £1500 331. λ A Victorian ivory brisé fan painted on eighteen sticks 328. λ An 18th century ivory fan, circa 1760, with elaborately by Albert Durer Lucas (1828 - 1919), signed and dated 1877 and carved and pierced Chinoiserie guards and sticks, the sticks with two entitled ‘The Ships Of Old England’, depicting various iconic British panels containing Chinese figures, the guards carved in the historical figures including Kings, Admiral Lord Nelson, Britannia etc. Chippendale style with a single Chinese figure and foliate scrollwork, and the ships through the ages, including HMS Victory, the the leaf mounted à l’anglaise and hand-painted with a rural guardsticks and lower sections of the sticks painted with various scene of travellers on horseback seeking accommodation, the verso seashells and floral specimens, ivory suspension loop with silk tassel painted with an angler on a bridge, with floral border, 28.5cm long and finger loop, 21.5cm long £1000 - £1500 £200 - £300 332. A boxed set of Victorian gilt and chased dress buttons, 329. λ An early 18th century fan with Chinese ivory sticks and including 14 large coat buttons and six smaller, each with naturalistic guards, circa 1700, the Cantonese guard’s clouté with floral motifs, marked Extra Superb and Extra Superior, 2.2cm and mother of pearl, gilt and lacquered, the monture similarly decorated, 1.3cm diameter (20) £80 - £120 the double leaf is hand painted in bright colours with a biblical or mythological scene, possibly Moses and Aaron before the Pharaoh (Exodus 7-11), the verso painted with a multitude of beautiful flowers typical of these early fans, 29cm long £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 29

333. A 19th century French gilt brass 338. An early 19th Century 350. A pair of mother of pearl and and paste set mirror, bevelled oval form, crystoleum, ‘Britannia Lamenting the Death white metal lorgnettes. £30 - £50 tooled and chased with ribbon and floral of her late King George III ..... ‘ published boughs, bordered with red and yellow facet and painted by W B Walker, London, 25cm 351. A large collection of brass and cut beads, surmounted by a bow, easel x 35cm, mount covering part of image, bronze servants’ bells, various sizes, back, 31.5cm high £100 - £150 framed £50 - £80 spring mounted £400 - £500 339. A Victorian woolwork picture with central portrait of Queen Victoria, flanked by British Empire, French, American, Russian, and Italian flags, in a curtained and floral border, 43cm x 55cm £20 - £30

340. A Victorian woolwork picture, central portraits ‘HRH The Princess of Wales’ and ‘HRH, The Prince of Wales’, flanked by flags and of the British Empire within a curtain frame, 31cm x 41cm, framed £30 - £50

341. A pair of watermark prints 352 commemorating the 1935 Silver Jubilee, King George V and Queen Mary, in 352. A silver mounted hunting whip by sectional stained glass border within metal Swaine and Adeney, London, 1978, frames, 34cm x 25cm (2) £20 - £30 leather bound with antler horn hook end and detachable leather lattice whip and red 334 342. A Victorian sepia photograph rope tassel, 238cm long £60 - £100 printed on glass, Lady on horseback, 334. A Victorian cast bronze and 22cm x 16cm, and another, bridge in a 353. A Persian style brass and niello electrotype goblet, circa 1874, landscape, in velvet triform folding frame broad rimmed charger, the central conical form with beaded foot, relief £20 - £30 roundel of horse and cart within a band of moulded to the lower half with scenes from zodiac symbols, within a fluted inner border, Don Quixote, in the Elkington style, 343. A Victorian woolwork picture with the rim similarly decorated, 75cm diameter stamped marks, 16cm high £150 - £250 central portrait of Queen Victoria, £80 - £100 flanked by British Empire, French, American, Chinese and Argentinian flags, 30cm x 354. A gilt brass cast casket, in the 13th 35cm, framed and glazed £30 - £50 century reliquary style, lock and key, 15.5cm wide, 8cm high, 11cm deep £200 - £250 344. A silk embroidered panel, titled ‘Poetry’ depicting a young woman, 69cm x 20cm £20 - £30 355. A gilt brass girandole, 19th century, three foliate S form branches, with 345. A 19th century Millefleurie two candlesticks and a holy water vessel, woolwork carpet, central floral cartouche reticulated and cast foliate and within cream ground with acanthus scroll anthropomorphic Griffon type figures, and floral garlands within ogee frame and surmounted by an oval portrait bust of Charles V of Spain, above a bevelled oval red lined border, 263cm x 186cm 335 £40 - £60 mirror, 37cm high £150 - £200

335. A Victorian tortoiseshell tea 346. Hermes black Herbag, with dust 356. A French gilt bronze lamp base, caddy, circa 1840, break front cuboid form bag and velveteen carrier and paperwork 19th century, pedestal moonflask form with silvered stringing, opening to reveal a £150 - £250 tooled and engraved with concentric two compartment interior, on four brass ball geometric rings, cast foliate lions head feet, 20cm wide, 13cm deep, 14cm high 347. A Victorian burr oak three drawer handles, on four footed bracket base, 33cm £300 - £500 humidor, brass bound, double doors high to fitting £180 - £220 opening to reveal cedar lined drawers with 336. Early 19th Century needlepoint flush handles, 47cm wide, 31cm high, 357. A brass and black lacquered alphabet and verse sampler by Mary 30cm deep £100 - £150 three branch standard lamp, Turvill, November 1805, framed, on stand, with acanthus and foliate urn decoration, 51cm x 37cm, overall height 80cm 348. A collection of pathological 68cm high £120 - £180 £40 - £60 microscopical preparation slides, 100 glass plates, indexed and in box, including 358. E Hache, a cast bronze twin various diseases and body samples 337. A Victorian Lenticular of racing handled dish, decorated with a cavalier in jockeys, Fred Archer and J Watts, 43cm x £50 - £80 tavern scene, reticulated lion handles, 37cm 32cm, framed, and another, wide £150 - £200 349. A 19th century portrait miniature commemorating the Year of the Three 1888, depicting Wilhelm I, of a Royal Navy officer, in ebonised and gilt metal mounted frame, 6cm x 4.5cm Frederick III and Wilhelm II £20 - £30 £60 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 30

359. A gilt relief moulded gesso pricket 372. Jens Quistgaard for Dansk style table lamp, baluster cup and cover Design, a Danish Modernist teak ice design on triangular plinth base, 69cm bucket, bowed pail form, with bar handle, high £30 - £50 lid and orange liner, 39cm high £70 - £100 360. A collection of The Studio bound volumes, 15 to 19, 30 to 35, 22 and 27, General Index 1-42 £100 - £150

361. A collection of The Studio bound volumes including yearbooks 1896, 1908, 1911-1912, 1907 £50 - £100

362. An Art Deco figural marble and clock garniture, circa 1930, modelled with a seated woman and two greyhounds, 62cm long, 46cm high £450 - £500

363. Sergi Benvenuti, “Clio”, 1985, relief moulded sculptural plaque of a nude, signed, 65cm diameter, 85cm x 370 85cm overall, £80 - £120 370. Eleanor Varley, an Arts and Crafts enamelled plaque, A Dutch Family, 1923, 364. Erhard & Sohne, a Jugendstil signed with monogram, titled to label verso, rosewood and brass inlay ink stand, 12.5cm x 8.5cm, framed £200 - £300 rectangular form, the cylindrical inkwell with geometric foliate and lattice decoration flanked by two trays with reticulated galleries, the central section with feather and rosette panel and five section pen rest, 29.5cm wide, 11cm high, 18cm deep £150 - £250 373 365. A pair of Ruskin cabochon 373. Ferdinand Preiss, an Art Deco plaques, set in copper roundels, with Ivory figure Dancer, mounted on a oynx serpentine straps, green turquoise, 14cm base, 18cm high diameter (2) £50 - £80 See: page 99 Ferdinand Priess Art Deco Sculptor, The fire & the Flame by Alberto 366. A J Rowley, a pair of Arts and Shayo £500 - £800 Crafts mirrors, the top panels with marquetry inlay in specimen woods, of rural villages, within feather edged carved borders, 62cm x 32cm (2) £300 - £500 371 371. John Mainwaring, a carved yew 367. A J Rowley, two Arts and Crafts wood sculpture of a bird, modelled as a marquetry inlaid pictures, with specimen penguin with wings back, signed, 9cm high hardwoods, of rural village scenes, Sunlight £20 - £30 and Shadow and Country Lane, within feather bordered frames, titled to labels verso, 24cm x 39cm (2) £200 - £400

368. After Edward Burne Jones, a PreRaphaelite style tapestry panel, the central portrait roundel of Doringen within a trellis of alternating floral specimens, 46cm square, framed £100 - £200

369. A Pre-Raphaelite stained glass design of St Alban, depicting a knightly 374 figure with an image of Saint Albans Cathedral and oak leaves, inscribed 374. G Rischmann, a pair of Art Deco Salvation and Righteousness to the helmet bronze and marble bookends, circa and breastplate, 64cm x 48cm, framed 1930, modelled as birds, signed, 19cm £100 - £200 high (2) £40 - £70

372

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 31

381. Boston School (attributed), a champleve enamelled Arts and Crafts copper box, cylindrical form, with applied studs, the lid with stylised daisy motif, 13cm diameter £400 - £600

375 380 382 375. Georg Richard Schnauder, an Art Deco bronze, alabaster and marble 380. A W N Pugin for John Hardman 382. An Arts and Crafts copper and figure of a Harlequin woman, Kesse and Co. (attributed), a brass Thurible, enamelled cabochon box, cuboid form, Faschingsdame, circa 1925, gold painted, footed spherical form with reticulated top riveted and embossed to the lid with baton signed, 32cm high £100 - £200 half below a denticulated trefoil coronet, link border, between green turquoise internal incense burner crucible, 21.5cm enamel roundels, the central plaque painted with a woman, 14.5cm wide, 8cm high, 376. A pair of Art Deco chrome and high £40 - £70 11.5cm deep £300 - £500 blackened steel bookends, in the form of boxers, wire and spun ball form, cast N . trademark, 21cm high (2) £180 - £220 383 An Arts and Crafts copper and enamelled freedom casket, tapered rectangular section with strap corner bracket 377. Karl Hagenaueur, two Austrian feet, each end with Tudor roses, between Art Deco silvered and lacquered figures, coats of arms and monogram to each side after 1927, modelled as dancers, on flanked by swords and axes, the lid with a wooden base, 31cm high (2)£100 - £200 sunrise motif, riveted to the rim, 28cm wide, 14cm high, 14.5cm deep £1200 - £1800 378. Karl Hagenaueur, an Austrian Art Deco nickelled and ebonised sculpture, after 1927, modelled as a boat in full sail, 32cm long, 25cm high £800 - £1200 381

383

379 379. Karl Hagenaueur, an Austrian Art Deco nickelled figure, after 1927, modelled as a tennis player, 30.5cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 32

390. John William, an Arts and Crafts 397. WMF, a pair of Jugendstil silver twin handled copper vase, cylindrical plated figural candelabra, model 269 form, repousse decorated with stylised lilies and 269A, twin branched form, stamped on a planished ground, angled strap marks, 28cm high (2) £300 - £500 handles, 23.5cm high £80 - £120

391. A pair of Arts and Crafts copper lanterns, the four strapped cylindrical cage bodies, planished and embossed with teardrop motifs, below a crimped dome,

repoussed decorated with hearts, 384 suspended from a riveted and lobed four 384. John Pearson, an Arts and Crafts leaf finial, 42cm high (2) £300 - £500 copper chamber stick, 1900, repousse decorated with a wreath of floral sprigs 392. A pair of Arts and Crafts wrought within punched borders, the handle with adjustable standard lamps, Clements incised , signed, 30cm long Newling and Co., the open scroll arms on £200 - £400 tapered poles with urn finials and leaf caps, on tripod bracket feet, 163cm high (2) 385. John Pearson, an Arts and Crafts £200 - £400 hammered copper tray, repousse decorated with monkeys picking and eating 393. Arts & Crafts copper fender, fruits, dated 1898, signed and dated verso embossed with continuous trail band of and numbered 2386, 59.5cm x 43.5cm stylised tulips in the Art Nouveau style, £600 - £800 126cm wide £30 - £50

386. John Pearson (attributed), an Arts 394. Art Nouveau cast iron and copper and Crafts copper coal scuttle, the fender, arch form pierced decoration with angled lid repousse decorated with copper roundels and embossed continuous sunflower and foliate scrolls, 28cm high trail band of stylised leaves, registration £200 - £300 mark 501969, £150 - £250

398 395. WMF, a Jugendstil silver plated tray, model 290, relief moulded with an Art 398. WMF, a Jugendstil silver plated Nouveau woman with sinuous hair and and glass claret jug, trumpet form, open dress, the open handle in the form of iris whiplash and foliate handle and a leaves, 34cm diameter £300 - £500 reticulated cage stopper, cast with Art Nouveau maidens’ heads to the base, 396. WMF, a Jugendstil silver plated 38.5cm high £700 - £1000 figure of a butterfly woman, modelled leaning forward with arms and wings spread, 37.5cm long £70 - £100

387 387. Arthur Seward, an Arts and Crafts silvered copper tobacco jar, cylindrical form, planished, riveted and embossed with motto from Charles Kingsley’s Westward Ho!, There is No Herb Like it Under the Canopy of Heaven, stamped marks, 12cm high £70 - £100

388. John Williams (attributed), an Arts and Crafts copper twin handled vase, conical form, repousse decorated with stylised artichoke design, 26cm high £80 - £120

389. A pair of Arts and Crafts copper andirons, hand wrought, with repousse embossed heart shaped heads, decorated with stylised trefoil leaves, 35.5cm high, 30cm deep (2) £180 - £220 397

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 33

GLASS

399. Hale Thomson, a cased silvered 404. Hugo Wolf, a Bohemian cased 408. A 19th century Bohemian cased glass beaker, circa 1850, with gilt interior, silvered and enamelled glass vase, and enamelled glass vase, pedestal ovoid conical footed form, inset patent button, pedestal Campana form, with flowering and form, pink over opaque, painted with floral 10cm high £30 - £50 fruiting tree design, inset seal button HW, vignettes on gilt ground, between 34cm high £80 - £120 honeysuckle and foliate scroll motifs, 24.5cm high £80 - £120 405. A 19th century Bohemian cased and enamelled glass vase, shouldered 409. A Bohemian enamelled and cased pedestal form, opaque over green, painted glass bowl and cover, ovoid form, white with floral band, gilt foliate ground, over colourless, cut with alternating lens and 26.5cm high £100 - £150 mitres, within enamelled garland and C scroll cartouches, highlighted in gilt, 26cm 406. A ruby cut glass tazza, circa 1900, high £30 - £50 mounted on a baluster shaped stem and raised on circular shallow domed foot, 32.5 410. A 19th century Clichy cane stripe cm diameter, 24.5 cm high £200 - £300 glass vase, circa 1860, white, blue and colourless wrythen ribbon design, shouldered with elongated flared neck, polished pontil, 12.5cm high£100 - £200

400 400. A pair of Baccarat opaline and enamelled glass goblets, circa 1850, white opaque, painted with floral specimens on double knopped baluster stems, highlighted in gilt, polished pontils, 17.5cm high (2) £50 - £80

407 411 407. A 19th century Bohemian 411. A scrambled millefiori glass enamelled glass vase, probably Harrach, paperweight, probably 20th century, 8cm purple tinted, moonflask form on four legs, diameter £20 - £40 decorated with fish in an aquatic scene with lily pads and lotus flowers, highlighted in 412. Two millefiori cane work glass gilt, 26cm high £30 - £50 paperweights, concentric rings of multicoloured canes, 4cm diameter (2) £40 - £70

413. Thomas Webb, two Queen’s 401 Burmese glass vases and a ring tree, one 401. E Varnish and Co., a cased enamelled, acid mark and etched silvered glass pedestal vase, circa 1850, registration number to one, 13.5cm high (3) green lustre, ovoid form with everted rim, £60 - £100 inset patent button, 18cm high £100 - £150

402. Seven various glass steins, third and half litre, and silver plated mounts and lids, some inset with porcelain and dried flowers, 18cm high (7) £40 - £60

403. Three 19th century glass steins, including two half and one litre, slice cut, one with inset lid and gnome thumb piece, pewter mounted, 23cm high (3) £20 - £30 408

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 34

416. Frederick Carder for Stevens and 419. Pallme Konig, a Secessionist Williams, a triple cased intaglio cut glass iridescent glass vase, bulb necked ships vase, circa 1900, squat ovoid form with decanter form, trailed with a web of everted rim, red over yellow over colourless, turquoise over mottled lustre, 19cm high optic ribbed and decorated with a sinuous £40 - £70 wreath of flowers and trailing foliage, 7.5cm high, 11cm diameter £80 - £120

420 420. Loetz, a Secessionist iridescent Diana Cisele, circa 1899, glass bowl, 414 ribbed ovoid form, 18cm diameter £100 - £150 414. Richardsons, Stourbridge, an engraved and etched glass claret jug, circa 1880, the ovoid body carved with a bird on fruiting vine branch, the reverse with 417 butterfly and blossom, with hollow handle and stopper, on a knopped pedestal and 417. A Stourbridge intaglio cut and folded foot, 33cm high £100 - £150 engraved glass vase, probably Thomas Webb, footed conical form, realistically decorated with three poppies in different states, the foot cut with foliate fronds to the rim, apparently unmarked, 18.5cm high, 16.5cm diameter £50 - £80

415 415. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Venetian style wine glass, circa 1900, turquoise green, the bell shaped bowl on a slice knop and wrythen inverted trumpet foot, 12.5cm high £30 - £50

421 421. Loetz, a Secessionist iridescent glass and silver overlay Candia Papillon vase, dimpled bottle form with open beak spout, etched Art Nouveau style metalwork,

25cm high 418 £1000 - £1500

418. A Secessionist cut glass bud vase, 422. Loetz, a Secessionist iridescent circa 1920, elongated hexagonal section glass and silver overlay Crete Papillon with denticulated splayed foot, alternating vase, conical necked baluster form, with horizontal mitre cuts to each vertical rib, sinuous flower, 9cm high £200 - £300 20.5cm high £20 - £40

416

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 35

426. Schneider, an Art Deco mottled 430. David Hammond for Thomas glass vase, footed trumpet form, marbled Webb, a Modernist cut glass vase, circa yellow on purple foot, 19.5cm high 1950s, conical form, decorated with £50 - £80 sinuous strands and stylised five petal floral rosettes, acid mark, 20cm high £40 - £70

431. A Moser Alexandrite dichroic glass vase, circa 1957, engraved with ducks on a pond, turquoise tinted, acid mark, 20cm high £100 - £200

423 427 423. Loetz, a Secessionist iridescent 427. A Monart glass vase, shape AB, glass vase, PG 7734, circa 1898, straight necked angled ovoid form, shouldered ovoid form with dimpled sides, included orange brown over combed lustre wave decoration, 17cm high turquoise, 12cm diameter £40 - £70 £100 - £200 428. Thomas Webb and Sons and Marriott Powell for Whitefriars, an Art Deco uranium green beaker vase and a ruby red trailed glass footed bowl, the vase optic moulded with diamond design, 432 circa 1930, the bowl of ovoid form with 432. Bjorn Wiinblad for Rosenthal, a applied ribbon trailing, design number Studio Line Holdfast cut glass ice bucket, 9366, circa 1945, 16cm high (2) circa 1969, tapered cylindrical form with £20 - £40 vertical and horizontal cutting, acid marks, 14.5cm high, 13.5cm diameter £30 - £50

424 424. An Art Deco frosted glass vase, probably Loetz, circa 1925, free blown spherical form with everted rim, matte yellow, ground pontil, 19cm high 429 (one of four) £30 - £50 429. Clyne Farquharson for John Walsh Walsh, a set of Kendal cut glass bowls, circa 1935, mitre and line cut geometric arch design, 11.5cm diameter (4) £30 - £50

433 433. Michael Harris for Mdina, a glass fish vase, 1978, axe head form with blue opalescent striations and internal mottled red brown, incised marks and paper label, 22cm high £80 - £120

425 425. Johann Oertel and Co., a Haida Art Deco cameo glass vase, ogee bucket form, engraved, frosted and cut magenta over blue cased, with geometric Egyptian style design, signed in cameo, 18cm high £250 - £350 430

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 36

439. Barovier and Toso, a Murano glass vase, shouldered form, threaded and striped blue and peach spiral design, signed, 18cm high £40 - £60

440. A Sabino blue opalescent glass perfume bottle, modelled with five semi nude women, pine cone finial, signed Sabino Paris, 16cm high £80 - £120

441. Emile Galle, a cameo glass Wood Sorrel vase, and yellow over peach, footed gourd form, 12.5cm high £150 - £200

437 442. Emile Galle, a cameo glass 437. Alfredo Barbini for Cenedese, a Honesty vase, conical form, purple over Murano art glass vase, navette section frosted yellow, 14.5cm high £150 - £200 with multi coloured internal marbling, the lobed top with central aperture, 13.5cm 434 high £80 - £120 434. Geoffrey Baxter for Whitefriars, a cut glass Arctic Blue vase, model 9529, circa 1960, footed elongated bulbous form, vertical frosted mitre and line cuts, to the body, 17.5cm high £20 - £40

435 435. Geoffrey Baxter for Whitefriars, a cased glass dish, circa 1960s, square 438 section with blue centre within colourless 438. Luigi Mandruzzato, a Murano border, polished pontil, 15.5cm diameter quadruple cased Sommerso glass vase, £20 - £40 circa 1960s, multi faceted conical form, brown, yellow and blue within colourless case, 20.5cm £40 - £70

443 443. Emile Galle, a cameo glass Wisteria vase, slender necked footed bulbous form, purple over peach, 36.5cm high £500 - £800

436 436. Per Lutken for Holmegaard, a blue glass drop vase, 1955, bulbous ovoid teardrop form, incised marks, 17.5cm high £80 - £120 439

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 37

444 444. Julien Viard for Mury, a Narcisse Bleu glass scent bottle, circa 1925, heptagonal form, blue stained moulded floral design, original label, 7cm high £40 - £70

448 448. Rene Lalique, an amber and white stained Chamois glass vase, model 1075, designed circa 1931, acid mark R Lalique France, 12.5cm high £1000 - £1500

445 445. Julien Viard for Rimmel, a Yvonette glass perfume bottle, circa 1924, hexagonal section, relief moulded and gilded with stylised flowers, 9cm high £100 - £200

446 449 446. Julien Viard (attributed), two glass perfume bottles, circa 449. Rene Lalique, a green glass Gui vase, model 948, 1925, one with black stained moulded ivy motifs with paper label designed circa 1920, acid etched mark R Lalique France, 17cm high Parfum Exquis Rose, the other blue stained with black enamel, the £1000 - £1200 edges with daisy motifs, 13.5cm high £80 - £120

447. Rene Lalique, an opalescent Inseparables glass clock, model 765, designed circa 1926, square form, relief moulded R Lalique, 11cm high £1000 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 38

450

450. Rene Lalique, an opalescent Tete D'Epervier glass car mascot, model 1139, designed circa 1928, relief moulded mark Lalique France, 6.5cm high £800 - £1200

453 453. Rene Lalique, a Volubilis glass bowl, model 383, designed circa 1921, yellow amber, wheel engraved R Lalique France, 21.5cm diameter £200 - £300

451 452 451. Rene Lalique for Worth, a Rose 452. Rene Lalique, a Pan glass perfume glass perfume bottle, mode Worth bottle, model 504, designed circa 1920, Perfume 3, designed circa 1937, relief etched marks, R Lalique France No 504, moulded R Lalique France, 7cm high 13cm high £80 - £120 £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. DAY TWO 40

ORIENTAL CERAMICS AND WORKS OF ART

454. A pair of Japanese Satsuma 460. A Chinese jade carving, modelled vases, Meiji, inverse baluster form, blue as a leopard and butterfly on a leaf, 4.5cm ground with panels of Geishas in lakeside long £30 - £50 landscapes, 37cm high (2) £80 - £120 461. A Chinese jade carving, modelled 455. A Japanese Satsuma vase, Meiji, as two lions, with a fruiting branch, 7cm inverse baluster form, relief moulded with a £40 - £60 writhing dragon, painted with figures in a speckled ground, on wooden base, 34cm 462. A Chinese white jade pendant, high £120 - £180 carved with two fish, 6.5cm long £30 - £50 456. A 17th century Chinese blanc de chine figure of Guanyin, Ming or later, 463. Two Chinese reticulated jade modelled with sceptre, sitting on a rocky pendants, one carved with a moth, the outcrop, 26cm high £400 - £600 other with a bird within foliate scroll border, 7cm wide (2) £30 - £50 457. Two Chinese carved jade pendants, one modelled in relief with a 464. A Chinese carved jade pendant, Buddha in lotus flower, the other in white in the form of a goat amongst foliage, the jade as two fruits, 5cm long (2) £30 - £50 reverse with peach, 4cm £50 - £80

458. Three Chinese hardstone 465. Two Chinese carved jade seals, carvings, including a jade archers ring with both with lions to the finials, one white, archaistic scrolling clouds, a russet included 4.5cm high (2) £40 - £60 456 ink pot modelled as a zoomorphic gourd with cockerel’s head and a figure group of 466. Two Chinese reticulated jade woman next to a potted fruiting plant, 7cm pendants, one modelled as a dragon, the long (3) £50 - £80 other with entwined trumpet flowers, 5.5cm long (2) £40 - £60 459. A Chinese jade carving, modelled as a man with baskets and gourds, 4.2cm 467. A gilt wood figure of Buddha, £30 - £50 19th century or earlier, in seated pose, hands resting together, on a carved ebonised lotus base, the figure 14.5cm high, overall 29cm high £60 - £80

459

472

465

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 41

473

468. A Chinese bronze figure of a religious man on horse, 472. An Anglo Sikh war Safavid lacquer papier mache pen 20cm high £60 - £80 box, inscription inside box ‘Sikh writing case, picked up after the battle of Sobraon by Captain Oldfield and sent over to Mrs 469. An Oriental carved and gilt wood bust of Buddha, Tattershall’, oval form with sliding drawer to reveal brass inkwell, mirrored sequin head band, probably 19th century, 34cm high decorated to the top and sides with foliate design, 26cm long, 4cm £80 - £120 high, note: a Captain Oldfield served in the 5th Bengal Cavalry, who fought at the Battle of Sobraon £2000 - £3000 470. A Japanese carved bamboo cane, Meiji, decorated in the round with battling Samurai, signed, 89cm long £80 - £120 473. An early 19th century Chinese Imperial portrait of Emperor Jiaqing (嘉庆皇帝的画像), Qing dynasty from 1796 to 471. A 19th Century Japanese bronze jardinière, Meiji, squat 1820, dressed in dragon robes of the emperor, Portuguese inscription ovoid lobed form, relief moulded with carp and aquatic foliage, ‘Emperor Xiahim’, gouache on paper, 50cm x 38cm, framed 35cm diameter £100 - £200 £3000 - £5000

474. An African hardwood tribal carving, modelled with various figures carrying baskets, 27cm high £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 42

BOOKS PICTURES

480. Colonial India, a mid 19th century 486. After Benjamin West, (1738- letter to Mrs F Henderson and Lieut. Col. 1820), William Penn’s Treaty with the F.S. Hawkins C.B. Commissary General in Indians when he founded the Provence of Calcutta Bengal December 18th 1849, seal Pensylvania in North American 1681, on back, cancellation stamp on front dated Published by John Boydell, London 1775, 1849 and another on verso dated 1850 black and white , 48cm x 60cm, £30 - £50 framed £40 - £60

481. Recent Events and Present Policies 487. Joseph Pimm (1900-1972), Scenes in China, by J.O.P. Bland and E. of Birmingham, ten coloured etchings, Backhouse, including folding map of China titled, signed and numbered in an edition of and Japan, William Heinemann London, 75, 14cm x 16cm approx. (10) First Edition 1912, together with £100 - £200 475 Tomorrow’s China, by Anna Louise Strong, 475. An African hardwood club, New York 1948 (2) £60 - £80 possibly Chokwe, with bulbous head, 81cm long £50 - £70 482. The Keystone of Building service, Parker, Winder & Achurch, Birmingham 1931, Studies of Nature, by James-Henry- Bernardin De Saint Pierre, volume 3, London 1798, Costume in England. a history of Dress, by F.W. Fairholt, second edition, London 1860, Berfuch in handlungs Briefen nach den Kellertfchen Regeln, Altona 1756, The Hermit in London, by Felix M’Donogh, volumes 1 and 2, London 1821, The Royal Standard and 488 Loyal Political Register, circa 1804, Who’s 488. Gibson and Sons, Penzance, an Who in Warwickshire, Ebenezer Baylis & original black and white photograph of Son, Worcester 1934, The Holy Bible, by Hugh Town Town Hall and square, Scilly, Rev. George D’Oyly and Rev. Richard Mant, circa 1890, signed in the plate, 23cm x Volume 2, circa 1820, A Practical View of 28.5cm, framed £30 - £50 the Prevailing Religious System, by William Wilberforce, eighteenth edition, London 489. Pamela Scott (b.1937), ‘Mosque’, 1830, The Last Day, Nisbet & Co, London Limited Edition lithograph, artist’s proof, 1846 (11) £40 - £60 signed and dated 1972, 67cm, framed £30 - £50 476 483. Poetry & fiction, The Works of Peter Pindar, Volume II, printed for John Walker, 490. Pamela Scott (b.1937), ‘Mazar- 476. An Aboriginal carved wood London 1797, The Dispensary. A Poem, in High-Sharif (Afghanistan)’, Limited Edition early 19th century, incised throwing club, Six Canto’s, by Sir Samuel Garth, sixth lithograph, 18/20, signed and dated 1976, U shaped motifs with crosshatch grip, edition, John Nutt, London 1706, Poems 52cm x 92cm, framed £30 - £60 75.5cm long £100 - £200 On Several Occasions, by John Gay, volume II, H Lintot and J & R Tomson, 491. 19th Century School in the style 477. Persian School (18th/19th London 1737, original leather bindings, of J Salmon, Off the Kentish coast, century), Court Scene with Musicians, The Poetical Works of William Falconer, watercolour, 22cm x 33cm £40 - £60 gouache on paper, Arabic inscriptions on Cooke’s edition, London circa 1798, The verso, 21cm x 12cm, framed Boyhood of Great Men, by John G. Edgar, £100 - £200 illustrations by Birket Foster, George Routledge and Sons, London, The Ingoldsby 478. A Chinese bronze censer, Xuande Legends, T. and A. Constable (no seal mark, squat baluster form with relief illustrations), Poems, by Thomas Gray, moulded lions mask handles, 15cm London 1937 (7) £40 - £60 diameter, 604g £250 - £350 484. Samuel Johnson, The Rambler, 479. British Colonial School, A Duffadar Volumes One and Two, W. Locke, London of 6th Bombay Cavalry (Jacob’s Horse), 1791, leather bindings (2) £40 - £60 watercolour, monogrammed C.I.F., framed, 33cm x 18cm £300 - £500 485. John Milton, Paradise Lost, illustrations by William Blake, Lyceum Press, Liverpool 1906, hard boards with bukram spine £50 - £70

492

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 43

492. Old Master drawing (early 16th century), Pope and Cardinals, pencil drawing, 43cm x 28cm, framed £120 - £160

493. Albert Shuck (1880-1961), Still Life with Fruit, four watercolour studies after his work for Royal Worcester porcelain, 8cm x 13cm, framed (4) £100 - £200

494. Richmond Markes (act.1890-1920), HMS Achilles Steamer Off Dover, watercolour, labelled on mount, 10cm x 20cm, framed £50 - £70

495. Walter Joseph Craven (British, 1915-1973), Under Bredon, watercolour, signed, 26cm x 36cm, framed £60 - £80

496. John Greensmith (b.1932), Afternoon by a Lakeside, Picardy, watercolour, signed, 25cm x 30cm, framed £60 - £80

497. Anthony Hodge (1948-2009), La Boulangerie, oil & pastel, signed, dated June 91 verso, 62cm x 49cm, framed £100 - £150

498. Phillip Steegman (b.1903), Les Tourrettes, watercolour, 33cm x 50cm, framed £80 - £120

499. Richard Britton (b.1931), Collies and sheep in landscape, watercolour, signed, 43cm x 69cm £50 - £80

500. Peter Newcombe (b,1943), Winter Sunshine at Eastcote Northamptonshire, watercolour, signed and dated 1974, 30cm x 40cm, framed £50 - £80

. unloading the catch, 501 Frank Rouse (fl.1894-1917), 507 watercolour, 30cm x 44cm, framed £60 - £100 507. 18th Century English School, Portrait, The Hon. Holles St 502. Francis Farmar (20th century), Small Cottage, Bibury, John, Ob 1738, oil on canvas, 92cm x 71cm, framed Note: Gloucestershire, watercolour, signed and dated ‘99, 35cm x 35cm, Died in 1738 aged 30, son of Henry St John, 1st Viscount St John framed £300 - £500 and MP £2000 - £3000

503. Charles Rowbotham (1856-1921), Italian coastal scene with 508. After Murillo, The Young Good Shepherd and Immaculate figures, watercolour, signed and dated 1898, 35cm x 51cm, framed Conception, a pair of oils on canvas board, 26cm x 21cm, Florentine £150 - £200 framed (2) £250 - £350 504. George Brown (19th century), portrait of a woman in . On the Warwickshire pelisse tunic, watercolour, signed and dated 1827, 16cm x 13cm, 509 Joseph Thors (1835-1898), Worcestershire Border, oil on canvas, signed, 82cm x 126cm, framed framed £60 - £80 £1000 - £1500 505. Lionel Borla (b.1974), Jazzmen, ink on paper, monogrammed, 20cm x 20cm, framed, and a similar example, 9cm 510. Curt Agthe (1862-1943), Bathsheba, oil on canvas, signed x 32cm, framed, both with certificate of authenticity (2) £30 - £50 indistinctly verso, 112cm x 90cm, framed £750 - £900

506 511 506. Follower of William Turner (1775-1851), Norham Castle, 511. Harold Goldthwaite (1869-1932), Seaford, Sussex, oil on Sunrise, oil on board, 25cm x 32cm, framed, note on verso: a sketch board, signed, 29cm x 42cm, framed in oils J.M.W. Turner RA of norham castle from the collection of E.W. Provenance: Henry J Brown, Raeburn Gallery, Duke St London; Cooke, formerly the property of the late James Orrock Esq. 1881 Christies stencil verso £100 - £200 £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 44

512. 19th or 20th century school, portrait of a woman, oil on canvas, sepia, monogram MA, 35cm x 24cm, framed £30 - £50

513. English School, (1900), Portrait of a pipe smoker, oil on board, monogrammed RM? and dated 1900, 32cm x 24cm, framed £30 - £40

514. John Smith (b.1934), Still Life with Fruit, two oils on board, signed, after his work for Royal Worcester porcelain, 10cm x 13.5cm, framed (2) £80 - £120

515. John Pawle (1915-2010), Fish Market, Menton, oil on board, signed, inscribed and dated verso 1995, 15cm x 17.5cm, framed Provenance: Portland Gallery, label verso £80 - £120

516. English School (18th century), a pair of hunting scenes, oil on panel, indistinctly signed S. Alette?, 8cm x 17.5cm, unframed (2) £100 - £200

517. British School (20th century), Nude Study, oil on board, unsigned, 61cm x 40cm, framed £50 - £70

518. British School (20th century), Cornish Harbour Scene, oil on canvas, unsigned, 40cm x 50cm, framed £20 - £30

519. British School (mid 20th century), Nude Seated, oil on canvas, unsigned, 49cm x 39cm, framed £40 - £60

520. William Stanley Moore (1914-1997), Group of Five

Landscapes, oil on canvas, unsigned, estate of Stanley Moore, 30cm 527 x 49cm largest, unframed (5) £20 - £30 527. A large walnut Ambergs Patent cabinet letter , with 521. G. Demulder (20th century), Still Life of Geraniums, oil on thirty drawers, circa 1900, 184cm high, 87cm wide, 35cm deep canvas, signed, 60cm x 80cm, framed £80 - £100 £1500 - £2000

522. Peter Coulthard, (b.1949), Summer’s End in the Strathconon Forest, oil on canvas, signed, 50cm x 76cm, framed £300 - £500

FURNITURE AND CLOCKS

523. A George III style oak dresser and rack, the three bay base below three drawers, panelled sides, 175cm wide, 200cm high, 50cm deep, note: made by Lion House of Moreton In Marsh £300 - £500

524. A Victorian carved mahogany swing toilet mirror, the 528 shield shaped bevelled glass with Prince of Wales feathers and open garland carving, supported on two foliated S scroll harms, ogee 528. A pair of two George I style walnut open armchairs, floral serpentine base with two lidded compartments, 72cm wide, 74cm needlework upholstery, with cabriole legs terminating in pad feet, high £80 - £120 94cm high (2) £200 - £300

525. 19th Century cross-framed stool, spiral turned stretcher on 529. A Louis XV style ormolu mounted rosewood bonheur du carved scroll feet, 39cm high £40 - £60 jour, the mechanical pull out drawer opening the domed pigeon holed interior, with fall front slope, set with a Romantic oil painting of courting scene, shelves and marble set galleried top, on cabriole legs, 526. A George III oak and pine dresser and rack, the three bay 80cm wide, 107cm high, 56cm deep base with central kneehole flanked by cupboards, below two drawers, £200 - £300 panelled sides, 132cm wide, 206cm high, 39cm deep £200 - £300 530. A French Art Nouveau cabinet, circa 1900, the tapered triangular form body, flanked by shelves, below double glazed door and an overhanging top, carved with of floral motifs, a single drawer below, on four feet, 72cm wide, 113cm high, 42cm deep £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 45

531. Liberty and Co., an Arts and Craft mahogany occasional table, rectangular form, on square section tapered and splayed legs, CONTINENTAL CERAMICS united by a low stretcher, two sides with fret carved spear motif panels, 55cm wide, 69cm high, 40cm deep £70 - £100 538. An Austrian Gmunden faience stein, circa 1800, polychrome painted with bird of prey on garden landscape, pewter lid and foot, 23cm high £80 - £120

539. Four German porcelain litre and half litre steins, painted and printed with various figural scenes, pewter mounts and lids, lithophane bases, 27.5cm high (4) £40 - £60

540. Three German litre and half litre steins including Ludwig Mory, Hauber and Reuther and another, incised and printed designs, Munich Child and tavern scenes, HR 404, 24cm high (3)£40 - £60

541. Mettlach, Villeroy and Boch, a half litre stein, incised four panel hunters, number 1695, circa 1902, pewter mount and inset relief moulded lid, 24cm high £40 - £60

542. Mettlach, Villeroy and Boch, a pair of plaques, transfer printed with castles, Burg Eltz and Altes Stadtthor Cochem, number 532 1044/94 and 95, circa 1890, 31cm diameter (2) £40 - £70 532. Shapland and Petter, an Arts and Crafts mahogany and tile topped occasional table, model 1669, circa 1880, hexagonal 543. Mettlach, Villeroy and Boch, a half litre Berlin stein, form with turned legs united by ogee fretted and turned stretchers, incised Berlin cityscape, number 2024, circa 1898, pewter mount maroon and pink tiles, 52.5cm diameter, 62cm high £80 - £120 and inset lid, 18cm high £40 - £60

533. A Gordon Russell Cotswold School oak double bed, circa 544. C Gorig for Mettlach, Villeroy and Boch, a half litre stein, 1929, headboard and footboard of four panel construction, oak incised Hunters Tales, Es Lebe der Nimrod, number 1508, circa possibly from Hinchwick Estate, with rails and mattress, headboard 1885, pewter mounted and inset lid, signed, 23cm high £40 - £70 100cm high, 144cm wide £200 - £400 545. An 18th century German faience stein, Hannoversch Munden, painted and transfer printed with a horse, within polychrome forest landscape, pewter lid, dated 1789, 22cm high £100 - £150

546. A set of four Continental allegorical porcelain figures of the seasons, modelled as putti, 16cm high £180 - £220

534 534. Gordon Russell for Heals of London teak sideboard, circa 1950s, three drawers flanked by cupboards on tapered legs, button mark to top drawer, 141cm wide, 85cm high, 49cm deep £50 - £80

535. An Admiral Fitzroy rise and fall barometer, 19th century, oak framed, 105cm high £30 - £50 547 547. A Sevres silver mounted porcelain vase, 19th century, 536. A 19th century black marble mantle clock, circa 1890, angled baluster form, beaded and embossed with a laurel band to domed and bracketed, incised with gilt tooling, and set with red the foot, 10.5cm high £40 - £70 marble plaques, 34cm high, 55cm long £100 - £200 548. A late 18th Century Nevers Faience pottery plate, 537. Hamburg American Clock Company, a Jugendstil oak decorated with motifs of the French Revolution within a yellow bracket clock, of tapered plinth form with silvered strap decoration, scalloped and brown lined border, impressed mark, 24cm diameter the 6 inch dial embossed with Arabic numerals below an open arched £50 - £80 pediment with galleried sides, encasing a bell, a marbled glass pane below, 36.5cm high, 24.5cm wide £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 46

549. A 19th century maiolica twin 553. Sally Tuffin for Dennis China 560. Kerry Goodwin for Moorcroft, a handled medicine vase or jar, bulbous Works, a limited edition vase, 2009, Wetlands Emerald trial vase, 2012, form, faience glazed and decorated in the shouldered form with wide brim, poppy ovoid form with everted rim, dragonflies and Renaissance style with masks, leaves and design with motto Here is the Flower of bull rush design, impressed and underglaze swags and vacant cartouche, flanked by Dreams for Thee, impressed marks and marks, 29cm diameter £500 - £600 rope twist handles, painted mark, 21.5cm numbered 1 of 5, 35.5cm high £50 - £80 high £30 - £50 561. Emma Bossons, Moorcroft for 554. Philip Gibson for Moorcroft, a Liberty and Co., The Centenarians Collectors Club Blue Rhapsody vase, limited edition vase, 2002, number 21 of 2001, waisted form, impressed marks 100, baluster form, impressed and printed signed and numbered 468, 26cm high marks, signed, 29.5cm high £100 - £150 £40 - £70 562. Michelle Martin for Moorcroft, a 555. Rachel Bishop for Moorcroft, a Guinevere limited edition vase, 2003, Foxglove vase, 1993, elongated inverse number 18 of 75, inverse baluster form, baluster form, impressed marks and WM impressed marks, signed, 28cm high monogram, 21cm high £40 - £70 £80 - £120

563. Philip Gibson for Moorcroft, a Chatsworth limited edition vase, 2001, number 103 of 350, narrow necked baluster bottle form, impressed marks, signed twice, 23.5cm high £80 - £120 550 564. Emma Bossons for Moorcroft, a . 550 Paul Dachsel (Attributed) for Waddesdon Waters (Black Swan)

Amphora, a Secessionist gres bijou limited edition vase, 2005, number 65 of jewelled vase, circa 1900, ovoid form, 100, knop necked ships decanter form, relief moulded with bands of rosettes and impressed marks, signed twice, 24.5cm marbled cabochons above shield high £100 - £150 cartouches, highlighted and rimmed in gilt, 13cm high £30 - £50 565. Philip Gibson for Moorcroft, a Collectors Club Wisteria vase, 1998, MOORCROFT shouldered form, impressed marks, number 111, 16cm high £50 - £80 551. Sally Tuffin for Dennis China Works, a limited edition vase, 2009, 566. Rachel Bishop for Moorcroft, a shouldered form, carnation and fish design, Winds of Change limited edition jug, impressed marks and numbered 4 of 5, 556 1999, number 53 of 100, conical form with 21cm high £30 - £50 angular handle, impressed marks and 556. Kerry Goodwin for Moorcroft, a signed, 24cm high Note: originally limited edition Can Can Birds vase, sold by Liberty and Co. £50 - £80 552. Sally Tuffin for Dennis China 2006, number 88 of 200, double gourd Works, a limited edition pot and cover, form, impressed marks, signed, 29cm high 2008, with leaping fish finial, impressed £80 - £120 marks and numbered 1 of 5, 15.5cm high £30 - £50 557. Emma Bossons for Moorcroft, an Ariella limited edition vase, 2005, number 40 of 250, slender inverse baluster form, impressed marks, signed, 27cm high £80 - £120

558. Rachel Bishop for Moorcroft, a large Ryden Lane limited edition floor vase, circa 1997, baluster form, number 67 of 100, impressed marks and signatures, 68cm high £1000 - £1500

559. Shirley Hayes for Moorcroft, a Collectors Club Red Ribbons jug, circa 2005, conical form, with angled handle, 567 impressed marks and signed, 24cm high £40 - £60 567. Emma Bossons for Moorcroft, an Aquitaine limited edition vase, 2002, number 26 of 250, straight necked shouldered form, impressed marks and signed, 23.5cm high £70 - £100 553

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 47

569 571

568. Philip Gibson for Moorcroft, a 574. Philip Gibson for Moorcroft, a 580. Rachel Bishop for Moorcroft, a Lagoon limited edition vase, 2005, Trout vase, 2002, conical ovoid Collectors Club Centaurea vase, 2005, number 4 of 100, narrow necked baluster shouldered form, impressed marks, double gourd form, impressed marks, bottle form, impressed marks and printed seconds, 15cm high £80 - £120 number 148, 23.5cm high £70 - £100 signature, 32cm high £150 - £200 575. Philip Gibson for Moorcroft, a 581. Philip Gibson for Moorcroft, a 569. Rachel Bishop for Moorcroft, a Trout vase, 1998, squat baluster form, limited edition Chatsworth Rose ginger large Bullers Wood limited edition vase, impressed marks, WM monogram, 17cm jar, 2001, number 6 of 300, shouldered 2001, number 5 of 10, shouldered form, high £80 - £120 form, impressed marks, signed twice, 16cm impressed marks and signed, 53cm high high £40 - £70 £400 - £600 576. Paul Hilditch for Moorcroft, a Blue Lagoon limited edition vase, 2010, 582. Emma Bossons for Moorcroft, a 570. Rachel Bishop for Moorcroft, a number 67 of 150, narrow necked baluster Symphony lidded bonbonniere, Poppy vase, 1996, baluster form, bottle form, impressed marks, signed, Collectors Club 2003, twin handled pedestal impressed marks, 20cm high £40 - £70 23.5cm high £70 - £100 chalice form, impressed marks and signed, 821, 23cm high, in box £70 - £100 571. Kerry Goodwin for Moorcroft, a 577. Nicola Slaney for Moorcroft, an Snapdragon Spell limited edition vase, Anna Lily vase, 1998, twin handled 583. Three small Moorcroft vases, 2005, number 24 of 50, twin handled amphora form, impressed marks, seconds, Oberon by Rachel Bishop, Saadian by amphora form, impressed marks and 26.5cm high £70 - £100 Shirley Hayes and Hellebore by Nicola signed, 34cm high £400 - £600 Slaney, 1993 to 2001, baluster forms, 578. Emma Bossons for Moorcroft, a impressed marks, all seconds, 10cm high 572. Philip Gibson for Moorcroft, a Knypersley vase, 2003, narrow necked (3) £40 - £70 Trout vase, 1998, slender shouldered and baluster bottle form, impressed marks, flared neck form, impressed marks, 31.5cm high £80 - £120 584. A Moorcroft limited edition seconds, 42.5cm high £300 - £500 Morning Star vase, 2003, number 24 of 579. Philip Richardson for Moorcroft, a 50, baluster form, blue on blue, impressed 573. Emma Bossons for Moorcroft, a Reeds at Sunset vase, circa 1998, footed marks, signed indistinctly, 16cm high very large Montagnac limited edition trumpet form, impressed marks and £40 - £60 prestige vase, 2000, number 40 of 100, monogram, 28cm high £80 - £120 ovoid shouldered form with flared neck, impressed marks and signed, 62cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 48

585. Rachel Bishop for Moorcroft, a 593. Sian Leeper for Moorcroft, a large poppy vase, 2007, baluster bottle Cleopatra vase, 2000, squat baluster form, impressed marks and signed, 42cm form, impressed marks, seconds, 11cm high high £80 - £120 £30 - £50

586. Emma Bossons for Moorcroft, a 594. Carol Lovatt for Moorcroft, a pair Queens Choice wall plaque, 2000, of Blue Leila vases, 2003, elongated circular charger form with everted rim, inverse baluster form, impressed marks, impressed marks, 35.5cm diameter 31cm high (2) £80 - £120 £40 - £70 595. Carol Lovatt for Moorcroft, three 587. Sian Leeper for Moorcroft, a Blue Leila vases, 2003, ovoid and Cleopatra rectangular dish, 2000, shouldered form, impressed marks, tallest impressed marks, in box, 20cm long 19cm high (3) £80 - £120 £30 - £50 596. Emma Bossons for Moorcroft, a 588. After William Moorcroft, a Harlequinade vase, 2003, elongated Moorcroft Centenary Yacht vase, 1996, baluster bottle form, impressed marks, ships decanter form with knopped neck, 23.5cm high £40 - £70 blue on blue, impressed marks and signed 606 by John Moorcroft, number 1265, 24cm 597. Carol Lovatt for Moorcroft, two high £80 - £120 Blue Florian Echo vases, 2003, inverse 606. Walter Moorcroft, a Flambe baluster form, impressed marks, 16cm and Clematis vase, circa 1965, inverse baluster 589. Carol Lovatt for Moorcroft, a 10cm high (2) £50 - £80 form, impressed marks and underglaze Puffin lamp base and a vase, 1997, green monogram, 22.5cm high shouldered and squat baluster forms, 598. Philip Gibson for Moorcroft, three £80 - £120 impressed marks, seconds, 26cm high (2) small Chrysanthemum Blue on Blue £50 - £80 vases, 2003, including two squat baluster 607. Walter Moorcroft, an Orchid and an ovoid vase, impressed marks, 7.5cm vase, circa 1960, waisted form, impressed 590. Carol Lovatt for Moorcroft, a high (3) £40 - £60 marks and underglaze teal monogram, Puffin clock, 1997, rectangular plinth 21cm high £40 - £70 form, impressed marks, seconds, 16cm high 599. Philip Gibson for Moorcroft, a £30 - £50 Chrysanthemum Blue on Blue vase, 608. Walter Moorcroft, an Anemone 2003, inverse baluster form, impressed vase, circa 1960, baluster form, pale green marks, 28cm high £40 - £70 ground, impressed marks, sticker and underglaze teal monogram, 15.5cm high 600. Rachel Bishop for Moorcroft, a £40 - £70 Blue on Blue vase, 2003, ships decanter form, impressed marks, signed, 24cm high 609. Walter Moorcroft, a Flambe £40 - £60 Anemone vase, circa 1950, spherical baluster form, impressed marks and 601. Philip Gibson for Moorcroft, a underglaze green monogram, 20cm high Blue on Blue Peony vase, 1999, squat £100 - £150 baluster form, impressed marks, 18cm high £40 - £60

602. Kerry Goodwin for Moorcroft, a Woodstock limited edition vase, 2002, number 183 of 300, squat ovoid form, impressed marks and signed, 12.5cm high £50 - £80

603. Philip Gibson for Moorcroft, a 591 Chrysanthemum Blue on Blue vase, 591. Carol Lovatt for Moorcroft, a 2003, elongated baluster bottle form, Puffin vase, 1997, angled baluster form impressed marks, 23.5cm high £40 - £70 with sweeping neck, impressed marks, 29.5cm high £60 - £80 604. Four Moorcroft dishes, including Clematis and Lily designs, circa 1960 to 592. Rachel Bishop for Moorcroft, an 2002, 20cm long (4) £40 - £70 Islay vase, 1998, together with a Shirley Hayes, Saadian vase, 2001, ovoid and 605. Rachel Bishop for Moorcroft, a baluster forms, impressed marks, both Golden Lily vase, circa 1993, inverse seconds, 11cm and 8cm high (2) baluster form, impressed marks, 26cm high 610 £50 - £80 £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 49

610. Walter Moorcroft, a Flambe 619. Walter Moorcroft, a Grape and 629. Walter Moorcroft, a Hibiscus Orchid vase, circa 1960, shouldered form, Plum jardinière, circa 1980, footed beaker vase, circa 1960, ovoid form, green impressed marks and underglaze blue form, 18cm high £40 - £60 ground, impressed marks, Late Queen Mary monogram, 15.5cm high £70 - £100 sticker and underglaze green monogram, 620. Walter Moorcroft, an Orchid 18cm high £40 - £70 611. Walter Moorcroft, a Flambe vase, circa 1950, waisted form, impressed Orchid vase, circa 1960, angled bulbous marks and underglaze teal monogram, 630. Walter Moorcroft, a Clematis form, impressed marks and underglaze blue 15cm high £40 - £70 bowl, circa 1970, blue ground, impressed monogram, 15.5cm high £60 - £80 marks and underglaze blue monogram, 621. Walter Moorcroft, a Hibiscus 16.5cm diameter £30 - £50 612. Walter Moorcroft, a Flambe vase, circa 1960, baluster bottle form, Clematis vase, circa 1960, ovoid form, green ground, impressed marks, 16cm high 631. Walter Moorcroft, a small impressed marks and underglaze £30 - £50 Columbine vase, circa 1955, footed ovoid monogram, 13cm high £60 - £100 form, impressed marks, 9cm high £30 - £50

613. Walter Moorcroft, a Clematis bowl and cover, circa 1970, footed with inverted sides, dark green, impressed marks, 15cm diameter £40 - £70

622 622. Walter Moorcroft, a Wild Arum Flambe vase, circa 1962, rounded beaker form, iridescent lustre glaze, impressed marks and underglaze blue monogram, 10cm high £50 - £80

623. Walter Moorcroft, an Anemone vase, circa 1945, bulbous form, yellow green ground, impressed marks, underglaze teal monogram, 13cm high £40 - £70

624. Walter Moorcroft, an Orchid 614 632 vase, circa 1965, inverse baluster form, 614. Walter Moorcroft, a Spring impressed marks and underglaze green 632. Walter Moorcroft, a very large Flowers vase, circa 1950, shouldered monogram, 16cm high £30 - £50 After the Storm limited edition vase, form, impressed marks, 21.5cm high circa 1996-200, elongated inverse baluster £60 - £80 625. Walter Moorcroft, a Clematis form, impressed marks and signed W vase, circa 1960, squat baluster form, Moorcroft and dated twice, [19]96 and 615. Walter Moorcroft, a Freesia vase, impressed marks and late Queen Mary 6.III.2000, seconds, 52cm high circa 1960, shouldered ovoid form, sticker, 11cm high £40 - £70 £500 - £800 impressed marks, Late Queen Mary sticker, 18cm high £40 - £60 626. Walter Moorcroft, an Anemone 633. Walter Moorcroft, a Clematis jug, circa 1970s, footed baluster form, blue bowl, circa 1960, hemispherical form on 616. Walter Moorcroft, three Clematis ground, impressed marks and underglaze cylindrical foot, impressed marks and late vases, circa 1960, shouldered and bulbous teal monogram, 19cm high £40 - £60 Queen Mary sticker, 14.5cm diameter forms, impressed marks, one with Late £30 - £50 Queen Mary sticker, 13cm high (3) 627. Walter Moorcroft, a large £80 - £120 Hibiscus vase, circa 1970, shouldered 634. Walter Moorcroft, an Anemone form, coral on green, impressed marks and lamp base, circa 1970, angled baluster 617. Walter Moorcroft, a New underglaze green monogram, 36.5cm high form, white ground, with original shade, Clematis vase, circa 1959, shouldered £60 - £100 base 20cm high, overall 45cm £40 - £70 form, impressed marks, 15.5cm high £40 - £70 628. Walter Moorcroft, a Hibiscus 635. Walter Moorcroft, a Mushroom vase, circa 1960, squat baluster form, ginger jar and cover, circa 1980, ovoid 618. Walter Moorcroft, an Anemone white ground, impressed marks, Late Queen form, impressed marks and underglaze vase, circa 1960, baluster form, impressed Mary sticker and underglaze teal green monogram, 16cm high £30 - £50 marks and underglaze monogram, 19cm monogram, 13.5cm high £40 - £70 high £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 50

640. Walter Moorcroft, an Anemone vase, 1999, baluster form, impressed marks, signed in gold, seconds, 24cm high £30 - £50

641. Walter Moorcroft, two vases, Anemone and Clematis, circa 1960s, baluster form, impressed marks, 13.5cm high (2) £40 - £70

642. Walter Moorcroft, an Anemone vase, circa 1960, shouldered form, impressed marks, underglaze monogram and Late Queen Mary sticker, 19cm high £40 - £70

643. Walter Moorcroft, a Hibiscus vase, circa 1960, baluster form, impressed marks, underglaze green monogram and Late Queen Mary sticker, 21cm high £50 - £80

644. William Moorcroft for James MacIntyre, a matched pair of Florian Blue Peacock vases, circa 1900, bulbous form with elongated neck and crimped rims, printed marks and underglaze green monograms, 17.5cm high (2) £300 - £500 644 645. William Moorcroft for James MacIntyre, a Florian Blue Poppy vase, circa 1902, waisted form with crimped rim, blue on blue, printed marks and underglaze green signature, 25cm high £100 - £150

646. William Moorcroft for James MacIntyre, a Florian Cornflower vase, circa 1900, knop necked bulbous bottle form, blue on blue, printed mark and underglaze green signature, 13cm high £80 - £120

647. William Moorcroft for James MacIntyre, three Aurelian Rose vessels, circa 1897, including teapot and two jugs, printed marks, 16cm high (3) £40 - £70

652 648. William Moorcroft for James MacIntyre, an Eighteenth Century vase, circa 1908, slender waisted form with 636. Walter Moorcroft, a Clematis 638. Walter Moorcroft, two small crimped rim, printed mark and underglaze green signature, 25cm high jardinière, circa 1960, ovoid footed form, vases, Hibiscus and Leaf and Berry, circa £60 - £80 impressed marks and underglaze blue 1960, shouldered and inverse baluster monogram, 12cm high £30 - £50 forms, impressed marks, Late Queen Mary 649. William Moorcroft for James sticker to one, 10.5cm high (2) £30 - £50 MacIntyre, a matched pair of Green 637. Walter Moorcroft, an Orchid and Gold Florian Ware vases, circa lamp base, circa 1945, ovoid bottle form, 639. Walter Moorcroft, a Hibiscus 1903, bulbous form with wide crimped rim, with metal mounts, 60cm high to top of vase, 1990, baluster form, coral on green, printed marks and underglaze green shade £100 - £150 impressed marks and monogram, 24cm monograms, 8.5cm high (2) £150 - £250 high £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 51

650 650. William Moorcroft for James MacIntyre, a miniature Orange Poppy on mustard ground pepper pot, printed marks, 6.5cm high £100 - £150

651. William Moorcroft for James MacIntyre, a Spanish vase, circa 1912, waisted form, underglaze green signature, 15cm high £150 - £250

652. William Moorcroft for James MacIntyre, a Pomegranate on ochre bowl, circa 1910, rounded form with everted crimped rim, underglaze green signature, 25.5cm diameter £200 - £400 656

653. William Moorcroft for James MacIntyre, an Eighteenth Century on green vase, circa 1908, double gourd 658. William Moorcroft for Liberty and form with everted wide rim, blue and lime Co., a small Flamminian red ginger jar, green ground, printed mark and underglaze circa 1906, ovoid shouldered form with green signature, 20cm high £100 - £150 threaded neck, wooden lid, printed mark, underglaze green signature, 10cm high 654. William Moorcroft for Liberty and £50 - £80 Co., a Tudric pewter mounted Eventide vase, circa 1925, footed trumpet form, 659. William Moorcroft for Liberty and stamped marks, 01310, 23.5cm high Co., a Flamminian red vase, circa 1906, £1000 - £1500 footed ovoid shouldered form, printed mark, incised signature, 22cm high

655. William Moorcroft for Liberty & £100 - £200 663 Co, a Wisteria Tudric pewter mounted three piece cruet, circa 1920, stamped 660. William Moorcroft, a Leaf and 663. William Moorcroft, a Freesia cup marks, highest 6.5cm (3) £80 - £120 Blackberry plate, circa 1930, circular with and saucer, circa 1935, rounded footed everted rim, impressed marks and facsimile form, impressed marks and facsimile 656. William Moorcroft for Liberty and signature, 26cm diameter £70 - £100 signature, 11cm diameter saucer Co., a Pomegranate on ochre biscuit £40 - £70 box and cover, circa 1912, cuboid form 661. William Moorcroft, a Flambe Leaf with angled strap handles, printed marks tobacco box and cover, circa 1935, 664. William Moorcroft, a Wisteria on and underglaze green signature, 17.5cm cylindrical drum form, impressed marks and blue vase, circa 1920, inverse baluster high £400 - £600 facsimile, underglaze blue signature, paper form, impressed marks and underglaze blue label, 15cm diameter £80 - £120 monogram, 14cm high £40 - £70 657. William Moorcroft for Liberty and Co., a Flamminian red vase, circa 1906, 662. William Moorcroft, a Flambe ogee necked baluster form, printed mark, vase, circa 1928, shouldered form, underglaze green signature, 17cm high impressed marks and underglaze blue £40 - £60 signature, 26cm high £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 52

665. William Moorcroft, a Wisteria on 674. William Moorcroft, a small 684. William Moorcroft, a blue ashtray, circa 1920, footed form with Anemone bowl, circa 1935, squat footed Pomegranate on ochre vase, circa 1913, metal mount, impressed marks, 10cm form with inverted rim, impressed marks and double ogee gourd form with flared neck, diameter £20 - £40 facsimile signature, 12cm diameter number marks and underglaze green £30 - £50 signature, 17cm high £200 - £300 666. William Moorcroft, a Wisteria on blue vase, circa 1920, waisted bulbous 675. William Moorcroft, a Leaf and 685. William Moorcroft, a form, impressed marks and underglaze blue Berry vase, circa 1935, footed form, Pomegranate vase, 1918, bulbous signature, 17cm high £60 - £100 impressed marks and facsimile, underglaze baluster form with flared neck, impressed green monogram, 15.5cm high £50 - £80 Burslem marks and underglaze green 667. William Moorcroft, a Pansy on signature, 24cm high £200 - £300 blue vase, circa 1920, bulbous bottle form, 676. William Moorcroft, a impressed marks and underglaze green Pomegranate vase, circa 1925, 686. William Moorcroft, a monogram, 16cm high £40 - £70 shouldered form with rounded neck, Pomegranate on ochre and blue vase, impressed marks and underglaze blue circa 1915, shouldered form, impressed monogram, 17cm high £100 - £200 Burslem marks and underglaze green signature, 31.5cm high £200 - £300

687. William Moorcroft, a Wisteria vase, circa 1914, shouldered form, impressed Burslem marks and underglaze green signature, 25.5cm high £150 - £250

688. William Moorcroft, a Pomegranate vase, circa 1928, shouldered form, impressed marks and underglaze green signature, 32cm high £200 - £300

689. William Moorcroft, a Pomegranate 677 vase, circa 1915, bulbous baluster form, 677. William Moorcroft, a large impressed Burslem marks and underglaze 668 Pomegranate twin handled vase, circa green signature, 26.5cm high £200 - £300 668. William Moorcroft, a Flambe Leaf 1920, rounded footed form, impressed and Berry vase, circa 1926, inverse marks and underglaze green signature, 690. William Moorcroft, a Leaf and baluster form, impressed marks and 26.5cm high, 38cm wide £100 - £200 Berry vase, circa 1940, ovoid form with underglaze blue monogram, 17cm high flared neck, impressed marks and £40 - £70 678. William Moorcroft, a Flambe underglaze green monogram, 20cm high vase, circa 1930, bulbous bottle form, £100 - £150 669. William Moorcroft, a impressed marks and underglaze blue Pomegranate on ochre plate, circa 1914, monogram, 20.5cm high £30 - £50 691. William Moorcroft, a Pansy on circular, impressed Burslem marks and blue vase, circa 1920, bulbous baluster underglaze green signature, 21.5cm 679. Walter Moorcroft, a Clematis form, impressed marks and underglaze blue diameter £60 - £80 vase, circa 1950, inverse baluster form, signature, 23cm high £100 - £150 green draining to blue, impressed marks 670. William Moorcroft, a Pansy on and facsimile signature, underglaze green 692. William Moorcroft, a Pansy on blue vase, circa 1920, inverse baluster monogram, 15.5cm high £50 - £80 blue vase, circa 1925, bulbous baluster form, impressed marks and underglaze blue form, impressed marks and underglaze blue monogram, 19cm high £60 - £80 680. William Moorcroft, a Wisteria on signature, 23cm high £120 - £180 blue bowl, circa 1920, shallow flared form, 671. William Moorcroft, an Orchid impressed marks and underglaze green bowl and cover, circa 1935, squat form mark, 21.5cm diameter £50 - £100 with flat cover, spherical knop, impressed marks and facsimile signature, 16.5cm 681. William Moorcroft, a small diameter £60 - £80 Pomegranate on blue vase, circa 1928, shouldered form, impressed mark and 672. William Moorcroft, a Wisteria on underglaze green monogram, 11cm high blue bowl, circa 1923, shallow footed £30 - £50 form, the exterior with white and blue ground, impressed marks and underglaze 682. William Moorcroft, a Spanish jug, green signature, 23.5cm diameter circa 1914, conical form, impressed £80 - £120 Burslem marks, 16.5cm high £100 - £150

673. William Moorcroft, a graduated 683. William Moorcroft, a teal biscuit barrel, circa 1935, rounded Pomegranate vase, circa 1935, inverse form with spherical knop, impressed marks baluster form, impressed marks and and facsimile signature, underglaze blue facsimile, underglaze blue monogram, 693 monograms, 17cm high £40 - £70 18cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 53

693. William Moorcroft, a Pansy on 700. William Moorcroft, a Pansy on blue vase, circa 1920, inverse baluster blue vase, circa 1925, baluster form, form, impressed marks and underglaze blue impressed marks and underglaze blue monogram, 16cm high £50 - £80 monogram, 12cm high £60 - £100

694. William Moorcroft, a Pansy on 701. William Moorcroft, a small blue pot and cover, circa 1935, cylindrical Pomegranate vase, circa 1925, baluster form, impressed marks and facsimile, form, impressed marks and underglaze underglaze teal monogram, 9cm high green monogram, 12cm high £30 - £50 £40 - £70

702. William Moorcroft, a 695. William Moorcroft, a Pomegranate Pomegranate on blue vase, circa 1915, on ochre and blue vase, circa 1920, twin flared neck baluster form, impressed handled amphora form, impressed marks Burslem mark and underglaze green and underglaze blue signature, 21cm high monogram, 17cm high £60 - £80 £150 - £250

703. William Moorcroft, a 696. William Moorcroft, a Wisteria on Pomegranate on blue vase, circa 1925, blue vase, circa 1920, angled baluster shouldered form, impressed marks and 708 form, impressed marks and underglaze underglaze teal signature, 17cm high 708. William Moorcroft, a small Pansy green signature, 26cm high £120 - £180 £60 - £80 of celadon and blue vase, circa 1914, inverse baluster form, impressed Burslem 697. William Moorcroft, a Pansy on 704. William Moorcroft, a small marks and underglaze green monogram, blue bowl, circa 1935, footed form, Flambe Leaf and Berry vase, circa 1930, 10cm high £80 - £120 impressed marks and facsimile, underglaze inverse baluster form, impressed marks and blue monogram, 16cm diameter £40 - £70 facsimile signature, 10.5cm high £80 - £120

698. William Moorcroft, a Pansy on blue vase, circa 1925, elongated inverse baluster 705. William Moorcroft, a Leaf and form, impressed marks and underglaze teal Berry candlestick, circa 1935, splayed monogram, 20cm high £60 - £80 form, impressed marks and facsimile signature, 9cm high £40 - £70

699. William Moorcroft, a Pansy on blue plate, circa 1928, circular with everted 706. William Moorcroft, an Anemone rim, impressed marks and underglaze green vase, circa 1938, bulbous form, impressed monogram, 22m diameter £50 - £80 marks and facsimile signature, underglaze teal monogram, 13cm high £50 - £80

709 709. William Moorcroft, a Wisteria vase, circa 1920, baluster form, impressed marks and underglaze teal monogram, 12cm high £60 - £100

710. William Moorcroft vase, circa 1930, bulbous with everted rim, Flambe 707 lustre glaze, impressed marks and facsimile signature, 24cm high £80 - £120 707. William Moorcroft, a small Pomegranate vase, circa 1914, ovoid form, impressed Burslem marks and 711. William Moorcroft, a Wildflower circa 1936, shouldered form, ochre underglaze green signature, 7cm high vase, 700 £80 - £120 draining to blue, impressed marks and facsimile, underglaze teal signature, 25cm high £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 54

716. William Moorcroft, a small

Claremont vase, circa 1920, squat ovoid ART POTTERY form, impressed marks and underglaze blue monogram, 8.5cm high £200 - £400

717. William Moorcroft, a matched pair of Cornflower vases, 1913, slender necked bulbous form, impressed marks and underglaze green signatures, 26cm high (2) £400 - £600

718. William Moorcroft, an Eventide cake plate, circa 1925, everted rim and plated loop handle, impressed marks and underglaze blue monogram, 22cm diameter, £150 - £200

719. William Moorcroft, a Claremont vase, circa 1920, baluster form, impressed 712 marks and underglaze green signature, 21cm high £300 - £500 712. William Moorcroft, a Wildflower 721 circa 1936, inverse baluster form, vase, 720. William Moorcroft, a Cornflower ochre draining to blue, impressed marks 721. Christopher Dresser for Minton, vase, circa 1914, twin handled double and facsimile, underglaze blue signature, an Aesthetic Movement vase, circa 1870, gourd form, impressed Burslem marks and 25cm high twin handled moonflask form, enamelled in £120 - £180 underglaze green signature, 24.5cm high relief with wild flowers on a blue ground the £1600 - £1800 713. William Moorcroft, a Pansy on handles with stylised acanthus motifs, white vase, circa 1918, shouldered form, stamped marks, 20cm high £120 - £180 impressed marks and underglaze green signature, 27.5cm high £120 - £180

714. William Moorcroft, a Flambe Toadstool or Claremont vase, circa 1930, squat angled baluster form with trumpet neck, impressed marks and underglaze blue monogram, 15.5cm high £300 - £500

715 715. William Moorcroft, a small Claremont vase, circa 1920, inverse baluster form, impressed marks 10.5cm high £200 - £400 720

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 55

722 . 722 A Royal Worcester Aesthetic Movement Chinese charger, 1878, in the 724 725 form of a Qianlong cloisonne enamelled plate, black ground with foliate scroll, lotus 724. Christopher Dresser (attributed) 725. Christopher Dresser for and phoenix decoration, puce and for Watcombe, an art pottery terracotta Watcombe, an Aesthetic Movement impressed marks, 36cm diameter jug, circa 1885, rounded conical form, terracotta jug, 1872, angled geometric £150 - £250 jewelled and enamelled geometric bands, baluster form with bands of milled fluting, highlighted in gilt, impressed W mark, 15cm the spout with triangular stepped moulding, high £40 - £70 pewter mount and lid, printed and impressed marks, 18cm high £100 - £150

723 723. James Hadley for Royal Worcester, an Aesthetic Movement Chinese vase, 1878, twin handled and footed shouldered pebble form, painted and gilded with leaf and fern specimens, below a key bordered foot, the handles relief moulded in the Oriental style with seed husks on scrolling clouds, puce mark, incised 362, 17cm high Note: contemporary with Christopher Dresser’s designs for Minton, similar examples of the Chinese range designed by Hadley appear in the British Museum £80 - £120

726

726. Cassandra Annie Walker for Della Robbia, an art pottery twin handled vase, 1905, cylindrical albarello form, painted with leaf fronds on a trailing foliated ground, the handles relief moulded with masks, incised marks, 38cm high £800 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 56

727. C H Brannam vase, circa 1910, 733. Leon and John Wadsworth baluster form, yellow treacle glaze with a for Minton, a pair of Secessionist vases, cartouche of an owl, impressed mark, 21cm number 33, shouldered bottle form, high £30 - £50 turquoise ground with tubelined flowers emanating from vines, 19cm high (2) £120 - £180

734. George Cartlidge for S Hancock and Sons, a Morris Ware vase, ogee gourd form, relief moulded with thistles in the Arts and Crafts style, printed marks and signed, 16.5cm high £40 - £70

731 731. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, squat gourd form, incised and moulded with

a flowering vine, on a marbled green blue 728 ground, the inverted rim with three lips, 728. William Baron, a Barnstaple art 16cm high £30 - £50 pottery vase, gourd form with three wrythen strap handles, incised with foliate decoration, 14cm high £30 - £50

735 735. John Pearson, an Arts and Crafts painted bowl and cover, twin handled pedestal form, decorated with dragonflies and birds amongst foliage, with purple lustre scrolls, the finial in the form of a strawberry, 22cm high £200 - £300

736. William De Morgan, a Persian twin handled vase, ovoid form, painted with fish on a watery ground, in blue and turquoise, painted marks, 24cm high 732 £1500 - £2000

732. A pair of Longwy cloisonne 729 737. A Doulton Lambeth stoneware pottery spill vases, cylindrical form, incised water filter, circa 1890, with relief 729. C H Brannam, a grotesque and relief moulded with herons or storks in moulded classical putti between acanthus a watery scene of prunus blossom and lotus moulded art pottery chamber stick, leaf borders, with carbon filters, impressed 1891, modelled as a griffon, incised marks, flowers, painted marks D206, 23.5cm high marks, 33cm high £60 - £80 11.5cm high £50 - £80 (2) £80 - £120 738. Two Doulton Lambeth stoneware water filters, circa 1890, one with relief moulded floral design, the other relief moulded geometric decoration Siliconware, with carbon filters, impressed marks, 36cm high (2) £60 - £80

739. A Doulton Lambeth vase, circa 1895, tube lined floral and foliate decoration, impressed marks, 22cm high £40 - £60

730 740. A Doulton Lambeth jardiniere, 730. William Baron, a Barnstaple Art circa 1890, Slaters patent with blackberry, Pottery teapot and a pink jug, circa floral and foliate decoration, impressed 1900, blue glazed squat ovoid form, with 733 marks, 19cm high £40 - £60 side handle and ribbon finial, incised marks and number, 84, the jug pink and green mottled, incised 316, teapot 16cm wide, jug 10cm high (2) £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 57

741. A Doulton Lambeth 749. Mina Crawley for Doulton, a commemorative jug, dated 1884, Faience vase, bulbous form with an celebrating General Gordon’s various battles, elongated neck and foliated S scroll handle, impressed marks, 19cm high £30 - £50 decorated with floral and berry alternating panels between foliate borders, stamped 742. A Doulton Lambeth and impressed marks, 32cm high commemorative jug, 1897, celebrating £80 - £120 Queen Victoria’s golden jubilee 1837- 1897, 23cm high £40 - £60

743. A Doulton Lambeth Isobath inkwell, circa 1890, relief moulded with foliate cartouche design, impressed marks, 15cm high £80 - £120

753 753. Frank Butler for Doulton Lambeth, a stoneware vase, dated 1897, baluster form, double walled scroll pattern, 750 impressed marks, 14.5cm high £100 - £150 750. Emily Partington for Doulton Lambeth, a pair of stoneware 754. Emily Stormer for Doulton candlesticks, circa 1890, baluster form, applied decoration with acanthus leaves Lambeth, a three handled tyg, dated and lozenges and spiral twist stems, 1884, incised foliate decoration, with metal rim, impressed marks,16.5cm high impressed marks, 30cm high £100 - £150 £80 - £120 751. Edith Lupton for Doulton Lambeth, 755. Eliza Simmance for Doulton a stoneware oil lamp, dated 1882, trophy form, incised geometric foliate design, twin Lambeth, a stoneware vase, baluster brass handles, Taylor and Parsons burner, form with everted rim, circa 1890, raised impressed marks, 23cm high to burner base and applied decoration, pate sur pate panel around the neck, with geometric £100 - £150 borders, impressed marks, 30cm high £100 - £200 744 744. Doulton Lambeth stoneware water 756. Eliza Simmance for Doulton filter, circa 1890, relief moulded geometric Lambeth and Art Union of London, a decoration, with carbon filter, impressed vase twin handled and lidded trophy form, marks and monogrammed, 42cm high circa 1895, pate sur pate and applied floral £100 - £150 decoration, impressed marks, 30cm high £80 - £120 745. A Doulton Lambeth stoneware water filter, circa 1890, with relief 757. Eliza Simmance for Doulton moulded classical domestic scenes Lambeth and Art Union of London, a acanthus leaf borders, with carbon filters, vase of baluster form, circa 1895, raised impressed marks, 35cm high £60 - £80 and incised scroll decoration between geometric borders, impressed marks, 20cm 746. A near pair of Doulton Lambeth high £60 - £80 stoneware vases, circa 1910, double gourd form with painted stylised foliate 758. Eliza Simmance for Doulton decoration, 15cm high (2) £40 - £60 Lambeth, a stoneware jug, baluster form, dated 1887, raised fruit and branches on a 747. A pair of Doulton Lambeth vases, stippled ground decoration between circa 1920, inverse baluster form with raised geometric borders, impressed marks, 20cm cartouches of stylised carnations, impressed high £60 - £80 marks, 18cm high (2) £40 - £60 752 759. Frank Butler for Doulton Lambeth, of slender, dated 1903, tubed lined 748. William Parker for Doulton 752. Edith Lupton for Doulton Lambeth, a vase sinuous and spiralling decoration, Lambeth, a jardiniere squat ovoid with an a stoneware oil lamp, dated 1882, impressed marks, 26cm high everted rim form, dated 1884, pushed out baluster form, incised geometric foliate £100 - £150 scrolling foliate decoration, impressed design, twin brass handles and Hinks marks, 26cm diameter £100 - £150 Duplex burner, ceramic 29cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 58

763 764

760. Francis Pope for Doulton Lambeth, circa 1920, a vase of gourd form with applied decoration, with a Slaters patent vase, tube lined flora and foliate decoration, impressed marks, tallest 16cm high (2) £20 - £30

761. Arthur Barlow for Doulton Lambeth, a stoneware jug, bulbous form, circa 1871, incised and applied foliate decoration, impressed marks, 12cm high £40 - £60

762. George Tinworth for Doulton Lambeth a cheese dome, dated 1880, decorated with seaweed design between acanthus leaf borders, associated carved wood and marble base, 27cm high £100 - £150

763. Hannah Barlow for Doulton Lambeth, a stoneware biscuit barrel, 1879, cylindrical form, sgraffito decorated with children and sheep in a cottage landscape, between raised borders, silver plated mounts, 23cm high £1000 - £1500

764. Hannah Barlow for Doulton Lambeth, a stoneware biscuit barrel, 1882, cylindrical form, sgraffito decrorated with Irish 766 wolfhounds, between tooled and incised borders, plated mounts, 18cm high £1000 - £1500 766. Hannah Barlow for Doulton Lambeth, a pair of stoneware vases, dated 1903, baluster form, incised with panels of deer 765. Hannah Barlow for Doulton Lambeth, a stoneware vase, highlighted in white slip, stylised foliate borders, impressed marks, footed shouldered form with flared neck, sgraffito decorated with 32cm high £250 - £350 children and donkeys, incised monograms, 35.5cm high £400 - £600 767. Hannah Barlow for Doulton Lambeth, a stoneware twin handled vase, circa 1890, decorated with a panel of sheep and donkeys between scrolling foliate and acanthus leaf borders, signed to base and panel, stamped and incised marks, 27.5cm £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 59

773. Ruskin a pair of crystalline glaze candlesticks, circa 1930, hexagonal flared form, impressed marks, 20cm high (2) £40 - £60

768 768. Florence Barlow for Doulton Lambeth, a stoneware vase, dated 1906, two panels of budgerigars on a stipple ground with art nouveau sinuous borders, impressed marks, 29cm high £200 - £300 774 774. Charles Noke and Harry Nixon for Royal Doulton, a 769. Florence Barlow for Doulton Lambeth a vase, dated 1903, Chang vase, ogee ovoid form, heavily glazed over iridescent flambe, baluster form with pate sur pate sparrows among tube lined grasses, painted marks, 18.5cm high £1000 - £1500 impressed marks, 28cm high £100 - £150 775. Royal Doulton veined Flambe vase, circa 1960, bulbous 770. Florence Barlow for Doulton Lambeth a vase, circa 1910, form with elongated neck, printed marks, 25cm high £20 - £30 baluster form with swallows seated on telegraph wires and in flight, printed marks, 26cm high £60 - £80 776. Annie Ollier for Bernard Moore, an iridescent lustre type vase, Meiping baluster form, painted with scrolling foliate flowers 771. William Howson Taylor, a Ruskin souffle glazed vase, below a lappet border, painted marks, 24cm high circa 1910, Meiping form, with painted vines to the shoulder, scissor £500 - £800 marks, 22cm high £80 - £120

777 777. Daisy Makeig Jones for Wedgwood, a hummingbird lustre bowl, Z5294, rounded form with conical everted rim, 18.5cm diameter £40 - £70

772 772. A Ruskin High Fired vase, 1933, squat rounded conical form with everted neck, speckled green over red and grey, 11.5cm high £700 - £1000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 60

786. A Coalport jewelled coffee cup and saucer, the fluted cup gilded and enamelled with turquoise and raised gilt dots throughout, saucer 9cm diameter £150 - £200

781 781. Freda Beardmore for Foley, a Harrods Exhibition coffee pot, 1934, 778 pear baluster form, painted with orange flowers, below a band of interlocking . 778 Frederick Rhead for Foley, an crescents, printed marks, 17.5cm high bottle kiln Intarsio twin handled vase, £40 - £70 form with comma scroll handles, painted to each side with Elsinore castle and Hamlet 787 . with a quote from Act V scene II, Dost know 782 Paragon commemorative wares 787. A Coalport jewelled coffee cup this water-fly?, 18.5cm high £80 - £120 for Neville Chamberlain the Peacemaker, 1938, to commemorate the and saucer, the wrythen reeded body with Munich Peace Conference prior to the panels of turquoise enamelled beads on outbreak of World War II, including plate, gilt, alternating with pearl painted rosettes, two cups and a saucer (4) £80 - £120 saucer 9cm diameter £150 - £200

783. Derek Emms, a studio pottery porcelain box and cover, flattened ovoid form, painted with stylised leaves to the lid, within a gilt band, concentric rings to the body, painted monogram, 12cm diameter £20 - £30

BRITISH CERAMICS

784. Albion Birks for Minton, a pate sur pate coffee can, the central roundel with putto in vines, between gilt bands, 6.5cm high £100 - £150

779 788 779. Frederick Rhead for Foley, an 788. A Royal Worcester blush ivory Intarsio ewer, the spherical drum body ewer, 1905, pedestal ovoid form with painted with PreRaphaelite queen and Grecian helmet spout, painted with hanging Athena busts, on a knopped footed base, flowers, highlighted in raised gilt, puce with tapered vertical neck and spout, mark, 34cm high £100 - £150 decorated with floral motifs, 26.5cm high £100 - £200 789. David A Whatmore for Royal Worcester, a pheasant painted gilt 780. Eric Slater for Shelley, a Harmony 785 cabinet plate, within a heavily tooled and preserve pot and a footed bowl, the jam gilded ground of foliate scrolls and lappets, 785. A Coalport jewelled coffee cup pot and cover in the form of an apple, signed, gold footrim, 23.5cm diameter and saucer, the fluted cup painted with a banded in orange and browns, the bowl of £150 - £250 central vignette of watery landscape, orange squat ovoid form, painted in graduated enamelled dots throughout, saucer 9cm shades of green, 17.5cm diameter (2) diameter £150 - £200 £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 61

792. Horace Price for Royal Worcester, a fruit painted cabinet plate, 1926, within a gilt foliate and trellis border on powder blue ground, 24cm diameter £200 - £300

793. Horace Price for Royal Worcester, a fruit painted cabinet plate, 1926, within a gilt foliate and trellis border on powder blue ground, 24cm diameter £200 - £300

790 794 790. George Owen and Harry Chair for Royal Worcester, a 794. A Royal Worcester Grainger and Co. reticulated pot reticulated pedestal vase, 1898, ogee gourd form, the handles, pourri and cover, chamfered rectangular twin handled boat form shoulder and foot pierced with geometric bands and jewelled in gilt, with pierced panels of foliate scrolls, the lid similarly decorated with painted with rose garland swags below Rococo gilt scroll cartouches, acanthus moulded finial, highlighted in gilt, 11.5cm long puce marks, 12.5cm high £600 - £800 £80 - £120

795 795. David A Whatmore for Royal Worcester, a pheasant painted gilt cabinet plate, within a heavily tooled and gilded ground of foliate scrolls and lappets, signed, gold footrim, 23.5cm

diameter £150 - £250 791 791. William Bee for Royal Worcester, a fruit painted panel twin handled vase and cover, 1922, pedestal ovoid shouldered form, the central roundel within raised gilt foliate cartouche, on a powder blue ground, 32.5cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 62

810. Phoebe Stabler for Royal Worcester, a figure group Boy on Boar, 1931, model 2882, 9cm high £100 - £150

811. Cuthbert Gresley for Royal Crown Derby, a floral painted vase and cover, pedestal cylindrical Campana form, relief moulded acanthus lappets and reeded onion domed lid, decorated with a floral bouquet within tooled gilt cartouche, signed, 15.5cm high £80 - £120

796

796. D Fuller for Royal Worcester, a 806 fruit painted cup, cover and stand, twin handled flared form with relief moulded 806. A Royal Worcester figure, Walter pineapple finial, gilded to the saucer Raleigh, in a different colourway, impressed exterior, approx. 17cm high £300 - £500 and puce marks, 786, S12, 16.5cm high £80 - £120 797. Telford for Royal Worcester, a still life painted plaque, circular form, with goblet and flowers, signed, 10cm diameter, framed £150 - £250

798. A pair of Royal Worcester Bonzo salt or pepper pots, 1930, modelled as the dog, puce marks, 8cm high £80 - £120

799. A Royal Worcester candle snuffer, Town Girl, 1880, modelled with a pink bonnet and fan, green marks, 13.5cm high 812 £100 - £150 807 812. Cuthbert Gresley for Royal Crown 800. James Hadley for Royal 807. Shuck for Royal Worcester, a fruit Derby, a large floral painted panel Worcester, a pair of figures, Welsh Man painted miniature teapot, cannon ball vase, twin handled ovoid form, relief and Woman, model 1875, circa 1911, form, 10cm long £80 - £120 moulded Art Nouveau style tendrils to the painted in floral costumes, turquoise, pink rim, open foliate entwined handles with and brown, 18cm high (2) £100 - £200 808. Doris Lindner for Royal ribbed fin terminals, above enamelled and Worcester, Stroller and Marion Coakes, gilt wild flowers, the raised gilt paste 801. James Hadley for Royal painted porcelain figure on wooden base, cartouches with bouquets to each, on four Worcester, two figures, Irishman and number 109, with certificate, 30cm high feet, signed to each panel, 41cm high Welsh Woman, models 1875 and 835, in £200 - £300 £300 - £500 shot enamels colourway, 18cm high £80 - £120 809. F Doughty for Royal Worcester, a 813. Leslie Johnson for Royal Doulton, Children of the Nations figure, Japan, a painted plaque, after Gainsborough’s 802. A Royal Worcester Bonzo dog, 1958, 8.5cm high £40 - £70 Georgiana Duchess of Devonshire, signed, 1930, modelled as the dog, puce marks, 12cm x 8cm, framed £150 - £200 7cm high £70 - £100 814. R Holdcroft for Royal Doulton, a 803. James Hadley for Royal hand-painted vase titled ‘Good Health’, Worcester, three figures from the Down circa 1930, printed marks to base, 30cm and Out series, circa 1874, impressed high £250 - £350 marks, 16cm high (3) £100 - £150 815. Edward Raby for Doulton 804. A collection of Royal Worcester Burslem, a Luscian Ware floral painted figures, including dogs and foxes (16) vase, twin handled ovoid form, heavily £80 - £120 gilded in relief with whiplash wrythen handles, decorated with tulips, signed, 805. A collection of Royal Worcester 31cm high £300 - £500 candle snuffers, including Jenny Lind, monk etc. (9) £80 - £120 810

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 63

816. A Minton jardiniere stand, 1889, Tuscan column form, canary yellow ground with blue and white transfer floral and foliate decoration, between Greek key, lappet and scroll borders, 30cm diameter, 68.5cm high £150 - £250

823 823. A Belleek first period egg stand, basket weave design with hand and ring finial, with six vacant egg cup holders, 17.5cm diameter £50 - £80

824. A Belleek Cone part tea set, second period, brown tinted, lobed and relief moulded pine cone form, including teapot, jug, bowl, tea cup and three saucers, highlighted in gilt, teapot 19.5cm long

(7) £100 - £200 817 817. A Belleek Five O’Clock Tea Set, second period, including 825. A Belleek first period Tridacna tea set, highlighted in pink, teapot, jug, bowl, six cups and six saucers, teapot 19cm long (15) including teapot, jug, bowl, six saucers and six cups (2 second period, £80 - £120 4 first period), printed marks (15) £100 - £200

818. A Belleek Hexagon tea set, second period with two cups 826. A Belleek first period pedestal centrepiece or comport, and saucers of the first period, green tinted, including tray, teapot, modelled with three scallop shell dishes between horses, 24cm high, jug, bowl, eight saucers, seven cups, the teapot 19cm long (19) 26cm diameter £60 - £100 £100 - £150 827. A collection of Belleek baskets and Shamrock tray, three 819. A Belleek first period Echinus tray, oval form, plain glaze, and four strand woven form, impressed marks and black second printed mark and registration, 39cm long £40 - £70 period mark to the tray, 45.5cm long £50 - £80

828. A Belleek florally encrusted jardiniere, ovoid form, supported on three scroll and shell moulded bracket feet, the body half reeded and applied with birds in flowering branches, below a denticulated rim, 27cm high £60 - £80

820 820. A pair of Belleek first period Clam Shell salt cellars and spoons, realistically modelled on orange coral bases, the spoons also in the form of shells, impressed marks, 8cm diameter £100 - £200

821. A Belleek florally encrusted lustre vase, second period, twin handled bulbous form with wrythen fluted and crimped neck, the 829 handles pierced, printed mark, 23cm high £30 - £50 829. Charles Noke for Royal Doulton, a Kingsware Jester 822. A Belleek Neptune part tea set, second period marks, green clock case, with verse, relief moulded of ogee pedestal bracket form, tinted, including teapot, bowl, four cups, four saucers and a yellow raised quote from Shakespeare’s As You Like It, ‘Thus may we see coral tinted tray, teapot 21cm long (11) £80 - £120 how the world wags’, 14cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 64

830. A Royal Doulton Blue Children 834. Leslie Harradine for Royal vase, inverse baluster form, 47cm high Doulton, a rare prototype Biddy Penny £200 - £300 Farthing figure, variation of HN1843, dated 1942, modelled without balloons, 831. A Royal Doulton large character purple shirt, 24cm high jug, Santa Claus doll handle, unfinished Provenance: probably the same figure white hat, Royal Doulton marks (seconds) mentioned in Eyles, Dennis and Irvine’s £50 - £70 Royal Doulton Figure, Stoke on Trent: 1987, p.316; Thomas Wallis and Co., Holborn Circus, 1943 £200 - £400

837 837. Leslie Harradine for Royal Doulton, a Betty first version figure, model 282, circa 1921, in a different colourway, black and white, incised number, printed mark, 20cm high £200 - £400 832 832. A Royal Doulton miniature character jug, Pearly Boy, red and yellow scarf, pearlescent buttons, printed mark, 6cm high £300 - £500

833. A Royal Doulton miniature character jug, Pearly Boy, brown buttons, printed mark, 6cm high £40 - £70

835 835. Lawrence Perugini for Royal Doulton, A Child’s Grace figure, HN62A, No.9, circa 1916, modelled as a girl on a plinth with verse by Herrick, painted marks, 22cm high £800 - £1200

838 838. Leslie Harradine for Royal Doulton, a Betty second version figure, HN1405, circa 1930, painted marks, 11.5cm high £200 - £400

836

834 836. A Royal Doulton Champion Godworth Victor figure of a dalmatian dog, HN1111, 31.5cm long £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 65

845. A Royal Doulton Kingsware Bonnie Prince Charlie whisky jug, bulbous ovoid flagon form, with original contents and stopper, printed marks, 18cm high £60 - £80

846. A Royal Doulton figure of a Cavalier King Charles spaniel, HN127, modelled sitting, 9.5cm high £80 - £120

839 842 839. Leslie Harradine for Royal 842. Leslie Harradine for Royal Doulton, a prototype colourway figure, Doulton, an Art Deco figure The Mr Micawber, model 380, with grey Swimmer, HN1326, circa 1928, marbled trousers, green mustard waistcoat and pink pink and purple colouration, painted and 847 socks, 18cm high £80 - £120 printed marks, 19.5cm high £80 - £120 847. Leslie Harradine for Royal Doulton, The Courtier, figure HN1338, circa 1929, painted marks, 12cm high £80 - £120

840 840. Leslie Harradine for Royal Doulton, a Scotties figure, HN1349, circa 1928, painted and printed marks, 14.5cm 849 & 848 high £150 - £250 848. John Broad for Doulton Lambeth, 841. Leslie Harradine for Royal 843 a bisque figure of Ellen Terry, circa 1919, Doulton, The Mask, figure HN657, circa unglazed, incised monogram, 23cm high . 1924, blue and purple, painted marks, 843 Leslie Harradine for Royal £150 - £250 Doulton, an Art Deco figure The 17.5cm high £80 - £120 Swimmer, HN1329, circa 1928, in a 849. John Broad for Doulton Lambeth, different colourway, striped towel and pink a bisque figure, Doris Keane as Cavallini, costume, painted and printed marks, circa 1919, unglazed, incised monogram, 19.5cm high £200 - £400 23cm high £150 - £200

. 844 Royal Doulton miniatures, 850. A collection of Royal Doulton including Polly Peachum in original box, dogs, including spaniels and terriers etc. bookends etc. (6) £50 - £80 (16) £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 66

856. A Beswick figure of a giraffe and calf, modelled standing, 32cm and 18.5cm high (2) £50 - £80

853 857 853. A Royal Doulton figure of a 857. Worcester porcelain chestnut 851 Greyhound dog, HN1065, 21cm high basket, c. 1770 £100 - £150 £100 - £200 851. Three Royal Doulton dog head 858. 18th Century English delftware wall plaques, including spaniel, fox hound 854. A collection of Royal Doulton pottery blue and white footed bowl, and scottie, mounted on wooden ovals, dogs, including German Shepherd, Collie, decorated with a figure in continuous trellis, 15cm high (3) £200 - £300 Sausage dog etc. (11) £80 - £120 flowering branch and river frieze, puce lined decoration to interior, circa 1750, 27cm 852. A Royal Doulton figure of a Fox 855. A Royal Doulton figure of a diameter £200 - £300 Terrier, HN924, modelled sitting, 14cm bulldog, 1176, modelled standing, 25cm high £80 - £120 long £350 - £450 859. A 19th Century pink lustre pottery jug, transfer printed panel ‘A west View of the Iron Bridge of Sunderland .... ‘ flanked by verse, all within primitive leaf bough and floral garland borders, Sunderland or Newcastle on Tyne, circa 1830, 22cm high £200 - £300

860. A pair of early 19th Century slipware baking dishes, circa 1810, brown combed decoration on a mustard yellow ground, with piecrust edge, 30cm x 23cm (2) £800 - £1200

861. A Staffordshire slipware dish, circular form, decorated with a lattice design, late 18th century, 34cm diameter £200 - £300

862 862. A Staffordshire gravel ware jug, circa 1800, shouldered ovoid form, painted in Pratt colours, 13cm high £80 - £120

860

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 67

863. A mid 18th Century delftware wall pocket, Liverpool, moulded with masks and scrolls, pierced twice for hanging, 20cm high £200 - £300

864. An English Delft dish or bowl, mid 18th century, painted with floral sprigs and geometric bands, 26.5cm diameter £70 - £100

865. A Staffordshire pottery sauce boat in the form of a fox head and swan, circa 1790, relief moulded the handle as the swan’s neck, below lappet base, 17cm long £80 - £120

866. An English or Irish Delft dish, circa 1750, blue and white with reticulated lattice border, Chinese style foliate scroll lappets and lotus leaf centre, 17cm diameter £200 - £300

867. A Bovey Tracey figure of a cat, Devon, circa 1810, painted with tortoiseshell strokes, 12cm high £100 - £150

868. Early 19th Century Staffordshire pottery pearlware tree trunk figure group, seated man with pipes and dog with rested paws, his companion with yellow bodice and floral skirt, flanking twin branched tree stump on bocage and moulded floral base, 15.5cm high £150 - £250

869. Early 19th Century Staffordshire pottery figure group of the Dandies with overglaze enamelled decoration, depicting hatted figures, each carrying a basket, on oval moulded base, 17cm high 872 £70 - £100 872. 17th Century English delft pottery wine bottle, gourd form with loop handle with blue inscription ‘SACK’ and dated 1650, 15cm 870. Three late 18th Century Creamware oval plates, reeded high £400 - £600 dished form with reticulated broad rim, 24.5cm x 21cm, and two similar circular plates, 23cm diameter. (5) £80 - £120 873. English delft blue and white bottle vase, circa 1730, decorated in the Ming style with flowers and leaves, trellis borders, zig-zag and spiral trailed banding, 26cm high £200 - £300

874 . 874 An English delft blue and white rectangular flower brick 871 of large size, circa 1750, decorated with figures in a fenced garden, the ends with flowers and leaves, the top pierced with 29 apertures, 871. An English North Country slipware jug, circa 1816, 18.5cm wide £400 - £600 inscribed and dated T B March 1816, 14cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 68

882. A pair of English delftware 890. A George Jones Aesthetic manganese tiles, each painted with Movement breakfast set, with integrated allegorical scenes, 12cm x 12cm and two two division toast rack, removable salt similar examples, 12.5cm x 12.5cm (4) cellar, pepper pot and covered porridge £100 - £120 bowl, decorated with pink daisies and bees, impressed marks, 26cm diameter 883. Early 19th Century Staffordshire £50 - £70 porcelain model of a black and white cat and kitten with gilded collars, seated on a green and gilded cushioned base, with Mannheim’s label, 6,5cm high £100 - £150

884. 19th Century Staffordshire porcelain model of a Spaniel, recumbent on a rococo scroll and gilded base, 4cm high £50 - £80

885. Early 19th Century English 875 pottery cider jar, gourd shaped with reeded strap handle, with running brown 875. An Astbury type 18th Century glaze to a rust coloured ground, 15cm high Staffordshire pottery figure of a squirrel £100 - £200 nibbling a nut, with stylised lashes and blue collar and relief moulded chain to a rust 886. A late 19th Century Donyatt brown ground on oval walnut style base, pottery Devon baluster form puzzle jug, 17cm high £400 - £600 with pierced neck and spout to hollow moulded rim, sponged and running green 876. A miniature Staffordshire glaze to a mustard ground, incised date 891 Prattware pottery toby jug, circa 1810, 1899, 23cm high £100 - £200 brown coat and mustard yellow breeches on 891. A Victorian Majolica plate and green glazed circular base, 11cm high jug, relief moulded with foxgloves, the jug, £70 - £100 probably Holdcroft, with Japonesque birds in prunus, bamboo style handle, 20.5cm 877. A Staffordshire Prattware pottery diameter (2) £20 - £40 toby jug, circa 1840, seated gentleman with tricorn hat holding a jug, blue coat and 892. A Staffordshire Snuff Taker Toby mustard yellow breeches on green faceted jug, early 19th century, modelled standing, base. 22cm high £100 - £200 23.5cm high £40 - £70

878. A Yorkshire creamware butter tub and cover, with stand, oval for, with relief moulded serpentine and feathered borders, 21cm long £80 - £120

879. A Staffordshire Prattware pottery toby jug, circa 1840, seated gentleman 887 with tricorn hat holding a jug of ale, brown 887. An English Delft pottery clock coat and orange breeches on green faceted face, mid 18th century, with Arabic base. 22cm high £100 - £200 numerals, 24cm diameter £300 - £500

880. A pair of 19th Century stoneware, 893 888. A pair of English Delft blue and silver lustre and drabware wall brackets, white plates, London circa 1750, in the 893. A Staffordshire black basalt angular stepped pediments above rococo Chinese style, 26cm diameter (2) Wellington jug, circa 1813, modelled with styled terminals, 14cm high (2) £80 - £120 a lion’s head spout and swan neck handle,

£200 - £300 relief moulded roundels of a bust of 889. A creamware reticulated basket, Wellington being crowned with laurel, the 881. A late 18th Century Creamware circa 1785, ogee rimmed oval flared form, reverse incised with India, and pottery oval reticulated basket and pierced trellis sections, relief moulded with Spain, 17cm long £60 - £100 stand, twin rope twist handles and foliate winged heads and laurel swags, rope twist moulded terminals, the body with relief handles and feathered borders, 25cm long moulded masks and foliate swags, 25cm £40 - £60 wide (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 69

900. A pair of Wedgwood black basalt 904. A Pearlware Pratt type Toby jug, candlesticks, early 19th century, Tuscan circa 1800, modelled with frothing gourd column form, decorated with sprigged relief form jug, sponge decorated in brown and allegorical scenes including Perseus and blue, on a canted green washed base, Pegasus, impressed marks, 12cm high 24cm high £150 - £200 £60 - £80 905. A Pearlware Pratt type Toby jug, 901. A Derby porcelain figure of a circa 1790, modelled holding a pear shepherdess with lamb, circa 1770, in front shaped frothing jug, possibly Whieldon, of floral bocage on a foliate scroll base, 24cm high £80 - £120 incised marks, no 60, 20.5cm high £80 - £120 906. A Staffordshire Whieldon barrel Toby jug, circa 1790, blue and white with 894 frothing jug and barrel between the feet, 26cm high 894. A Staffordshire Prattware flower Provenance: Sotheby’s London, 1st August circa 1830, five branched crocus holder, 1972, lot 94; Harland Collection sticker to lobed spouts, on plinth base, pink lustre and base £350 - £450 relief moulded acanthus decoration, 20cm high £100 - £150 907. A Yorkshire pottery Toby jug, circa 1840, modelled holding a hexagonal . of 895 A pair of Parian ware busts beaker and a jug, sponge decorated with Admiral John Jellicoe and Field Marshal relief moulded handle, 26cm high John French, by Hewitt and Leadbeater, £40 - £70 integral square socle, marked H&L on reverse, 17cm high (2) £80 - £120 908. A Staffordshire George Whitfield Toby jug, modelled as a Nightwatchman, 896. A pair of Parian ware busts of 19th century, 24cm high William Gladstone and Lord Salisbury, by £40 - £70 Robinson and Leadbeater, integral square socle, marked R&L on reverse, 20cm high (2) £80 - £120 902

897. A copper lustre jug with printed 902. A 17th century or earlier decoration, circa 1821, one side with a Bartmannkrug or Bellarmine jug, tope portrait of Queen Caroline and inscribed glazed with face mask above a floral ‘God Save Queen Caroline’, reverse roundel, 20.5cm high £80 - £120 inscribed with verse ‘Long Live Caroline’, 12.5cm high, together with a Sunderland pink lustre jug, two sides with Britannia by a mausoleum and inscribed ‘To the Memory of Caroline the injured & persecuted Queen of great Britain.’, below the spout a praying figure in mourning, 14cm high (2) £60 - £80

898. A pearlware jug with printed decoration of Blackburn Riots, circa 1878, tapering form with one side depicting riot and inscribed ‘Blackburn Riots. May 1878.’, reverse inscribed ‘Colonel Jacksons House 909 on Fire. Blackburn Riots. May 1878.’, 13cm high £80 - £120 909. A Leeds pottery pearlware Toby jug, circa 1800, Pratt style decorated, 899. A large creamware jug of modelled holding a frothing jug, hand American interest with printed and hand- separated from the body, 25cm high coloured decoration, circa 1804, one side £150 - £200 with a French soldier standing beneath the

American flag with ships in the background, 910. An earthenware slipware dish, 903 ‘Success to America whose Militia is better English circa 1800, the comb decorated than Standing Armies’ and below ‘May Its 903. A Portobello type Toby jug, circa baking or loaf dish in cream and terracotta Citizens Emulate Soldiers and its Soldier 1800, modelled in pink coat, holding a coloured enamels, 39.6cm long, 32cm Heroes’, and two further lines below, the large floral painted jug of frothing ale, £2400 - £3000 reverse with a Coat of Arms inscribed ‘The yellow and blue breeches, 26cm high Bakers Arms’, below the spout the American £70 - £100 Eagle, 22.7cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 70

TERMS & CONDITIONS OF SALE AND BUSINESS b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who These Conditions of Sale and Business constitute the contract between may themselves enforce them. Kingham & Orme Auctioneers limited and the seller, on the one hand, and Any notice to any buyer, seller, bidder or viewer may be given by first class the buyer on the other. By bidding at the auction, and/or consigning to mail or email in which case it shall be deemed to have been received by Kingham & Orme Auctioneers limited, you agree to be bound by the the addressee 48 hours after posting. following terms. Special terms may be used in catalogue descriptions of particular classes CONDITIONS OF SALE of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 1. DEFINITION Any indulgence extended to bidders, buyers or sellers by us notwithstanding In these terms of business: Kingham & Orme Auctioneers Ltd is referred to the strict terms of the Conditions or of the Terms of Consignment shall as ‘K & O.’ The K & O representative conducting the auction is referred to affect the position at the relevant time only and in respect of that particular as the ‘auctioneer’. concession only; in all other respects these Conditions shall be construed as having full force and effect. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility English law applies to the interpretation of these Conditions. for default by sellers or buyers if the transaction is not completed and paid for. TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE 1. INTERPRETATION The seller acknowledges that lots are sold subject to the stipulations of In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the these Conditions in their entirety and on the Terms of Consignment. consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s 4. DESCRIPTIONS AND CONDITION OF LOTS authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kingham & Every effort is made to ensure the accuracy of statements relating to Orme Auctioneers Ltd. authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after 2. WARRANTY careful consideration and research. Prospective buyers are given ample The Seller warrants that possession in the lots can be transferred to the opportunity to view lots before any sale. When bidding, buyers Buyer with good and marketable title, free from any third party right and acknowledge that they are fully satisfied as to the description and condition encumbrances, claims or potential claims. The Seller has provided all of the lot. information concerning the items ownership, condition and provenance,

attribution, authenticity, import or export history and of any concerns 5. ATTRIBUTION OF PICTURES expressed by third parties concerning the same. (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of K & O the picture is a 3. COMMISSION work by the named artist. Commission is charged to sellers at a flat rate of 15% plus VAT on each (b) If the initials of the forename(s) and the surname of the artist are given, lot sold for up to £999, 10% plus VAT on each lot realising £1,000 and this indicates that in the opinion of K & O the picture is a work of the period above. There is a minimum charge of £5 plus VAT per lot. of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of 4. REMOVAL COSTS K & O the picture is a work of the same school of the named artist, or by Items for sale must be consigned to the saleroom by and stated deadline one of his followers, or in his style and of uncertain date. and at your expense. We may be able to assist you with this process but (d) The term ‘Bears signature’ indicates that in the opinion of K & O this is any liability incurred to a carrier for haulage charges is solely your not the signature of the artist. responsibility. (e) All other terms are self-explanatory. 5. LOSS AND DAMAGE OF GOODS 6. FORGERIES a) Loss and Damage Warranty – K & O is not authorised by the FSA to Notwithstanding Condition 4, any lot which proves to be a deliberate provide insurance to its clients and does not do so. However, K & O for its forgery may be returned to us by you within 21 days of the auction own protection, assumes liability for property consigned to it at the lower provided it is in the same condition as when bought, and is accompanied pre-sale estimate until the hammer falls. To justify accepting liability, K & by particulars identifying it from the relevant catalogue description and a O makes a charge of 1.5% of the hammer price plus VAT. The liability written statement of defects. If we are satisfied from the evidence provided assumed by K & O shall be limited to the lower pre-sale estimate or the that the lot is a deliberate forgery we shall refund the money paid by you hammer price if the lot is sold. for the lot including any buyer’s premium. b) If the owner of the goods consigned instructs us in writing not to take

such action, the goods then remain entirely at the owners risk unless and 7. THIRD PARTY LIABILITY until the property in them passes to the Buyer or they are collected by or Every person on K & O premises before, during or after a sale shall be deemed on behalf of the owner, and clause 5(a) is inapplicable. to be there at their own risk and shall have no claim against K & O in respect of any injury they may sustain or any accident which may occur. 6. ILLUSTRATIONS

8. DISPUTES The cost of any illustrations is borne by you. If we consider that the lot Any dispute not covered in these terms of business will be settled at the should be illustrated your permission will be asked first. The copyright in sole discretion of K & O. respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 9. GENERAL We shall have the right at our discretion, to refuse admission to our 7. MINIMUM BIDS AND OUR DISCRETION premises or attendance at our auctions by any person. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the a) Any right to compensation for losses liabilities and expenses incurred in reserve provided if we can account to you for the same sale proceeds as respect of and as a result of any breach of the Conditions and any you would have received had the reserve been the hammer price. If you exclusions provided by them shall be available to the seller and/or the specifically give us a “discretion” we may accept a bid of up to 10% below auctioneer as appropriate. the formal reserve.

Additional information can be found at www.kinghamandorme.com 71

8. RESERVES 18. SETTLEMENT a) You are entitled to place prior to the auction a reserve on any lot Subject to funds having cleared in our account we aim to pay you no later consigned, being the minimum hammer price at which that lot may be sold. than four weeks following the sale. If the buyer has not paid for the goods Reserves must be reasonable and we may decline to offer goods which in no settlement will be made but we will take your instructions in the light of our opinion would be subject to unreasonably high reserves {in which case our Conditions of Sale. You authorise any sums owed by you to us on other goods carry the storage (Condition 17) and loss damage warranty transactions to be deducted from the sale proceeds. Please note the liability (Condition 5(a) charges as stipulated in these Terms of Consignment}. to reimburse the proceeds of sale to us as under the circumstances b) A reserve once set cannot be changed except with our consent. provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid INFORMATION FOR BUYERS personally. d) Reserves are not usually accepted for lots expected to realise below £50. 1. INTRODUCTION The following notes are intended to assist buyers particularly those who 9. ELECTRICAL ITEMS may be inexperienced or new to our saleroom. All sales are conducted in These are subject to detailed statutory safety controls. Where such items accordance with our Conditions of Sale. Our staff will be happy to help are accepted for sale you accept responsibility for the cost of testing by you with anything you do not fully understand. external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your 2. AGENCY expense on your being notified. We reserve the right to dispose of unsafe As auctioneers we usually contract as agents for the seller whose identity, goods as refuse, at your expense. for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests 3. THE BUYER of fire safety. Goods found to infringe safety regulations will not be offered The highest bidder acknowledged as such by the auctioneer will be the and must be removed at your expense. We reserve the right to dispose of buyer. If any dispute arises, the auctioneer has absolute discretion to settle unsafe goods as refuse, at your expense.The rights of disposal referred to the matter. The auctioneer rules the bidding and bids cannot be retracted. in clauses 9 and 10 are subject to the provisions of The Torts (Interference The auctioneer reserves the right to refuse any bid. with Goods) Act 1977, Schedule 1, a copy of which is available for The successful bidder, whether bidding for himself or for a third party, is inspection upon request. entirely responsible for paying for the lots they have bought in accordance

with K & O’s Conditions of Sale and Business. The auctioneer reserves the 11. DESCRIPTIONS right to bid on behalf of the sellers for any lot and to withdraw, consolidate Please assist us with accurate information as to the provenance etc. of or divide any lot or lots. goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some 4. REGISTRATION circumstances responsibility lies with sellers if inaccuracies occur. We will It is essential that all prospective buyers register with us, giving their full name, assume that you have approved the catalogue description of your lots address, contact telephone number(s) and email address. First time buyers unless informed to the contrary. Where we are obliged to return the price will be required to provide proof of identity (i.e. driving licence/passport), a to the buyer when the lot is a deliberate forgery under Condition 4 of the valid debit or credit card and a copy of a utility bill confirming their name Conditions of Sale and we have accounted to you for the proceeds of sale and address. Upon receipt of the above a paddle will be issued, which is you agree to reimburse us the sale proceeds. only valid for the current sale. The paddle may be used to indicate your bids

to the Auctioneer during the sale. If successful, the bidder must ensure that 12. UNSOLD ITEMS their number can be seen by the Auctioneer and that it is their number that If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items is called out. Should there be any doubts as to price or buyer, please draw from the saleroom promptly on being so informed. Otherwise, storage the Auctioneer’s attention to it immediately. charges may be incurred. 5. BUYER’S PREMIUM - COMMISSION CHARGES 13. WITHDRAWN AND BOUGHT IN ITEMS There is a buyer’s premium of 23 per cent plus VAT on the hammer price These are liable to incur charges on being bought in or withdrawn after of each lot up to and including £200,000. The buyer’s premium is 15% being catalogued. plus VAT on the hammer price of each lot on the excess of £200,001 up to and including £1,000,000. The buyer’s premium is 12% plus VAT on 14. CONDITIONS OF SALE the hammer price of each lot on the excess of £1,000,001. You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as 6. VALUE ADDED TAX owner or agent for the owner. You undertake to compensate us and any Lots on which the buyer may have to pay VAT on the ‘hammer price’ are buyer or third party for all losses, liabilities and expenses incurred in respect indicated in the catalogue with the following symbol *. The buyer must pay of and as a result of any breach of this undertaking. this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST 7. AUCTIONEERS MARGIN SCHEME You authorise us to deduct commission at the stated rate and all expenses This scheme allows auctioneers to sell items without VAT on the hammer incurred from your account from the hammer price and consent to our price. The buyer then pays an amount equivalent to VAT. This amount right to retain beneficially the premium paid by the buyer in accordance cannot be refunded and is not shown separately on the invoice. with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate 8. PAYMENT a sale by private treaty not later than the close of business 48 hours after Buyers must pay in full before items can be removed from the premises the day of sale in the case of lots unsold at auction, in which case the same (please see “payment methods” below). charges will be payable as if such lots had been sold at auction and so far Invoices will be issued from the day of the sale. Buyers must pay their as appropriate these Terms apply. invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur 17. STORAGE interest at 5% above the base rate, charged from the date of the sale. If We disclaim all liability for goods delivered to our saleroom without buyers are unknown to us, we cannot hand over purchases unless we have sufficient sale instructions and reserve the right to make storage charges. adequate references or payment is cleared.

Additional information can be found at www.kinghamandorme.com 72

Payment Methods 14. STORAGE AND COLLECTION We accept payment by: Please note all items after the auction will be removed to store. Cash – up to £9,000 (subject to money laundering regulations). Arrangements for collection can be made with the office. Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS Credit cards – Visa or Mastercard (American Express or Diners Club not These are sold as ‘antiques’ only and if bought for use must be checked accepted). over for compliance with safety regulations. Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the 16. EXPORT OF GOODS cardholder is not present. Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing Bank transfer to: goods of that character because e.g. they may contain prohibited materials HSBC Bank, Bridge St, Evesham WR11 4RU such as ivory. Ask us if you need help. Account no.: 51655345 Account name: Kingham & Orme Auctioneers Ltd 17. PACKING AND DESPATCH Sort code: 40-20-27 We offer a packing and despatch service for smaller lots. We also use IBAN: GB91MIDL40202751655345 national and local carriers. Further details can be obtained from our office. SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 9. LIVE INTERNET BIDDING years, which costs more than the UK sterling equivalent of €1,000 will Live online auctions are in conjunction with the-saleroom.com, incur a royalty charge. We pass this payment onto the Design and Artists invaluable.com and easyliveauction.com Copyright Society (DACS), and do not charge a handling fee. Buyers can We ask that you register for the sale a minimum of 24 hours before the calculate royalty charges on the DACS website. auction. Items marked with the † symbol in the catalogue will potentially incur When you have registered, you can watch the auction in real time; simply royalty payments. click the bid button to place a bid. We use the euro to UK sterling exchange rate which applies on the day of If your bid is successful we will notify you after the sale for payment. the sale. It is the buyer’s responsibility to check the relevant exchange rate. Charges will be made for internet bidding dependent on the auction The actual qualifying threshold is calculated by the Artist’s Resale Right platform. See their terms and conditions for details. Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. 10. TRANSFER OF RISK The royalty charge for pictures which achieve a hammer price of more than Each lot is the buyer’s sole responsibility from the fall of the hammer. the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more 11. COMMISSION BIDS than the UK sterling equivalent of €50,000 a sliding scale of royalty If instructed, K & O will execute bids and advise prospective buyers. charges applies. For a complete list of the royalty charges and threshold This service is free. levels please download more information from the DACS website. Buyers who cannot come to a sale may leave their bid with our staff The royalty charge is added to invoices, and must be paid before after/during viewing, or make their bid in advance by telephone or email purchases are removed. VAT is not paid on royalty charges. ([email protected]). Such bids are placed at the buyer’s own risk. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING Bids must be made at least one hour before the sale starts, but we advise AND NATURAL HISTORY buyers to make bids at the earliest possible opportunity. When making Clients intending to import/export any item derived from natural history bids, buyers must provide: specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Their full name Address Certain species (λ) are also subject to CITES regulations when exporting/ Email address importing these items out of the EU. CITES regulations are given on Contact telephone numbers www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife The number of the lot they wish to buy Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 Their maximum bid amount – excluding commission which will be added The Square, Bristol BS1 6EB. Those species that are covered by the US to the invoice afterwards Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Buyers must state what their maximum bid would be. We cannot accept Services) for trade/possession restrictions in the US prior to bidding. an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION K & O will use information provided by its clients or obtained by K & O relating to its clients for the provision of auction services or as required by law. K & O may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that K & O may use sensitive information that they supply to K & O. Unless permitted by law, K & O will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

Additional information can be found at www.kinghamandorme.com

CONTACT US

KINGHAM AND ORME CALL ON 01386 244224 OR EMAIL [email protected]

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