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067 Risky Business
Risky Business: The Duque Government’s Approach to Peace in Colombia Latin America Report N°67 | 21 June 2018 Headquarters International Crisis Group Avenue Louise 149 • 1050 Brussels, Belgium Tel: +32 2 502 90 38 • Fax: +32 2 502 50 38 [email protected] Preventing War. Shaping Peace. Table of Contents Executive Summary ................................................................................................................... i I. Introduction ..................................................................................................................... 1 II. The FARC’s Transition to Civilian Life ............................................................................. 3 III. Rural Reform and Illicit Crop Substitution ...................................................................... 7 IV. Transitional Justice .......................................................................................................... 11 V. Security Threats ................................................................................................................ 14 VI. Conclusion ........................................................................................................................ 19 APPENDICES A. Colombian Presidential Run-off Results by Department ................................................ 21 B. Map of Colombia ............................................................................................................. 22 C. Acronyms ......................................................................................................................... -
Risky Business Northern California Authority Northern California
Municipal Pooling Municipal Pooling Authority Risky Business Northern California Authority Northern California How to Get Your Sleep Back… (Continued from Page 1) WINTER IS COMING—PREPARE Risky Business Fall Here are a few of the recommended ways to blunt the impact of COVID-19 2020 disruption on your sleep: YOUR HOME FOR THE COLD! • Get up at the same time each day – This is important even on the week- ends, so your brain and body get into a rhythm. Avoid sleeping in or napping Before the weather gets too cold, you should How to Get Your Sleep Back on Track in the afternoon. protect your house and family from the ele- • Get outside early – Natural sunlight tells our brain it is daytime so your brain ments. Here are some essential areas to check: can start preparing to help you perform your best and help you to wind down at the same time at night Roof COVID-19 has disrupted nearly every aspect of • Keep a routine – A routine will aid productivity, improve mood and expend the Look for missing shingles, cracked flashing, everyone’s life, and sleep is no exception. But be careful, says same amount of energy each day to best earn quality sleep onset at the same and broken overhanging tree limbs. UH clinical psychologist Carolyn Ievers-Landis, PhD -- the time each night. • Stay physically active – Exercising early in the day also helps to earn sleep Check the chimney for mortar deterioration irregular sleep schedules created by COVID-19 can have a at the same time each night. -
Visionary's Dream Led to Risky Business Opaque Deals, Accounting Sleight of Hand Built an Energy Giant and Ensured Its Demise
Visionary's Dream Led to Risky Business Opaque Deals, Accounting Sleight of Hand Built an Energy Giant and Ensured Its Demise By Peter Behr and April Witt Washington Post Staff Writers Sunday, July 28, 2002; Page A01 First of five articles For Vince Kaminski, the in-house risk-management genius, the fall of Enron Corp. began one day in June 1999. His boss told him that Enron President Jeffrey K. Skilling had an urgent task for Kaminski's team of financialanalysts. A few minutes later, Skilling surprised Kaminski by marching into his office to explain. Enron's investment in a risky Internet start-up called Rhythms NetConnections had jumped $300 million in value. Because of a securities restriction, Enron could not sell the stock immediately. But the company could and did count the paper gain as profit. Now Skilling had a way to hold on to that windfall if the tech boom collapsed and the stock dropped. Much later, Kaminski would come to see Skilling's command as a turning point, a moment in which the course of modern American business was fundamentally altered. At the time Kaminski found Skilling's idea merely incoherent, the task patently absurd. When Kaminski took the idea to his team -- world-class mathematicians who used arcane statistical models to analyze risk -- the room exploded in laughter. The plan was to create a private partnership in the Cayman Islands that would protect -- or hedge -- the Rhythms investment, locking in the gain. Ordinarily, Wall Street firms would provide such insurance, for a fee. But Rhythms was such a risky stock that no company would have touched the deal for a reasonable price. -
Risky Business: Rethinking Lateral Partner Hiring
Risky Business Rethinking Lateral Hiring February 2019 BROUGHT TO YOU BY Table of Contents About The Authors..................................................................................................................... 3 Methodology............................................................................................................................... 4 Introduction ................................................................................................................................ 5 Status Quo: Big Hires, Big Opportunities ................................................................................ 8 Everyone Hires ......................................................................................................................... 8 Hiring Laterally to Strengthen Existing Practice Areas .............................................................. 9 Lateral Hiring as a Way to Bring in New Clients and Support Growth ..................................... 10 Lateral Hiring to Support Expansion ....................................................................................... 12 Succession Planning .............................................................................................................. 14 Key Takeaways: Lateral Hiring Supports a Range of Goals for Law Firms ............................. 14 Risk, Reward, and Failure........................................................................................................ 15 The Cost of Acquiring Lateral Partners .................................................................................. -
Risky Business Script Analysis
Risky Business Screenplay Analysis Risky Business (1983) Wri$en and Directed by Paul Brickman Running 7me: 96min BASIC SCREENPLAY ANALYSIS PROTAGONIST: Joel Goodson, an 18 year old high school senior CHARACTERIZATION/MAIN MISBEHAVIOR: Naivety; guilt EXTERNAL GOAL: To get laid / To be accepted into Princeton INTERNAL GOAL: To sasfy his parents’ goals for his future / To make his own decisions MAIN DRAMATIC CONFLICT: Lana / Joel’s parents THEME: To get what you want out of life, remove guilt from the chances you take. CENTRAL DRAMATIC QUESTION: Can Joel overcome his naivety and guilt and blaze his own trail in the world? ENDING: Joel’s accepted into Princeton. ARC: Joel goes from a guilt-ridden, naive teenager, to a street-wise young man. STORY ENGINES ACT I As he drops them off at the airport for a week-long vacaon, Joel’s parents no7fy him of an admission interview for Princeton University. With his parents gone, Joel calls a pros7tute named Lana to his home and loses his virginity. Act II-A Lana steals Joel’s mother’s expensive Steuben glass egg, forcing Joel to find her. He brings her back to his home aer an altercaon turned car chase with her pimp, Guido. Joel is faced with a disaster when he sinks his father’s Porsche into Lake Michigan. Act II-B Joel and Lana turn Joel’s house into a brothel for one night to earn enough money to repair the Porsche. Forgeng Princeton, Joel is caught off guard when the admission’s officer shows up. Joel blows the interview, but does so guilt-free. -
Wednesday Morning, Nov. 23
WEDNESDAY MORNING, NOV. 23 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Justin Bieber. (N) (cc) Live! With Kelly Jerry Seinfeld; 2/KATU 2 2 (cc) (Cont’d) (TV14) Howie Mandel. (N) (cc) (TVPG) KOIN Local 6 at 6am (N) (cc) The Early Show (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) Newschannel 8 at Sunrise at 6:00 Today Justin Bieber performs; John O’Hurley. (N) (cc) Anderson (cc) (TVG) 8/KGW 8 8 AM (N) (cc) EXHALE: Core Wild Kratts (cc) Curious George Cat in the Hat Curious George ★★ (‘06) Voices of Will Ferrell, Curious George 2: Follow That Monkey ★★ (‘09) Voic- Curious George: A Very Monkey 10/KOPB 10 10 Fusion (TVG) (TVY) (TVY) Knows a Lot Drew Barrymore. ‘G’ (1:27) es of Tim Curry, Jamie Kennedy. ‘G’ (1:21) Christmas (cc) (TVG) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Law & Order: Criminal Intent Prav- 12/KPTV 12 12 da. (cc) (TV14) Paid Paid Paid Paid Turbo Dogs (cc) Pearlie (TVY7) Through the Bible Paid Paid Paid Paid Paid 22/KPXG 5 5 (TVY7) Changing Your John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- Winning With Jason Crabb: Trusting God to Get Behind the Joyce Meyer James Robison Marilyn Hickey 24/KNMT 20 20 World (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) Wisdom You Through Scenes (cc) (cc) (TVG) (cc) Eye Opener (N) (cc) My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show (N) (cc) 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass (TV14) Andrew Wom- Paid The Jeremy Kyle Show (N) (cc) Family Feud (N) Family Feud (N) America Now (N) Divorce Court (N) Cheaters (N) (cc) Cheaters (cc) America’s Court Judge Alex (N) 49/KPDX 13 13 mack (TVPG) (cc) (TVPG) (cc) (TVPG) (cc) (TVG) (TVPG) (TV14) (TVPG) (cc) (TVPG) Paid Paid CSI: Miami Attorney may be The Sopranos Tony’s feud with The Sopranos Jackie Jr. -
NYU Stern School of Business Undergraduate MKTG-UB.0049
NYU Stern School of Business Undergraduate MKTG-UB.0049: BUSINESS OF PRODUCING Spring 2019 Instructor Details Newman, Peter Email:[email protected] Teaching Assistant: Kristian King [email protected] Course Description and Learning Goals This specialized EMT course is a “soup to nuts” examination of what it means to be an independent film and television producer. Through real life experiences it looks into what makes film and TV such unique businesses. The course will take a close look at the inevitable battles between commerce and art. It will focus on identifying the factors of risk versus reward in selecting projects, and seeing them to fruition. As potential entrepreneurial producers, the class will study techniques in leveraging limited amounts of time and capital into maximum results; while attempting to balance unbridled optimism against sensible business logic. Course Objectives - Understand the role and responsibilities of being an independent producer. - Establishing a way of judging the artistic merit and economic possibilities of a project at various stages from inception to completion. - To learn the infrastructures of companies in the entertainment industry, and to understand how to effectively work within them to successfully produce content. - To examine morality in the film business. How to balance one’s personal values and quality of life in a difficult business environment - What are a producer’s objectives, and how is one willing to behave to get them achieved? Assessment Components The class will be graded on the following basis: Class Participation 30% Paper/Presentation 70% Professional Responsibilities For This Course Instructor Policies: Lateness: Late assignments are not accepted. -
Risk and Capitalist Power: Conceptual Tools for Studying the Political Economy of Hollywood
The Political Economy of Communication 3(2), 28–54 © The Author 2015 http://www.polecom.org Risk and Capitalist Power: Conceptual Tools for Studying the Political Economy of Hollywood James McMahon, PhD, York University Keywords: risk; power; Hollywood; capitalism; capitalization Abstract In this article, the structure of Hollywood film distribution will be analyzed through the lens of risk. In both its technical and conceptual senses, risk is relevant to the study of Hollywood’s dominant firms. In the interest of lowering risk, the business interests of Hollywood look to predetermine how new films will function in an already instituted order of cinema, which includes the creativity of filmmakers and the habits of moviegoers. This presentation of risk will explain why, for the political economy of Hollywood, the social world of cinema is an instrumental order. While risk is specifically about the size and pattern of future earnings, it is also an indirect prediction about the stability of the social conditions that would help translate potential earnings into an actual stream. The social world of cinema has a bearing on the Hollywood film business’s degree of confidence, which refers to the ability of capitalists to make predictions about future earnings. Political-economic analyses of Hollywood often focus on the high concentration of ownership or oligopolistic practices in major film distribution (Litman, 1998; Wasko, 2003; Miller et al., 2005; Kunz, 2007; Epstein, 2010). These analyses also, by virtue of the type of business sector being analyzed, deal with questions related to the aesthetic dimension of Hollywood cinema (Langford, 2010). The business and art of Hollywood are entangled because contemporary filmmaking is organized in such a way that six major firms essentially constitute mainstream film distribution. -
Studio Scenes Risky Business Fiesta 4 Cuba
The Gristle, p.06 + Film Shorts, p.26 + EMPIRE ALEHOUSE, p.34 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND COUNTIES 08-31-2016 • ISSUE:35 • V.11 FIESTA STUDIO 4 CUBA SCENES A cultural Art on the smorgasbord, islands, P.18 P.16 RISKY BUSINESS Why bankrolling fossil fuels must end, P.08 LABOR OF Oak Harbor Music Festival, P.20 LOVE DANCE Fiesta 4 Cuba: Belltower Studios and BAAY Theatre USA Dance Anniversary: 7:15-10pm, Presence 34 cascadia Studio FOOD FOOD ThisWeek MUSIC Bluegrass Festival: 9am-10pm, Hovander Homestead A glance at this week’s Park, Ferndale 27 Oak Harbor Music Festival: 10am-11pm, downtown happenings Oak Harbor, Whidbey Island Clamdigger Jazz Band: 2-4pm, VFW Hall B-BOARD B-BOARD Alan Hatley Band: 5-8pm, Heart of Anacortes Tradicuba: 9:30pm, BAAY Theatre 24 COMMUNITY Community Fun’Raiser: 10am-4pm, Alger Com- FILM munity Hall Fiestas Patrias: 12pm-12am, Pioneer Park, Ferndale 20 GET OUT Dance North County Road Run: 7am, downtown Lynden MUSIC performances Fishtival: 10am-2pm, Silver Lake Campground, Maple Falls 18 and family fun FOOD ART will be part of Anacortes Farmers Market: 9am-2pm, Depot Arts Center 16 the Fiestas Mount Vernon Market: 9am-2pm, Riverfront Plaza Twin Sisters Market: 9am-3pm, Nugent’s Corner, Patrias event Deming STAGE celebrating the Blaine Market: 10am-2pm, Peace Portal Drive Bellingham Farmers Market: 10am-3pm, Depot 14 area’s hispanic Market Square community VISUAL ARTS GET OUT Artists Studio Tour: 10am-5pm, throughout Lummi Sat., Sept. 3 Island Artists Studio Tour: 10am-5pm, throughout Lopez 12 at Ferndale’s Island Pioneer Park Woodpalooza: 12-5pm, Whidbey Island Center for the Arts, Langley WORDS Imaginative Illustrations Reception: 2-5pm, Good Earth Pottery 8 WEDNESDAY [08.31.16] Pacific Inc. -
(1.907Mb) Library Newsletter Winter 2019.Pdf
2/14/2019 Winter 2019 OU Libraries eNews View in browser UNIVERSITY LIBRARIES Winter 2019 eNewsletter MESSAGE FROM THE DEAN Since I arrived at Oakland in September 2015, many exciting programs, events and initiatives have been implemented at OU Libraries, enabling students and faculty across campus to engage in collaborative research, hands-on learning and much more. Highlights of our collective accomplishments include: opening of the Krompart-Hildebrand Digitization Lab and the Mike Roger Collection of congressional papers and documents; digitization of student newspapers; and a Makerspace to inspire student collaboration and creativity. We have increased student access to scholarly information critical to their education and success through the promotion of affordable textbooks and the adoption of Open Educational Resources across campus. We have provided quality research assistance and information literacy instruction to our community of scholars, and increased engagement http://oaklandghostlevel.imodules.com/controls/email_marketing/view_in_browser.aspx?sid=1001&gid=4&sendId=122728&ecatid=4&puid=3a7830c6… 1/10 2/14/2019 Winter 2019 OU Libraries eNews with our local communities through events, cultural celebrations and shared programs. Through the development of a strong strategic plan for the library, in conjunction with the launch of the University’s largest comprehensive campaign, OU Libraries is poised for continued success. While I have enjoyed working with each of you and have learned much here at OU, I have informed Provost Lentini of my intention to retire effective August 15, 2019. It has truly been my privilege to serve as dean of University Libraries. However, for me personally, it is time to move back home to my family in New York, to spend time working on personal projects, and to do a bit of fishing. -
Sex Scene from Risky Business
Sex Scene From Risky Business 1 / 4 Sex Scene From Risky Business 2 / 4 3 / 4 Read the Empire Movie review of Risky Business. ... even if the sex scene on the subway train, all flickering lights and soft rock, chains the film to the '80s.. Tom Cruise had a romance with Risky Business co-star Rebecca De ... Naughty business: There is a very graphic sex scene in the movie with .... Risky Business is remembered today mostly for the scene of Tom ... in the form of Rebecca De Mornay doing an obligatory 1980s nude scene, .... Risky Business is a 1983 American teen coming-of- age comedy film written and directed by ... After the party, Joel and Lana go and have sex on the Chicago "L". ... of "Love on a Real Train (Risky Business)," both of which are different recordings from the version used in the film for the final love scene or closing credits.. Risky Business (1983) Official Trailer - Tom Cruise, Rebecca De Mornay Movie HD. by Movieclips Classic Trailers. 1:22. Risky Business | Tom Cruise And Rebecca De Mornay Hot Scene. by Celebs Love ... Sex on a Train.. Risky Business movie reviews & Metacritic score: A high school senior is tired of being ... Taking off from the format of a typical teenage sex comedy, Brickman .... See if you can name all these movies, with nothing but a screenshot from their sex scenes. AngiePangie2545People.. In one scene, there is loud moaning from a couple having sex off-screen. The main theme of the film is prostitution, but (apart from Lana and Joel) there are no sex ... -
A Quantitative Analysis of the Perceived Quality for Popular Movies by Consumers, Experts and Peers
A quantitative analysis of the perceived quality for popular movies by consumers, experts and peers Student name: Ruth Bos Student number: 409141 Supervisor: Dr. P. Bhansing Erasmus School of History, Culture and Communication Erasmus University Rotterdam Cultural Economics and Entrepreneurship Master Thesis June 8, 2016 Master Thesis “Quality time at the movies” Ruth Bos - 409141 ABSTRACT Academic research pertained to the marketing of motion pictures has identified the importance of quality on the commercial success of popular movies with indicators as consumer evaluations, expert ratings and peer-recognized awards as the Academy Awards. However, most researchers fail to analyze the quality of a movie as a measurement of performance of a movie. The current study extents previous research by aiming to measure the perceived quality of consumers, experts and peers for popular movies, based on the assumptions made on the success factors for commercial performance in previous marketing literature. Through a quantitative internet content analysis, data was gathered on the motion picture industry. The models were tested with a sample of 320 movies released between 2000-2015. Results show that the perceived quality of consumers overlap with the perceived quality of experts, which contradicts statements about the ‘little taste’ of consumers. Moreover, the data shows that there is a difference between the perceived quality of consumers and the commercial success of a movie, measured in box office revenue. However, for both commercial success and the perceived quality of consumers, popular appeal is still important for the satisfaction of the consumer. Managerial and theoretical implications, as well as limitations and directions for future research are offered.