CARLOS FERREIRA New Philharmonia Principal
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Spring 2020 Volume 45, No 1 CARLOS FERREIRA New Philharmonia principal Destination Dinant ADOLPHE SAX’S HOME TOWN Beethoven transformed UNEARTHED WIND ARRANGEMENTS Ligatures Best of British ranked REDISCOVERED WHICH CAME TOP? WORKS FOR CLARINET WEST COAST JAZZ SAX: PART 2 | PROFILING F GERARD ERRANTE | COLIN PLUS: COWLES AT 80 | NEWS, REVIEWS AND DIARY | SINGLE REED DOCTOR LIGATURE ROUND-UP The JodyJazz Power Ring Latest ligature ligatures Following his article on clarinet and saxophone ligatures in this magazine five years ago, the Canadian clarinettist and saxophonistChuck Currie revisits the topic to discuss various new models introduced since then, and to give his ultimate ligature ranking This follow-up to the previous article ‘Ligature Silverstein Choices for Clarinet and Saxophone’ (published in Clarinet & Saxophone in 2015) was requested I was an early adopter of Silverstein by reader Steve Wilson via the letters page a few ligatures, and they are now well known issues back. I found the ligature of my dreams and popular. I purchased 14 of them just after the previous article was published, so for all sizes of saxophone and clarinet those ligatures are included in this update, along in 2015, and Silverstein gave me an with other ligatures brought out in the four years extra two for bass clarinet with silver- since. plated and gold-plated bars to test Some players maintain that ligatures make against the standard titanium. I found little difference to one’s tone and articulation, titanium darkest and most resistant, but blind testing, both in person and with silver brightest with greatest ease of recordings, has yielded opinions from many articulation, and the gold bars had players that contradict the nay-sayers. the most burnished shimmering ring. Differences can be discerned that are frequently I set up my jazz mouthpieces with far from subtle, and listeners are often largely the titanium version and my classical agreed about their preferences. I note that mouthpieces with the gold one. I also found that having two ‘fine many users of single-reed forums and bulletin tuner’ bars on each side (you can buy and add as many of these as you boards mock differences in ligatures and other want) delivers a denser core sound. equipment without ever having tried them. Silverstein is the only non-two-rail ligature that has ever given me I’ve kept many ligatures that I’ve found good results. I believe that this is because the cord on this ligature excellent, and I regularly use many of them. is so high-tech, firm and dense that it will not ‘flatten’ and maintains There are obvious differences of sound minimal surface contact with the reed. The ‘fine tuner’ bars on either between even these terrific products, let alone side of the reed can be moved from right beside the reed to any point in comparison with poorer ligatures. They are around the circumference. ranked at the end of the article. The legendary British clarinettist Leslie Craven has worked In the previous article, I established that with acoustic scientist Dr Robert Watson, using a high-end digital ligatures with two vertical rails contacting the oscilloscope, to chart frequency response with the Silverstein ligature stock of the reed, with the least material of for all partials from 256 hertz to 12,536 hertz, capturing all possible any kind contacting the mouthpiece, will seat harmonics of the fundamental tone. This scientific testing against four the reed well while allowing both reed and other highly respected ligatures backed up the subjective opinions mouthpiece to vibrate as much as possible. Yes, of many single-reed players: that the Silverstein ligature provides an our imagination of our own sound is the most incredibly rich sound with great ease of articulation. The spectrum powerful element that influences our tone and analysis proved that adjustment of the ‘fine tuner’ bars alters the focus articulation and musicality, but the design and of the sound, generally providing more high partials when closer to quality of the mouthpiece, reed and ligature is the reed, enhancing projection; and fewer high partials when moved next in importance. All this is more important towards the sides, giving a warmer sound. than our instrument, as long as it is a decent horn I used these ligatures exclusively until I purchased some newer high- with reasonable intonation and pads that seal! end ligatures for this article. ➡ www.cassgb.org Clarinet & Saxophone, Spring 2020 33 LIGATURE ROUND-UP LIGATURE ROUND-UP Ishimori Wood Stone AK Ligature I note that many users of This revolutionary new ligature I didn’t realise how much time from Nevada, USA is handled by single-reed forums and bulletin four dealers worldwide: I spent fiddling with ligature boards mock differences in USA: Kessler & Sons (www. screws before I started using kesslerandsons.com) ligatures and other equipment Canada: Backun Musical Services Power Rings, and they are (www.backunmusical.com) without ever having tried them Japan and South Korea: Dolce much less expensive than most Musical Instruments (www.dolce. co.jp) high-end ligatures JodyJazz Power Ring Norway: G24 (www.g24.no) Jody Espina showed up at It is only available currently for clarinet, but there are plans JLV Ligature the NAMM show decades to develop them for all single-reed mouthpieces. The design Since Ishimori Wind Instruments opened as a repair ago, carrying around bags of and engineering are amazing and yield a ligature that is a bit Here is a ligature that is shop and manufacturer in Japan in 1951, they have mouthpieces for players and fussy to fit, but the results are superb. With the sterling silver as original in design and been trusted deeply by professional and amateur dealers to try. Now JodyJazz is plates (and so far, I have always preferred solid sterling silver engineering as the AK model, players all over the world. They are a small company one of the best manufacturers when available) the results are very similar to the Ishimori and nearly as expensive, but that specialises in handmade saxophones, ligatures in the world and has just sterling silver ligature: a very firm, compact and resonant with very poor results. Jean- and reeds in addition to repairs. Their booth at the established the Chedeville tone, but just a little freer blowing with slightly easier Luc Vignaud has designed a National Association of Music Merchants (NAMM) line of excellent classical articulation. If it weren’t for the JodyJazz Power Ring, I would solution for a problem that show – the largest music manufacturing show in the mouthpieces. The JodyJazz be using this ligature on clarinet. does not exist! world – continually sells out before many players get Power Ring ligatures are made to The reed plates are held on by a magnet, which lets them The ligature is designed to try their products. fit all their products, and the HR* vibrate quite freely, and there are two designs: one with full for the upper two prongs One of the players in my bass clarinet quartet, line will fit most alto and tenor rails, and another with ‘scooped out’ rails so that they contact to go on the vamp of the reed and bottom two prongs on the Pacific Blackwood, uses their solid sterling silver hard rubber mouthpieces. The the reed a little less. stock, and then add enough pressure to counteract top to bottom ligature on both bass clarinet and clarinet. I liked HR* tenor also fits the Vandoren V16 jazz baritone mouthpieces warpage as shown in the diagram below. This is called the them so much that I changed my setup on those two and most alto clarinet mouthpieces. The CL1 gold plated and CL1S To set up the ligature: ‘resurfacing feature’. instruments from the Silverstein that I loved so well. silver plated clarinet ligatures fit almost any soprano clarinet They have a darker, more compact and focused sound mouthpiece. 1. Loosen the top screw so that – incredibly resonant. I found I could play harder I find it is better if they fit the slightest bit loose, as I can use a the ligature can easily slide Top reeds with them as well. thin Vandoren mouthpiece patch on the back of the mouthpiece on to your mouthpiece to its screw The ligatures are available in many metals and to get exactly the placement I like on the reed stock, and the fit playing position, with the plating variations, including the Kodama models with is then snugger and more secure. There are two sizes of alto sax ligature lever open, which is up massaranduba wood instead of metal rails. Ishimori ligature: the HRA1, and smaller HRA1 minus. The HRA1 minus also over the screw. Once you have provides a guide to the sound qualities of each fits most clarinet mouthpieces and it has more mass, so the tone is the ligature in position, tighten Reed Plate model – my preferred solid silver model is described even richer and more resonant! the top screw until it is snug. Screw as more resistant with a dark tone. Unfortunately, the Baritone HRB1 is too small for classical Do not over-tighten the screw. It was hard to be sure what would fit my various baritone mouthpieces, but I’ve asked them to develop a version Lever saxophone mouthpieces, and there is a waiting list for their exceptional Chedeville mouthpiece, which would fit most 2. Tighten the reed plate screw for these ligatures, so I did not spend the 5,000 classical baritone mouthpieces and possibly bass clarinet as well. until you feel it get a little snug on the reed. Once you Canadian dollars [approx £2,900] it would have cost Nothing is made yet for soprano saxophone or E flat clarinet.