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Working Group on Human Sexuality
IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page i The House of Bishops Working Group on human sexuality Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page ii Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page iii Report of the House of Bishops Working Group on human sexuality November 2013 Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page iv Church House Publishing All rights reserved. No part of this Church House publication may be reproduced or Great Smith Street stored or transmitted by any means London or in any form, electronic or mechanical, including photocopying, SW1P 3AZ recording, or any information storage and retrieval system without written permission, which should be sought ISBN 978 0 7151 4437 4 (Paperback) from [email protected] 978 0 7151 4438 1 (CoreSource EBook) 978 0 7151 4439 8 (Kindle EBook) Unless otherwise indicated, the Scripture quotations contained GS 1929 herein are from the New Revised Standard Version Bible, copyright Published 2013 for the House © 1989, by the Division of Christian of Bishops of the General Synod Education of the National Council of the Church of England by Church of the Churches of Christ in the -
June 2015 Broadside
T H E A T L A N T A E A R L Y M U S I C ALLIANCE B R O A D S I D E Volume XV # 4 June, 2015 President’s Message Are we living in the Renaissance? Well, according to the British journalist, Stephen Masty, we are still witnessing new inventions in musical instruments that link us back to the Renaissance figuratively and literally. His article “The 21st Century Renaissance Inventor” [of musical instruments], in the journal “The Imaginative Conservative” received worldwide attention recently regard- ing George Kelischek’s invention of the “KELHORN”. a reinvention of Renaissance capped double-reed instruments, such as Cornamuse, Crumhorn, Rauschpfeiff. To read the article, please visit: AEMA MISSION http://www.theimaginativeconservative.org/2015/05/the-21st-centurys-great-renaissance-inventor.html. It is the mission of the Atlanta Early Music Alli- Some early music lovers play new replicas of the ance to foster enjoyment and awareness of the histor- Renaissance instruments and are also interested in playing ically informed perfor- the KELHORNs. The latter have a sinuous bore which mance of music, with spe- cial emphasis on music makes even bass instruments “handy” to play, since they written before 1800. Its have finger hole arrangements similar to Recorders. mission will be accom- plished through dissemina- tion and coordination of Yet the sound of all these instruments is quite unlike that information, education and financial support. of the Recorder: The double-reed presents a haunting raspy other-worldly tone. (Renaissance? or Jurassic?) In this issue: George Kelischek just told me that he has initiated The Capped Reed Society Forum for Players and Makers of the Crumhorn, President ’ s Message page 1 Cornamuse, Kelhorn & Rauschpfeiff. -
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The Focus-Abengoa Foundation celebrates the 22nd edition of the master concerts series in the chapel of the Hospital de los Venerables • The series entitled, “The baroque organ: a means of communication between peoples”, will be given by Guy Bovet, Paolo Crivellaro and Carolyn Shuster, three eminent and admired European organists. • These annual performances, which feature the world’s most respected organists and composers, have made the Los Venerables organ one of the most important and prestigious platforms in the world. Seville, 4th February 2013.- Tomorrow Tuesday 5th February, the Focus-Abengoa Foundation will open the 22nd edition of the master concerts series, which has become an essential event in the diaries of the world’s finest organists. The new series, entitled The baroque organ: a means of communication between peoples will feature Guy Bovet, Paolo Crivellaro and Carolyn Shuster, three brilliant and well-known organists who have studied at some of the most important schools in the world. The first concert will be on Tuesday 5th February and will be given by Guy Bovet from Switzerland, a renowned organist who was titular at the Colegial de Neuchâtel church in Switzerland until 2009. On Tuesday 12th February, the baton will be handed over to the Italian, Paolo Crivellaro, professor of organ at Universität der Künste , Berlin’s university of the arts. Finally, Tuesday 19th February will be the turn of the Franco- American organist and musicologist, Carolyn Shuster, renowned for her clear and precise technique. The repertoire chosen by the organists includes works from their countries of origin designed to showcase new cultures, styles and musical influences. -
La Recepción Del Liber Primus Missarum (1602) De Alonso Lobo En La Catedral De Jaén*
E ELUCIDARIO. Nº 5 (Marzo 2008). págs. 97 a 136 Seminario Bio-bibliográfico Manuel Caballero Venzalá «Era justo començar por la de Jaén»: la recepción del Liber Primus Missarum (1602) de Alonso Lobo en la Catedral de Jaén* JAVIER MARÍN LÓPEZ Doctor en Historia y Ciencias de la Música R E S U M E N Este artículo presenta la descripción detallada y el inventario con concordancias e íncipits musicales de un libro de música impreso recientemente descubierto en la Catedral de Jaén: el Liber Primus Missarum (Madrid, 1602) de Alonso Lobo (1555-1617), maestro de capilla de las catedrales de Toledo y Sevilla. Aunque se conservan varios ejemplares de este libro impreso en distintos archivos y bibliotecas, el de Jaén había pasado desapercibido hasta ahora. El inventario propiamente dicho va precedido de un estudio de la recepción e historia de este libro en la Catedral de Jaén, que fue una de las primeras instituciones españolas que recibió y compró el volumen. A B S T R A C T This article presents a detailed description and inventory with concordances and musical incipits of a recently discovered printed music book at Jaen Cathedral: the Liber Primus Missarum (Madrid, 1602) of Alo- nso Lobo (1555-1617), chapelmaster at Toledo and Seville cathedrals. Although several copies of this book still survive in some libraries and archives, the one of Jaén has gone unnoticed up-to-now. The inventory is preceded of a study of the reception and history of this book in the Cathedral of Jaen, which was one of the first Spanish institutions that received and bought the book. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
THE GOLDEN AGE - Siglo De Oro
THE GOLDEN AGE - Siglo de oro 1. Crux fidelis King John IV of Portugal (1604-56) [9.51] 2. Kyrie (Mass Mille Regretz) Cristóbal de Morales (ca.1500-53) [4.51] 3. Versa est in luctum Tomás Luis de Victoria (1548-1611) [3.33] 4. In ieiunio et fletu Diogo Dias Melgas (1638-1700) [2.51] 5. Versa est in luctum Sebastián de Vivanco (ca.1550-1622) [5.26] 6. Lamentations Alonso Lobo (1555-1617) [18.17] 7. Versa est in luctum Juan Gutiérrez de Padilla (ca.1590-1664) [3.24] 8. Pia et dolorosa mater Diogo Dias Melgas [2.23] 9. Versa est in luctum Alonso Lobo [5.03] 10. Libera me Alonso Lobo [8.44] Total Timings [64.31] THE KING’s singers DAVID HURLEY • ROBIN TYSON • PAUL PHOENIX • PHILIP LAWSON CHRISTOPHER GABBITAS • STEPHEN CONNOLLY www.signumrecords.com www.kingssingers.com For a group like ours the choice of repertoire for of weeping undoubtedly endeared it to composers, T recording often seems bewilderingly large. So why and we chose three more to accompany Lobo’s. did we choose Portugese, Spanish and Mexican You will be able to hear a bajón - the precursor to music from the period known as the Siglo de Oro - the bassoon - playing in these settings and in the Golden Age? other pieces besides. It provides an authentic sound, giving a special quality that immeasurably The idea came from our church concert enhances the performances. We are very grateful programmes, where acoustics, space and that Keith McGowan was able to join us to play in atmosphere allow great scope for drama. -
Porvoo Prayer Diary 2021
PORVOO PRAYER DIARY 2021 The Porvoo Declaration commits the churches which have signed it ‘to share a common life’ and ‘to pray for and with one another’. An important way of doing this is to pray through the year for the Porvoo churches and their Dioceses. The Prayer Diary is a list of Porvoo Communion Dioceses or churches covering each Sunday of the year, mindful of the many calls upon compilers of intercessions, and the environmental and production costs of printing a more elaborate list. Those using the calendar are invited to choose one day each week on which they will pray for the Porvoo churches. It is hoped that individuals and parishes, cathedrals and religious orders will make use of the Calendar in their own cycle of prayer week by week. In addition to the churches which have approved the Porvoo Declaration, we continue to pray for churches with observer status. Observers attend all the meetings held under the Agreement. The Calendar may be freely copied or emailed for wider circulation. The Prayer Diary is updated once a year. For corrections and updates, please contact Ecumenical Officer, Maria Bergstrand, Ms., Stockholm Diocese, Church of Sweden, E-mail: [email protected] JANUARY 3/1 Church of England: Diocese of London, Bishop Sarah Mullally, Bishop Graham Tomlin, Bishop Pete Broadbent, Bishop Rob Wickham, Bishop Jonathan Baker, Bishop Ric Thorpe, Bishop Joanne Grenfell. Church of Norway: Diocese of Nidaros/ New see and Trondheim, Presiding Bishop Olav Fykse Tveit, Bishop Herborg Oline Finnset 10/1 Evangelical Lutheran Church in Finland: Diocese of Oulu, Bishop Jukka Keskitalo Church of Norway: Diocese of Sør-Hålogaland (Bodø), Bishop Ann-Helen Fjeldstad Jusnes Church of England: Diocese of Coventry, Bishop Christopher Cocksworth, Bishop John Stroyan. -
Urb an C Ontempor Ar Y Ar T Dig
DIGARD - 12 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - LUNDI 21 OCTOBRE 2019 AUCTIONEER EXPERT PRÈS LA COUR D’APPEL DE PARIS MARIELLE DIGARD [email protected] + 33 (0) 6 07 45 95 09 USA REPRESENTATIVE SPECIALIST LUCAS DELORME-DIGARD [email protected] + 33 (0) 6 80 64 01 78 + 1 (917) 783 6320 PARIS SALES ADMINISTRATOR ANNE-CLAIRE BASILLAIS [email protected] + 33 (0) 1 48 00 99 89 WWW.DIGARD.COM I [email protected] DIGARD AUCTION 17, rue Drouot – 75009 Paris t. + 33 (0) 1 48 00 99 89 [email protected] www.digard.com EXPOSITIONS PUBLIQUES EXPOSITION PARTIELLE DIGARD AUCTION HIGHLIGHT PREVIEW GALERIE 75 FAUBOURG 75 rue du Faubourg Saint-Honoré 75008 Paris • mardi 8 octobre de 11h à 19h LUNDI 21 OCTOBRE 2019 • mercredi 9 octobre de 11h à 19h st • jeudi 10 octobre de 11h à 19h MONDAY, OCTOBER 21 , 2019 • vendredi 11 octobre de 11h à 19h • samedi 12 octobre de 11h à 19h • lundi 14 octobre de 11h à 19h EXPOSITION DE L’ENSEMBLE PREVIEW HÔTEL DROUOT – Salle 1 Pour inclure des œuvres dans cette vente, 9, rue Drouot – 75009 Paris 15 h, Salle 1 merci de contacter : • samedi 19 octobre de 11h à 18h 3 p.m., auction room 1 • dimanche 20 octobre de 11h à 18h • lundi 21 octobre de 11h à 12h Me Marielle DIGARD INFORMATIONS Téléphone pendant l’exposition et la vente : + 33 (0) 1 48 00 99 89 INQUIRIES [email protected] Phone during the exhibition : + 33 (0) 1 48 00 99 89 + 33 (0) 1 48 00 20 01 [email protected] Lucas DELORME ENCHÈRES EN LIVE + 33 (0) 6 80 64 01 78 BID LIVE AUCTION + 1 (917) 783 6320 www.drouotlive.com [email protected] -
Southwark Clergy Rebuke 'Partisan' Bishop
THE ORIGINAL CHURCH NEWSPAPER. ESTABLISHED IN 1828 Alice’s THE experience scares us CHURCHOF all ENGLAND P15 Learning Newspaper from the Café Church, P9 NOW AVAILABLE ON NEWSSTAND FRIDAY, MARCH 13, 2015 No: 6270 Black and Southwark clergy Asian rebuke ‘partisan’ bishop contribution to Church is By George Conger ONE IN 10 of the Diocese of South- The Rt Rev Christopher Chessun wark’s stipendiary clergy have signed a celebrated private letter to their bishop, the Rt Rev Christopher Chessun, rebuking him for his partisan management of the diocese. Delivered last week, the letter is under- stood to take issue with the bishop’s pref- erence of clergy living in same-sex civil partnerships to senior posts within the diocese, while marginalising traditional- ists. The letter, accompanied a public state- ment endorsed by 60 priests and nine parish councils, affirms the doctrinal principleS of the Church of England, which also urged the bishop to ensure that clergy he has appointed to high office conform to these teachings. The “Southwark Declaration” and pri- vate letter comes amidst a sharp financial contraction and declining church atten- dance in Southwark, coupled with the appointment of clergy living in same-sex civil partnerships to the posts of cathe- By Ashley Prevo dral dean, diocesan director of ordinands and canon chancellor. PARLIAMENT was the venue for a Complaints of bias in Southwark reception celebrating Black and Asian prompted evangelicals in 2012 to form him our concerns” including the appoint- warm welcoming meeting to him as soon enrichment of the Church of England. the Southwark Ministry Trust to divert ment of a new Canon Chancellor, who as he was consecrated. -
This 2008 Letter
The Most Reverend and Right Hon the Lord Archbishop of Canterbury & The Most Reverend and Right Hon the Lord Archbishop of York July, 2008 Most Reverend Fathers in God, We write as bishops, priests and deacons of the Provinces of Canterbury and York, who have sought, by God’s grace, in our various ministries, to celebrate the Sacraments and preach the Word faithfully; to form, nurture and catechise new Christians; to pastor the people of God entrusted to our care; and, through the work of our dioceses, parishes and institutions, to build up the Kingdom and to further God’s mission to the world in this land. Our theological convictions, grounded in obedience to Scripture and Tradition, and attentive to the need to discern the mind of the whole Church Catholic in matters touching on Faith and Order, lead us to doubt the sacramental ministry of those women ordained to the priesthood by the Church of England since 1994. Having said that, we have engaged with the life of the Church of England in a myriad of ways, nationally and locally, and have made sincere efforts to work courteously and carefully with those with whom we disagree. In the midst of this disagreement over Holy Order, we have, we believe, borne particular witness to the cause of Christian unity, and to the imperative of Our Lord’s command that ‘all may be one.’ We include those who have given many years service to the Church in the ordained ministry, and others who are very newly ordained. We believe that we demonstrate the vitality of the tradition which we represent and which has formed us in our discipleship and ministry – a tradition which, we believe, constitutes an essential and invaluable part of the life and character of the Church of England, without which it would be deeply impoverished. -
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557595bk Hummel US 13/6/05 4:20 pm Page 4 Conservatory Special Lyceum and St Petersburg Conservatory with Marina Volf. At the age of nine she performed in one evening’s programme Schumann’s Piano Concerto and Beethoven’s Emperor Concerto, a feat still unprecedented for a child of that age and recognised as a milestone in the history of piano performances. Two years later she performed HUMMEL Mozart’s Piano Concerto No. 24 in Moscow Conservatory’s Great Hall with the Moscow Chamber Orchestra. Polina Osetinskaya attracted major television companies which filmed documentaries of her with two live televised appearances in the United States and Russia in 1985 and 1986, seen by millions on both sides of the Atlantic. At the Violin Concerto ages of eighteen and nineteen she completed two Japanese concert tours, also performing Tchaikovsky’s Concerto No. 1 with the Tokyo Philharmonic. She has appeared as a soloist with the world’s most prestigious orchestras, and in 2002 was a Triumph Award recipient for her outstanding contribution to Russian culture. Her international career brings a Piano and Violin Concerto large repertoire including the most complicated solo, chamber and orchestral programmes, from the early Baroque to the contemporary. She has recorded with the Naxos, Sony, and Bel Air labels. Alexander Trostiansky, Violin • Polina Osetinskaya, Piano Russian Philharmonic Orchestra The Russian Philharmonic Orchestra is firmly rooted in Russia’s rich musical traditions, and has achieved an Russian Philharmonic Orchestra impressive and outstanding musical quality by drawing its musicians from the highest ranks of Russia’s most famous orchestras such as the Moscow Radio Symphony Orchestra, the Russian National Orchestra and the State Symphony Gregory Rose Orchestra.The Russian Philharmonic Orchestra was originally formed as a recording ensemble and has gone on to receive high acclaim also for its concert performances. -
The House of Bishops of the Church of England Has Today Welcomed Eight Women As Participant Observers to Its Meetings
The House of Bishops of the Church of England has today welcomed eight women as participant observers to its meetings. The welcome follows the election of the eight senior women clergy from regions across the country. In February of this year the House decided that until such time as there are six female members of the House, following the admission of women to the episcopate, a number of senior women clergy should be given the right to attend and speak at meetings of the House as participant observers. The necessary change to the House's Standing Orders was made in May. Elections for the eight senior women clergy were held in autumn of this year and the following were elected: • East Midlands - Ven Christine Wilson, Archdeacon of Chesterfield • West Midlands - Revd Preb. Dr Jane Tillier, Preb of Lichfield Cathedral • East Anglia - Ven Annette Cooper, Archdeacon of Colchester • South and Central - Ven Joanne Grenfell, Archdeacon of Portsdown • South East region - Ven Rachel Treweek, Archdeacon of Hackney • South West region - Ven Nicola Sullivan, Archdeacon of Wells • North East Very Revd Vivienne Faull, Dean of York • North West - The Rev Libby Lane, Dean of Women in Ministry, Chester Diocese Having taken up their role on 1st December, the two day meeting of the House of Bishops in York on December 9-10 will be the first meeting at which the participant observers will attend. ENDS Source URL: https://www.churchofengland.org/news-and-media/news-and-statements/bishops-welcome-participant-observers-first-meeting Page 1.