Changing, Annulling and Otherwising the Past

Total Page:16

File Type:pdf, Size:1020Kb

Changing, Annulling and Otherwising the Past philosophies Article Changing, Annulling and Otherwising the Past G. C. Goddu Department of Philosophy, University of Richmond, Richmond, VA 23173, USA; [email protected] Abstract: Despite a growing number of models argument for the logical possibility of changing the past there continues to be resistance to and confusion surrounding the possibility of changing the past. In this paper I shall attempt to mitigate the resistance and alleviate at least some of the confusion by distinguishing changing the past from what Richard Hanley calls ‘annulling’ the past and distinguishing both from what I shall call ‘otherwising’ the past. Keywords: time travel; logical possibility; changing; fixing; annulling; otherwising 1. Introduction Almost a hundred years ago, science fiction editor, Hugo Gernsback wrote: “The question in brief is as follows: Can a time traveler, going back in time— whether ten years or ten million years—partake in the life of that time and mingle in with its people; or must he remain suspended in his own time-dimension, a spectator who merely looks on but is powerless to do more?” [1] (p. 610) His query was in response to several letters challenging earlier stories Gernsback had published in Amazing Stories. The letters insisted, that for the time travel stories to be consistent, the time travelers needed to be invisible. (See [2] (pp. 171–173) for discussion of these early ‘fan’ comments on time travel.) Citation: Goddu, G.C. Changing, The underlying concern perhaps, a concern made explicit in later philosophical ar- Annulling and Otherwising the Past. guments about time travel (see for example [3] (p. 177)) is that actually travelling to the Philosophies 2021, 6, 71. https:// past would entail changing the past and changing the past is logically impossible, so the doi.org/10.3390/philosophies6030071 best we can do is experience the past via early science fiction’s abundant chrono-scopes, chrono-cameras, time-radios, etc. The concern isn’t merely that time travelers might step Academic Editor: Alasdair Richmond off the safe path and accidentally crush the proverbial butterfly, [4] but that even building the ‘safe path’ in the first place would ‘damage’ or ‘change’ the time line. Received: 3 August 2021 Many philosophers resisted these arguments on the grounds that while changing the Accepted: 25 August 2021 Published: 30 August 2021 past is indeed logically impossible, time travel into the past does not entail changing the past—it merely entails affecting the past. [5] So given unrestricted time travel to the past Publisher’s Note: MDPI stays neutral you can visit the building of the pyramids or the Great Wall, you can help the Union or the with regard to jurisdictional claims in Confederacy, you can peruse the library at Alexandria, you can do almost anything in the published maps and institutional affil- past you might want—you can even try to change the past in some way, say by trying to iations. prevent Booth from killing Lincoln or by trying to prevent the Holocaust. If changing the past is impossible, you will fail, but if you want to try, time travel will certainly allow the trying. (See, for example, [6] for a self-defeating attempt to prevent the Holocaust.) Even more recently however several arguments have appeared that changing the past is, contra the prevailing view, logically possible. If you want to kill Hitler before Copyright: © 2021 by the author. Licensee MDPI, Basel, Switzerland. 1933 or put Aristotle on a ‘better’ path, you can, but you will also have to live with the This article is an open access article consequences of your changes. (See, for example, [7] for another twist on killing (or not distributed under the terms and killing) Hitler or [8] for the potential consequences of trying to influence Aristotle.) Despite conditions of the Creative Commons these arguments resistance and confusion surrounding the possibility of changing the past Attribution (CC BY) license (https:// persists. In this paper I shall attempt to mitigate the resistance and alleviate at least some creativecommons.org/licenses/by/ of the confusion. In Section2, I first articulate a common way to model the possibility 4.0/). of changing the past and then in Section 2.1 present and reject Nicholas J.J. Smith’s [9] Philosophies 2021, 6, 71. https://doi.org/10.3390/philosophies6030071 https://www.mdpi.com/journal/philosophies Philosophies 2021, 6, x FOR PEER REVIEW 2 of 12 the confusion. In Section 2, I first articulate a common way to model the possibility of Philosophies 2021, 6, 71 2 of 12 changing the past and then in Section 2.1 present and reject Nicholas J.J. Smith’s [9] most recent arguments that these sorts of models model avoiding the past rather than changing the past. In Section 2.2, I shall consider the possibility of fixing the past and argue that we mustmost distinguish recent arguments two types that of these fixes—one sorts ofis just models a kind model of change avoiding and theis possible, past rather the other than ischanging stronger, the what past. I Incall, Section following 2.2, I Richard shall consider Hanley the [10] possibility ‘annulling’ of fixing and is the not. past In andSection argue 3, Ithat shall we further must distinguishclarify annulling two types the past of fixes—one by distinguishing is just a kindstrong of changeannulling and which is possible, is im- possiblethe other from is stronger, weak annulling what I call, which following is a kind Richard of change Hanley and is [10 possible.] ‘annulling’ In the and process, is not. I shallIn Section argue3 against, I shall Sam further Baron’s clarify [11]conflation annulling the of past strong by annulling distinguishing and change strong annullingand claim thatwhich Baron is impossible ultimately from concedes weak that annulling the sort which of changing is a kind the of past change that and recent is possible. theorists In have the beenprocess, interested I shall arguein is possible. against Sam Finally, Baron’s in Se [11ction] conflation 4, I shall of argue strong that annulling Peter Vranas’ and change [12] argumentsand claim thatthat Barona certain ultimately sort of change, concedes which that at the first sort blush of changingsounds like the strong past thatannulling, recent istheorists possible have in fact been support interested the possibility in is possible. of something Finally, in quite Section distinct4, I shall from argue strong that annul- Peter ment,Vranas’ which [12] arguments I shall call that ‘otherwising a certain sort the ofpast’. change, I shall which conclude at first that blush despite sounds the like high strong po- tentialannulling, for confusion is possible we in factshould support be careful the possibility to separate ofsomething the possibility quite of distinct changing from the strong past fromannulment, the impossibility which I shall of strongly call ‘otherwising annulling the the past’. past. I shall conclude that despite the high potential for confusion we should be careful to separate the possibility of changing the past 2.from Changing the impossibility the Past of strongly annulling the past. 2. ChangingThere are the two Past general strategies in the literature for arguing that changing the past is logically possible. Firstly, one can introduce another temporal dimension or another time- There are two general strategies in the literature for arguing that changing the past like structure in addition to normal time. (See, for example, [13–18]). Alternatively one can is logically possible. Firstly, one can introduce another temporal dimension or another keep just the single temporal dimension, but deny that earlier than/later than are always time-like structure in addition to normal time. (See, for example, [13–18]). Alternatively correlated. (See for example, [19,20], and especially [21]). I shall focus here on the first one can keep just the single temporal dimension, but deny that earlier than/later than are strategy,always correlated. though much (See of for what example, I say below [19,20], can and be especially adapted to [21 the]). Isecond. shall focus here on the first strategy,In some thoughworks, such much as of [13,15], what I sayand below[17], the can second be adapted temporal to the structure second. is a second orthogonalIn some time works, dimension. such as [In13 ,others15], and [14,22], [17], the what second we normally temporal structurethink of as is atime second is em- or- beddedthogonal in time another dimension. time-like In othersstructure, [14, 22not], nece whatssarily we normally orthogonal. think Either of as time way, is the embedded second temporalin another structure time-like is structure, generally not referred necessarily to as orthogonal. ‘hypertime’, Either and way,I shall the continue second temporalto do so. Onstructure either istreatment generally of referredhypertime, to asmomentary ‘hypertime’, time and slices I shall (or continuethe objects to or do events so. On of eitherthose slices)treatment can ofbe hypertime, hypertemporally momentary extended time slices or occur (or the again objects such or that events they of thosehave one slices) set can of properties,be hypertemporally say grandfather extended being or occur alive, again at one such hypertime, that they but have grandfather one set of properties,being dead say at another.grandfather being alive, at one hypertime, but grandfather being dead at another. Let ‘u’ be a complete universe state at a particularparticular time. Let ‘t’ be times and ‘H’ be hypertimes. Hence, aa universeuniverse without without time time travel travel could could be be partially partially represented represented as follows as fol- lowsin Figure in Figure1: 1: Figure 1. A hypertemporal universe with no time travel. Figure 1. A hypertemporal universe with no time travel. Given no time travel has happened, right now (t2021,H2021) Hitler survives past 1921— thatGiven is the wayno time the travel past ishas right happened, now.
Recommended publications
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
    [Show full text]
  • Adventures 'Frstar Pirate Battles the Murder Monsters of Mercury P L a N E T
    No 4 $4.50 , Toles of Scientif iction Adventures 'frStar Pirate battles the murder monsters of Mercury P l a n e t A \ s v Monorail to Eternity by Carl Jacobi Number Four Agril 1988 CONTENTS The Control Room 2 Monorail to Eternity................... Carl Jacobi 3 Condemned by the Rulers of an alien world to endless, aimless flight beneath the planet's surface! Planet in Peril Lin Carter 27 Star Pirate battles the murder monsters of Mer c u r y ! Zeppelins of the V o i d .............. Jason Rainbow 43 Can even galactic vigilante Solar Smith de­ feat the pernicious pirates of space? What Hath M e ? ........................ Henry Kuttner 55 He felt the lifeblood being sucked out of him— deeper stabbled the gelid cold . then the voice came, "Crush the heart!" Ethergrams........................................... 77 We've got quite a crew assembled some years back for the ill-starred here for our latest madcap mission pulp Spicy Zeppelin Stories before into make-believe mayhem! Me, I'm that mag folded. Alas! Finally, Captain Astro, and my trusty crew our terrific "Tales from the Time- of raygun-slingers are just itching Warp" features Henry Kuttner's "What to see some extraterrestrial action. Hath Me?," a neglected classic from Let me introduce you. First off, Planet Stories. Thanks to space- there's Carl Jacobi, veteral of pulps hounds Robert Weinberg who suggested from Startling Stories to Comet Sci­ this one and Dan Gobbett who dredged ence Fiction, bringing you this time up a copy for us! With a team like another atom-smashing epic from
    [Show full text]
  • Eng 4936 Syllabus
    ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice.
    [Show full text]
  • The Inventory of the Evan Hunter Collection #377
    The Inventory of the Evan Hunter Collection #377 Howard Gotlieb Archival Research Center "'•\; RESTRICTION: Letters of ... ~. -..:::.~~- / / 12/20/67 & 1/11/68 HlJN'.J.lER, EVAN ( 112 items (mags. ) ) (167 items (short stories)) I. IV:ag-a.zines with E .H. stories ( arranged according to magazine and with dates of issues.) 11 Box 1 1. Ten Sports Stories, Hunt Collins ( pseua.~ "let the Gods Decide , '7 /52 2. Supe:c Sports, Hunt Collins (pseud.) "Fury on First" 12/51 3. Gunsmoke, "Snowblind''; 8/53 "The Killing at Triple Tree" 6/53 oi'l31 nal nllrnt:,, l1.. Famous viestej:n, S .A. Lambino ~tltt.7 11 The Little Nan' 10/52; 11 Smell the Blood of an J:!!nglishman" 5. War Stories, Hunt Collins (pseud.) 11 P-A-~~-R-O-L 11 11/52 1 ' Tempest in a Tin Can" 9/52 6. Universe, "Terwilliger and the War Ivi3,chine" 9 / 9+ 7. Fantastic J\dvantures Ted •raine (1,seud,) "Woman's World" 3/53 8. '.l'hrilling Wonder Stories, "Robert 11 ~-/53 "End as a Robot", Richard M,trsten ( pseud. ) Surrrrner /54 9, Vortex, S ,A. Lambino "Dea.le rs Choice 11 '53 .10. Cosmos, unic1entified story 9/53 "Outside in the Sand 11 11/53 11 11. If, "Welcome 1'/artians , S. A. J..Dmb ino w-1 5/ 52; unidentified story 11/ 52 "The Guinea Pigs", :3 .A. Lomb ino V,) '7 / 53; tmic1entified story ll/53 "rv,:alice in Wonderland", E.H. 1/54 -12. Imagination, "First Captive" 12/53; "The Plagiarist from Rigel IV, 3/5l1.; "The Miracle of Dan O I Shaugnessy" 12/5l~.
    [Show full text]
  • Nelson Slade Bond Collection, 1920-2006
    Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007.
    [Show full text]
  • Futuria 2 Wollheim-E 1944-06
    -—- J K Th-1 Official Organ.?f the Futu- . _ r1an Socle tv of Few York - - /tj-s 1 Num 2 Elsie Balter Wollhelm -Ed. w "kxkkxkkkkkx-xkk xkkxkkwk-kk-xwk^kk**#**kk-if*Wkkk*kk#k*«**-ft-»<■*■**"■*■* #****'M'**'it F'jlUr.IA Is an occasional publication, which should appear no less fre­ quently than once every three years, for the purpose op keeping various persons connected with' the science-fiction and fantasy fan movememts a­ mused and. lnfr*rnre?d, along with the Executive Committee of the Society, who dedlcat'e the second Issues of the W'g official organ, to fond mem­ ories of the ISA. .. -/("■a- xkk k'xk x x-kxxxkk-xxkkk-xxx kwk kk it- y't-i'r x-xkkkkkk-xkxxkk xkkkxkk-k k-xkkkkwxk k-kkkk '* k-xkkkii- xkkkkkwkkkk kkkkkkkkkkkk-k kkkkkkk kk kk ii-ifr-14-"X-«<"»*■ ■»«■-ifr kkxkxk-x it- k x kkkkkkHt-k ><*** Executive Committee -- Futurlen Society of Nev/ York John B. Michel - - Director . Robert W. Lowndes, Secretarv Elsie Balter Wollhelm, Editor Donald A. Wollhoim, Treasurer Chet Cohen, Member-At-Large ■x-xxk-lt-xkk-x-x-xk-x xxk-xwk-kk-xk-xx x-x -Xk k'k kxkk-xkkkk’x-xkxk k -xkkkxkkkkkkkk-xkkkkkkkkk " ”x xkx-X x-x-x-x kxx w-frjf xx-kkx kk-x i4w xx-xk* xk x x x-x kk x-x-x -x-k kk kkxkkkk -xkkkkkkkkk-xkkkkkkkk Futurlen Society o.f. New York -- Membership List act!ve members Honor Roll..:, Members Lp Service. John B. Michel Fre.deri.k Pohl Donald A, Wellheim Richard Wilson Robert W.
    [Show full text]
  • Sources of Ray Bradbury╎s Martian Chronicles
    Studies in English, New Series Volume 11 Volumes 11-12 Article 34 1993 The Body Eclectic: Sources of Ray Bradbury’s Martian Chronicles Jonathan Eller Indiana University-Purdue University at Indianapolis Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Eller, Jonathan (1993) "The Body Eclectic: Sources of Ray Bradbury’s Martian Chronicles," Studies in English, New Series: Vol. 11 , Article 34. Available at: https://egrove.olemiss.edu/studies_eng_new/vol11/iss1/34 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Eller: The Body Eclectic: Sources of Ray Bradbury’s Martian Chronicles THE BODY ECLECTIC: SOURCES OF RAY BRADBURY’S MARTIAN CHRONICLES Jonathan Eller Indiana University-Purdue University at Indianapolis There is an intriguing five-year gap between the time that Ray Bradbury first envisioned a book about people on Mars, and the time that he rediscovered that intent and produced his remarkable first novel, The Martian Chronicles. Bradbury’s new introduction to the Fortieth Anniversary Edition recalls the crucial moment of rediscovery, a New York luncheon in June 1949 with Don Congdon, Bradbury’s literary agent, and Doubleday editor Walter I. Bradbury (no relation). At the urging of California writer Norman Corwin, the twenty-nine-year-old author had traveled to New York from Los Angeles with fifty new stories and enough money to stay at the YMCA for a week.
    [Show full text]
  • Learning from Science Fiction
    HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47.
    [Show full text]
  • Reconfiguring the Classic Narratives of Pulp Fiction
    RECONFIGURING THE CLASSIC NARRATIVES OF PULP FICTION by Alexandria S. Gray A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2011 ! ACKNOWLEDGEMENTS I wish to express my sincere thanks and love to my parents and family for their support and encouragement throughout the writing of this manuscript. I also wish to thank my thesis chair, Dr. Carol McGuirk, for her excellent advice, and my readers, Dr. Eric Berlatsky and Dr. Wenying Xu, for their time and helpful suggestions. Finally, I owe a special thanks to my dear friend, Camilla Mortensen, for convincing me that graduate school was where I was supposed to be. """! ABSTRACT Author: Alexandria S. Gray Title: Reconfiguring the Classic Narratives of Pulp Science Fiction Institution: Florida Atlantic University Thesis Advisor: Dr. Carol McGuirk Degree: Master of Arts Year: 2011 This project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore’s “Shambleau,” Eleanor Arnason’s “The Warlord of Saturn’s Moons, Robert Heinlein’s The Rolling Stones, and Margaret Atwood’s The Blind Assassin. Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how traditional tropes and narratives are brought into a new context through appropriation and reconstruction. !"# RECONFIGURING THE CLASSIC NARRATIVES OF PULP FICTION I. Introduction ..................................................................................................................... 1 II. Speaking from Northwest: The Voices of Catherine L.
    [Show full text]
  • Planet Stories V04n11 (1951
    A hooded war-lord lec the hordes of M e ft I against the Ancient Doom.. A Novel of Warrior Worlds - A, LEIGH BRACKET VOL 4, NO. II • A FICTION HOUSE MAGAZINE • MARCH, 1951 ^ PouA&ifful Novel o£ the Red tyJasdcL BLACK AMAZON OF MARS Leigh Brackett 72 Grimly Eric John Stark slogged toward that ancient Martian city—with every step he cursed the talisman of Ban Cruach that flamed in his bloodstained belt. Behind him screamed the hordes of Ciaran, hungering for that magic jewel—ahead lay the dread abode of the Ice Creatures—at his side strode the whispering spectre of Ban Cruach, urging him on to a battle Stark knew he must lose! ^ *7uta Sfiace-/lcLue*tUttoe Nooeleti. THE STAR-SAINT A. E. Van Vogt 16 Mark Rogan could travel the airless Void without spaceships. He would answer on appeal for help from anywhere in the Golaxy—If it interested him. And he had a strange talent for dealing with alien life-forms—such as the terrible, invisible Destroyer that stalked eight-hundred colonists on far-off Ariel . ASTEROID OF FEAR Raymond Z. Gallun 40 All space was electrified as that harsh challenge rang out . but John Endlich hesitated. For he saw beyond his own murder—saw the horror and destruction his death would unleash—and knew he dared not fight back! ^ *Jlt>vee *Jh/iUL+uf, SU&U Sto>UeA DUEL ON SYRTIS . Poul Anderson 4 Bold ond ruthless, he was famed throughout the System as a big-game hunter. But his trophy-room lacked one item; ond now Riordan swore he’d bag the forbidden game that roamed the red deserts ..
    [Show full text]
  • DESTINY Tales of Science and Fantasy
    DESTINY Tales of Science and Fantasy pi® iiSf fantasy index & ________ .________ I* gorrci^LeX’ jtn-u in dedication... tales of science & fantasy There is always a trend, in any field, to honor the great creators more than the great organizers. But certainly the Linaeus did as much as Darwin; surely the reference library is as great a triumph of modern technology as EDITORS the cyclotron. Thus, it is to the forgotten men of modern science fiction, the tireless bibliographers, that we humbly dedicate this issue: MALCOLM WILLITS EVERETT BIEILER BRADFORD DAY DONALD DAY and SAM MOSKOWITZ DONALD TUCK EDWARD WOOD EARL KEMP VOLUME I FALL 1954 NUMBER XI HERE IS 1953! You are holding an index to THE year of science fiction. During 1953 more issues of science fiction magazines appeared THAN IN THE ENTIRE FIRST SIX AND A HALF YEARS OF SCIENCE FICTION MAGAZINE PUBLICATION. COVER.............................THE DEPARTURE........................Neil Austin You have had it! Never again will your pockets be so pinched, the 1953 index IS and will remain THE largest single year index. EDITORIAL..................................................................The Editors 2 In the fourth/final issue of Journal of Science Fiction, Edward Wood said, ”0f indexing and indexes, there is never an end.............the field is THE DESTINY INDEX OF FANTASY-1953...Edward Wood & 4 covered at least until 1953. It would be unfortunate if a gap were allowed to appear. It is time for someone else to do a little work. They might Heading by James Newberry Earl Kemp even get to like work, an ancient and honorable method og getting things ART EDITOR done,'* THE SF MAGAZINES..........................................................................
    [Show full text]
  • RPG Campaigns – Running Sword & Planet
    Running Sword & Planet The sword and planet genre seems to be in disfavor these days. Perhaps the thought of human life on Mars or other far-flung planets is too fanciful for modern audiences. Perhaps the elements of pseudo-science just seem too far-fetched. Perhaps swashbuckling moral heroes are out of fashion. Perhaps honor and duty are outmoded. Sword and planet flourished in a different age. In the late 1800’s and early 1900’s, new discoveries were being made at a lightningSample file pace. Everything and anything seemed possible. Theories of Mars being inhabited were not only popular reading, they were scientifically accepted. The dichotomy of advanced technology on primitive worlds or the combination of swords and ray guns may prove too much for some imaginations. However, the genre contains much material for role-playing game campaigns. Adventure, treasure, strange locations, and epic battles, all hallmarks of sword and planet, practically beg to be in role-playing games. 2 If you are a fan of the genre or you are a game master looking for a change from conventional fantasy, sword and planet could be exactly what you are looking for. I will break down elements of the genre and give you tips and ideas on how you can run a sword and planet campaign. The Visitor In sword and planet fiction, the earthman is essential. Having an earthling set in strange surroundings heightens the sense of wonder. In the novels of Edgar Rice Burroughs and others, the earthman served as an audience surrogate. Someone the reader could identify with and experience the journey through their eyes.
    [Show full text]