DOCSLIB.ORG

Audio System

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Audio System CE FEATURE FREESTANDING SPEAKER ROUNDUP Speakers 48for the MODERN AUDIO SYSTEM Today’s freestanding speakers are better looking and better sounding than products from previous generations. Here are some of the latest products to hit the market. BY ROBERT ARCHER T’S AN INTERESTING PERIOD within the world of consumer elec- tronics. The industry is now driven by companies like Apple and Google and technologies like networking that not long ago weren’t even consid- Audience The One ered a part of consumer electronics. The latest loudspeaker from the California- Further putting the world of electronics into chaos is the fact that based electronics company Audience is its the once mighty video category has flatlined and HDTVs are no longer space-friendly The One. This small footprint the cool, sexy “must-have” product they use to be. speaker utilizes a unique single driver to repro- Stepping up to fill the void left by an uninspiring video category is the audio duce the entire frequency range and Audience Icommunity. Led by a new generation of web-enabled, downloadable and stream- says the point source design is engineered to ing technologies, as well as electronics that can serve the needs of analog or digital provide home theater and music lovers with enthusiasts, the audio market is experiencing a surge in popularity that rivals its a cohesive, seamless image that is true to the golden-era heyday of the 1960s. content being reproduced. Some of the uses Front and center in the audio market’s resurgence is the loudspeaker category. Today’s for The One include desktop audio and as the loudspeakers look better and, more importantly, sound better than anything that’s ever rears or side surround speakers in a home the- been produced. Here are some examples of the best and newest offerings on the market: ater system. audience-av.com CE FEATURE FREESTANDING SPEAKER ROUNDUP Bose L1 Model 1S System Meridian DSP7200 Bose is the most famous speaker manufacturer in Meridian recently announced a redesign of its the world, but there are many people that don’t active, DSP-enabled DSP7200 loudspeaker know it offers a line of commercial solutions that with highlights that include a new tweeter includes its L1 Model 1S system. This system is and improvements to the tweeter’s ampli- designed to allow DJs, bands and public speak- fier, as well as improvements to the speaker’s ers to be heard clearly and easily. The Product crossover network. Other newly incorporated features a 12-speaker line array with Bose’s features include Meridian’s Centre Elevation Articulated Array technology that option, which is designed to improve the disperses a 180-degree soundfield. quality of the 7200’s companion DSP7200HC The system is made up of four light- center-channel speaker product’s perfor- weight pieces that are easy to set up mance. In addition, Meridian implements its and break down, and the L1 Model 1S Enhanced Bass Alignment technology into also includes Bose’s ToneMatch port the speaker. This technology uses digital sig- single cable connection technology. nal processing to delay higher frequencies to bose.com align them with lower frequencies. meridian-audio.com GoldenEar Triton Seven SnapAV Episode ES-700 Almost overnight GoldenEar SnapAV’s improved ES-700 prod- has risen up to become one of ucts provide installers a choice of the industry’s most popular speakers finished in gloss piano speaker brands. The company’s black exteriors. Internally the Triton Seven is designed to pro- speakers incorporate drivers made vide home theater and music with its NCS woofer material and lovers with a state-of-the-art, catenary dome tweeters. The Char- affordable speaker that incorpo- lotte, N.C.-based company adds rates technologies such as built- the products are engineered to in subwoofers and GoldenEar’s enable dealers to mix and match proprietary HVFR ribbon twit- the speakers with their architec- ters. The home-friendly 89dB tural counterparts as necessity efficient speaker stands just demands to create audio systems over 3 feet tall, and GoldenEar that can reproduce everything says the Triton Seven offers a fre- from music to movie soundtracks. quency response of 29Hz to 35kHz. goldenear.com episodespeakers.com Pro Audio Technology LFC-10sm Leon Speakers Seven Series Pro Audio Technology (PRO) takes a unique approach to product Installers that choose Leon Speakers’ Seven design. The company engineers its products to provide high SPL Series won’t have to worry about levels and the ability to deliver nuance. The company’s LFC- any roll-of-the-dice fate with 10sm subwoofer features a 10-inch these products. The line woofer with a rigid glass-fiber rein- includes the Seven-Center, the forced diaphragm, a large magnet Seven Surround, and the Seven- and an over-sized surround for LR and they incorporate Eton extra-long linear excursion. The sub Hexacone woofers and Morel is mated to an external processor/ tweeters. The slim-profile, on- amplifier that delivers either 450 or wall speakers are 90dB sensitive 1000 watts of power depending on and employ enclosure materials the installation. PRO says the elec- such as solid billet aluminum tronics provide a fully DSP optimized and solid-core birch to ensure signal to the sub and the solution rigidity while adding to the offers room equalization capabili- aesthetics. Leon offers custom ties. professionalhomecinema.com speaker options. leonspeakers.com CE FEATURE FREESTANDING SPEAKER ROUNDUP Adam Audio Bowers & Wilkins (B&W) CM10 Artist 5 B&W’s latest speaker is the CM10. Taking The German com- design cues from its 800 line, the speaker pany Adam Audio employs the same isolated tweeter-on-top first made waves in configuration as the company’s flagship prod- the pro audio indus- ucts. The CM10’s aluminum dome tweeter is try, where its active speakers became popular in recording. Over the strengthened using a second aluminum layer past few years Adam has targeted the consumer market with archi- that replicates the main dome’s profile with tectural, freestanding home theater and two-channel lines, as well as the center part cut out, giving a new “double- the burgeoning computer audio channel. The Artist 5 is its latest active dome design.” The speaker also utilizes B&W’s speaker for the home audio and prosumer recording markets. It incor- FST midrange driver and a deeper cabinet to porates separate 50-watt amps for the 5.5-inch midrange driver and provide additional volume to add a third bass proprietary ART ribbon tweeter, as well as gain controls on the back driver to deliver some bigger impact than the of the speakers to tailor the drivers’ output. In addition, the speaker’s similar-size CM9 model, which contains two back panel has XLR, RCA and USB inputs, and on the bottom of the bass drivers. bowers-wilkins.com front panel are controls for power and volume. adam-audio.com Krell Modulari Duo Reference Speaker Triad OnWall MiniSat 3.0 Soundbar While well known for its amplifiers, Krell also offers a line of The soundbar category has been growing at a rapid rate over the speakers that includes the Modulari Duo Reference system. This past couple of years. As the category matures a wider choice of speaker combines Krell’s Modulari subwoofer with its Modulari products have become available to installers. Triad’s new OnWall Primo to form a speaker that MiniSat 3.0 is a three-channel solution that is available in widths is capable of playing down to up to 82 inches. The built-to-order speaker measures just 3 inches 27.5Hz. The system utilizes deep and it incorporates three proprietary 4-inch paper cone driv- enclosures made from alumi- ers and three 1-inch cloth-dome tweeters. Triad offers the speak- num slabs, and its driver array ers in a choice of includes three 8-inch ScanSpeak painted and gloss woofers in the bass unit; a 7-inch finishes, and as ScanSpeak midrange driver and a part of the finishing 1-inch ScanSpeak Ring-Radiator process the com- tweeter. A modified second-order pany uses its green Butterworth crossover regulates friendly EcoGloss the drivers and it is rated as a finishing methods. 4 ohms. krellonline.com triadspeakers.com RBH Sound The SX6300/R Canton Chrono SLS RBH Sound’s SX6300/R resides The SLS Series of loudspeakers from in the company’s Signa- the European manufacturer Canton ture series of solutions. The utilizes technologies developed for the souped-up R version of its company’s high-performance Vento SX6300 speaker incorporates Series and Jubilee products. Canton upgrades that include a Scan- says the line’s tweeters feature a solid Speak tweeter, phase plugs transmission front plate of aluminum, on the 4-inch and 6.5-inch along with a waveguide, a membrane drivers; a beefed up crossover of alu ceramics and the Jubilee’s vibra- network and bi-amp/bi-wire tion system. Other features include cab- binding posts, and sturdy inets with beveled edges that minimize outriggers. The 4-ohm, 88dB noise, as well as a bass reflex design for sensitive floorstanding speaker tight low frequencies and a floorplate can reproduce a frequency that safely secures the speakers’ foot- response of 35Hz to 20kHz, and ing. American Audio & Video distributes it’s available in two standard Canton in the U.S. finishes, as well as a choice of 30 custom finishes. rbhsound.com americanaudiovideo.com CE FEATURE FREESTANDING SPEAKER ROUNDUP Thiel Audio CS3.7 For decades Thiel Audio has been design- ing and building its products in a backdrop of bluegrass hills and horse stables of Atlantic Technology PowerBar 235 Kentucky.
Load more

Recommended publications
  • LIT9785 RFA/PWR-14X
    RFA-14x ® ® car audiofor RFR-14x Tweeters fanatics Operation & Installation RFA-14x PWR-14x power ® Dear Customer, Congratulations on your purchase of the world's finest brand of car audio speakers. At Rockford Fosgate we are fanatics about musical reproduction at its best, and we are pleased you chose our product. Through years of engineering expertise, hand craftsman- ship and critical testing procedures, we have created a wide range of products that reproduce music with all the clarity and richness you deserve. For maximum performance we recommend you have your new Rockford Fosgate product installed by an Authorized Rockford Fosgate Dealer, as we provide specialized training through Rockford Technical Training Institute (RTTI). Please read your warranty and retain your receipt and original carton for possible future use. Great product and competent installations are only a piece of the puzzle when it comes to your system. Make sure that your installer is using 100% authentic installation accessories from Connecting Punch in your installation. Connecting Punch has everything from RCA cables and speaker wire to Power line and battery connectors. Insist on it! After all, your new system deserves nothing but the best. To add the finishing touch to your new Rockford Fosgate image order your Rockford wearables, which include everything from T-shirts and jackets to hats and sunglasses. To get a free brochure on Rockford Fosgate products and Rockford wearables, in the U.S. call 602-967-3565 or FAX 602-967-8132. For all other countries, call +001-602- 967-3565 or FAX +001-602-967-8132. PRACTICE SAFE SOUND™ CONTINUOUS EXPOSURE TO SOUND PRESSURE LEVELS OVER 100dB MAY CAUSE PERMANENT HEARING LOSS.
    [Show full text]
  • Measurement of Loudspeaker Directivity
    KLIPPEL E-learning, training 8 2018-12-19 Hands-On Training 8 Measurement of Loudspeaker Directivity 1. Objective of the Hands-on Training - Understanding the need for assessing loudspeaker directivity - Introducing the basic theory of acoustic holography and field separation - Applying Near Field Scanning techniques to loudspeakers - Interpreting the results of Near Field Scanning - Developing skills for performing practical measurements 2. Requirements 2.1. Previous Knowledge of the Participants It is recommended to do the Klippel Training #2 “Vibration and Radiation Behavior of Loudspeaker’s Membrane” before starting this training. 2.2. Minimum Requirements The objectives of the hands-on training can be accomplished by using the results of the measurement provided in a Klippel database (.kdbx) dispensing with a complete setup of the KLIPPEL measurement hardware. The data may be viewed by downloading the measurement software dB-Lab from www.klippel.de/training and installing them on a Windows PC. 2.3. Optional Requirements If the participants have access to a KLIPPEL Analyzer System, we recommend to perform some additional measurements on loudspeakers provided by instructor or by the participants. In order to perform these measurements, you will also need the following additional software and hardware components: Klippel Robotics KLIPPEL Analyzer (DA2 or KA3) Near Field Scanner Amplifier Microphone 3. The Training Process Read the following theory to refresh your knowledge required for the training. Watch the demo video to learn about the practical aspects of the measurement. Answer the preparatory questions to check your understanding. Follow the instructions to interpret the results in the database and answer the multiple- choice questions off-line.
    [Show full text]
  • Winter 2018 Revel Is a Unique Loudspeaker Company
    Winter 2018 Revel is a unique loudspeaker company that exists for the design and production of using off-the-shelf transducers. Most were no such research existed, the Harman innovative, no-compromise products that using transducers from OEM sources that Corporate Acoustics Research Group — a expand the performance envelope of home would allow very limited customization. A group of researchers and engineers world- sound reproduction. manufacturer could ask for performance wide that are unquestionably without peer in targets, but the vendor would essentially the loudspeaker industry — do the research Revel was launched as a distinguished ‘choose a voice coil from column A and a required for us to make the world’s finest Harman International brand in January spider from column B,’ and the manufacturer loudspeakers. 1996, when company Chairman Dr. Sidney would have to take what they could get. Harman asked Kevin Voecks, now Product Revel has been in the enviable position from Revel was the first brand to embrace the Development Manager, of HARMAN Luxury the start of having extraordinarily talented multi-channel listening lab approach to Audio Group, to create the world’s finest transducer engineers who design each of our testing, where double-blind listening tests loudspeakers, period — no strings attached. drivers from the ground up to be ideally suited have been refined to such a degree that "Indeed, Dr. Harman remained true to his for each specific application. Revel has led the results yield repeatable metrics, rather word, never attempting to influence Revel’s the way with innovative transducers that allow than the unreliable and unverifiable results technical or sonic direction," notes Voecks.
    [Show full text]
  • PRODUCT GUIDE Table of Contents
    PRODUCT GUIDE Table of Contents “We are integrators building FastLoc pg. 2 products for integrators.” pg. 4 – Sean McDermott, CEO FIT CS pg. 6 Bipole/Dipole pg. 8 Dual Tweeter pg. 10 Great design, integration, and excellence in manufacturing all play critical roles in creating Current Audio products. InWall pg. 12 Current Audio is backed by an award winning and inspiring team of seasoned designers, engineers, and installation experts, LCR pg. 14 holding title as CE Pro Top 100 Integrators with years of patented, custom audio product development, manufacturing and pg. 16 experience. CECS ProSeries pg. 18 You don’t have to go far to see how the electronics industry has changed over the last few decades but what can we say about the actual speakers? Subwoofer pg. 20 pg. 22 With decades of sales and installation know-how in the speaker business, as integrators we Outdoor understand the installers’ wants, needs, and struggles because we are installers ourselves. ILS pg. 24 pg. 25 Current Audio presents proven and innovative products that excel in quality and performance Amp which will save you time and money. We carefully listen to and respond to our customers’ Bracket pg. 26 suggestions and needs. The result of our listening has modeled a superior company and product line. SpeKap/WWP pg. 27 pg. 28 Current Audio is holder of fifteen international patents. This is a true testament of our Transformer determination to bring a fresh set of innovative ideas to what has become known as stagnant part of the industry. Speaker Selector/Volume Control pg.
    [Show full text]
  • The New 700 Series Studio Sound Comes Home
    The new 700 Series Studio sound comes home Bring the breathtaking clarity and definition of studio sound home with the new 700 Series. Replacing the CM Series, the range combines studio-grade 800 Series Diamond technologies with purpose-built innovations to elevate home audio to an entirely new level. And all this from room-friendly cabinets designed to fit beautifully into your home environment. The new 700 Series. Inspired by recording studios. Made for living rooms. 702 S2 Featuring a Carbon Dome™ tweeter in a solid-body housing and a decoupled Continuum™ midrange, the 700 Series’ flagship floorstander brings studio-quality sound to your home audio set up. The speaker relays textural details with goosebump-inducing accuracy, making even large- scale recordings sound stunningly lifelike. 705 S2 With state of the art features such as the tweeter-on- top design borrowed from the 800 Series Diamond, this uncompromising high performance two-way speaker reveals subtle nuances in music others miss. Even challenging instruments such as the piano are conveyed with uncanny realism, presence and transparency. 703 S2 A substantial, uncompromising three-way floorstander built to fill even the largest rooms with full-blooded, realistic sound. Powerful bass lines come roaring to life, while the speaker’s dedicated Continuum™ midrange driver and Carbon Dome tweeter lend an astonishing clarity to vocals and treble effects. 704 S2 A slim, elegant floorstander designed to blend unobtrusively into your home environment, while providing the commanding presence of a much larger speaker. Music is a revelation, with details picked out in pin-sharp detail and with exceptional realism.
    [Show full text]
  • Electroacoustic Devices: Microphones and Loudspeakers This Page Intentionally Left Blank Electroacoustic Devices: Microphones and Loudspeakers
    Electroacoustic Devices: Microphones and Loudspeakers This page intentionally left blank Electroacoustic Devices: Microphones and Loudspeakers Edited by Glen Ballou AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2009 ELSEVIER Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments
    [Show full text]
  • Current-Driving of Loudspeakers
    IV First Edition 2010 Copyright © 2010 Esa T. Meriläinen All rights reserved Homepage: www.current-drive.info ISBN: 1450544002 EAN-13: 9781450544009 Published in the U.S.A. through a print-on-demand service While every precaution has been taken to ensure the accuracy of infor- mation presented herein, the author and publisher assume no responsi- bility for errors or omissions. Nor is any liability assumed for any pos- sible damages or losses arising from the use of this information. 1 SOME PARALLELS 1.1 The Era of Direct Current The issue whether loudspeakers should be excited by a voltage or current signal is quite well comparable to a dispute that took place over a century ago, concerning whether the production and distribution of electricity should operate on direct or alternating current. Thomas A. Edison had opened, in New York, the world's first power generating plant, that supplied a DC voltage of 110 volts for an area of a few square kilometres in Manhattan. Another pioneer of electrical tech- nology, Croatian-born Nikola Tesla, instead, believed strongly in the su- periority of the three-phase AC system he had developed. In 1886, George Westinghouse founded an electric company to utilize the inven- tions and patents of Tesla and to compete with Edison. Edison was not at all pleased seeing a rivaling system threatening his dominating stature in power production. The conflict caused a breach between Edison and Tesla, and a public struggle about which system would become prevalent. Edison even resorted to a trick campaign in his attempt to defame AC power, that he thought was dangerous.
    [Show full text]
  • High-Fidelity Uniform-Directivity Loudspeakers
    www.PiSpeakers.com High-Fidelity Uniform-Directivity Loudspeakers Lots of people are experimenting with waveguides and constant directivity loudspeakers these days. This has been a π Speakers flagship design for decades, so naturally we understand the attraction to this approach, and the surge in popularity amongst manufacturers and DIY hobbyists alike. This paper explores the technologies and development history of waveguides and constant directivity loudspeakers, with emphasis on high-fidelity designs rather than sound production or public address. We’ll also explore some of the different design approaches that have been used, illuminating the strengths and weaknesses of each. While this paper primarily addresses loudspeaker system design rather than horn or driver design, an understanding of the acoustic properties of various horns and waveguides is needed to properly implement them. Towards that aim, we shall explore some of the kinds of horns used in high-fidelity constant-directivity loudspeakers. After a brief history of the evolution of the state of the art, we will explore the advantages of uniform-directivity in a high-fidelity loudspeaker, and why it is a desirable trait. There are those that are unconcerned with directivity in a home high-fidelity speaker, and who would place little emphasis on it. To them, the whole concept of constant directivity is a goal only for sound reinforcement speakers. Many audiophiles hold this belief, and in fact, until somewhat recently, convincing them otherwise was an uphill battle. Of course, once the unconvinced audiophile heard a true high-fidelity quality sound system that produced a uniform sound field, all academic argument was made moot.
    [Show full text]
  • Speaker Measurements Importance of Time & Phase Objective Gauges of Fidelity Isfactory Conclusions About Audio Components
    3 Why Flat Response? Auricle Publishing Number 13 2005 $35.00 US 4 How Can You Tell? 8 Speaker Measurements Importance of Time & Phase Objective Gauges of Fidelity isfactory conclusions about audio components. I’ll This Journal will explain how to interpret speaker offer examples in an attempt to explain why. 9 measurements so you’ll know what the test results Evaluating mean and what they can tell you about a If you hate listening to a component Time & Phase product’s potential for accurate per- or system, no group of meas- formance. These objective meas- urements can magically 11 urements can be very valuable to make that experience Minimizing consumers because they show enjoyable. On the other Stored Energy which products to avoid there- hand, if a component by narrowing the field of con- or system is demon- 13 tenders and minimizing the strably inaccurate Evaluating number of components you’ll learn to hate it Energy Storage you’ll have to audition. sooner or later (based on my expe- 16 Objective measurements rience) when you Importance don’t tell the entire story of learn how to hear of Bass course, and they raise the the flaw(s) that may age-old questions about initially have gone 17 objective versus subjective unnoticed. Evaluating Bass product evaluation. Performance I’m convinced that you The Debate have a far better chance for 19 A debate we encounter frequently in audio long-term satisfaction if you fol- Thiel CS2.4 involves the validity of “objective” versus “subjective” low the high fidelity approach and Review evaluations.
    [Show full text]
  • A Straightforward One-Seat Stereo Tuning Process and Some Notes About Why It Works
    A Straightforward One-Seat Stereo Tuning Process and Some Notes About Why it Works The Process Note 1: This process assumes the input to your DSP is confirmed as a flat, two-channel and in phase signal, like that of an aftermarket radio. Note 2: In an active system in which your tweeters are driven by an amplifier directly, install a capacitor in series with each tweeter to protect it from erroneous crossover settings, turn on and turn off pops and other failures that may destroy them. Choose a capacitor value that provides a -3dB point about an octave below the tweeter’s Fs. Note 3: This is not an iterative process in which you listen and then make an adjustment or two and then listen again to confirm an improvement. Once you’ve confirmed that all the speakers are connected and playing, there’s no need to listen until after all of the settings have been made and you’ve put away the RTA. Polarity, delay, crossovers, level and EQ, confirmation and additional level adjustments. That’s the order. 1. Confirm that electrical polarity is correct. Use the markings on the speakers and the amps, a polarity checker or the UMI-1 and a scope. Do not set polarity by listening for a center image from speaker pairs! 2. Put the mic in the car. 3. Measure from the center of each speaker to the microphone. Estimate a straight line from the sub to the mic no matter which way the sub is facing. If your system includes passive crossovers for the front speakers, measure to the midbass driver in a 3-way system or the midrange in a 2-way system.
    [Show full text]
  • Measurements
    Rear Loudspeaker Transducer Measurements Loudspeaker’s frequency response was measured in-room, using windowed MLS techniques. The 0.5m set-up and results are presented on the pictures below. Tweeter frequency/phase response Woofer frequency/phase response Tweeter’s frequency response is fully usable for the design purposes, however, woofer’s frequency response lacks information in the low-end and is really unsuitable for developing equalization. Consequently, woofer’s frequency response was measured in-room, using close- mike technique. The way it works, is that you need to measure driver’s frequency response, then port’s frequency response, and add them together. Port response has to be scaled down by several decibels, due to the difference in effective diameter between port and driver: 20*log(Driver_Radius / Port_Radius) In my case, the port SPL was shifted down by -10dB. On the top of this, you need to add pre-calculated diffraction for this box. The technique was also described in details in UE3 User’s Manual, http://www.bodziosoftware.com.au/UE%20V3%20Manual.zip All operations and measurements were performed using SoundEasy V18. As a starting point, I calculated diffraction of the front panel. Dimensions are 23cm x 46cm. Diffraction plot is shown below. Next, close-mike measurements are performed on driver and port. Port is scaled down by -10dB. Driver’s SPL is stored in Buffer 1 and port is stored in Buffer 2 - see below. Next, port and driver SPL are summed in Master Buffer and the Master Buffer is copied to Buffer 5. Then, I added pre-calculated diffraction to Buffer 5 – see step 5 above.
    [Show full text]
  • Control/Studio Monitors
    CONTROL/STUDIO MONITORS PH5VS The PH5-vs is ideal for a variety of studio and multimedia applications due to clean, precise mid-range design and low distortion. 40 watts RMS per channel drive a 5 1/4" woofer and 3/4" tweeter in a video-shielded ABS enclosure. Sold in pairs with cable and DC power supply included. (6.3" W x 9.3" H x 6.5" D, B2030-TRUTH weight/pair 11 lb.) sold in pairs. LIST Monitors PH5VS ..................................................................................................................299.00 A 6.75" 2-way active bi-amplified monitor system with CALL FOR PRICE balanced XLR and 1/4 TRS inputs. Features magnetic shielding, separate 75 and 35 Watt amplifiers, active crossover and response form 50-21k Hz. LIST B2030A-TRUTH ..pair of active monitors ............339.99 B2030P-TRUTH ..pair of passive monitors, PH3S needs amplifier ......................159.99 These high quality, video-shielded self-powered speakers are in a league of their own. CALL FOR PRICE With an extremely small footprint, Audix PH3-s are versatile solution for applications requiring high-definition sound in a compact, transportable shielded package. 20 watts of power per channel (RMS) delivers a clean, surprisingly big sound through a 3-1/2" woofer and a 3/4" tweeter. Sold in pairs with cable and DC power supply. (4.75" W x 7.5" H x 4.75" D, weight- pair 8 lb.) sold in prs. LIST PH3S......................................................................................................................199.00 MONITOR-1C CALL FOR PRICE This monitor system is ide- ally suited for fixed installa- tions, multimedia, home recording studios, audio/video productions and surround-sound sys- tems.
    [Show full text]