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UNIVERSITY of CALIFORNIA, SAN DIEGO Queerness and Chinese Modernity: the Politics of Reading Between East and East a Dissertati
UNIVERSITY OF CALIFORNIA, SAN DIEGO Queerness and Chinese Modernity: The Politics of Reading Between East and East A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Alvin Ka Hin Wong Committee in Charge: Professor Yingjin Zhang, Co-Chair Professor Lisa Lowe, Co-Chair Professor Patrick Anderson Professor Rosemary Marangoly George Professor Larissa N. Heinrich 2012 Copyright Alvin Ka Hin Wong, 2012 All rights reserved. The dissertation of Alvin Ka Hin Wong is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Co-Chair ________________________________________________________________________ Co-Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page …………………………………………………….……………….….…iii Table of Contents ………………………………………………………………..…….…iv List of Illustrations ……………………………………………………………….…........v Acknowledgments …………………………………………………………………….....vi Vita …………………………………………………….…………………………….…...x Abstract of the Dissertation ………………………………………………….……….….xi INTRODUCTION.……………………………………………………………….……....1 CHAPTER ONE. Queering Chineseness and Kinship: Strategies of Rewriting by Chen Ran, Chen Xue and Huang Biyun………………………….………...33 -
New China's Forgotten Cinema, 1949–1966
NEW CHINA’S FORGOTTEN CINEMA, 1949–1966 More Than Just Politics by Greg Lewis Several years ago when planning a course on modern Chinese history as seen through its cinema, I realized or saw a significant void. I hoped to represent each era of Chinese cinema from the Leftist movement of the 1930s to the present “Sixth Generation,” but found most available subtitled films are from the post-1978 reform period. Films from the Mao Zedong period (1949–76) are particularly scarce in the West due to Cold War politics, including a trade embargo and economic blockade lasting more than two decades, and within the arts, a resistance in the West to Soviet- influenced Socialist Realism. wo years ago I began a project, Translating New China’s Cine- Phase One. Economic Recovery, ma for English-Speaking Audiences, to bring Maoist Heroic Revolutionaries, and Workers, T cinema to students and educators in the US. Several genres Peasants, and Soldiers (1949–52) from this era’s cinema are represented in the fifteen films we have Despite differences in perspective on Maoist cinema, general agree- subtitled to date, including those of heroic revolutionaries (geming ment exists as to the demarcation of its five distinctive phases (four yingxiong), workers-peasants-soldiers (gongnongbing), minority of which are represented in our program). The initial phase of eco- peoples (shaoshu minzu), thrillers (jingxian), a children’s film, and nomic recovery (1949–52) began with the emergence of the Dong- several love stories. Collectively, these films may surprise teachers bei (later Changchun) Film Studio as China’s new film capital. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
The First Emperor: Selections from the Historical Records (Oxford
oxford world’s classics THE FIRST EMPEROR Sima Qian’s Historical Records (Shiji), from which this selection is taken, is the most famous Chinese historical work, which not only established a pattern for later Chinese historical writing, but was also much admired for its literary qualities, not only in China, but also in Japan, where it became available as early as the eighth cen- tury ad. The work is vast and complex, and to appreciate its nature it is necessary to make a selection of passages concerning a particu- lar period. To this end the short-lived Qin Dynasty, which unified China in the late third century bc, has been chosen for this transla- tion as a key historical period which well illustrates Sima’s method. Sima himself lived from 145 bc to about 86 bc. He inherited the post of Grand Historiographer from his father, and was so deter- mined to complete his work that he suffered the penalty of castra- tion rather than the more honourable alternative of death when he fell foul of the Emperor. Raymond Dawson was an Emeritus Fellow of Wadham College, Oxford. He was Editor of The Legacy of China (1964) and his other publications include The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), Imperial China (1972), The Chinese Experience (1978), Confucius (1982), A New Introduction to Classical Chinese (1984), and the Analects (Oxford World’s Classics, 1993). K. E. Brashier is Associate Professor of Religion (Chinese) and Humanities (Chinese) at Reed College. oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature. -
COSECHA SANGRIENTA Informe Revisado Sobre Alegatos De Extirpación De Órganos a Practicantes De Falun Gong En China
COSECHA SANGRIENTA Informe revisado sobre alegatos de extirpación de órganos a practicantes de Falun Gong en China Por David Matas y David Kilgour 31 de enero de 2007 Tabla de Contenidos A. INTRODUCCION. - 1 - B. LOS ALEGATOS - 1 - C. MÉTODOS DE TRABAJO - 1 - D. DIFICULTADES DE COMPROBACION - 2 - E. METODOS DE COMPROBACION - 3 - F. ELEMENTOS DE COMPROBACIÓN Y REFUTACIÓN - 4 - a) Consideraciones Generales - 4 - 1) Violaciones de los Derechos Humanos - 4 - 2) Financiación de la salud - 5 - 3) Financiamiento del ejército - 5 - 4) Corrupción - 7 - b) Consideraciones específicas de la extirpación de órganos - 7 - 5) Desarrollo tecnológico - 7 - 6) El trato a los presos condenados a muerte - 8 - 7) Donaciones de órganos - 9 - 8) Tiempos de espera - 9 - 9) Información incriminatoria en sitios de Internet - 10 - 10) Entrevistas a receptores de órganos - 12 - 11) Consideraciones Financieras - 13 - 12) Ética de trasplantes china - 13 - 13) Ética de trasplantes extranjera - 14 - 14) Leyes de trasplantes chinas - 14 - 15) Leyes de trasplantes extranjeras - 15 - 16) Consejos de viaje - 15 - 17) Fármacos - 16 - 18) Financiación estatal de la asistencia sanitaria en el extranjero - 16 - C) Consideraciones específicas sobre Falun Gong - 17 - 19) Una amenaza percibida - 17 - 20) Una política de persecución - 18 - 21) Incitación al odio - 19 - 22) Persecución física - 20 - 23) Arrestos masivos - 20 - 24) Muertes - 21 - 25) Los no identificados y los desaparecidos - 22 - 26) Análisis de sangre y examen de órganos - 23 - 27)Fuentes de trasplantes pasados - 24 - 28) Fuentes de futuros trasplantes - 26 - 29) Cuerpos con órganos faltantes - 28 - 30) Confesiones - 28 - 31) Una confesión - 33 - 32) Otras investigaciones que corroboran - 34 - 33) Respuestas del régimen de China - 34 - G INVESTIGACION ADICIONAL - 35 - iii H. -
1 Chapter 3: China Proper: the Household As a Complex Human
1 Chapter 3: China Proper: The Household as a Complex Human Ecosystem The people can go for a hundred years without money, but they cannot starve for a single morning, thus food is the most urgent thing. Liu Tao For at least a thousand years, since the Song period, the Intensive Agricultural Zone of China Proper has supported one of the world’s highest densities of population per unit of agricultural land. Supporting this population has depended on extremely intense level of land use and a continued process of further intensification, a process that was particularly rapid in the Qing period, from 1644 to 1911. At such high levels of intensity, most natural ecological buffers against disturbance have been sacrificed for gains in productivity. This has forced people to compensate for lost ecological resilience by strengthening infrastructural and institutional buffers. But the infrastructural and institutional buffers, in turn, require intensive upkeep, and if the upkeep fails, there is not much resilience left in the system, so that disturbances easily create ecological crises, something that has happened frequently in the last two hundred years. In this chapter, I first describe the spatial structure of China Proper. I then proceed to a detailed analysis of how the household, as the smallest-scale socio-ecosystem, was organized to attempt to buffer itself against these ever-looming disasters. In doing so, I explore the idea that traditional Chinese intensive agriculture was “everyday sustainable,” in Eugene Anderson’s words, at a household scale. This sets the stage for Chapter 6, where I examine how even a society and culture organized to buffer itself against disturbances lost resilience in the face of huge socio-ecosystem changes during the Qing: population growth, increase in cultivated land, and increase in the amount of water used to irrigate that land. -
Wang Guangmei and Peach Garden Experience Elizabeth J
Wang Guangmei and Peach Garden Experience Elizabeth J. Perry Introduction In the spring of 1967 China’s former First Lady Wang Guangmei was paraded onto a stage before a jeering crowd of half a million people to suffer public humiliation for her “bourgeois” crimes. Despite her repeated protestations, Wang was forced for the occasion to don a form- fitting dress festooned with a garland of ping-pong balls to mock the elegant silk qipao and pearl necklace ensemble that she had worn only a few years earlier while accompanying her husband, now disgraced President Liu Shaoqi, on a state visit to Indonesia. William Hinton (1972, pp. 103-105) describes the dramatic scene at Tsinghua University in Beijing, where the struggle session took place: A sound truck had crisscrossed the city announcing the confrontation, posters had been distributed far and wide, and over three hundred organizations, including schools and factories, had been invited. Some had sent delegations, others had simply declared a holiday, closed their doors, and sent everyone out to the campus. Buses blocked the roads for miles and the sea of people overflowed the University grounds so that loudspeakers had to be set up beyond the campus gates . At the meeting Wang [G]uangmei was asked to stand on a platform made of four chairs. She stood high enough so that tens of thousands could see her. On her head she wore a ridiculous, wide-brimmed straw hat of the kind worn by English aristocrats at garden parties. Around her neck hung a string of ping- pong balls . A tight-fitting formal gown clung to her plump body and sharp- pointed high-heeled shoes adorned her feet. -
Morning Sun: Interviews with Chinese Writers of the Lost Generation" by L
Swarthmore College Works Chinese Faculty Works Spring 1995 Review Of "Morning Sun: Interviews With Chinese Writers Of The Lost Generation" By L. Leung And "Modern Chinese Writers: Self-Portrayals" By H. Martin And J. C. Kinkley Haili Kong Swarthmore College, [email protected] Let us know how access to this work benefits you. Follow this and additional works at: http://works.swarthmore.edu/fac-chinese Part of the Chinese Studies Commons Recommended Citation Haili Kong. (1995). "Review Of "Morning Sun: Interviews With Chinese Writers Of The Lost Generation" By L. Leung And "Modern Chinese Writers: Self-Portrayals" By H. Martin And J. C. Kinkley". Modern Chinese Literature. Volume 9, Issue 1. 147-153. http://works.swarthmore.edu/fac-chinese/37 This work is brought to you for free and open access by the Swarthmore College Libraries. It has been accepted for inclusion in Chinese Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Review Reviewed Work(s): Morning Sun: Interviews with Chinese Writers of the Lost Generation by Laifong Leung; Modern Chinese Writers: Self-Portrayals by Helmut Martin and Jeffrey Kinkley Review by: Haili Kong Source: Modern Chinese Literature, Vol. 9, No. 1 (Spring 1995), pp. 147-153 Published by: Foreign Language Publications Stable URL: http://www.jstor.org/stable/41490752 Accessed: 19-09-2017 13:17 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. -
Guo Degang: a Xiangsheng
Shenshen Cai Swinburne University of Technology, Melbourne Guo Degang A Xiangsheng (Cross Talk) Performer Bridging the Gap Between Su (Vulgarity) and Ya (Elegance) Xiangsheng 相声 (cross talk), which has been one of the most popular folk art performance genres with the Chinese people since its emergence during the Qing Dynasty, began to lose its popularity at the turn of the 1990s. How- ever, this downward trajectory changed from about 2005, and it once again began to enthuse the public. The catalyst for this change in fortune has been attributed to Guo Degang and his Deyun Club 德云社. The general audience acclaim for Guo Degang’s xiangsheng performance not only turned him into a xiangsheng master and a grassroots cultural hero, it also, somewhat absurdly, evoked criticism from a few critics. The main causes of the negative critiques are the mundane themes and the ubiquitous vulgar baofu 包袱 (comical ele- ments) and rude jokes enlisted in Guo’s xiangsheng performance that revolve around the subjects of ethics, pornography, and prostitution, and which turn Guo into a signifier of vulgarity. However, with the media platform provided via the Weibo 微博 microblog, Guo Degang demonstrates his penchant for refined taste and his talent as an elegant literati. Through an in-depth analy- sis of both Guo Degang’s xiangsheng performance and his microblog entries, this paper will examine the contrasting features between Guo Degang’s artis- tic creations and his “private” life. Also, through the opposing contents and reflections of Guo Degang’s xiangsheng works and his microblog writings, an opaque and sometimes diametrically opposed insight into his worldviews is provided, and a glimpse of the dualistic nature of engagement and withdrawal from the world is revealed. -
Table of Contents Vol01
TABLE OF CONTENTS VOL01 SESSION 1 COMPUTER SCIENCE AND INFORMATION TECHNOLOGY 1-M0176CN1060 EFFICIENT RESOURCE ALLOCATION IN COGNITIVE WIRELESS 1 MESH NETWORKS Song Lei,Zhao Cheng,Li Changzheng 2-M0177CN0534 APPLICATION OF APRIORI ALGORITHM IN OPEN EXPERIMENT 6 Li Mengshan,Liu Bingxiang,Wu Yan 3-M0178CN0958 BUILDING INTELLIGENT RESIDENTIAL DISTRICT BASED ON 10 INTERNET OF THINGS TECHNOLOGY Zhiqiang Wei, Ying Zhang, Dongning Jia 4-M0179CN0458 THE APPLICATION OF FIRE SUPERVISING MANAGEMENT 15 INFORMATION SYSTEM ON THE WIRELESS INTERNET YAO Zhiqiang,WANG Huijuan,WU Jianzheng 5-M0180CN0491 MEDIUM ACCESS CONTROLLER DESIGN FOR WIRELESS BODY 21 AREA NETWORK Jigang Shao,Hanjun Jiang,Chun Zhang,Zhihua Wang 6-M0181CN0563 A NEW TRACK CORRELATION ALGORITHM BASED ON STATISTICS 26 ZHANG Zhang,WANG Xue-bin,Yan Jun 7-M0182CN0741 THE STUDY ON THE UNIVERSITY SPORTS TEAMS IN INFORMATION 30 MANAGEMENT Li Yong,Yi Peng 8-M0183CN0958 GENERAL LAYERED HETEROGENEOUS MODEL OF PARALLEL 33 COMPUTATION Zhiqiang Wei, Wenjuan Shi, Yingying Liu, Jie Nie, Lin Gui 9-M0184CN0958 IMPLEMENTATION OF VISUALIZATION OF HORIZONTAL SLICE IN 38 THREE-DIMENSIONAL SEISMIC DATA VOLUME Xiaopeng Ji, Lin Mou, Zhiqiang Wei, Longbin Shen, Lin Gui 10-M0185CN0491 RFID SENSOR NETWORKS BASED ON PHARMACEUTICAL DRUGS 42 LOGISTICS, STORAGE, SECURITY RESEARCH YINQun,Zhangjianbo 11-M0186CN0659 ESTABLISHMENT OF THE PERFORMANCE APPRAISAL INDEX 46 SYSTEM OF SOFTWARE PROJECT PRESALES MANAGER Ren Yongchang,Xing Tao,Wang Li,Cai Wei 1 SESSION 2 COMPUTER SCIENCE AND INFORMATION TECHNOLOGY 12-M0187CN1599 -
Reimagining Revolutionary Labor in the People's Commune
Reimagining Revolutionary Labor in the People’s Commune: Amateurism and Social Reproduction in the Maoist Countryside by Angie Baecker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in the University of Michigan 2020 Doctoral Committee: Professor Xiaobing Tang, Co-Chair, Chinese University of Hong Kong Associate Professor Emily Wilcox, Co-Chair Professor Geoff Eley Professor Rebecca Karl, New York University Associate Professor Youngju Ryu Angie Baecker [email protected] ORCID iD: 0000-0003-0182-0257 © Angie Baecker 2020 Dedication This dissertation is dedicated to my grandmother, Chang-chang Feng 馮張章 (1921– 2016). In her life, she chose for herself the penname Zhang Yuhuan 張宇寰. She remains my guiding star. ii Acknowledgements Nobody writes a dissertation alone, and many people’s labor has facilitated my own. My scholarship has been borne by a great many networks of support, both formal and informal, and indeed it would go against the principles of my work to believe that I have been able to come this far all on my own. Many of the people and systems that have enabled me to complete my dissertation remain invisible to me, and I will only ever be able to make a partial account of all of the support I have received, which is as follows: Thanks go first to the members of my committee. To Xiaobing Tang, I am grateful above all for believing in me. Texts that we have read together in numerous courses and conversations remain cornerstones of my thinking. He has always greeted my most ambitious arguments with enthusiasm, and has pushed me to reach for higher levels of achievement. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 Permalink https://escholarship.org/uc/item/40698689 Author Eisenman, Lujing Ma Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China.