Paul Mauriat Discography Part Iii «Composer, Arranger & Instrumentalist» 1957-2000
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Entretien Avec Claude Lelouch Michel Coulombe
Document généré le 30 sept. 2021 09:05 Ciné-Bulles Le cinéma d’auteur avant tout Entretien avec Claude Lelouch Michel Coulombe Volume 17, numéro 3, automne 1998 URI : https://id.erudit.org/iderudit/805ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce document Coulombe, M. (1998). Entretien avec Claude Lelouch. Ciné-Bulles, 17(3), 7–13. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ avec Claude <f)e suis toujours un étudiant en cinéma, un étudiant qui a la chance de vivre de ses études et qui n'en finit pas d'apprendre.» Claude Lelouch PAR MICHEL COULOMBE La veille, Claude Lelouch était à Venise où Hasards ou Coïncidences était présenté en compéti tion. Le lendemain, il devait assister à une projection-bénéfice de son film à Paris. Entre les deux, relevant un parterre de vedettes où n'avaient brillé que de rares Nathalie Baye et Sandra Bullock, le cinéaste, entouré de son équipe québécoise, clôturait un Festival des films du monde chahuté par la meute des journalistes et couru par la masse des cinéphiles. -
Amse Research Report
2016 AMSE RESEARCH REPORT Aix-Marseille School of Economics Coordination Yann Bramoullé Compiled by Marine Boléa - Yves Doazan Designed and produced by Sylvain Hourany - Yves Doazan Assistant: Morgane Bertrand-Pauly Photos: Grégory Cornu, Marif Deruffi, Ecole AMSE, Franck Pourcel © aix-marseille school of economics - 2017 Aix-Marseille School of Economics 2 01 FOREWORD Yann Bramoullé, AMSE scientific director 02 HUMAN RESOURCES 2.1 Permanent researchers Departures and arrivals - Awards 2.2 PhDs candidates and postdoctoral fellows PhDs candidates New-PhD-level curriculum Postdoctoral fellows 2.3 Visiting and mobility Visitors Mobility and visiting program 03 RESEARCH 3.1 Publications 3.2 Research highlights 04 GRANTS 05 SCIENTIFIC EVENTS 5.1 Globalization lectures 5.2 Policy lectures 5.3 Seminars 5.4 Conferences and workshops 06 ECOLE AMSE 6.1 Overview 6.2 The Master AMSE 6.3 The Magistère Ingénieur Economiste AMSE 07 APPENDICES 7.1 Human resources Permanent researchers (2.1) AMSE PhDs - thesis defences (2.2) Postdoctoral fellows (2.2) Visiting and mobility (2.3) 7.2 Research Articles, book chapters, books (3.1) Working papers (3.1) 7.3 Scientific events Globalization lectures (5.1) Policy lectures (5.2) Seminars (5.3) Conferences and workshops (5.4) Aix-Marseille School of Economics 4 01 FOREWORD Yann Bramoullé, AMSE scientific director Aix-Marseille School of Economics 5 Foreword This report presents the academic activities and achievements of the Aix-Marseille School of Economics (AMSE) during the calendar year 2016. Our community is now composed of 93 permanent researchers, 18 postdocs and 87 doctoral students. In 2016, we welcomed 5 new researchers – Paul Belleflamme, Jernej Copic, Charles Figuières, Eva Moreno-Gal- bis, and Lorenzo Rotunno, 7 new postdocs and 18 new doctoral students. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Finishing Strong After Surgery, Rochester Woman Delays Effects Of
$1 Serving our communities since 1889 — www.chronline.com Mid-Week Edition Thursday, Nov. 3, 2016 Finishing Strong W.F. West Grad in Playoffs / Sports 1 2000 Murder Conviction Still Missing on the PCT State Supreme Court Upholds Guilty Verdict Search Crews Fan Out to Find Hiker Who for Man in East Lewis County Killing / Main 4 Went Missing Near White Pass / Main 3 Centralia Misses Out After Surgery, Rochester Woman on Record Delays Effects of Parkinson’s Disease Rainfall Seen in Seattle, Olympia By The Chronicle While Puget Sound cities such as Seattle and Olympia saw record rainfall in October, Centralia missed out on the super soggy weather and held steady at a fraction of an inch above average. The National Weather Ser- vice doesn’t have a long-term precipitation collection site in Lewis County, but the West- ern Regional Climate Center’s website contains records of precipitation in Centralia from this past October back to 1893. please see RAIN, page Main 13 Lewis County Commission to Approve New Court Clerk INTERVIEWS PLANNED: Kathy Brack Retired in September By Aaron Kunkler Pete Caster / [email protected] [email protected] Diane Hutchins poses for a portrait in Centralia on Monday afternoon. Three candidates for Lewis County clerk have been sub- mitted to the Board of Lew- DEEP-BRAIN STIMULATION: sense of balance, she knew something was did indeed have Parkinson’s disease, a neu- wrong, but it would take several years until is County Commissioners, Procedure at Oregon Health and rological ailment known for causing trem- where one will be selected to she figured out exactly what it was. -
PAUL MAURIAT INTERVIEW for WMOH Radio, Cincinnati, Ohio – U.S.A
PAUL MAURIAT INTERVIEW For WMOH Radio, Cincinnati, Ohio – U.S.A. OCTOBER '1970 EVENING WITH PAUL MAURIAT Written by Jim Howard Witt FEBRUARY '2006 FANCLUB.PAULMAURIAT.RU 2012 PAUL MAURIAT INTERVIEW JIM HOWARD WITT: And from Cincinnati you will go to? PAUL MAURIAT: Well, I go in… After Cincinnati and Chicago and after many cities in Texas, then we come back to New York, and little tour in Canada, Montreal, and some city around New York. – Will you be doing on a television while you are in the United States? – No. Some television but only talk television, because when I arrive to a city, sometimes I take the plane and the musicians are on the road and I can’t do a concert only by myself. – Mostly it will be local television (television on the local level) or it will be any network television? – Both. – I imagine, a lot of people would like to know, and I would like to know as well, how did you get your start in the music field and the show business? – I started very young. I was seventeen years old, and I decided one day to have my own orchestra. And then with this orchestra we work in all cities of the south of the France and foreign countries like Italia, Belgium and Egypt. How do you say Egypt / Agypt? – Egypt. – Egypt. And I come back in Marseille, because I was born in Marseille. Then I decided to go to Paris about twelve years before, twelve years ago. And I began to accompaniment for many French artists like Charles Aznavour, Dalida, Salvador, Maurice Chevalier, Danielle Darieux. -
Aznavour, « Non, Je N'ai Rien Oublié »
Facebook : La culture ne s'hérite pas elle se conquiert Facebook : La culture ne s'hérite pas elle se conquiert Facebook : La culture ne s'hérite pas elle se conquiert www.editionsarchipel.com Si vous souhaitez recevoir notre catalogue et être tenu au courant de nos publications, envoyez vos nom et adresse, en citant ce livre, aux Éditions de l’Archipel, 34, rue des Bourdonnais 75001 Paris. Et, pour le Canada, à Édipresse Inc., 945, avenue Beaumont, Montréal, Québec, H3N 1W3. 978-2-809-80764-6 Copyright © L’Archipel, 2011. Facebook : La culture ne s'hérite pas elle se conquiert Sommaire Page de titre Page de Copyright Dédicace PRÉAMBULE 1 - « UN MILIEU DE CHANTEURS ET D’ARTISTES… » 2 - PARIS MISÈRE 3 - ROCHE ET AZNAVOUR 4 - VERS LE NOUVEAU MONDE 5 - « ME VOILÀ SEUL » : RETOUR EN FRANCE 6 - TOURNÉE MAROCAINE : DIX-SEPT RAPPELS ! 7 - « LE CRUCIFIÉ DU TRAVERSIN » 8 - CARRIÈRE INTERNATIONALE 9 - GEORGES GARVARENTZ : UNE FONTAINE À MÉLODIES 10 - CHEZ LES YÉ-YÉ 11 - PAUL MAURIAT, UN GRAND « COUTURIER MUSICAL » 12 - « JE VOUS PARLE D’UN TEMPS… » 13 - « AU NOM DE LA JEUNESSE… » 14 - « COMME ILS DISENT » 15 - « ILS SONT TOMBÉS » 16 - « POUR TOI, ARMÉNIE » 17 - LE ROI DES DUOS 18 - TOI ET MOI 19 - LYNDA LEMAY 20 - « THE LAST CHANTEUR » 21 - « AZNAVOUR 2000 » Facebook : La culture ne s'hérite pas elle se conquiert 22 - « BON ANNIVERSAIRE, CHARLES ! » 23 - CUBA 24 - LE VIEUX SAGE ET LE JEUNE RAPPEUR 25 - THE CLAYTON-HAMILTON JAZZ ORCHESTRA 26 - « L’HOMME EST UN SOLITAIRE QUI A BESOIN DES AUTRES » DISCOGRAPHIE BIBLIOGRAPHIE Facebook : La culture ne s'hérite pas elle se conquiert À Colette, pour ses encouragements et son soutien. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
1.Day O (Eric Darling / Bob Carey / Alam Arkum) *2.Tendre Piège
1957 *1.Day o (Eric Darling / Bob Carey / Alam Arkum) *2.Tendre piège (James Van Heusen) *3.Marianne (Terry Gulkysom / Frank Miller / Richard Dehr) *4.La marie vision (Roger Vaney / Marc Eyral) *5.Le petit ane de l'estoril (Helene Simon / Claude Bolling) *6.Ombre sous la mar (Pierre Delanoë / Tocs Morakis) *7.Les coquettes de Porto Rico (Rene Denoncin / Pia Del Moro) *8.Andalucia (Ernesto Lecuona) *9.El divorcio (Rozendo Ruiz) *10.Usignolo (Mautelli / Castellani / Carletto / Concuna) PAUL MAURIAT RGM EP 10.102 (France) A1 DAY O A2 TENDRE PIEGE B1 MARIANNE B2 LA MARIE VISION CALYPSOS RGM EP 10.103 (France) A1 LE PETIT ANE DE L'ESTORIL A2 OMBRE SOUS LA MAR B1 LES COQUETTES DE PORTO RICO B2 ANDALUCIA CALYPSOS RGM EP 10.102 (France) (1958 re-issue) A1 DAY O A2 TENDRE PIEGE B1 MARIANNE B2 LA MARIE VISION PAUL MAURIAT RGM EP 10.103 (France) (1958 re-issue) A1 LE PETIT ANE DE L'ESTORIL A2 OMBRE SOUS LA MAR B1 LES COQUETTES DE PORTO RICO B2 ANDALUCIA PAUL MAURIAT et sa grande formation RGM EP 1106 (France) A1 EL DIVORCIO B1 USIGNOLO 1959 (Paul Mauriat as Eduardo Ruo) *1.Fascination (Fermo Dante Marchetti / Maurice de Feraudy) *2.Je sais que vous êtes jolie (H. Poupon / H. Christine) *3.En avril à Paris (Charles Trenet / Walter Eiger) *4.Parlez-moi d'amour (Jean Renoir) (Paul Mauriat as Eduardo Ruo) *5.Amor amor amor (Jacques Larue / G. Ruiz) *6.Quizas, quizas, quizas (Osvaldo Farrés) *7.Ay! ay! ay! (R. Valeire / Osman / P. Freire) *8.Avril au Portugal (Raul Ferräo / José Galhardo / Jacques Larue) (Paul Mauriat as Eduardo Ruo) *9.Ciao ciao bambina (Jacques Larue / Dino Verde / Dominico Modugno) *10.Love in Portofino (Jacques Larue / Fred Buscaglione) *11.Amour de Saint-Tropez (G. -
Label Chart Action Report in Qtr. Soared in '68 by MIKE GROSS NEW YORK It''s SRO at by GRAEME ANDREWS - NEW YORK - the Atlan- Cent Share and Six Titles
APRIL 5, 1969 SEVENTY -FIFTH YEAR 1.00 COIN MACHINE PAGES 45 TO 50 The International Music -Record Newsweekly U. K.'s Sales, IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 HOTELS SRO Atlantic Tops Billboard's Hot 100 Album Prod. -REGISTRATION TO IMIC OPEN Label Chart Action Report in Qtr. Soared in '68 By MIKE GROSS NEW YORK It''s SRO at By GRAEME ANDREWS - NEW YORK - The Atlan- cent share and six titles. Plac- ords placed second with a 5.5 the two hotels that have been tic Records label topped the ing fourth was Reprise Records per cent share and seven titles; LONDON - Britain's record booked at special conference "Hot 100" field for the first with 4.4 per cent and 10 titles; Columbia came in third with a industry hit an all -time high in rates for the International Mu- quarter of 1969 in the initial Motown Records was fifth with 5.3 per cent share and seven sales, exports and album pro- sic Industry Conference in the survey compiled by Billboard's a 4.2 per cent share and six titles; Uni placed fourth with a duction in 1968, according to Charts Department. Atlantic had titles. Rounding out the "top 4.3 and Bahamas April 20 -23. Accom- per cent share four Ministry of Technology statis- 6.8 per cent of the chart action 10" in their respective order titles, and Tamla took fifth with tics. The results show that the modations have been exhausted during the first three months of were: Epic, Stax, Atco, Colum- a 4.0 per cent share and four industry managed to ride out at the Paradise Island Hotel & the year and placed 20 titles on bia and Uni. -
September 11
11’09’’01 September 11 Ein Film von 11 Regisseuren Samira Makhmalbaf Claude Lelouch Youssef Chahine Danis Tanovic Idrissa Ouedraogo Ken Loach Alejandro González Inárritu Amos Gitaï Mira Nair Sean Penn Shohei Imamura Polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel: +43-1-581 39 00-20 Fax: +43-1-581 39 00-39 [email protected] www.verleih.polyfilm.at 1 Um das Ausmaß der Schockwelle zu dokumentieren, die der 11. September auslöste, Um die Resonanz auf die Ereignisse in aller Welt zu dokumentieren, Um die menschliche Dimension dieser Tragödie zu verdeutlichen, Um das Gefühl durch Verstand zu ergänzen, Um allen eine Stimme zu verleihen Künstlerischer Produzent Alain Brigand Séquence 19. Productions Titelmusik Alexandre Desplat Produktion Galatée Films Studio Canal Co-Produzent Jacques Perrin Nicolas Mauvernay Ausführender Produzent Jean de Trégomain Frankreich 2002 - 35mm - 130 min. – 1:1,85 – Dolby SR Ein kollektiver Film 11 Regisseure und Regisseurinnen aus verschiedenen Ländern und Kulturen 11 Visionen der tragischen Ereignisse, die am 11. September 2001 in New York City stattfanden 11 Blickwinkel, die dem individuellen Gewissen verpflichtet sind Völlige Freiheit im Ausdruck Der 11. September 2001 war ein Ereignis, das vorzustellen wir uns nie gewagt hätten. In Echtzeit drangen die Bilder von der Katastrophe in all ihrer Gewalt in unsere Wohnungen. Mit einem Schlag wurde Trauer universell. Wie konnte man kein Mitgefühl empfinden, wenn das Fernsehen das Leiden jener, die dem Tod ins Auge sahen, gleichzeitig in alle Winkel der Welt ausstrahlte? Um das weltumspannende Echo auf dieses Ereignis auf andere Art als durch diese entsetzlichen Bilder festzuhalten, wurde mir sehr bald klar, dass wir die Pflicht der Reflexion hatten.