Rf Energy Harvesting and Wireless Power Transfer
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Collins Broadcast Equipment Catalog 1969
~ COLLINS ~ Broadcast Equipment • • ' : • , • : • : •~ ' • • • ~ ' I • ' ' : '. : . ' . '', . : . , . I • • : ' < ' • ' ' ' I . ' , . : : . ' • : J ' ' • • ' ' I • . , . ' . www.SteamPoweredRadio.Com ,, Collins Broadcast Equipment Catalog No. 46 Table of Contents Collins Radio Company. 2 AM Transmitters 5 FM Transmitters . 13 FM Antennas . 30 Audio Equipment . 36 Audio Accessories . 62 Remote Equipment ......................... 71 Measuring-Monitoring-Remote Control .......... 75 Tables-Charts-Graphs . 83 Index by Description ........................ l 04 Index by Type Number ...................... 105 Sales Policy ............................... I 07 Equipment descriptions in this catalog are condensed so that the complete line of broadcast units supplied by Collins Radio Com pany can be shown. For more information on any of these units, you are invited to contact your Collins Broadcast Sales Engineer or Collins Radio Company, Broadcast Marketing, Dallas, Texas. Customers in countries other than the United States are invited to contact the nearest International Sales Omce or Collins Inter national Division, Dallas, Texas. All specifications contained within are subject to change without notice. ©Collins Radio Company 1969 523-056/3/6-001430, 4-1-69 Printed in U.S.A. www.SteamPoweredRadio.Com Collins Radio Company Collins Radio Company is an international elec tronics corporation combining communication, com putation and control equipment into total systems which acquire, transfer, store, extract, process and condense information -
Mm100 and Dp100 Tm High Definition Matchmaker
MM100 AND DP100 TM HIGH DEFINITION MATCHMAKER OPERATING AND MAINTENANCE MANUAL © Copyright 1997-2005, Audio Technologies Incorporated - Printed in USA Audio Technologies Inc. | 154 Cooper Road #902 | West Berlin, NJ 08091 | Voice 856-719-9900 | Fax 856-719-9903 | www. audio.com DESCRIPTION Channels LL and RR of both the DP100 and the MM100 convert unbalanced IHF inputs via RCA phono jacks J1 and J2 into transformer balanced 600 ohm XLR outputs at J3 and J4. The RCA inputs are RF bypassed and diode protected from excessive level. Panel gain controls R9 and R10 allow a reference +4dBm output to be set for inputs ranging from less than .1V to over 1.0V and will allow many playback devices having front panel output level controls to be simply preset to their maximum. The input stages A1-3 and A1-4 provide a stage gain adjustable from +8 to -24dB. Output stages A2-1 and A2-2 provide 14dB additional gain and the total isolation, faraday shielding, superior balance, improved RF immunity and ease of application of a true transformer coupled balanced output. A unique feedback technique totally avoids the transformers characteristic limitations of high distortion, poor response and hum pickup. Typical output distortion measurements made at both peak (+22dBm) and nominal (+4dBm) levels barely exceed generator residuals at .004% from 20Hz to 20,000Hz. Hum pickup from the power supply is non-existent and flat response is greatly extended. The output is protected from short circuits but will drive over a half mile of shielded cable with less than 1dB of signal rolloff at 20,000sHz. -
BASS GUITAR PREAMP DESIGN Dave Sampson I’D Like to Dedicate This Work to My Long Term Partner Louise
BASS GUITAR PREAMP DESIGN Dave Sampson I’d like to dedicate this work to my long term partner Louise. Without her love, patience and encouragement this work would not have been possible. Audiodomain.blogspot.co.uk 1 @homewith_dave [email protected] TABLE OF CONTENTS Chapter 1 ........................................................................................................................ 7 1.1 History .............................................................................................................................. 7 1.2 Aims & Objectives ............................................................................................................. 7 1.3 Summary of Report Structure ........................................................................................... 7 Chapter 2 ........................................................................................................................ 8 2.1 Existing Solutions .............................................................................................................. 8 2.2 Input stage ........................................................................................................................ 8 2.2.1 Input Signal ................................................................................................................ 8 2.2.2 Attenuation ................................................................................................................ 9 2.2.3 Impedance Bridging .................................................................................................. -
High Performance Audio Power Amplifiers
High Performance Audio Power Amplifiers for music performance and reproduction Newnes An imprint of Butterworth-Heinemann Ltd Linacre House, Jordan Hill, Oxford OX2 8DP A division of Reed Educational and Professional Publishing Ltd OXFORD BOSTON JOHANNESBURG MELBOURNE NEW DELHI SINGAPORE First published 1996 Reprinted with revisions 1997 © Ben Duncan 1996 © B. D. 1997 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 9HE. Applications for the copyright holder's written permission to reproduce any part of this publication should be addressed to the publishers TRADEMARKS/REGISTERED TRADEMARKS Computer hardware and software brand names mentioned in this book are protected by their respective trademarks and are acknowledged. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 7506 2629 1 Typeset by P.K.McBride, Southampton Printed and bound in Great Britain High Performance Audio Power Amplifiers for music performance and reproduction Ben Duncan, A.M.I.O.A., A.M.A.E.S., M.C.C.S international consultant in live show, recording & domestic audio electronics and electro-acoustics. Foreword Ben Duncan is one of those rare individuals whose love and enthusiasm for a subject transcends all the usual limits on perception and progress. -
EEL 4914 Senior Design I Solar Powered Audio Amplifier with DSP Effects
EEL 4914 Senior Design I Solar Powered Audio Amplifier with DSP Effects Team # 16: Hugo Castellanos Sandra Muñoz Gretchen Rivera 1 Table of Contents 1 Technical objectives and requirements .......................................................................5 1.1 Audio Amplification Subsystem ............................................................................................5 1.2 Digital Signal Processing Subsystem ...................................................................................5 1.3 Power Management System....................................................................................................5 2 Technology Research ..........................................................................................................6 2.1 Previous Works / Similar Projects.......................................................................................6 2.1.1 Similar Projects......................................................................................................................................6 2.1.2 Commercial Amplifier Products.....................................................................................................8 2.2 Solar Panels............................................................................................................................... 11 2.2.1 Crystalline Silicon PVs ..................................................................................................................... 11 2.2.2 Thin film PVs....................................................................................................................................... -
Impedance & Audio Interfaces
Impedance & Audio Interfaces PNW Chapter of the AES March 2017 Electrical Impedance Basics Resistance (Resistor) Ratio of current (I) and voltage (E or V) Unit: Ω, Ohm ● Resistors ● Wires ● Circuit board traces Electrical Impedance Basics Capacitive Reactance (Capacitor) Ratio of current (I) and the change in voltage over time (dV/dt) Units: F, Farads ● Capacitors ● Two wires near each other ● PCB Traces near each other ● Any two conductive surfaces “Resists” instantaneous changes in voltage Electrical Impedance Basics Inductive Reactance (Inductor) Ratio of voltage (E or V) and the change in current over time (dI/dt) Units: H, Henries ● Inductors ● Wires or coils of wire ● PCB Traces ● Transformers “Resists” instantaneous changes in current Audio Interfaces What’s the point of connecting two things together? ● Information transfer ● Information in what form? ○ Analog audio: frequency, phase and amplitude ○ Digital audio: frequency (data rate) ○ The higher the frequency, the more cable / wire impedance matters ● Across what distance? ○ The longer the distance, the more cable / wire impedance matters Audio Interfaces What to do with this information? ● Measure it (microphone level or line level audio) ○ Transfer a measureable voltage ○ Minimizes losses in the interface ● Do some work with it (telephone system or power amplifier) ○ Transfer usable power ○ Drive a loudspeaker ○ Heat a rack room ○ More losses in the interface ● Go the distance ○ Transmission line behaviors Audio Interfaces: Voltage Transfer Very common in pro and consumer