Bobo Stenson Trio War Orphans Mp3, Flac, Wma

Bobo Stenson Trio War Orphans mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: War Orphans Country: Germany Style: Contemporary Jazz MP3 version RAR size: 1790 mb FLAC version RAR size: 1696 mb WMA version RAR size: 1334 mb Rating: 4.4 Votes: 989 Other Formats: ASF AUD XM VOC MP3 WMA RA Tracklist Hide Credits Oleo De Mujer Con Sombrero 1 8:30 Written-By – Silvio Rodríguez Natt 2 8:07 Written-By – Anders Jormin All My Life 3 6:24 Written-By – Ornette Coleman Eleventh Of January 4 5:55 Written-By – Anders Jormin War Orphans 5 6:16 Written-By – Ornette Coleman Sediment 6 5:20 Written-By – Anders Jormin Bengali Blue 7 8:16 Written-By – Bobo Stenson Melancholia 8 5:28 Written-By – Duke Ellington Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Made By – EDC, Germany – 50996963 Recorded At – Rainbow Studio Credits Design – Sascha Kleis Double Bass – Anders Jormin Drums – Jon Christensen Engineer – Jan Erik Kongshaug Photography By [Cover Photo] – Jan Jedlička Photography By [Liner Photos] – Roberto Masotti Piano – Bobo Stenson Producer – Manfred Eicher Notes Recorded May 1997, Rainbow Studio, Oslo An ECM Production ℗ 1998 ECM Records GmbH © 1998 ECM Records GmbH Jewel box in O-card slipcase Barcode and Other Identifiers Barcode (Printed): 7 31453 97232 2 Barcode (Scanned): 731453972322 Rights Society: GEMA Label Code: LC 2516 Matrix / Runout: 07314 539 723-2 03 * 50996963 Mould SID Code: IFPI 0125 SPARS Code: DDD Other versions Title Category Artist Label Category Country Year (Format) ECM Bobo ECM 1604, 539 War Orphans Records, ECM 1604, 539 Stenson Germany 1998 723-2 (CD, Album) ECM 723-2 Trio Records Bobo War Orphans Par Media ZZ-98GP0001869 Stenson (CD, Album, ZZ-98GP0001869 Russia Unknown Music Trio Unofficial) Related Music albums to War Orphans by Bobo Stenson Trio Tomasz Stańko - Bosonossa And Other Ballads Don Cherry, Lennart Åberg, Bobo Stenson, Anders Jormin, Anders Kjellberg, Okay Temiz - Dona Nostra Pat Metheny / Ornette Coleman - Song X Martin Speake - Change Of Heart Bobo Stenson Trio - Cantando Ornette Coleman - The Best Of Ornette Coleman Doudou Gouirand, Bobo Stenson, Palle Danielsson, Aldo Romano - La Nuit De Wounded Knee Anders Gaardmand, Bobo Moreno, Kjeld Lauritzen, Per Gade, Esben Bach - La Fontaine Live Jan Garbarek - Bobo Stenson Quartet With Palle Danielsson, Jon Christensen - Witchi-Tai-To Charles Lloyd - Notes From Big Sur.

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Bobo Stenson Trio Cantando
ECM Bobo Stenson Trio Cantando Bobo Stenson: piano; Anders Jormin:double-bass; Jon Fält: drums ECM 2023 CD 6025 177 5462 (1) Release: August 2008 “Cantando”, from the Spanish word for “singing”, is the title of a characteristically far- ranging programme by the resourceful Bobo Stenson Trio. Alongside group improvisation and new compositions (including two tunes by bassist Anders Jormin), the Swedish trio play “Love, I’ve Found You”, a standard which Stenson has loved in both Miles Davis and Wynton Kelly versions, back to back with the 1907 “Liebesode” of Alban Berg. Unexpected juxtapositions belong to this group’s methodology: on the “Serenity” album of 1999, Stenson already performed “Die Nachtigall, also from Berg’s “Sieben frühe Lieder” cycle. The trio play, twice, “Song of Ruth” by Czech composer Petr Eben, who died just a few weeks before this session. A piece originally scored for soprano and organ, it is transformed here. Astor Piazzolla’s intensely expressive tango “Chiqulin de Bachin”, dances at a sultry slow pace. Also from the Latin American corner: the supple “Olivia”, by Cuban songwriter and folk/protest singer Silvio Rodriguez, another Stenson Trio favourite. The lilting “Don’s Kora Song” is a tune Bobo often played during his long association with the late Don Cherry: “Don had a real affinity for West African music and was strongly inspired by it. When we travelled, there would often be tapes of music from Mali playing in the bus: the sound of that has been in my ears for years.” Cherry also used to tip Stenson off to rarer Ornette Coleman tunes, but the uncommon “A Fixed Goal” reached the pianist by another route.
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Spektrum Des Jazztrios
Spektrum des Jazztrios Konzepte und Kompositionen Maturitätsarbeit HS 2017/18 Manuel Eugster, 4g Betreuung Christoph Germann Kantonsschule Im Lee Winterthur, 08.01.2018 Inhaltsverzeichnis 1.Einleitung 3 2.Geschichte des Jazztrios 4 3.Stücke 6 3.1 October In Winterthur 6 3.2 Hypochondrische Unbelehrtheit 7 3.3 A Gaze Into The Abyss 9 4. Fazit 11 5. Danksagung 13 6. Bibliographie 14 7. Anhang 15 2 1. Einleitung Rastlos wüten Oscar Petersons Finger über die Tasten, über dem dichten Klangteppich seiner zwei Mitmusiker breitet er seine Soli aus, während Bill Evans tief vornüber gebeugt mit einer seinesgleichen suchenden harmonischen Raffinesse mit Scott Lafaro und Paul Motian die Grenzen des zeitgenössischen Jazz ausweitet. Da schwebt Esbjörn Svensson auf völlig neuen Höhen, getragen vom modalen Groove seiner Truppe, dem man sich nur schwer entziehen kann. In höchster Ekstase scheint auch Keith Jarrett zu sein, singend und zähnefletschend bearbeitet er die Tasten neben seiner durch die Jahre zusammen- geschweissten Rhythm Section. Eine völlig neue Definition von Kollektiv bilden daneben die drei Midwestler von „The Bad Plus“, die einem mit ihrem rockigen, energiegeladenen Sound die Haare zu Berge stehen lassen. Doch was haben all die genannten Musiker gemeinsam? Nun, das lässt sich scheinbar schnell beantworten. Alle erwähnten Jazzmusiker haben ihr Hauptaugenmerk auf das Klaviertrio gelegt. Das Klaviertrio ist eine im Jazz sehr typische Konstellation, in der das Klavier von einem Kontrabass und einem Schlagzeug begleitet wird. Auffallend sind natürlich vor allem die fehlenden Bläser oder Sänger. Im herkömmlichen Jazz gehörten diese drei Instrumente allesamt zur sogenannten Rhythm Section, das heisst, zur die Hauptstimme begleitenden Gruppe.
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Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
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The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
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Jan Garbarek Sart Mp3, Flac, Wma
Jan Garbarek Sart mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sart Country: Germany Style: Free Jazz, Contemporary Jazz MP3 version RAR size: 1972 mb FLAC version RAR size: 1343 mb WMA version RAR size: 1695 mb Rating: 4.1 Votes: 106 Other Formats: VQF AIFF AA DMF ASF AAC MP4 Tracklist Hide Credits Sart 1 14:45 Written-By – Jan Garbarek Fountain Of Tears - Part I And II 2 6:03 Written-By – Jan Garbarek Song Of Space 3 9:39 Written-By – Jan Garbarek Close Enough For Jazz 4 1:59 Written-By – Arild Andersen Irr 5 7:15 Written-By – Jan Garbarek Lontano 6 2:12 Written-By – Terje Rypdal Companies, etc. Recorded At – Arne Bendiksen Studio Made By – EDC, Germany – 50969990 Credits Design [Cover Design] – B. & B. Wojirsch* Double Bass – Arild Andersen Engineer – Jan Erik Kongshaug Guitar – Terje Rypdal Percussion – Jon Christensen Photography By [Back Cover] – Björn A. Fossum Piano, Electric Piano – Bobo Stenson Producer – Manfred Eicher Tenor Saxophone, Saxophone [Bass], Flute – Jan Garbarek Notes This album was recorded on April 14 and 15, 1971, at the Arne Bendiksen Studio, Oslo. "ECM" typed in blue letters on disk Barcode and Other Identifiers Barcode: 0 42283 93052 0 Matrix / Runout (Variant 1): 00422 839 305-2 03 * 50969990 Matrix / Runout (Variant 2): 00422 839 305-2 02 * 50969990 Mastering SID Code: IFPO LV26 Other (Mould Text On Outer Ring): (As Logo): UNIVERSAL Other (Mould Text On Inner Ring): MADE IN GERMANY BY EDC Rights Society: GEMA SPARS Code: AAD Label Code: LC 2516 Other versions Category Artist Title (Format)
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BOBO STENSON TRIO [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV
2010-2011 architectuur theater dans muziek 2010-2011 blauwe zaal grote podia deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur BOBO STENSON TRIO www.desingel.be [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV. KOEN KESSELS WO 10 NOV 2010 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2010-2011 JAZZ @ NEW MUSIC FOLLOW THE SOUND 2010 MATT DARRIAU’S PARADOX TRIO BOURNE-KANE-DAVIS & GUESTS WO 13 OKT 2010 COURTOIS-DEFOORT-WIERBOS ERNST GLERUM ‘EX MACHINA’ DÖRNER-SCHRÖDER-THOMAS-STEIDLE DO 14 OKT 2010 JACQUES COURSIL QUARTET SIDSEL ENDRESEN & HAKON KOMSTAD HUNTSVILLE & XAVIER CHARLES VR 15 OKT 2010 TONY OXLEY B3B MEETS GUY-GUSTAFSSON-STRID GERRY HEMINGWAY ZA 16 OKT 2010 BOBO STENSON TRIO & HERMES ENSEMBLE OLV. KOEN KESSELS WO 10 NOV 2010 DAVID LIEBMAN GROUP VR 3 DEC 2010 VIJAY IYER & HERMES ENSEMBLE & E-XXI OLV. STEVEN VERHAERT WO 16 FEB 2011 inleiding Kevin Voets / 19.15 uur / blauwe foyer begin 20.00 uur pauze omstreeks 20.40 uur einde omstreeks 21.50 uur teksten programmaboekje Kevin Voets coördinatie programmaboekje deSingel & Diederik Verstraete BOBO STENSON TRIO BOBO STENSON piano ANDERS JORMIN contrabas JON FÄLT drums HERMES ENSEMBLE KOEN KESSELS muzikale leiding ANDERS JORMIN (°1957) Scores of Winterlight (2007, herwerkt in 2010) Winter Solstice Frozen Branches Bombycilla Garrulus Melting Snow pauze BOBO STENSON TRIO Jazz Set onder meer composities van Silvio Rodrigues, Carl Nielsen, Omette Coleman en Anders Jorin gelieve uw GSM uit te schakelen HANS ABRAHAMSEN (°1952) Schnee (2006) Canon 1a De inleidingen kan u achteraf beluisteren via www.desingel.be Canon 1b Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze.
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Nyckeln Till Den Positiva Spiralen En Studie Av Musikers Syn På Sitt Övande
EXAMENSARBETE Hösterminen 2007 Lärarutbildningen i musik Johannes Nästesjö Nyckeln till den positiva Spiralen En studie av musikers syn på sitt övande Handledare: Eva Sæther The key to the positive spiral A study of musicians views of their practicing Abstract The purpose with this paper is to make clear how continuous practicing on one element affects not just the specific part but also other things. Is it possible to find a positive spiral where everything can be better if you focus your practicing on one thing? Can this element if it is done daily in a qualitative way transform to a key which will help you to unlock the door to the positive spiral? Are there more keys to find? I am going to reflect my ideas in this paper through a philosophical, psychological and the brain sciences perspective. Quality in action is going to be compared with the quality that you need to set a successful goal, and to reach the state of mind called flow you will need both these qualities. Six informants who are all musicians but from partially different culturally backgrounds and guarantied different musically backgrounds are interviewed. All the informants agreed that ideas develop from consistent practicing. Consistent practicing, concentration and purposefulness are some of the keys with which the informants find the positive spiral. It requires a balance in practicing between fixed goals that are both short-termed and long-termed. To achieve maximum qualitative effect it also requires openness in your concentration while you are practicing. This openness can lead you to spontaneous “ecological discovery’s” in the moment.
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CHARLES LLOYD Biography
CHARLES LLOYD Biography “Charles Lloyd is an international treasure.” Carlos Santana “Follow the career of Charles Lloyd, and you see a map of great jazz across half a century. His shows, full of momentum and intuition, perfectly represent the idea that the best jazz needs to be experienced live.” The New York Times “He's expansive in his musical discourse yet without a wasted note.” Wall Street Journal “Jazz improvisation as complex and far-reaching as the Lloyd quartet had to offer can be a daunting listening experience. … The listener is taken on a journey through gravity-less improvisational space. To the credit of Lloyd and his players, that journey was illuminated by one musical enlightenment after another.” Los Angeles Times "Lloyd is one of the greats, rather like Joan Miro in modern art, he has no peer save himself. Music of total transport and delight." Jazzwise Recent honors: 2012 Brass Note on Beale Street 2013 Montreal International Jazz Festival Miles Davis Award 2014 Laureate Alfa Jazz International Music Award 2014 Monterey Jazz Festival Jazz Legend Award 2015 NEA Jazz Master Fellow 2015 Honorary Doctorate Berklee School of Music 2016 Lobero Ghostlight Society Artist Luminary Award 2016 JJA Tenor Saxophonist of the year 2016 Bohemia Jazz Award (Czechoslovakia) 2016 Memphis Music Hall of Fame 2016 Downbeat Critics Poll Group of the Year “Charles Lloyd New Quartet” 2017 Lifetime Achievement Award, Jazz Gallery 2017 JJA Tenor Saxophonist of the year 2017 JJA Medium Group, Charles Lloyd & the Marvels 2017 San Sebastian Jazz Festival Lifetime Achievement Award The critical consensus is that Charles Lloyd has never sounded better.
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Bobo Stenson W/Anders Jormin and Paul Motian Goodbye
ECM Bobo Stenson w/Anders Jormin and Paul Motian Goodbye Bobo Stenson: piano; Anders Jormin: double-bass; Paul Motian: drums ECM 1904 CD 6024 982 5173 (7) Release: September 6th, 2005 A new album by the Bobo Stenson Trio is always an event. There can be few contemporary jazz piano trios that draw upon such wide-ranging repertoire. “Goodbye” continues its tradition of adventurous programming, with music extending from an arrangement of Henry Purcell’s ”Music For A While”, written more than 300 years ago, to Ornette Coleman’s “Race Face”, via Stephen Sondheim’s “Send In The Clowns”. “There Comes A Time” (written by Tony Williams for the Lifetime band), “Song About Earth” by Russian actor and protest singer Vladimir Vyotsky, “Alfonsina” by Argentine composer Ariel Ramírez, and the Gordon Jenkins-penned standard “Goodbye” (once Benny Goodman’s sign-off tune, and hugely popular in the Sinatra/Nelson Riddle version), round out an inspiring programme. Bobo Stenson contributes new material, as does bassist Anders Jormin; the two of them have shared ‘musical director’ roles from the beginning of the group’s history. And there are two Paul Motian tunes, “Sudan” and “Jack of Clubs”, the latter an old favourite from the early 1980s. Paul Motian’s presence is also cause for celebration. “Goodbye” is the first recorded evidence of a musical association that has been gathering momentum over the last five years. Bobo Stenson had long admired Motian’s drumming – as would any pianist who had come of age listening to the Bill Evans Trio – and the Swedish pianist and the American drummer had met and talked on several occasions over the decades, but they had never collaborated until 2000.
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Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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25 CITIES Where Jazz THRIVES
>> Profiles of 25 CITIES Where Jazz THRIVES FEBRUARY 2019 DOWNBEAT 43 Jon Batiste performs at the 2017 New Orleans Jazz & Heritage Festival. (Photo: Erika Goldring) Houston native James Francies, seen here at the 2016 Winter Jazzfest in New York City, is signed to the label Blue Note, which released his debut, Flight, on Oct. 18. STEVEN SUSSMAN NYC: STILL THE CAPITAL During the past century, three cities— Cotton Club; the legendary Carnegie Hall con- Coltrane runs the ShapeShifter Lab in Brooklyn, New Orleans, Chicago and New York— certs of Benny Goodman and Duke Ellington; said that living in the metropolis created open- played leading roles in the development Bird, Dizzy and Miles on 52nd Street in the ings for him that he just wouldn’t have had else- of jazz. In the 21st century, however, 1940s and 1950s; the legendary live recordings of where. “When I was younger, I would play any- New York reigns as the world’s undis- Thelonious Monk at the Five Spot. time, anyplace, whoever called. Each of those puted jazz capital, an essential place for The 52nd Street jazz scene is just a memory things, in almost every case, led to something jazz musicians to make their bones. As now, but today’s New York still boasts the leg- else; that led to something else; that led to the singer and Chicago native Kurt Elling endary Village Vanguard and a dozen other thing on the big stage that paid lots of money. recently told DownBeat, “If you’re a jazz clubs in Greenwich Village, including The Blue And they tend to emanate from these little musician, you
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Downbeat.Com June 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com June 2010 2010 June DownBeat ChiCk Corea // Bill Evans // wallaCe Roney // Bobby Broom // 33rd Annual StuDent Music AwarDs June 2010 June 2010 Volume 77 – Number 6 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, Ted
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