Greek God of Order
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Goddess Nike Article
MUSEUM FRIDAY FEATURE The Goddess Nike by Benton Kidd, Curator of Ancient Art nown as Nike to the Greeks (Latin: Victoria), the winged goddess of victory is familiar to many today, but she was far more than anotherK gratuitous, divine beauty. On the contrary, Nike played an integral role in ancient Greek culture, one which prided itself on the spirit of competition. While winning glory and fame is a persistent theme in Greek literature, actual contests of athletics, theater, poetry, art, music, military achievement—and even beauty— fueled the drive in ancient Greeks to achieve and win. One hymn lauds Nike as the one who confers the “mark of sweet renown,” concluding with “…you rule all things, divine goddess.” The widespread veneration of such a goddess is thus not unexpected, but she was not included among the august Olympians. In fact, her origins are likely to be earlier. In our previous discussion of the god Eros, we had occasion to mention Hesiod’s account of creation, known as the Theogony, or the “genesis of the gods.” Perhaps written about 700 BCE, this grand saga in poetry sweeps the reader back to an ancient era in which the Olympian gods engage in an epic battle with the Titans, a truculent race of primeval gods. Hesiod tells us that the battle raged for ten long years, and that the Olympian victory resulted in absolute supremacy over the universe. The Titans were imprisoned in Tartarus, a horrifying black abyss in the Underworld, reserved for punishing the vilest sinners. Some Titans, however, escaped this terrible fate. -
7Th Grade Lesson Plan: It's Greek to Me: Greek Mythology
7th grade Lesson Plan: It’s Greek to me: Greek Mythology Overview This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the edu- cator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. This particular lesson plan is primarily effective in a classroom setting. Assessment strategies and rubrics are included. The lessons were developed by Lisa Van Gemert, M.Ed.T., the Mensa Foundation’s Gifted Children Specialist. Introduction Greek mythology is not only interesting, but it is also the foundation of allusion and character genesis in literature. In this lesson plan, students will gain an understanding of Greek mythology and the Olympian gods and goddesses. Learning Objectives Materials After completing the lessons in this unit, students l D’Aulaires’ Book of Greek Myths by Ingri and will be able to: Edgar Parin D’Aulaire l Understand the Greek view of creation. l The Gods and Goddesses of Olympus by Aliki l Understand the terms Chaos, Gaia, Uranus, Cro- l The Mighty 12: Superheroes of Greek Myths by nus, Zeus, Rhea, Hyperboreans, Ethiopia, Mediter- Charles Smith ranean, and Elysian Fields. l Greek Myths and Legends by Cheryl Evans l Describe the Greek view of the world’s geogra- l Mythology by Edith Hamilton (which served as a phy. source for this lesson plan) l Identify the names and key features of the l A paper plate for each student Olympian gods/goddesses. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
4. Older Olympians.Key
The Older Olympians LVV4U1 - GRADE 12 CLASSICAL CIVILIZATION - MR. A. WITTMANN UNIT 2 – LECTURE 4 1 6 children of Kronos and Rhea are the first Olympians… Zeus, Hera, Poseidon, Demeter, Hestia, Hades Aphrodite born of his severed genitals of Uranus 2 God Competence God Competence 1. Zeus Storms 6. Apollo Wisdom 2. Hera Family 7. Artemis Hunt 3. Hestia Hearth 8. Hephaestus Forge 4. Demeter Harvest 9. Athena Knowledge Hades Underworld 10. Ares War 5. Poseidon Sea 11. Hermes Trade 12. Aphrodite Sex 3 Zeus, Lord of the Sky Evolved from Indo-European sky god Dyeus pater (Sky Father) Dyaus pitar (Indian) Dyeus (Iranian) Ju-pitar or Jove (Roman) Tues (Germanic) Sky, high places, thunder/lighting, Bull, eagle, oak, aegis (goat skin) epithets: Nephelegereta (cloud gatherer), Kataibates (descending) 4 5 Zeus, King of Gods & Men Father of all Xenia (guest/host, friendship/ hospitality) Justice, tradition, custom not modern justice heiros gamos sacred marriage with Hera… 1. Uranus + Gaea 2. Kronos + Rhea 3. Zeus + Hera 6 7 Zeus, King of Gods & Men Infidelity with goddess allegorizes the Indo- European male sky god’s triumph over local indigenous female earth goddesses Also illustrates how he organized the natural universe & est. human customs & traditions Metis (cleverness) = Athena (strength and judgment) Themis (established law) = Horae (seasons) Moerae (fates) Eurynomê (Custom) = Eirenê (Peace), Dikê (justice), 3 Graces 8 Zeus, King of Gods & Men Infidelity with mortals explains the origins of heroes & kings Legitimizes local kings and rulering families -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Choral Incorporation in the Homeric Hymn to Apollo
Amy Hendricks CAMWS 116 Redux [email protected] May 29, 2020 Leading from Within: Choral Incorporation in the Homeric Hymn to Apollo 1. HhA 1–13 µνήσοµαι οὐδὲ λάθωµαι Ἀπόλλωνος ἑκάτοιο, I will remember and not forget Apollo the far-shooter, ὅντε θεοὶ κατὰ δῶµα Διὸς τροµέουσιν ἰόντα: At whose arrival the gods in the house of Zeus tremble: καί ῥά τ᾽ ἀναΐσσουσιν ἐπὶ σχεδὸν ἐρχοµένοιο And they dart up at his approach, πάντες ἀφ᾽ ἑδράων, ὅτε φαίδιµα τόξα τιταίνει. Everyone up from their seats, when he stretches his shining bow. Λητὼ δ᾽ οἴη µίµνε παραὶ Διὶ τερπικεραύνῳ, But Leto alone remains alongside Zeus, who delights in the ἥ ῥα βιόν τ᾽ ἐχάλασσε καὶ ἐκλήισσε φαρέτρην, thunderbolt; καί οἱ ἀπ᾽ ἰφθίµων ὤµων χείρεσσιν ἑλοῦσα For she unstrings the bow and puts away the quiver, τόξα κατεκρέµασε πρὸς κίονα πατρὸς ἑοῖο And taking the bow from his strong shoulders with her hands πασσάλου ἐκ χρυσέου: τὸν δ᾽ ἐς θρόνον εἷσεν She hangs it on a pillar in the house of his father, ἄγουσα. From a golden peg: and leading him she sets him at his seat. τῷ δ᾽ ἄρα νέκταρ ἔδωκε πατὴρ δέπαϊ χρυσείῳ And his father gives him nectar in a golden cup, δεικνύµενος φίλον υἱόν: ἔπειτα δὲ δαίµονες ἄλλοι Setting it before his son: and then the other gods ἔνθα καθίζουσιν: χαίρει δέ τε πότνια Λητώ, Sit there; and queenly Leto rejoices οὕνεκα τοξοφόρον καὶ καρτερὸν υἱὸν ἔτικτε. That she bore a strong, bow-bearing son. 2. HhA 45–49 τόσσον ἔπ᾽ ὠδίνουσα Ἑκηβόλον ἵκετο Λητώ, So many places did Leto approach while in labor with the εἴ τίς οἱ γαιέων υἱεῖ θέλοι οἰκία θέσθαι. -
Read Book ^ Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate
[PDF] Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys,... Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron Book Review A superior quality pdf along with the font used was intriguing to read through. It can be rally exciting throgh reading through time period. You may like how the blogger create this book. (Dr. Rylee Berg e) TITA NS: ATLA S, TITA N, RHEA , HELIOS, EOS, PROMETHEUS, HECATE, OCEA NUS, METIS, MNEMOSYNE, TITA NOMA CHY, SELENE, THEMIS, TETHYS, THEIA , IA PETUS, COEUS, CRIUS, A STERIA , EPIMETHEUS, HYPERION, A STRA EUS, CRON - To download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF, you should access the web link under and save the ebook or have accessibility to other information which are have conjunction with Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron book. » Download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF « Our solutions was introduced with a want to serve as a total on the internet electronic digital catalogue that provides use of multitude of PDF file book assortment. You could find many kinds of e-publication and also other literatures from your paperwork database. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Durham Research Online
Durham Research Online Deposited in DRO: 11 April 2016 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Miles, Sarah (2011) 'Gods and heroes in comic space : a stretch of the imagination?', Dionysus ex machina., 2 . pp. 109-133. Further information on publisher's website: http://www.dionysusexmachina.it/?cmd=articoloid=42 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Sarah Miles Gods and heroes in comic space. A stretch of the imagination? Abstract The article explores the stage movement of gods, heroes and mythical figures in Aristophanic stage space. All four of the Aristophanic comedies that contain these characters ( Peace , Birds , Frogs and Wealth ) are found to adhere to the same patterns of stage movement whereby the comic protagonist must be the first to initiate contact with a divine, heroic or mythical character and will do so by undertaking a journey away from the city to find that character. -
Your God for the Job!
Your God for the Job! http://www.readwritethink.org/classroom-resources/student-interactives/trading-card-creator-30056.html Description What does your god look like; what powers do they have? Creation Please write the story of the creation of your god or goddess here. Interaction with other deities or people In this section you should include one story in your own words about your god/goddess References Work Cited information goes here. Please use at least 3 sources. MLA formatting required. Reflection: 1. What was your favorite fact about your god or goddess? 2. What is one thing you learned about the research process? 3. Did you spend your time well on this project? Why or why not? 4. Is there anything you would change about this project? Objectives: Choose a god or goddess- 5 points Research the information for his/her trading card at least 3 sources- 15 points Type the information into the trading card reader -15 points Reflect about project- 15 points Blabberize -25 points (sample: http://blabberize.com/view/id/1059565) o Write a script in first person for your god. Including the following information. What are your gifts and associations? . How were you created? . What is one story in which you are involved? o Find a picture of your god. o Go to blabberize.com o Upload the picture, place the “mouth”, and record your script. (you will have to create chapters) o Email the link to Ms. McMurtry at [email protected]. With your name, section, and the name of your god. Greek name Roman name Functions and attributes King of the gods and ruler of Mount Olympus; god of the sky, and thunder. -
Traces of Greco-Roman Mythology in Classical Turkish Literature: the Thread of Life / B
532 / RumeliDE Journal of Language and Literature Studies 2020.19 (June) Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life / B. Alpaydın (pp. 528-540) Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life Bilal ALPAYDIN1 APA: Alpaydın, B. (2020). Traces of Greco-Roman mythology in classical Turkish literature: The Thread of Life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (19), 528-540. DOI: 10.29000/rumelide.752507. Abstract It is wholly acknowledged that prior to the Turks’ conquest of Anatolia, this land was inhabited by diverse cultures and civilizations. Following its conquest, however, large segments of the various populations living in Anatolia continued to reside in their native homelands, indicating that the Turks lived together with these indigenous cultures for centuries. Greeks and Romans made up only one aspect of these various cultures. Although nowhere near as pervasive as their Persian and Arab counterparts, the cultures and mythologies of both the Greeks and Romans are discernible in Turkish culture, which is only natural after having shared the same homeland for many years in Anatolia and Europe. One such example is the occasional likening of a beloved’s hair to snakes in classical Turkish literature, reminiscent of Medusa’s own snake-like hair in Greek mythology. Indeed, the poems written in Greek by Mawlānā Jalāl al-Dīn Rūmī and Ahmed Pasha demonstrate that Turkish poets were not complete strangers to Western sources. After providing information about the three Moirai sisters known as the goddesses of fate in Greek and Roman mythology, this article will move on to address how they indirectly appear in classical Turkish literature.