Byron's Correspondence
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GEORGE GORDON, LORD BYRON: a Literary-Biographical-Critical
1 GEORGE GORDON, LORD BYRON: A literary-biographical-critical database 2: by year CODE: From National Library in Taiwan UDD: unpublished doctoral dissertation Books and Articles Referring to Byron, by year 1813-1824: Anon. A Sermon on the Death of Byron, by a Layman —— Lines on the departure of a great poet from this country, 1816 —— An Address to the Rt. Hon. Lord Byron, with an opinion on some of his writings, 1817 —— The radical triumvirate, or, infidel Paine, Lord Byron, and Surgeon Lawrenge … A Letter to John Bull, from a Oxonian resident in London, 1820 —— A letter to the Rt. Hon. Lord Byron, protesting against the immolation of Gray, Cowper and Campbell, at the shrine of Pope, The Pamphleteer Vol 8, 1821 —— Lord Byron’s Plagiarisms, Gentleman’s Magazine, April 1821; Lord Byron Defended from a Charge of Plagiarism, ibid —— Plagiarisms of Lord Byron Detected, Monthly Magazine, August 1821, September 1821 —— A letter of expostulation to Lord Byron, on his present pursuits; with animadversions on his writings and absence from his country in the hour of danger, 1822 —— Uriel, a poetical address to Lord Byron, written on the continent, 1822 —— Lord Byron’s Residence in Greece, Westminster Review July 1824 —— Full Particulars of the much lamented Death of Lord Byron, with a Sketch of his Life, Character and Manners, London 1824 —— Robert Burns and Lord Byron, London Magazine X, August 1824 —— A sermon on the death of Lord Byron, by a Layman, 1824 Barker, Miss. Lines addressed to a noble lord; – his Lordship will know why, – by one of the small fry of the Lakes 1815 Belloc, Louise Swanton. -
Predator Or Prey? Truth and Fiction About the Women in Lord Byron’S Life and Work, with Particular Reference to Don Juan
Corso di Laurea magistrale in Lingue e Letterature Europee, Americane e Postcoloniali Tesi di Laurea Predator or Prey? Truth and Fiction about the Women in Lord Byron’s Life and Work, with particular reference to Don Juan Relatore Co-relatore Prof. Enrico Palandri Prof. Gregory Dowling Laureanda Caterina Pan Matricola 818923 Anno Accademico 2011 / 2012 To my family Contents Introduction 9 1. The Discovery of Europe through the Grand Tour 12 2. English women 18 2.1. Lady Blessington’s Conversations of Lord Byron 18 2.2. Annabella Milbanke 22 2.3. Catherine Gordon Byron and Augusta Leigh 29 2.4. Aristocratic ladies – Lady Oxford, Lady Melbourne and Caroline Lamb 38 2.5. Claire Clairmont and the Shelleys 46 3. Libertinism in the eighteenth century 52 3.1. Marriage and Libertinism between England, Italy and Europe 52 3.2. The case of Byron 57 4. Italian women 61 4.1. Venice 61 4.2. Comparing Italian and English women 64 4.3. Marianna Segati 69 4.4. Margherita Cogni – La Fornarina 73 4.5. Teresa Gamba, Countess Guiccioli 77 5. Byron’s life and women in Don Juan – the ‘truth in masquerade’ 84 5.1. A comedy, mock-heroic epic and moral autobiographic poem 84 5.2. Venice – Muse and Mask 88 5.3. Truth and Fiction 93 5.4. A “new” Don Juan 97 5.5. Literary tradition VS autobiography – The journey of narrator and protagonist 101 5.6. Literary tradition VS autobiography – The “weaker” sex 106 5.7. Byron’s translation of the women around him in Don Juan 111 5.8. -
Mary Shelley
Mary Shelley Early Life Mary Wollstonecraft Godwin Shelley was born on August 30, 1797, the daughter of two prominent radical thinkers of the Enlightenment. Her mother was the feminist Mary Wollstonecraft, author of A Vindication of the Rights of Woman, and her father was the political philosopher William Godwin, best known for An Inquiry Concerning Political Justice. Unfortunately, Wollstonecraft died just ten days after her daughter’s birth. Mary was raised by her father and stepmother Mary Jane Clairmont. When she was 16 years old, Mary fell in love with the Romantic poet Percy Bysshe Shelley, who visited her father’s house frequently. They eloped to France, as Shelley was already married. They eventually married after two years when Shelley’s wife Harriet committed suicide. The Writing of Frankenstein In the summer of 1816, the Shelleys rented a villa close to that of Lord Byron in Switzerland. The weather was bad (Mary Shelley described it as “wet, ungenial” in her 1831 introduction to Frankenstein), due to a 1815 eruption of a volcano in Indonesia that disrupted weather patterns around the world. Stuck inside much of the time, the company, including Byron, the Shelleys, Mary’s stepsister Claire Clairmont, and Byron’s personal physician John Polidori, entertained themselves with reading stories from Fantasmagoriana, a collection of German ghost stories. Inspired by the stories, the group challenged themselves to write their own ghost stories. The only two to complete their stories were Polidori, who published The Vampyre in 1819, and Mary Shelley, whose Frankenstein went on to become one of the most popular Gothic tales of all time. -
08 North Italy 1816
1 BYRON’S CORRESPONDENCE AND JOURNALS 08: FROM NORTH ITALY, NOVEMBER 1816 Edited by Peter Cochran Work in progress, with frequent updates [indicated]. Letters not in the seventeen main files may be found in those containing the correspondences Byron / Annbella, Byron / Murray, Byron / Hobhouse, Byron / Moore, Byron / Scott, Byron / Kinnaird, Byron / The Shelleys , or Byron / Hoppner . UPDATED November 2010. Abbreviations B.: Byron; Mo: Moore; H.: Hobhouse; K.: Kinnaird; Mu.: Murray; Sh.: Shelley 1922: Lord Byron’s Correspondence Chiefly with Lady Melbourne, Mr Hobhouse, The Hon. Douglas Kinnaird, and P.B.Shelley (2 vols., John Murray 1922). BB: Byron’s Bulldog: The Letters of John Cam Hobhouse to Lord Byron, ed. Peter W.Graham (Columbus Ohio 1984) BLJ: Byron, George Gordon, Lord. Byron’s Letters and Journals . Ed. Leslie A. Marchand, 13 vols. London: John Murray 1973–94. Burnett: T.A.J. Burnett, The Rise and Fall of a Regency Dandy , John Murray, 1981. CSS: The Life and Correspondence of the Late Robert Southey , ed. C.C.Southey, Longman, Brown, Green and Longmans, 6 vols 1849-1850. J.W.W.: Selections from the letters of Robert Southey , Ed. John Wood Warter, 4 vols, Longman, Brown, Green, and Longmans, 1856. LJ: The Works of Lord Byron, Letters and Journals . Ed. R. E. Prothero, 6 vols. London: John Murray, 1899-1904. LJM: The Letters of John Murray to Lord Byron . Ed. Andrew Nicholson, Liverpool University Press, 2007. NLS: National Library of Scotland. Q: Byron: A Self-Portrait; Letters and Diaries 1798 to 1824 . Ed. Peter Quennell, 2 vols, John Murray, 1950. Ramos: The letters of Robert Southey to John May, 1797 to 1838. -
The True Author of Frankenstein
Acad. Quest. DOI 10.1007/s12129-018-9731-3 UNORTHODOX IDEAS The True Author of Frankenstein John Lauritsen # Springer Science+Business Media, LLC, part of Springer Nature 2018 This year is the bicentennial of Frankenstein, the seminal novel of English Romanticism; it was published anonymously on January 1, 1818. Here I'll describe how I, as an independent scholar, disrupted a cherished feministnarrative.Imade the case that the true author is Percy Bysshe Shelley, not his second wife, Mary. My book, The Man Who Wrote Frankenstein (Pagan Press, 2007), was not the first to reject Mary Shelley's authorship. Before me there was Phyllis Zimmerman (Shelley's Fiction, 1998) and long before both of us there were Sir Walter Scott (1818) and an anonymous reviewer of Valperga (1824), an historical novel by Mary Shelley. At Harvard I studied English literature and then switched to Social Relations, a radically interdisciplinary department comprising psychology, anthropology, and sociology. After graduation in 1963 I worked as a market research executive, while engaged in political activism (antiwar and gay rights movements) and writing on the side. After retirement I returned to my first love, English literature. It was almost by chance that I came to concentrate on Percy Bysshe Shelley (henceforth, Shelley). One afternoon I was in the New York 42nd Street Public Library, comparing translations of Plato's Symposium. A catalogue card indicated that a translation by Shelley was in the rare books collection. There I read the book, which in 1931 published Shelley’s translation for the first time. John Lauritsen is a retired market research analyst, now a full-time writer and publisher, who lives in Dorchester, Mass. -
Lady Caroline Lamb and Her Circle
APPENDIX Lady Caroline Lamb and her Circle Who’s Who Bessborough, Lord (3rd Earl). Frederick Ponsonby. Father of Lady Caroline Lamb. Held title of Lord Duncannon until his father, the 2nd Earl, died in 1793. Bessborough, Lady (Countess). Henrietta Frances Spencer Ponsonby. Mother of Lady Caroline and her three brothers, John, Frederick, and William. With her lover, Granville Leveson-Gower, she also had two other children. Bruce, Michael. Acquaintance of Byron’s who had an affair with Lady Caroline after meeting her in Paris in 1816. Bulwer-Lytton, Edward. Novelist and poet, he developed a youthful crush on Lady Caroline and almost became her lover late in her life. Byron, Lord (6th Baron). George Gordon. Poet and political activist, he had many love affairs, including one with Lady Caroline Lamb in 1812, and died helping the Greek revolutionary movement. Byron, Lady. Anne Isabella (“Annabella”) Milbanke. Wife of Lord Byron and cousin of Lady Caroline’s husband, William Lamb. Canis. (see 5th Duke of Devonshire) Cavendish, Georgiana. (Little G, or G) Lady Caroline Lamb’s cousin, the elder daughter of Georgiana, Duchess of Devonshire. Later Lady Morpeth. 294 Lady Caroline Lamb Cavendish, Harriet Elizabeth. (Harryo) Lady Caroline Lamb’s cousin, the younger daughter of Georgiana, Duchess of Devonshire. Later Lady Granville. Churchill, Susan Spencer. Illegitimate daughter of Harriet Caroline Spencer, a relative of Lady Caroline’s, who became the ward of William and Lady Caroline Lamb. Colburn, Henry. Publisher of Lady Caroline’s most famous novel, Glenarvon (1816). Colburn ran a very active business that published a great quantity of British women’s fiction of the early nineteenth century. -
Some Documents Relating to Lord Byron's Finances During 1812-18
1 Some documents relating to Lord Byron’s Finances during 1812-18 1: Byron’s Bank Account with Hoare and Company, 37 Fleet Street 2: Financial material in the John Murray Archive relative to the account with Hoare’s 3: Byron’s account with Hammersley’s Bank, Pall Mall 1: Byron’s Bank Account with Hoare and Company, 37 Fleet Street This is as full an edition of Byron’s first-line bank account during his Years of Fame (1812 - 1816) as I have been able to construct. He had another account with Hammersley’s, for which see below. I think I have been able to identify most of the people and organisations named on the left-hand, debit side of the ledgers. If anyone disagrees with any of my attributions, or has a different interpretation, I should like to hear from them. Hoares date the foundation of their bank from July 5th 1672, when Richard Hoare was granted the Freedom of the Goldsmiths’ Company. In 1673 he took over the goldsmith’s business of his deceased master, and moved it in 1690 to 37 Fleet Street at the Sign of the Golden Bottle, where the bank’s premises have been ever since. All partners in the Bank have been his direct descendants. Hoare was knighted by Queen Anne, and was Lord Mayor of London in 1712. The Bank skilfully avoided disaster when the South Sea Bubble burst in 1721, and Sir Richard’s younger son, also named Richard, was knighted as a reward for his peacekeeping services during the Jacobite uprising of 1745. -
A Science Fiction in a Gothic Scaffold: a Reading of Mary Shelley's
A Science Fiction in a Gothic Scaffold: a Reading of Mary Shelley’s Frankenstein Zinia Mitra Nakshalbari College, Darjeeling, India Abstract Frankenstein or The Modern Prometheus is a unique blend of two genres: Gothic and science fiction. While it follows the gothic convention of tale within tales, its epistolary framework and keeps intact its unrestrained lengthy articulations, it explores at the same time the innovative marvels of modern science. The fire that Prometheus stole form Zeus to help mankind is ingeniously replaced in the novel by the spark of electricity. The novel also puts to question some traditional social assumptions. [Keywords: Frankenstein, Mary Shelley, Gothic, monster] While Epic of Gilgamesh is considered to be the primal text of science fiction many consider Frankenstein to be the first science fiction in English (1818). Frankenstein is a science fiction. It is also a gothic novel. The anecdote of the cold and wet summer of Geneva is well known, where simply to assuage the monotony, Lord Byron had proposed that each present should write a ghost story. Amongst those present were Mary and Percy Shelley, Claire Clairmont (Mary's stepsister) and Lord Byron along with his physician friend, Joseph Pollidori. All had undertaken the task but were soon wearied of it. Mary was the only person to have written a complete novel. In her preface to 1831 edition Mary speaks of an awful dream that led to the conception of Frankenstein: When I place[d] my head on my pillow, I did not sleep, nor could I be said to think. My imagination, unbidden, possessed and guided me, gifting the successive images that arose in my mind with a vividness far beyond the usual bounds of reverie. -
Mary Wollstonecraft Godwin Shelley and Frankenstein : a Chronology
Mary Wollstonecraft Godwin Shelley and Frankenstein : A Chronology PETER DALE SCOTT 1797 August 30. Mary born to William and his wife, Mary Wollstonecraft Godwin, who dies from postpartum hemorrhage September 10. 1801 December 21. William Godwin remarries a widow, Mary Jane Clairmont, who brings to the Godwin family her children Charles, aged seven, and Jane (later known as Claire), aged four. 1812 November 11. Mary's first meeting with Percy Bysshe Shelley. Mary resides with Baxter family in Dundee, 1812-14. 1814 May 5. Renewed contact in London with Percy Bysshe Shelley. July 28. Percy Shelley elopes with Mary and Claire Clairmont from the Godwin household to France and Switzerland. August 27. Two days after renting a house for six months at Brun- nen, Lake of Lucerne, the Shelley ménage abruptly depart for England. September 13. Return to London. Percy beleaguered by creditors and bailiffs. November 30. Harriet, Percy's wife, gives birth to her second child, Charles. 1815 January. Erotic correspondence and involvement between Mary and T. J. Hogg. xvii A Chronology February 22. Mary gives birth to premature female child, which dies March 6. March 19. (Mary's Journal) "Dream that my little baby came to life again; that it had only been cold, and that we rubbed it before the fire, and it lived." August. Mary and Percy, without Claire, settle at Bishopsgate, Windsor. 1816 January 24. A son William is born to Mary and Percy. May 3. Percy and Mary, with Claire, leave for Switzerland, arriving ten days later at Geneva, where they meet up with Byron and Polidori. -
Manfred Lord Byron Modernised Version Edited by Peter Cochran
1 Manfred Lord Byron Modernised version edited by Peter Cochran Finden’s engravings: Manfred and the Witch of the Alps. In European terms, Manfred was the most celebrated and influential of all Byron’s works. It was translated into German, for instance, eighteen times during the nineteenth century – once by Wagner’s uncle. Byron had little idea, at first, what he had written, until his anger at the way Murray and Gifford interfered with his text forced him to realise how proprietorial he felt about it. Often ignored is the fact that Manfred is Byron’s first full dramatic piece, done when memories of Drury Lane and its capacity for spectacular scenery would have been fresh in his mind. I have no evidence for my theory that Manfred is a role written for Edmund Kean. The presence of the short, dark, but mesmeric Kean behind such verse figures as Conrad in The Corsair has often been noted: here at last, in Manfred, was a role he might play. Some mystery surrounds the play’s writing. Its draft manuscript is – unusually for Byron – undated, and Hobhouse, who may be supposed to have been with Byron for much of the time of its composition, appears never to register that it is in progress.1 If I am right, and the notes to Thomas Taylor’s translation of Pausanias are a major influence on the way Byron creates its demon-hierarchy,2 then he is already thinking about it between May 1st (when he is at Brussels) and June 23rd 1816 (when he is at Evian) for he asks Hobhouse for Taylor’s book on those dates;3 and as Hobhouse arrives at Diodati on August 26th (with Taylor’s Pausanias, we must assume: he promises on July 9th to bring it)4 it’s unlikely that anything 1: See Cochran, “Nobody has seen it” – Byron’s First Letter Announcing Manfred, Byron Journal, 1996, pp.68- 76. -
Scholar Adventurers Also by Richard D
ichard THE SCHOLAR ADVENTURERS ALSO BY RICHARD D. ALTICK Preface to Critical Reading The Cowden Clarkes The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 The Art of Literary Research Lives and Letters: A History of Literary Biography in England and America Browning's Roman Murder Story: A Reading of The Ring and the Book (with James F. Loucks II) To Be in England Victorian Studies in Scarlet Victorian People and Ideas The Shows of London Paintings from Books: Art and Literature in Britain, 1760-1900 Deadly Encounters: Two Victorian Sensations EDITIONS Thomas Carlyle: Past and Present Robert Browning: The Ring and the Book THE Scholar Adventurers RICHARD D. ALTICK Ohio State University Press, Columbus Copyright ©1950, 1987 by Richard D. Altick. All rights reserved. Library of Congress Cataloging-in-Publicatlon Data Altick, Richard Daniel, 1915- The scholar adventurers. Reprint. Originally published: New York : Macmillan, 1950. With new pref. Bibliography: p. Includes index. 1. English literature—Research. 2. Learning and scholarship—History. 3. Great Britain—Intellectual life. I. Title. P56.A7 1987 820'.72'0922 87-11064 ISBN O-8142-O435-X CONTENTS Preface to the Ohio State University Press Edition vii Introduction: The Unsung Scholar 1 I. The Secret of the Ebony Cabinet 16 II. The Case of the Curious Bibliographers 37 III. The Quest of the Knight-Prisoner 65 IV. Hunting for Manuscripts 86 V. Exit a Lady, Enter Another 122 VI. A Gallery of Inventors 142 VII. The Scholar and the Scientist 176 VIII. Secrets in Cipher 200 IX. The Destructive Elements 211 X. -
Lord Byron's Feminist Canon: Notes Toward Its Construction Paul Douglass San Jose State University
San Jose State University SJSU ScholarWorks Faculty Publications, English and Comparative Literature English and Comparative Literature 8-1-2006 Lord Byron’s Feminist Canon: Notes Toward Its Construction Paul Douglass San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/eng_complit_pub Part of the Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Paul Douglass. "Lord Byron’s Feminist Canon: Notes Toward Its Construction" Romanticism on the Net (2006). https://doi.org/10.7202/013588ar This Article is brought to you for free and open access by the English and Comparative Literature at SJSU ScholarWorks. It has been accepted for inclusion in Faculty Publications, English and Comparative Literature by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. 06/05/2013 15:21 519-888-4323 U OF W ILL/DO PAGE 03/25 Lord Byron's Feminist Canon: Notes toward Its Construction Paul Douglass San Jose State University Lord Byron took a highly ambivalent attitude toward female autl1orship, and yet his poetry, letters, and journals exhibit many proofs of the power of women's language and perceptions. He responded to, borrowed from, and adapted parts of t11e works of Maria Edgeworth, Harriet Lee, Madame de Stael, Mary Shelley, Elizabeth lnchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robmson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, \nchbald, Stal!l, Dacre, and Lamb, and secondarily on Byron's response to intellectual women like Lady Oxford, Lady Melbourne, as well as the works of male wrtters, such as Thomas Moore, Percy Shelley, and William Wordsworth, who affected his portrayal of the genders.