Read Ebook {PDF EPUB} Temptation in Eden Lucas Cranach's Adam and Eve by Caroline Campbell Temptation in Eden: Lucas Cranach's Adam and Eve by Caroline Campbell. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #875ed670-cf43-11eb-86d5-ff1edf6e0869 VID: #(null) IP: 116.202.236.252 Date and time: Thu, 17 Jun 2021 08:10:50 GMT. Temptation in Eden: Lucas Cranach's Adam and Eve by Caroline Campbell. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #8765db50-cf43-11eb-9437-11e8a7061ece VID: #(null) IP: 116.202.236.252 Date and time: Thu, 17 Jun 2021 08:10:50 GMT. TEMPTATION IN EDEN: LUCAS CRANACH'S ADAM AND EVE. This is the catalogue to the first exhibition in Britain to be devoted to Lucas Cranach the Elder (1472-1553) who was one of the greatest German Renaissance painters. Cranach spent the majority of his career in Wittenberg, as court artist to the powerful Electors of Saxony, and was a close associate of the Protestant theologian Martin Luther (1483-1546). Throughout his career, Cranach devoted his considerable artistic talents to the furthering of the Lutheran cause. He found in Eve's temptation of Adam a subject which was ideally suited to his outstanding gifts as a portrayer of landscape, animals and the female nude, and to which Protestant theologians like Luther did not object. The Courtauld's Adam and Eve is arguably the most beautiful of Cranach's fifty or more depictions of this subject. It brilliantly combines devotional meaning with pictorial elegance and invention. This book explores the making and meaning of this Protestant and courtly masterpiece, and the contexts in which it was made and seen. It incorporates much conservation and technical research. More than twenty loans of works have been drawn from major British and international collections, including the National Gallery, the Musée du Louvre, the Staatliche Kunstsammlungen Dresden, and the J. Paul Getty Museum, Los Angeles. ¡Comenta este libro! Información de interés. Recomendados. THE FABRICATION OF LEONARDO DA VINCI'S TRATTATO DELLA PITTURA. 2 VOLS. The basis for our understanding of Leonardos theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. 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Esta obra cierra un ambicioso proyecto, iniciado a finales de la década de 1980 por un grupo de jóvenes profesores que nos propusimos estudiar la Monarquía hispana con una nueva metodología, abandonando los estrechos caminos . pvp. 95.0 € PORTUGAL, JESUITS, AND JAPAN "SPIRITUAL BELIEFS AND EARTHLY GOODS" Offering a new perspective on global trade relations during the Age of Exploration, Portugal, Jesuits, and Japan explores the relationships between Portuguese merchants, Jesuits, and the Japanese during the nanban period (1543-1614). Created to accompany . The authors. Lead author Dr Amanda Lillie is Reader in the History of Art at the University of York. Her research interests focus on 15th- and 16th-century Italian architecture, on which she has published a number of articles and books. Her book ‘Florentine Villas in the 15th Century’ came out in paperback in 2011. She is currently writing a book on air, landscape and concepts of the environment in Renaissance Italy. Key contributor Dr Caroline Campbell is Curator of Italian Paintings before 1500 and Loans Curator at the National Gallery. From 2005 to 2012 she was Schroder Foundation Curator of Paintings at the Courtauld Gallery, London. She has published widely on Italian Renaissance art, and her past exhibitions include ‘Bellini and the East’, ‘Love and Marriage in Renaissance Florence’ and ‘Temptation in Eden: Lucas Cranach’s Adam and Eve’. Key contributor Alasdair Flint is currently writing his AHRC-funded PhD thesis entitled 'Constructing Mary's House: The Architecture of the Annunciation in Central and Northern Italy, 1400​–1500', part of a collaborative research project between the University of York and the National Gallery. Caroline Elam is a Senior Research Fellow at the Warburg Institute, University of London. From 1987 to 2002 she was Editor of ‘The Burlington Magazine’. She has published extensively on art, architecture, patronage and urbanism in Renaissance Florence, and is currently working on a book about Renaissance plans, views and descriptions of Florence. Dr Jessica Gritti currently works as a research fellow and teaching assistant at the Università Cà Foscari in Venice and the Politecnico di Milano. Her specialist interests include Lombard Renaissance architecture in Milan and Cremona, and in 2011 she took part in the research project on the architectural drawings of the Cathedral of Milan. Dr Charles Robertson teaches History of Art at Oxford Brookes University. He has published on art and architecture in Renaissance Milan and the work of Michelangelo. His research is concerned with the relationship between painting and architecture. Dr Arnika Schmidt was appointed Vivmar Curatorial Assistant at the National Gallery in London in October 2012, after completing her doctoral research at the University of Dresden. At the Gallery she works on the pre-1600 and post-1800 paintings. Dr Jennifer Sliwka is the Howard and Roberta Ahmanson Fellow in Art and Religion at the National Gallery, where she is responsible for developing new research projects on this theme. She received a PhD from Johns Hopkins University for her thesis on Domenico Beccafumi, and has published on various aspects of his work. Thanks. Amanda Lillie and Caroline Campbell would like to thank the following people, who have all helped in various ways, generously giving their time and expertise: Temptation in Eden: Lucas Cranach's Adam and Eve by Caroline Campbell. Lucas Cranach der Ältere. The Courtauld Institute of Art, London. Object creator: Lucas Cranach der Ältere. Object title / description: Adam and Eve. Object date: 1526. File type / description: Digital image. Image / document description: Overall. Image date: unknown. Image created by / rights / credit: The Courtauld Institute of Art, London. Image source: The Courtauld Institute of Art, London. Citing from the Cranach Digital Archive. Entry with author: