Production Information
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
TEXAS KILLING FIELDS Starring
ANCHOR BAY FILMS Presents In a BLUE LIGHT BLOCK/HANSON WATLEY ENTERTAINMENT Production In association with INFINITY MEDIA TEXAS KILLING FIELDS Starring: SAM WORTHINGTON JEFFREY DEAN MORGAN JESSICA CHASTAIN CHLOЁ GRACE MORETZ JASON CLARKE ANNABETH GISH SHERRYL LEE And STEPHEN GRAHAM PRESS NOTES Runtime is 105 minutes. Rated R for violence and language including some sexual references. FIELD NEW YORK LOS ANGELES LOS ANGELES ONLINE Sumyi Khong Betsy Rudnick Chris Libby Chris Regan Mac McLean Anchor Bay Films Falco Ink Ginsberg/Libby Ginsberg/Libby Click Communications 9242 Beverly Blvd 850 Seventh Avenue 6255 Sunset Blvd 6255 Sunset Blvd 13029-A Victory Blvd., #509 Beverly Hills, CA 90210 New York, NY 10019 Los Angeles, CA 90028 Los Angeles, CA 90028 North Hollywood, CA 91606 P: 424.204.4164 P: 212.445.7100 P: 323.645.6812 P: 323.645.6814 P: 818.392.8863 [email protected] [email protected] [email protected] [email protected] mac@clickcommunications TEXAS KILLING FIELDS Synopsis Inspired by true events, this tense and haunting thriller follows Detective Souder (Sam Worthington), a homicide detective in a small Texan town, and his partner, transplanted New York City cop Detective Heigh (Jeffrey Dean Morgan) as they track a sadistic serial killer dumping his victims’ mutilated bodies in a nearby marsh locals call “The Killing Fields.” Though the swampland crime scenes are outside their jurisdiction, Detective Heigh is unable to turn his back on solving the gruesome murders. Despite his partner’s warnings, he sets out to investigate the crimes. Before long, the killer changes the game and begins hunting the detectives, teasing them with possible clues at the crime scenes while always remaining one step ahead. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Last Chance Harvey Cover
Discussion guide developed by Heartland Truly Moving Pictures to accompany Last Chance Harvey, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Last Chance Harvey is a movie that demonstrates that One Film Can. Synopsis Academy Award® winners Dustin Homan (Rain Man) and Emma Thompson (Sense and Sensibility) reunite in Last Chance Harvey, a heartfelt romance that celebrates new beginnings—at any age. The lm is written and directed by Joel Hopkins (Jump Tomorrow). New Yorker Harvey Shine (Dustin Homan) is on the verge of losing his dead-end job as a jingle writer. Warned by his boss (Richard Schi) that he has just one more chance to deliver, Harvey goes to London for a weekend to attend his daughter’s (Liane Balaban) wedding but promises to be back on Monday morning to make an important meeting—or else. Harvey arrives in London only to learn his daughter has chosen to have her stepfather (James Brolin) walk her down the aisle. Trying to hide his devastation, Harvey leaves the wedding before the reception in hopes of getting to the airport on time, but misses the plane anyway. -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries. -
Contemporary Productions of Gilbert & Sullivan's the Pirates of Penzance
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2007 Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance Julia Winstead University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Winstead, Julia, "Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance" (2007). Electronic Theses and Dissertations, 2004-2019. 3414. https://stars.library.ucf.edu/etd/3414 FOOD FOR JOYOUS LAUGHTER: CONTEMPORARY PRODUCTIONS OF GILBERT & SULLIVAN’S THE PIRATES OF PENZANCE. by JULIA COURTNEY WINSTEAD B.A. Murray State University, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts & Humanities at the University of Central Florida Orlando, Florida Summer Term 2007 ABSTRACT The operetta, The Pirates of Penzance, is a classic work by Gilbert and Sullivan, a work that continues to be produced frequently despite its Victorian setting and operatic style. For many years the standard performance style of all the operettas by Gilbert and Sullivan was upheld by the D‟Oyly Carte Opera Company, who attempted to perform the operettas as they had originally been done. -
Last Chance Harvey – Littleham Village Hall
Review – Last Chance Harvey – Littleham Village Hall Saturday 6th February 2010 I was persuaded to see this film, mainly as a result of my admiration of Emma Thompson, who I consider to be one of the most convincing actors of the last couple of decades. Whenever I have seen her, I have found her portrayals completely convincing and always so fresh and natural. Her role as an airport market research agent, Kate Walker, in “Last Chance Harvey” was no exception. Indeed, I think her co-actor, Dustin Hoffman, himself no slouch, actually struggled to match her very creditable performance. The unexceptional story revolved around the frenetic life of an American divorcee, Dustin Hoffman’s character, Harvey Shine. As a musician now past his prime, he reluctantly earns his living composing jingles for the TV advertising industry. In this he is clearly frustrated, preferring to be creative in a rather different musical genre, Jazz. The viewer concludes that he has either taken the soft option where the money is certain or that he simply hasn’t the initiative and courage to mould his life’s path to his own liking. Pressures upon him would appear to have been the maintenance of his daughter who we learn he has seen little of during her formative years since the divorce. He appears to regret this and when her wedding to a successful businessman takes place in London he makes the effort and travels to the UK to attend. It would seem that, perhaps due to his frenetic lifestyle, his daughter or her mother (formerly his wife) do not suspect that he might be there. -
Donnie-Kehr-Resume-S
DONNIE KEHR AEA / AFTRA / SAG / A.F. of M Height: 5 feet 10 in Hair: Bald (Salt/Pepper) Weight: 170 Eyes: Hazel TV / FILM Jersey Boys-The Movie Norm Waxman Dir. Clint Eastwoo / Warner Bros. The Good Wife Guest Star Dir. Felix Alcalá / CBS Geppetto (TV) Featured Dir. Tom Moore / Drew Carey, Exec. Prod Academy Awards Dancer/Singer Dir. Kenny Ortega / ABC The Who’s Tommy: the Amazing Journey Pinball Lad 1 Dir. Barry Alexander Brown / David Linde, Chaplin Joe – Sound Man Dir. Sir. Richard Attenborough / TriStar Small Kill Marty Bannon Dir. Rob Fresco / Leonard Weintrau Wall Street Trader - Office Dir. Oliver Stone / 20th Century Fox The New Kids Friend Dir. Sean C. Cunningham / Columbia Baby It’s You Barry Dir. John Sayles / Paramount BROADWAY Billy Elliot (Original B-way Cast) Scab/Posh Dad Dir. Stephen Daldry Jersey Boys (Original B-way Cast) Norm Waxman Dir. Des McAnuff Aida Zoser Dir. Robert Falls The Who's TOMMY (Original B–way Cast) Pinball Lad 1 Dir. Des McAnuff The Human Comedy (Original B-way Cast) Marcus Dir. Wilford Leach Legend (Original B-way Cast) Noah Dir. Robert Drivas OFF-BROADWAY / REGIONAL / TOURS Jersey Boys Gyp De Carlo Dir. Des. McAnuff / La Jolla Playhouse Aida Zoser Dir. Robert Falls / 1st National Tour The Who's TOMMY Pinball Lad 1 Dir. Des. McAnuff / La Jolla Playhouse The Rocky Horror Show Riff-Raff Dir. Denis Erdmen / Tiffany Theatre, LA The Mystery of Edwin Drood Robert Bascomb Dir. Wilford Leach / NY Shakespeare Festv’l American Passion Nick Dir. Patricia Birch / Joyce Theatre George M. Walt Dir. -
Un Gelido Inverno -Winter’S Bone
ANONYMOUS CONTENT & WINTER’S BONE PRODUCTIONS presentano UN GELIDO INVERNO -WINTER’S BONE- Un film di DEBRA GRANIK Adattamento a cura di DEBRA GRANIK & ANNE ROSELLINI Tratto dal romanzo Un Gelido Inverno di DANIEL WOODRELL edito in Italia da Fanucci Editore Ufficio stampa: Distribuzione Ornato Comunicazione Bolero Film Via Flaminia,954 Via Vicenza, 5/A 00191 Roma 00185 Roma Tel + 39 06.3341017 + 39 06.33213374 Tel. +39 06.4463061 - 4462527 [email protected] Simona Calcagni: [email protected] CAST ARTISTICO Ree JENNIFER LAWRENCE Teardrop JOHN HAWKES Little Arthur KEVIN BREZNAHAN Merab DALE DICKEY Sceriffo Baskin GARRET DILLAHUNT April SHERYL LEE Gail LAUREN SWEETSER Satterfield TATE TAYLOR CAST TECNICO Regia DEBRA GRANIK Adattamento a cura di DEBRA GRANIK & ANNE ROSELLINI Tratto dal romanzo Winter’s Bone di DANIEL WOODRELL Produttori ANNE ROSELLINI & ALIX MADIGAN YORKIN Produttori esecutivi JONATHAN SCHEUER & SHAWN SIMON Direzione della fotografia MICHAEL McDONOUGH Scenografie MARK WHITE Ideazione costumi REBECCA HOFHERR Montaggio AFFONSO GONÇALVES Musiche DICKON HINCHLIFFE Coproduttore KATE DEAN Produttore associato MICHAEL McDONOUGH Casting a cura di KERRY BARDEN & PAUL SCHNEE Girato interamente nelle location di Ozark nel Missouri sud occidentale Con la RED camera SINOSSI La diciassettenne Ree Dolly (Jennifer Lawrence) si avventura in una pericolosa missione alla ricerca di suo padre, scomparso nel nulla dopo aver impegnato la casa di famiglia per pagarsi la cauzione ed uscire di prigione. Se l’uomo non si presenterà al più presto in tribunale la casa verrà confiscata. Ree, posta di fronte al rischio di ritrovarsi tra i boschi dell’altopiano di Ozark senza un tetto, sfida l’omertà della gente e mette a repentaglio la propria vita per salvare la famiglia, senza accettare le bugie, i sotterfugi e le minacce dei suoi parenti, fino a scoprire la verità. -
Sidste Chance. Harvey
www.kirkeogfilm.dk Sidste chance. Harvey Jeg er vred på dig, fordi du har fjernet min skuffelse! Af Palle Johansen Filmen ’liner’ op med en indledende parallel situationsbeskrivelse af de to hovedpersoner i henholdsvis USA og London: Den forvirrede, slidte og jævnt succesrige jazzpianist Harvey Shine (Dustin Hoffman) på ca. 70, der kæmper med/mod de nye tekniske musikalske krav, hvor han trods sit engagement er truet af en fyring. Hans faglige musikalske stolthed udfordres af yngre medarbejdere, som ikke har problemer med at koble kunst og ’business’. Samtidig følger vi den ca. 50-årige Kate (Emma Thompson), der er single og bruger en stor del af sit liv på at trøste sin mor (Eileen Atkins), som også er alene – forladt af sin mand til fordel for en yngre. -1- www.kirkeogfilm.dk Kate har gode venner på sit job i lufthavnen, som jævnligt udfordrer hende med ’blind dates’, hvor hun sættes sammen med yngre mænd, vises føjeligt frem og går skuffet hjem med en følelse af at være sat udenfor. Harvey er alene i sit liv. Fraskilt og med dårlig kontakt til sin datter i London, der nu skal giftes. På vejen gennem Heathrow, hvor mobilen idelig kimer, får han at vide, at han er fyret, samtidig med at datteren fortæller, at det bliver stedfaderen, der skal føre hende op til alteret. Desillusioneret med et par stive whiskyer i pubben kommer han i snak med Kate om hvem, der har haft den dårligste dag. Modvilligt kommer det fra Kate: ’Du vinder!’ Herefter følger vi de to rundt i Londons gadeliv, hvor de taler og taler deres forskelle og ulykkelige skæbner igennem. -
Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare
appendice Catalogo dei film e degli episodi televisivi contenenti allusioni e Shakespeare a cura di Mariangela Tempera ALL’S WELL THAT ENDS WELL ALL'S WELL THAT ENDS WELL Ian Charleson, Angela Down, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione della BBC. ing. col. 2h35’ dvd AL A 1 ALL'S WELL THAT ENDS WELL Versione del 'Globe Theatre'. regia: John Dove, 2011. ing. col. 2h18' cf AL A 3 TUTTO E' BENE QUEL CHE FINISCE BENE Ian Charleson, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione italiana della produzione BBC. it. col. 2h35’ dvd AL A 2 SAU SARUM JENUM CHEVATA SARUM Versione indiana presentata al Globe Theatre di Londra. regia: Sunil Shanbag, 2012. guj. col. 2h16' cf AL B 1 CRIBB 1.6: WOBBLE TO DEATH Cit. di 'All's well that ...' regia: Gordon Flemyng, 1980. ing. col. 51' cf AL D 9 CRIMINAL MINDS 3.9: PENELOPE Il narratore cita "love all, trust a few .." regia: Félix Enríquez Alcalà, 2007. ing. col. 43' dvd cf AL D 2 da 36 VUES DU PIC SAINT LOUP Un personaggio cita "All's well..." regia: Jacques Rivette, 2009. fra. col. 30" dvd AL D 3 da DARK COMMAND Sh. doveva essere texano perché 'All's well that ...' è un detto regia: Raoul Walsh, 1940. texano. ing. b/n 1' cf AL D 8 FUTARI WA PRETTY CURE 24: MATCH POINT! Cit. del titolo di All's well... regia: Daisuke Nishio 2009 [2004]. ing. col. 24' cf AL D 7 GOLDEN GIRLS 1.16: THE TRUTH WILL OUT Cit. -
About Endgame
BBC FILMS and ENDGAME ENTERTAINMENT present AN EDUCATION A SONY PICTURES CLASSICS RELEASE Directed by LONE SCHERFIG Produced by FINOLA DWYER and AMANDA POSEY a FINOLA DWYER PRODUCTIONS / WILDGAZE FILMS Production Screenplay by NICK HORNBY adapted from a memoir by Lynn Barber Starring PETER SARSGAARD OLIVIA WILLIAMS CAREY MULLIGAN EMMA THOMPSON ALFRED MOLINA CARA SEYMOUR DOMINIC COOPER MATTHEW BEARD ROSAMUND PIKE SALLY HAWKINS *Official Selection: 2009 Sundance Film Festival *Winner - Audience Award, World Cinema Dramatic Competition, 2009 Sundance Film Festival *Winner - Cinematography Award, World Cinema Dramatic Competition, 2009 Sundance Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block‐Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Rebecca Fisher Lindsay Macik 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 Tel : 212‐265‐4373 Tel : 323‐634‐7001 Tel : 212‐833‐8833 INTRODUCTION AN EDUCATION is the story of a teenage girl’s coming-of-age, set in Britain in the early 1960s on the cusp of the strait-laced, post-war period and the free-spirited decade to come. Directed by award-winning Danish filmmaker Lone Scherfig (Wilbur Wants to Kill Himself, Italian for Beginners) from a screenplay by Nick Hornby (High Fidelity, About a Boy) AN EDUCATION was adapted from a memoir by journalist Lynn Barber, which originally appeared in the literary magazine Granta. AN EDUCATION stars Peter Sarsgaard (Boys Don’t Cry, Kinsey, Shattered Glass), Carey Mulligan (Pride & Prejudice), Alfred Molina (Spiderman 2, Frida), Dominic Cooper (Mamma Mia!, The History Boys), Rosamund Pike (Fracture, Die Another Day), Cara Seymour (American Psycho, Gangs of New York), Olivia Williams (Rushmore, The Sixth Sense), Sally Hawkins (Happy-Go-Lucky (Golden Globe Winner)), and Emma Thompson (Last Chance Harvey, Primary Colors, Sense and Sensibility).