Board of Trustees Discusses Finances and Honors Alumni As Early
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Commencement Issue Cents
COMMENCEMENT ISSUE -7 -938TWENTY-FIVEJUN- CENTS FRED5 . KENT President of Senior Class SENIOR COUNCIL Back Row: Middlebrook, C. JDavisf Kent. Scott - FIVE MEMBERS,0OF CUM LAIJDE ELECTED IN WINTER TERM ,Front Row: Rafferty, Stevenson, Seymiour Left to Right: Barker, Leonard, Stevenson, Furman, Willets - NEW STUDENT COUNCIL SPRING PROM COMM-NITTEE Back Row: Dudan, 1ao, GIardnier.' Cutliertson, Early, Arnold, Camnpion Left to Right: E. Greer I-Iardwyicke, Henvy Terrie, William A. Pu R. Thomas Cochran -Front Row: Kittredge, pugh, MAarshiall, Besse, Ritts U-r- JUWHNI2U 111 'a fNOSX51AULLS 'u T Irm1oo' SIAWa rf SPO0RT S * ,rt~~~~~~~~~~~~~~~~~~~~~~~~~~~J FOOTBALL TEAM -~BASEBALL TEAM Back Row: Lyford, Dugan, Garnett, 'Ienison, Osgood; Pirale, Jackson, Dearborn, Keller, Back Row: Reinha-t, Mfgr., Furber, Chase, Blanchard, Phelan, Taplan Townsdni, 1-allowell Front Row: Welch, 1-art, Dudan, O'Brien, Harrison, Capt., Peters, Bergsfors, Walsh, Second Row: Davis,~ Mgr., Sosnian, Seekins, Illanes, Dempsey, Pugh, Gould, Day, Kuble- Meech, Johnson, Kuble Front Row: Tine, Sherman, Foster, Lindsay, Murphy, Rafferty, Capt., Seymour, Harii- rison, Williams, Kausel, Hearne LACROSSE TEAM TRACK TEAM- Back Row: Peelle, Imm-ani, Tine, Ritts Back Row: Cutlei, Pliice, Coughilin, VaniVoorhiees, Page, Ba, Finley, Bowen, Crispell, Secoild Row: Schueler, Heckle, Pugh, Horwilz, C., Canmpion, Adams, JbdIson, Row- Shepard, Stevenson, Mgr hothani, Mgr. Second Rowv: Palmer, Kent, Page, W., Coxe, Kellei, Mclonnell, Heal-ne, Lowell, Gillispie Front Row: osnman, Richaids, Sherman, Marishall, Caipt , Fei-gusson, M11acomber, E'ni-ke, Williams Fi-ont Row: Seymour, Pirnie, 2lurphy, Co-Capt., Day, Co-Capt. -Jackson, Falconer -- GOLF TEAM TENNIS TEAM Back Row: Ireland, NMgr-, Williams, Hardwicke, Mlcabhy Back Row: Diamond, Early, Northrop, Malo, Murray, Mlgr. -
Strange Journey Volume 2 All New Music from Cunninlynguists
DISC ONE DISC TWO 1. Intro 1. SouthernUnderground (Inst) 2. SouthernUnderground 2. The South (Inst) 3. The South 3. Love Ain't (Inst) 4. Love Ain't 4. Rain (Inst) featuring Tonedeff 5. Rain 5. Doin’ Alright (Inst) 6. Doin’ Alright 6. Old School (Inst) 7. Interlude 1 7. Seasons (Inst) 8. Old School 8. Nasty Filthy (Inst) 9. Seasons 9. Falling Down (Inst) featuring Masta Ace 10. Nasty Filthy 10. Sunrise/Sunset (Inst) featuring Supastition & 11. Appreciation (Remix) - (Inst) Cashmere The PRO 11. Falling Down 12. Dying Nation (Inst) 12. Sunrise/Sunset 13. Seasons (Remix) featuring Masta Ace 13. Interlude 2 14. Appreciation (Remix) 14. Love Ain't (Remix) featuring featuring Cashmere The PRO Tonedeff 15. Dying Nation 15. The South (Remix) 16. War 16. Karma One of the most consistent independent Hip Hop groups of the decade, Kentucky trio CunninLynguists re-release their critically acclaimed sophomore album SouthernUnderground as a two disc deluxe edition. The group, made up of Deacon The Villain, Natti and Kno, aim to make music that reminds listeners why they like Hip Hop in the first place. Backed with quality beats and rhymes, gritty sounds, witty lyrics and low ends that jump out the trunk like Rajon Rondo, the ‘Lynguists recapture the soul in southern Hip Hop, with what Spin Magazine calls “Outkast’s tragicomic poignancy”. SouthernUnderground, originally released independently in 2003, includes features from Masta Ace, Supastition and Tonedeff. Additional production from RJD2 and Domingo, goes hand-in-hand with beats from the main producer Kno, who was once described as “one of the top loop-miners east of the Mississippi” by URB Magazine. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
INSIDE the PHILLIPIAN a Group of 10 Staff Who Are Responsible for the Man- EDITORIAL 2 Agement and Repair of the “A Collective Effort” School
Rest in Peace, Protoman www.phillipian.net Veritas Super Omnia Vol. CXXXV, No. 19 October 12, 2012 Phillips Academy Oct. 19 Classes Cancelled For Full-Day Faculty Meeting at 9 a.m. on Friday morning, By JANINE KO according to Temba Maqube- To make room for a full- la, Dean of Faculty. All non- day faculty meeting on gover- interscholastic sports next nance and decision-making, Friday have also been can- Head of School John Palfrey celed. announced on Tuesday that “It’s going to be a very all classes would be canceled open discussion. This is the next Friday. first of its kind—as far as I “This is the beginning of know—in the past 20 years, a new administration both where we stop classes [for in terms of my service as the a meeting] and let students Head of School and Peter sleep,” Maquebela said. Currie [’74]’s term as Presi- Palfrey made the final dent of the Board of Trustees, decision on Monday night to and one thing I’ve been want- cancel class after consulting ing to do is to have a few hours senior administrators and to talk about governance and other faculty members. decision making, which is to “[The decision] was in part say to review how decisions out of a sense of this being a get made at the school,” said stressful fall, and there was Palfrey. “This is a topic that value in taking a little bit of a every academic community break right after midterms,” talks about periodically, and said Palfrey. -
1/08 Jan|Feb
# 1/08 JAN|FEB KAPU ZINE EDITORIAL Salut! Ich spar mir an dieser Stelle den obligatorischen Jahresrückblick! Straight forward lautet die Devise und ich persönlich freu mich auf das kommende Jahr. Programmatisch starten wir mit einer, meiner Meinung nach, durchaus gelungenen Mischung. Neben einigen internationalen Acts, auf die ihr euch schon freuen könnt, kommen auch österreichische und vor allem Linzer MusikerInnen nicht zu kurz, die mindestens die gleiche Aufmerksamkeit verdienen. Zum ersten mal wird Ende Fe- bruar das O-Heim-Mini-Winter-Festival stattfinden. Stationen sind die STWST und die KAPU, die sich neben dem Verein „Open Air Ottensheim“ fürs Programm ver- antwortlich zeigen. Aber das Programm könnt ihr auf den folgenden Seiten ja in aller Ruhe nachlesen. Was passiert ansonsten in der neuen KAPU-Saison? Jahreswechsel ziehen ja meist große Vorsätze und Pläne mit sich. Das ist bei uns nicht anders. Ein Bisschen sei schon mal verraten... Wir sind wie immer voller Wahnsinnsideen und Tatendrang! Für den Jahresanfang stehen zwei Projekte an. Einerseits wird die KAPUtique ihr virtuelles Dahinsiechen endgültig hinter sich lassen und in neuem Glanze im ehemaligen Fiftitu%-Büro im 1. Stock auferstehen. Das Ganze wird natürlich gebührend gefeiert; doch mehr dazu weiter hinten. Ebenfalls geplant ist eine „offene KünstlerInnenwerkstätte“; einen genauen Zeitplan dafür gibt es leider bis zum jetzigen Zeitpunkt noch nicht. Doch was nicht ist, das kann noch werden. Gebt uns noch ein wenig Zeit und dann werdet ihr auch über Details und Nutzungsmöglichkeiten umgehend informiert (KAPUzine LeseInnen sind ja immer vorn dabei! Auch wenn es diesmal etwas später kommt, doch auch DruckerInnen verdienen Feier- tagsurlaub.) Ebenfalls in Planung ist ein neuer KAPU-Sampler; die ersten Bands sind angeheuert, die Diskussion um den Titel ist nach kämpferischen Aus- einandersetzungen abgeschlossen und wir sind gespannt, wer aller seinen/Ihren Weg auf diese kleine silberne Scheibe findet. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Nirga.Phe - '~~~~~ Frederic A.' Pease, Jr
Snapped -'Retold page 3 Ad~~~~~~~~~~~~~~~___ page 5, VOL.3 82, N0 ~~~~~~~~~~~~~~~~PHILLIPSACADEmy, ANDOVER, MASS October 5, 1960 i~siaSociety PlansTo Start Next March M sca~ bances,-Lectures, - tdn ropA a kyPrd mn e Movies This Year By Faut InRdt~ ain~ 90Ceert'Sre A . ~~~~~~~~~~~~~ByGilbert T. Vincent good radio station. Aside from the ~.-- 'By Benjamin White The By RichardH. BrryA new 'radio station, The Broad- reuarpolea Advrmn . <'Z- ' Six talented musical performers .~ Soiety,A~ia whic last yearcast 'Association of Phillps Acdd: recognized expdrtS ini various fields ""''""s bloasted the .largest-jinembei'ship of n is -comne to the academy during the - -are eyof'"WPAA-FM, has recently na schedulednoe to,eert-ere appear in the aean- illy club oif-cenaorgaizeiatsAndverahe ear. Also available are the facili- -ua dveClbiterslte ~nyclubo~campus, as hig hopcsrograillitarke ben as raie tAdvr fete of ell. euipped auio-visual hsya.A musical comedienne,' df a varied but solid prorma tofficers are aJahpianistranda string quarte '~ovesintois secod yearin thepresident, Oiver-. T. Cuthbertson, ep..-will take their turn n the George Andover 'community. __ station manger-, and A. Buce * Secondly, WPAA-FM will edu- J Weeklymeetings, schedul-ed- forr ~~~~~~~~~~~~~~~~WshingtonHall' tage in three Weeklyeetings schedued forCleveland, the official engineers.. If cate interested students at Ai - performances during the fall. and Sunday evenings at Cooley House, th0aut cet iepa n over in the f undamffentals of broad- ~"" winter terms. *ill include either a movie or a tIle nearcuture sceptie latei casting.. Te station's prgm gbeaker- at each mieeting, and re- March. -schedule allots an 5nsull hghAnna uslItrainlCn 41fr-slinelts. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLIII, Number 2 Spring 2014 DJ Kuttin Kandi: Performing Feminism Ellie M. Hisama, Columbia University As a turntablist, Pinay, poet, feminist, and activist, DJ Kuttin Kandi challenges the sexism manifested in hip hop and popular music by collaborating with other women in her performances, publishing open letters about male-dominated lineups, and speaking critically about controversies such as Day Above Ground’s 2013 song and video “Asian Girlz.”1 In his recent book Filipinos Represent, Anthonio Tiongson Jr. suggests that hip hop DJing provides a site for Filipina DJs to negotiate gender conventions, sexual norms, and familial expectations.2 Kuttin Kandi’s performances are a form of critical authorship that actively engages a politics of the feminist body and are grounded in feminist collaboration. A long-time member of the New York-based DJ crew 5th Platoon, Kandi was the first woman to place in the US finals of the prestigious DMC USA competition in 1998.3 She has toured throughout the US and internationally, performing with distinguished musicians including Afrika Bambaataa, Kool Herc, Black Eyed Peas, MC Lyte, the Roots, dead prez, Immortal Technique, and Le Tigre. Kandi has been deeply in- volved in cultural advocacy and grassroots political organiza- tions, having worked with Filipino American Human Services and Gabriela Network to fight the sexual exploitation of Filipi- nas, police brutality, and sweatshop labor. While living in New York, she taught the art of turntabling and DJing at the Scratch DJ Academy, and taught spoken word and poetry to high school students at El Puente Leadership Center in Brooklyn. -
Chase Announces Retirement Head of School Barbara Chase to Step Down After 2011-2012 School Year
Good luck with finals! Veritas Super Omnia Vol. CXXXIV, No. 4 March 4, 2011 Phillips Academy Chase Announces Retirement Head of School Barbara Chase to Step Down After 2011-2012 School Year PHILLIPIAN Staff Report Barbara Chase, Head of is, by all measures, on a very School, announced her plans firm footing,” wrote Chase in to retire after the 2011-2012 a press release. school year to students and One of the most important faculty this past Wednesday. changes to Andover in her 18 Chase has served as the Head years at the school was the of School for 17 years and has introduction of a need blind been a Head of School for 31 admissions policy in 2008, years, beginning her career something the school con- at Bryn Mawr School, so re- tinued despite the financial tirement marks the close of a collapse. Chase was influen- long legacy and the opening tial in numerous other initia- of a new chapter in Chase’s tives throughout her years life. at Andover, from strategic Students, aware of a sur- plans and capital campaigns prise announcement, clus- to construction projects like tered in the Smith Center the building of Gelb Science for a special picnic dinner, Center. buzzing with anticipation Chase has many special while enjoying Chase’s signa- memories from 17 years at the ture blue and white gummy school, but she holds particu- sharks. Chase announced her larly close the image of the decision in a personal speech blue clock on top of Samuel and emphasized the impor- Phillips Hall. -
See Pages 6-7 for a Spread on Past Heads of School
duelos y quebrantos Veritas Super Omnia Vol. CXXXIV, No. 23 January 6, 2012 Phillips Academy Elliott ’94 Selected as Next Abbot Cluster Dean deans serve six-year terms, a By ALEXANDER JIANG decision was made last year to extend Joel’s term until Jennifer Elliott ’94, In- the end of the 2011-2012 year structor in History and So- because two other cluster cial Science, will succeed deans were also leaving their Elisa Joel, Associate Dean of positions and the adminis- Admission, as the next Dean tration wished to avoid too of Abbot Cluster. She will much turnover. commense her six-year term During her time as clus- in Fall 2012. ter dean, Joel has noticed Paul Murphy, Dean of that “the pride students Students, notified Elliott of feel [about] living in Abbot the decision at the beginning cluster has grown over the of Winter Break. years.” Elliott said, “This is work Joel said that she will that I really enjoy doing. I’m miss working with so many excited to get to know Abbot. students. “To be able to “My colleagues in Ab- come to know 220 students bot have already been really is a great opportunity. I’ve welcoming. It’s going to be come to know kids I other- really fun to know the stu- wise wouldn’t know through dents, and I hope that will coaching soccer or advising” help to ease the transition a she said. little bit,” she continued. Year after year, Joel has Though she was once a consistently led her cluster student at Andover, Elliott in organizing Abbot Cabaret, acknowledged that the role Abbot’s annual talent show of a cluster dean has changed in the winter term.