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Mabel's Blunder
Mabel’s Blunder By Brent E. Walker Mabel Normand was the first major female comedy star in American motion pictures. She was also one of the first female directors in Hollywood, and one of the original principals in Mack Sennett’s pioneering Keystone Comedies. “Mabel’s Blunder” (1914), made two years after the formation of the Keystone Film Company, captures Normand’s talents both in front of and behind the camera. Born in Staten Island, New York in 1892, a teenage Normand modeled for “Gibson Girl” creator Charles Dana Gibson before entering motion pictures with Vitagraph in 1910. In the summer of 1911, she moved over to the Biograph company, where D.W. Griffith was making his mark as a pioneering film director. Griffith had already turned actresses such as Florence Lawrence and Mary Pickford into major dramatic stars. Normand, however, was not as- signed to the dramas made by Griffith. Instead, she went to work in Biograph’s comedy unit, directed by an actor-turned-director named Mack Sennett. Normand’s first major film “The Diving Girl” (1911) brought her notice with nickelodeon audiences. A 1914 portrait of Mabel Normand looking Mabel quickly differentiated herself from the other uncharacteristically somber. Courtesy Library of Congress Biograph actresses of the period by her willingness Prints & Photographs Online Collection. to engage in slapstick antics and take pratfalls in the name of comedy. She also began a personal ro- to assign directorial control to each of his stars on mantic relationship with Mack Sennett that would their comedies, including Normand. Mabel directed have its ups and downs, and would eventually in- a number of her own films through the early months spire a Broadway musical titled “Mack and Mabel.” of 1914. -
January, 2006
J A N U A R Y, 2006 V O L . 3 I S S U E N º 1 The Internet Noiseletter of Looser Than Loose Publishing LOOSER THAN LOOSE 373 South Willow Street Nº 227 Manchester, New Hampshire 03103 www.looserthanloose.com JUST RELEASED! TThhee LLaarrggeerr WWoorrlldd ooff LLaauurreell aanndd HHaarrddyy Volume III The second disc in this series offers another group of seldom seen comedy shorts populated (at least in part) by familiar figures in the world of Laurel and Hardy. With us this time are Babe London in a com- plete Christie-Educational two-reeler, Charley Chase in two shorts, Ed Kennedy in two shorts, another Billy West title with Babe Hardy in support and a handful of less familiar faces like Jess De Vorska and Billy Bletcher filling out the various casts. We’ve also included a spe- cial audio section featuring Music Hall performers Gracie Fields and Kirby and Hudson. Just in case that isn’t enough, our opening montage features a clip of Stan Laurel and Babe London “watching” the L&H short Our Wife in Stan’s apartment at the Oceana! As always, we have labored over the presenta- tion of these films. To that end, correct titles and inter- titles have been recreated whenever necessary, proper projection speeds (24 fps) have been observed and period (dance music) scores have been created from restored acoustic and electric 78 rpm records. The source materials for the visual elements on this dvd are all 16mm prints, except The Other Fellow which came originally from 35mm. -
DINNERS ENROLL TOM SAWYER.’ at 2:40
1 11 T 1 Another Film for Film Fans to Suggest Gordon tried out in the drama, "Ch.!« There Is dren of Darkness.” It was thought No ‘Cimarron’ Team. Janet’s Next Role. in Theaters This Week the play would be a failure, so they Photoplays Washington IRENE DUNNE and ^ Wesley Ruggles, of the Nation will * fyJOVIE-GOERS prepared to abandon It. A new man- who as star and director made be asked to suggest the sort of agement took over the property, as- WEEK OP JUNE 12 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY cinematic history in 1931 In “Cimar- Stopping picture In which little Janet Kay signed Basil Sydney and Mary Ellis "Bit Town Olrl." "Manneouln." "Manneouln." are to be "Naughty Marietta" "Haughty Marietta" "Thank You. Ur. ron," reunited as star and Chapman. 4-year-old star dis- to the leads and Academy "alfm*83ifl£L'‘ Jon Hall in Will Rogers in Will Rosen in and ‘•The Shadow of and "The Shadow of Moto.” and "Ride. recently they scored a Broad- " director of a Paramount to Sth »nd O Sts. B.E, "The Hu-rlcane." "The Hurricane." _"David Harum "David Harum."_Silk Lennox."_ Silk Lennox." Ranter. Ride." picture covered by a Warner scout, should be way hit. This Lad in } into in the Rudy Vailee Rudy Valle? in Rudy Vallee in Myrna Loy. Clark Oa- Myrna Loy. Clark Oa- Loretta Yoon* in go production early fall. next seen on the screen. Miss So It Is at this time of Ambassador •■Sm* "Gold Diggers in "Gold Diggers in "Oold in ble and ble Chap- only yea# DuE*niBin Diggers Spencer Tracy and Spencer Tracy "Four Men and a The announcement was made after man the 18th «nd OolumblA Rd. -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley Was the Third Son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley Nee Burt
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley was the third son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley nee Burt. He was born 7-5-1909 in Dunedin, one of 6 children, 5 sons followed by a daughter. Colin was educated in NZ and in the 1930s won a contest of which the prize was a Hollywood audition. He went on to be a supporting actor in several Metro Goldwyn Mayer and Paramount films during the 1930s but joined the air force in Canada when WW2 broke out, later moving to Britain where he was in a non fighting role. He had taken up flying before the war. He returned to NZ to Wanaka for a short time but then resumed his acting career, appearing in “the Dam Busters,” 1954. In England he married socialite Patsie Lyon nee Hambro. He retired from Acting in 1983 and they lived in the village of Coates in Gloucestershire. He died on 23-11-1995 and is buried at Wanaka beside the body of his second son, Martin, who died of Leukemia in 1947 Filmography from Wikipedia In the cinema American period (1934-1949) • 1934 : Double Door of Charles Vidor : Dr. John Lucas • 1934 : Wagon Wheels by Charles Barton : mountain • 1934 : Rhymes of love ( Murder at the Vanities ) by Mitchell Leisen : director • 1935 : The Crusades ( The Crusades ) of Cecil B. DeMille : foreign messenger • 1935 : Intelligence Service ( The Last Outpost ) by Charles Barton and Louis J. Gasnier : Lieutenant Prescott • 1935 : Henry Hathaway's Three Lancers of Bengal ( The Lives of a Bengal Lancer ) : Lieutenant Barrett • 1935 : Baron Gregor ( The Black Room ) by Roy William Neill : Lieutenant Hassel • 1935 : Becky Sharp of Rouben Mamoulian and Lowell Sherman : William Dobbin • 1935 : My Marriage of George Archainbaud : Sir Philip Burleigh • 1935 : Peter Ibbetson of Henry Hathaway : official • 1936 : Too Many Parents (en) by Robert F. -
(Sonnncmal Ifeahcr Nearly Twice What It Is in Our Suburban Commu Nities
T ' ' . ‘ ' \ V - ’•N Vandals Trigger H.S. A larm , A re Caught Two Lyndhurst High Within minutes after the L According to police there An angry town^up await left by vandals who painted day when the weather is proved futile Police do not School students, each 15, alarm was sounded police set off a routine search of was no vandalism — prob ed word on what fate grafitti on the walls of the bad a vandal will call po know whether the same •ere trapped in the school from I.yndhurst, Rutherford they high school In the ably because the alarm awaits the trespassers lice and charge that a person is spreading the Stnday shortly after I P M and Bergen County sped to ctWly, wet weather students brought police to the scene And vandalism m the a la rm when they triggered an the school Vandalism is casting the and teachers huddled out bomb has been placed in so quickly form of fake tomb alarms township thousands of dot However, so far this year side while the search inside the high school However, the two boys continued on Monday it has cost students and * ,th ^ TVO boys escaped Police went on. lice headquarters «re looking for them were charged with breaking lars each year The high A telephone call to police So far efforts to tra c k teachers hours that should and en try school still bears the m aria headquarters on Monday It was typical that on any down the caller h a v e have gone into schoolwork M in it-E d >* N*w Y#rk *» *P»"<Sn9 about $2,500 a year to educate a child. -
Jack Hill (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Jack Hill (actor) 电影 串行 (大全) Liberty https://zh.listvote.com/lists/film/movies/liberty-1759277/actors Two Tars https://zh.listvote.com/lists/film/movies/two-tars-951786/actors On the Loose https://zh.listvote.com/lists/film/movies/on-the-loose-3013019/actors Bonnie Scotland https://zh.listvote.com/lists/film/movies/bonnie-scotland-1848876/actors On the Wrong Trek https://zh.listvote.com/lists/film/movies/on-the-wrong-trek-3017252/actors Beau Hunks https://zh.listvote.com/lists/film/movies/beau-hunks-1660717/actors https://zh.listvote.com/lists/film/movies/3259722/actors Putting Pants on Philip https://zh.listvote.com/lists/film/movies/putting-pants-on-philip-1627100/actors 45 Minutes from Hollywood https://zh.listvote.com/lists/film/movies/45-minutes-from-hollywood-235339/actors Blotto https://zh.listvote.com/lists/film/movies/blotto-531206/actors Stage Fright https://zh.listvote.com/lists/film/movies/stage-fright-7596794/actors The Fixer Uppers https://zh.listvote.com/lists/film/movies/the-fixer-uppers-374708/actors Saps at Sea https://zh.listvote.com/lists/film/movies/saps-at-sea-759472/actors Should Married Men Go https://zh.listvote.com/lists/film/movies/should-married-men-go-home%3F-3020224/actors Home? The Stolen Jools https://zh.listvote.com/lists/film/movies/the-stolen-jools-1544930/actors Any Old Port! https://zh.listvote.com/lists/film/movies/any-old-port%21-1088742/actors Pack Up Your Troubles https://zh.listvote.com/lists/film/movies/pack-up-your-troubles-1216722/actors The Devil's Brother https://zh.listvote.com/lists/film/movies/the-devil%27s-brother-1777093/actors -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Sex, Spies and Shirley Temple : Feature Films on British Television
Sex, spies and Shirley Temple : feature films on British television HALL, Sheldon <http://orcid.org/0000-0003-0950-7310> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/10192/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HALL, Sheldon (2014). Sex, spies and Shirley Temple : feature films on British television. In: Film History seminars, Institute of Historical Research, 23 October 2014. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk FEATURE FILMS ON BRITISH TELEVISION IN THE 1970S Preamble This is an ‘interim report’ on a long-term project on the history of the showing of feature films on British television, covering virtually the entire history of broadcast television from the 1930s to the present. Not to mislead you, I will not be proposing an elaborate thesis or developing a complex argument: it is very much a snapshot from work in progress, a summary of selected findings, for whatever interest it might contain – and I would appreciate constructive feedback on the extent to which it is interesting! I will not be attempting even a full account of the ten-year period in my title but will try to give a general survey of the field in the 1970s while focusing on 1975 for most of my examples. The choice of year is not arbitrary: aside from coming at the exact midpoint of the decade and being reasonably representative, it also allows me to focus on a number of key controversies, events and developments affecting the presentation of films on television in subsequent years. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
Stanlio & Ollio
STANLIO & OLLIO Volerelaluna.it 08/04/2019 di: Edoardo Peretti Stanlio & Ollio sono due icone, due figure che giocano nel campo della mitologia collettiva. Sono conosciuti da chiunque e amati da molti, a livelli che nella storia del cinema comico, non solo muto, sono stati raggiunti forse solamente dal vagabondo Charlot. Questa fama diffusa ha spesso però portato a una rilettura del loro cinema parziale, elegiaca e dolce tanto quanto imprecisa e imperfetta, come tipico della memoria scolpita dai ricordi delle visioni dell’infanzia. La memoria dei due è stata in qualche modo confinata ai vari «Brutto Stiupìdo», ai piagnucolii di Stanlio, ai camera look e alle urla di dolore, rabbia e rassegnazione di Ollio e agli altri tormentoni visivi e lessicali. Il loro destino postumo è stato differente da quello, mettiamo, di Buster Keaton, la cui conoscenza è più limitata, ma anche più precisa e consapevole. La loro memoria più diffusa è, inoltre, una memoria perlopiù sonora, con i cortometraggi muti realizzati nel biennio 1927/1929 rimasti parzialmente nel dimenticatoio, ma in realtà importanti per come i due hanno affinato l’intesa e le caratteristiche della loro poetica; a partire dalla “slow burn“, passando per le deformazioni fisiche di oggetti e corpi, fino ad arrivare al modo particolare, all’insegna della stasi, con cui il loro cinema raccontava la guerra tra individuo e contesto tipica della comicità muta. Tre sono i filoni principali della loro filmografia; le “work situation comedy” – dove improvvisavano un lavoro con effetti devastanti (Finishing touch [1927], Big Business [1929], Wrong again [1929]), The music box (1932) e Busy bodies (1933) –, i film in cui convivevano in maniera goffamente cameratesca (Leave ‘em laughing [1928], They go boom [1929] e Laughing gravy [1930]) e le cosiddette “commedie matrimoniali”, dove erano vittime di consorti arpie e dove il caos era creato dai loro tentativi di svicolare dal loro controllo o nascondere magheggi (The purple moment [1928], Should married man go home? [1928], Chickens come home [1931]).