Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 9348 Civic Center Dr Beverly Hills, CA 90210 ANNUAL (310) 867-7000 2019 REPORT R#(S>? TSBS>T T>@RU(S(>T B#? >O@)B#<> @"$$(TT("# PLc31h5bgh+ ?_@_ []XYD CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC =gdi \]*& ! B##RB% U>!"US !RUTRB#S S" T>@S("# \Z "U \X09- "= S)> T>@RU(S(>T >O@)B#<> B@S "= \DZY =gd b38 71c:L. I8Ld 8h989 ?8:8i;8d Z\+ []\D+ gd SUB#T(S("# U>!"US !RUTRB#S S" T>@S("# \Z "U \X09- "= S)> T>@RU(S(>T >O@)B#<> B@S "= " \DZY =gd b38 bdLhc1b1gh f8d1g9 7dgi bg @gii1cc1gh =1.8 #ai;8d ]]\*Z[W]\ CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC %(Q> #BS("# >#S>USB(#$>#S+ (#@_ 0>JL:b hLi8 g7 d851cbdLhb Lc cf8:17189 1h 1bc :3Ldb8d- ?8.LKLd8 []*Z[YVVXD 0TbLb8 g7 (h:gdfgdLb1gh- 0(_U_T_ >if.gI8d (98hb171:Lb1gh #g_- DZYE @1`1: @8hb8d ?d1`8 A8`8d.I )1..c+ @B D][\] 0B99d8cc g7 fd1h:1fL. 8J8:ab1`8 g771:8c+ 1h:.a91h5 H1f :g98- 0Z\]- EWV*V]]] 0U851cbdLhbFc b8.8f3gh8 hai;8d+ 1h:.a91h5 Ld8L :g98- CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC T8:ad1b18c d851cb8d89 fadcaLhb bg T8:b1gh \[0;- g7 b38 B:bC S1b.8 g7 >L:3 @.Lcc SdL91h5 TIi;g.0c- #Li8 g7 >L:3 >J:3Lh58 gh K31:3 U851cb8d89 @giigh Tbg:/+ 6_]\ !Ld QL.a8 f8d T3Ld8 %NQ #8K Ngd/ Tbg:/ >J:3Lh58 0(h:.a98c !d878dd89 Tbg:/ !ad:3Lc8 U153bc- T8:ad1b18c d851cb8d89 fadcaLhb bg T8:b1gh \[05- g7 b38 B:bC #gh8 MMMMMMMMMMMMMMMMMMMMM %s=x?BW; AR ?y;?v tBYv x9 Wy; Y;8xXWYBsW xX B T;uulvsrTs X;BXrs;= xXXV;Ym BX =;9xs;= xs `Vu; eid r9 Wy; _;?VYxWx;X I?Wk " E;X ! zr %s=x?BW; AR ?y;?v tBYv x9 Wy; Y;8xXWYBsW xX srW Y;pVxY;= Wr 9xu; Y;qrYWX qVYXVBsW Wr _;?Wxrs hf rY _;?Wxrs hd6=4 r9 Wy; I?Wk ! E;X " zr %s=x?BW; AR ?y;?v tBYv Ty;Wy;Y Wy; Y;8xXWYBsW 6h4 yBX 9xu;= Buu Y;qrYWX Y;pVxY;= Wr A; 9xu;= AR _;?Wxrs hf rY hd6=4 r9 Wy; _;?VYxWx;X )S?yBs8; I?W r9 hLfe =VYxs8 Wy; qY;?;=xs8 hg trsWyX 6rY 9rY XV?y XyrYW;Y q;Yxr= WyBW Wy; Y;8xXWYBsW TBX Y;pVxY;= Wr 9xu; XV?y Y;qrYWX4m Bs= 6g4 yBX A;;s XVAw;?W Wr XV?y 9xuxs8 Y;pVxY;t;sWX 9rY Wy; qBXW Li =BRXk " E;X ! zr %s=x?BW; AR ?y;?v tBYv Ty;Wy;Y Wy; Y;8xXWYBsW yBX XVAtxWW;= ;u;?WYrsx?BuuR ;U;YR %sW;YB?WxU; FBWB (xu; Y;pVxY;= Wr A; XVAtxWW;= qVYXVBsW Wr `Vu; eid r9 `;8VuBWxrs _l^ 65gfgkeid r9 WyxX ?yBqW;Y4 =VYxs8 Wy; qY;?;=xs8 hg trsWyX 6rY 9rY XV?y XyrYW;Y q;Yxr= WyBW Wy; Y;8xXWYBsW TBX Y;pVxY;= Wr XVAtxW Bs= qrXW XV?y 9xu;X4k E;X " zr ! %s=x?BW; AR ?y;?v tBYv Ty;Wy;Y Wy; Y;8xXWYBsW xX B uBY8; B??;u;YBW;= 9xu;Ym Bs B??;u;YBW;= 9xu;Ym B srslB??;u;YBW;= 9xu;Ym B XtBuu;Y Y;qrYWxs8 ?rtqBsRm rY Bs ;t;Y8xs8 8YrTWy ?rtqBsRk _;; Wy; =;9xsxWxrsX r9 -uBY8; B??;u;YBW;= 9xu;Ym, -B??;u;YBW;= 9xu;Ym, -XtBuu;Y Y;qrYWxs8 ?rtqBsRm, Bs= -;t;Y8xs8 8YrTWy ?rtqBsR, xs `Vu; hgAlg r9 Wy; )S?yBs8; I?Wk "BY8; I??;u;YBW;= (xu;Y " I??;u;YBW;= (xu;Y ! zrslB??;u;YBW;= (xu;Y ! _tBuu;Y `;qrYWxs8 GrtqBsR " )t;Y8xs8 'YrTWy GrtqBsR " %9 Bs ;t;Y8xs8 8YrTWy ?rtqBsRm xs=x?BW; AR ?y;?v tBYv x9 Wy; Y;8xXWYBsW yBX ;u;?W;= srW Wr VX; Wy; ;SW;s=;= WYBsXxWxrs q;Yxr= 9rY ?rtquRxs8 TxWy BsR s;T rY Y;UxX;= 9xsBs?xBu B??rVsWxs8 XWBs=BY=X qYrUx=;= qVYXVBsW Wr _;?Wxrs hf6B4 r9 Wy; )S?yBs8; I?Wk ! %s=x?BW; AR ?y;?v tBYv Ty;Wy;Y Wy; Y;8xXWYBsW xX B Xy;uu ?rtqBsR 6BX =;9xs;= xs `Vu; hgAlg r9 Wy; )S?yBs8; I?W4k " E;X " zr cs $Vs; fim gihLm Wy; uBXW AVXxs;XX =BR r9 Wy; Y;8xXWYBsW*X trXW Y;?;sWuR ?rtqu;W;= X;?rs= 9xX?Bu pVBYW;Ym Wy; B88Y;8BW; tBYv;W UBuV; r9 Wy; Grttrs _Wr?v A;s;9x?xBuuR y;u= AR srslB99xuxBW;X r9 Wy; Y;8xXWYBsW TBX BqqYrSxtBW;uR >Lkf Axuuxrsk 6(rY qVYqrX;X y;Y;r9m =xY;?WrYXm ;S;?VWxU; r99x?;YX Bs= hi< rY 8Y;BW;Y XWr?vyru=;YX yBU; A;;s =;;t;= B99xuxBW;X4k cs gjgijgigim Wy;Y; T;Y; ghemdfhmieg rVWXWBs=xs8 XyBY;X r9 Wy; Y;8xXWYBsW*X ?rttrs XWr?vm >ikih qBY UBuV; q;Y XyBY;m xs?uV=xs8 fmdNdmgMe XyBY;X r9 VsU;XW;= Y;XWYx?W;= Bs= =;9;YY;= XWr?v BTBY=X Bs= ;S?uV=xs8 eiMmige XyBY;X y;u= xs WY;BXVYRk ?"@R$>#ST (#@"U!"UBS>? AN U>=>U>#@> brYWxrsX r9 rVY F;9xsxWxU; bYrSR _WBW;t;sW 9rY Wy; gigi IssVBu !;;Wxs8 r9 _Wr?vyru=;YXm ;Sq;?W;= Wr A; 9xu;= TxWyxs hgi =BRX r9 rVY 9xX?Bu R;BY ;s=m BY; xs?rYqrYBW;= AR Y;9;Y;s?; xsWr bBYW %%%k %(Q> #BS("# >#S>USB(#$>#S+ (#@_ (#?>O S" ="U$ \]*& !L58 !BUS ( %^)! hk H]_%z)__g %^)! hIk `%_# (IG^c`_ hg %^)! hHk ]z`)_c"\)F _^I(( Gc!!)z^_ gN %^)! gk b`cb)`^%)_ gN %^)! fk ")'I" b`cG))F%z'_ gN !BUS (( %^)! dk !I`#)^ (c` `)'%_^`Iz^*_ Gc!!cz )a]%^Em `)"I^)F _^cG#&c"F)` !I^^)`_ IzF %__])` b]`G&I_)_ c( )a]%^E _)G]`%^%)_ gM %^)! Ok _)")G^)F (%zIzG%I" FI^I gL %^)! Nk !IzI')!)z^*_ F%_G]__%cz IzF IzI"E_%_ c( (%zIzG%I" GczF%^%cz IzF `)_]"^_ c( cb)`I^%cz_ fi %^)! NIk a]Iz^%^I^%\) IzF a]I"%^I^%\) F%_G"c_]`)_ IHc]^ !I`#)^ `%_# di %^)! Mk (%zIzG%I" _^I^)!)z^_ IzF _]bb")!)z^I`E FI^I dh %^)! Lk G&Iz')_ %z IzF F%_I'`))!)z^_ [%^& IGGc]z^Iz^_ cz IGGc]z^%z' IzF (%zIzG%I" F%_G"c_]`) hii %^)! LIk Gcz^`c"_ IzF b`cG)F]`)_ hii %^)! LHk c^&)` %z(c`!I^%czhig !BUS ((( %^)! hik F%`)G^c`_m )Z)G]^%\) c((%G)`_ IzF Gc`bc`I^) 'c\)`zIzG) hig %^)! hhk )Z)G]^%\) Gc!b)z_I^%cz hig %^)! hgk _)G]`%^E c[z)`_&%b c( G)`^I%z H)z)(%G%I" c[z)`_ IzF !IzI')!)z^ IzF `)"I^)F _^cG#&c"F)` !I^^)`_ hig %^)! hfk G)`^I%z `)"I^%cz_&%b_ IzF `)"I^)F ^`Iz_IG^%cz_m IzF F%`)G^c` %zF)b)zF)zG) hig %^)! hek b`%zG%bI" IGGc]z^%z' ())_ IzF _)`\%G)_ hig !BUS (Q %^)! hdk )Z&%H%^_m (%zIzG%I" _^I^)!)z^ _G&)F]")_ hif %^)! hOk (c`! hil# _]!!I`E hhi %(Q> #BS("# >#S>USB(#$>#S+ (#@_ <%"TTBUN "= &>N S>U$T IcG% I??VtVuBW;= rWy;Y ?rtqY;y;sXxU; xs?rt; 6urXX4 Ic% I=wVXW;= rq;YBWxs8 xs?rt; 6urXX4 GrtqBsR "xU; zBWxrs )sW;YWBxst;sWm %s?k Bs= XVAXx=xBYx;X (I_H (xsBs?xBu I??rVsWxs8 _WBs=BY=X HrBY= 'IIb ]sxW;= _WBW;X ';s;YBuuR I??;qW;= I??rVsWxs8 bYxs?xqu;X "xA;YWR !;=xB "xA;YWR !;=xB GrYqrYBWxrs "xU; zBWxrs "xU; zBWxrs )sW;YWBxst;sWm %s?k Bs= XVAXx=xBYx;X _)G ]sxW;= _WBW;X _;?VYxWx;X Bs= )S?yBs8; GrttxXXxrs \%) \BYxBAu; xsW;Y;XW ;sWxWR ^x?v;WtBXW;Y ^y; Wx?v;Wxs8 AVXxs;XX r9 Wy; GrtqBsR h !BUS ( H$W/[ a:1W6RF '.XW8X S:P 9[ 3[Z[33[7 16 :2 1X[ HE6S5:RP#F H.[#F H02F 63 H603F% S[:R2 $W/[ a:1W6R BR1[31:WRS[R1# )R8` :R7 W12 2092W7W:3W[2# 63 6R[ 6Z 603 2[YS[R12 63 2092W7W:3W[2# :2 1X[ 86R1[-1 3[40W3[2` Tf8:1L. #gb8 B;gab =gdKLd9*%gg/1h5 TbLb8i8hbc G;YWBxs XWBW;t;sWX ?rsWBxs;= xs WyxX (rYt hil# 6rY rWy;YTxX; tB=; AR VX rY rs rVY A;yBu9 9Yrt Wxt; Wr Wxt; xs rWy;Y Y;qrYWXm 9xuxs8X TxWy Wy; _)Gm s;TX Y;u;BX;Xm ?rs9;Y;s?;Xm xsW;Ys;W qrXWxs8X rY rWy;YTxX;4 WyBW BY; srW XWBW;t;sWX r9 yxXWrYx?Bu 9B?W ?rsXWxWVW; -9rYTBY=lurrvxs8 XWBW;t;sWX, TxWyxs Wy; t;Bsxs8 r9 _;?Wxrs gNI r9 Wy; _;?VYxWx;X I?W r9 hLffm BX Bt;s=;=m Bs= _;?Wxrs gh) r9 Wy; )S?yBs8; I?W r9 hLfem BX Bt;s=;=m srWTxWyXWBs=xs8 WyBW XV?y XWBW;t;sWX BY; srW Xq;?x9x?BuuR x=;sWx9x;=k (rYTBY=lurrvxs8 XWBW;t;sWX xs?uV=;m AVW BY; srW uxtxW;= Wrm XWBW;t;sWX BArVW rVY 9xsBs?xBu qrXxWxrsm AVXxs;XX XWYBW;8Rm ?rtq;WxWxU; qrXxWxrsm qrW;sWxBu 8YrTWy rqqrYWVsxWx;Xm qrW;sWxBu rq;YBWxs8 q;Y9rYtBs?; xtqYrU;t;sWXm Wy; ;99;?WX r9 ?rtq;WxWxrsm Wy; ;99;?WX r9 9VWVY; u;8xXuBWxrs rY Y;8VuBWxrsX Bs= quBsX Bs= rAw;?WxU;X r9 rVY tBsB8;t;sW 9rY 9VWVY; rq;YBWxrsXk [; yBU; ABX;= rVY 9rYTBY=lurrvxs8 XWBW;t;sWX rs rVY A;ux;9X Bs= BXXVtqWxrsX ?rsXx=;Yxs8 Wy; xs9rYtBWxrs BUBxuBAu; Wr VX BW Wy; Wxt; Wy; XWBW;t;sWX BY; tB=;k ]X; r9 Wy; TrY=X -tBRm, -XyrVu=m, -?rsWxsV;m, -quBsm, -qrW;sWxBum, -BsWx?xqBW;m, -A;ux;U;m, -;XWxtBW;m, -;Sq;?Wm, -xsW;s=m, -rVWurrvm, -?rVu=m, -WBY8;Wm, -qYrw;?Wm, -X;;vm, -qY;=x?Wm, rY UBYxBWxrsX r9 XV?y TrY=X Bs= XxtxuBY ;SqY;XXxrsX BY; xsW;s=;= Wr x=;sWx9R 9rYTBY=lurrvxs8 XWBW;t;sWX AVW BY; srW Wy; ;S?uVXxU; t;BsX r9 x=;sWx9Rxs8 XV?y XWBW;t;sWXk (rYTBY=lurrvxs8 XWBW;t;sWX BY; srW 8VBYBsW;;X r9 9VWVY; q;Y9rYtBs?; Bs= BY; XVAw;?W Wr YxXvX Bs= Vs?;YWBxsWx;X WyBW ?rVu= ?BVX; B?WVBu Y;XVuWX Wr =x99;Y tBW;YxBuuR 9Yrt WyrX; xs XV?y XWBW;t;sWXk (B?WrYX WyBW ?rVu= ?BVX; B?WVBu Y;XVuWX Wr =x99;Y 9Yrt WyrX; =xX?VXX;= xs Wy; 9rYTBY=lurrvxs8 XWBW;t;sWX xs?uV=;m AVW BY; srW uxtxW;= Wrm WyrX; X;W 9rYWy Vs=;Y %W;t hIkG`xXv (B?WrYX BX T;uu BX rWy;Y 9B?WrYX =;X?YxA;= y;Y;xs rY xs rVY pVBYW;YuR Bs= rWy;Y Y;qrYWX T; 9xu; TxWy Wy; _)G 6?ruu;?WxU;uRm -?BVWxrsBYR XWBW;t;sWX,4k HBX;= Vqrs ?yBs8xs8 ?rs=xWxrsXm XyrVu= BsR rs; rY trY; r9 Wy;X; YxXvX rY Vs?;YWBxsWx;X tBW;YxBuxQ;m rY XyrVu= BsR Vs=;YuRxs8 BXXVtqWxrsX qYrU; xs?rYY;?Wm B?WVBu Y;XVuWX tBR UBYR tBW;YxBuuR 9Yrt WyrX; =;X?YxA;= xs BsR 9rYTBY=lurrvxs8 XWBW;t;sWXk Iuu XVAX;pV;sW TYxWW;s Bs= rYBu 9rYTBY=lurrvxs8 XWBW;t;sWX BWWYxAVWBAu; Wr VX rY q;YXrsX B?Wxs8 rs rVY A;yBu9 BY; ;SqY;XXuR pVBux9x;= xs Wy;xY ;sWxY;WR AR Wy; Bqqux?BAu; ?BVWxrsBYR XWBW;t;sWXk [; =r srW xsW;s= Wr Vq=BW; Wy;X; 9rYTBY=lurrvxs8 XWBW;t;sWXm ;S?;qW BX Y;pVxY;= AR Bqqux?BAu; uBTk (S>$ \_ ART(#>TT "ad @gifLhI [; A;ux;U; WyBW T; BY; Wy; uBY8;XW uxU; ;sW;YWBxst;sW ?rtqBsR xs Wy; TrYu=m ?rss;?Wxs8 rU;Y dMi txuuxrs 9BsX B?YrXX Buu r9 rVY ?rs?;YWX Bs= Wx?v;Wxs8 quBW9rYtX xs eO ?rVsWYx;X =VYxs8 gihLk [; A;ux;U; T; BY; Wy; uBY8;XW qYr=V?;Y r9 uxU; tVXx? ?rs?;YWX xs Wy; TrYu=m ABX;= rs WrWBu 9BsX WyBW BWW;s= "xU; zBWxrs ;U;sWX BX ?rtqBY;= Wr ;U;sWX r9 rWy;Y qYrtrW;YXm ?rss;?Wxs8 s;BYuR LM txuuxrs 9BsX Wr trY; WyBs eimiii ;U;sWX 9rY rU;Y dmiii BYWxXWX xs gihLk "xU; zBWxrs rTsXm rq;YBW;Xm yBX ;S?uVXxU; Arrvxs8 Yx8yWX 9rY rY yBX Bs ;pVxWR xsW;Y;XW xs gNf U;sV;Xm xs?uV=xs8 +602[ 6Z GT0[2L tVXx? U;sV;X Bs= qY;XWx8xrVX ur?BWxrsX XV?y BX >X[ AWTTS63[L xs _Bs (YBs?xX?rm Wy; &ruuRTrr= bBuuB=xVtm Wy; Dx88r Frt; xs ItXW;Y=Btm fIY;sB xs %Y;uBs=m `rRBu IY;sB xs Grq;syB8;s Bs= _qBYv IY;sB xs z;T D;BuBs=k [; A;ux;U; T; BY; rs; r9 Wy; TrYu=*X u;B=xs8 BYWxXW tBsB8;t;sW ?rtqBsx;X ABX;= rs Wy; sVtA;Y r9 BYWxXWX Y;qY;X;sW;=k cVY BYWxXW tBsB8;t;sW ?rtqBsx;X tBsB8; tVXx? BYWxXWX Bs= B?WX B?YrXX Buu tVXx? 8;sY;Xk IX r9 F;?;tA;Y fhm gihLm T; yB= s;BYuR hhi tBsB8;YX qYrUx=xs8 X;YUx?;X Wr trY; WyBs dii BYWxXWXk [; A;ux;U; T; BY; Wy; TrYu=*X u;B=xs8 uxU; ;sW;YWBxst;sW Wx?v;Wxs8 XBu;X Bs= tBYv;Wxs8 ?rtqBsRm ABX;= rs Wy; sVtA;Y r9 Wx?v;WX T; X;uuk ^x?v;WtBXW;Y qYrUx=;X Wx?v;W XBu;Xm Wx?v;W Y;XBu; X;YUx?;X
Recommended publications
  • UBS Commercial Mortgage Trust 2017-C2 Form FWP Filed 2017-07-25
    SECURITIES AND EXCHANGE COMMISSION FORM FWP Filing under Securities Act Rules 163/433 of free writing prospectuses Filing Date: 2017-07-25 SEC Accession No. 0001539497-17-001217 (HTML Version on secdatabase.com) SUBJECT COMPANY UBS Commercial Mortgage Trust 2017-C2 Mailing Address Business Address 1285 AVENUE OF THE 1285 AVENUE OF THE CIK:1711142| State of Incorp.:DE | Fiscal Year End: 1231 AMERICAS AMERICAS Type: FWP | Act: 34 | File No.: 333-207340-02 | Film No.: 17979072 NEW YORK NY 10019 NEW YORK NY 10019 SIC: 6189 Asset-backed securities 212-713-2000 FILED BY UBS Commercial Mortgage Securitization Corp. Mailing Address Business Address 1285 AVENUE OF THE 1285 AVENUE OF THE CIK:1532799| IRS No.: 453587479 | State of Incorp.:DE | Fiscal Year End: 1231 AMERICAS AMERICAS Type: FWP NEW YORK NY 10019 NEW YORK NY 10019 SIC: 6189 Asset-backed securities 212-713-2000 Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document FREE WRITING PROSPECTUS FILED PURSUANT TO RULE 433 REGISTRATION FILE NO.: 333-207340-02 Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document STATEMENT REGARDING THIS FREE WRITING PROSPECTUS Nothing in this document constitutes an offer of securities for sale in any jurisdiction where the offer or sale is not permitted. The information contained herein is preliminary as of the date hereof, supersedes any such information previously delivered to you and will be superseded by any such information subsequently delivered prior to the time of sale and ultimately by the final prospectus relating to the offered certificates.
    [Show full text]
  • View Annual Report
    Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets.
    [Show full text]
  • Amazon Looking to Sell Sports, Music Tickets and Encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today
    Report: Amazon looking to sell sports, music tickets and encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today Live Nation earlier this week reported $2.8 billion in revenue for its second-quarter, which ended June 30. That up 27% over the $2.2 billion in the same period last year. Amazon has several jobs listed online for its Amazon Tickets, including a project manager for "Earth's most customer-centric ticketing company, a place where event-goers can come to find and discover any ticket they might want to buy online." Selling tickets could drive Amazon Prime memberships and bundled merchandise sales, according to the report. Amazon is reportedly in talks with sports and concert venues to sell tickets, a move that could Amazon and Live Nation declined to comment on challenge Ticketmaster's dominance in the the report. business. ©2017 USA Today Amazon, which two years ago began selling tickets Distributed by Tribune Content Agency, LLC. in the U.K., has approached U.S. venue owners about partnering to sell tickets here, too, Reuters reported Thursday, citing four sources knowledgeable about the development. The strategy amounts to a shot across the bow of event heavyweight Live Nation, which owns Ticketmaster and owns or is aligned with 196 U.S. venues, including The Fillmore in San Francisco, the Hollywood Palladium and House of Blues venues. Amazon hopes to take advantage of consumer displeasure in the current state of ticket fees and sports leagues and venue operators' desire for additional competition, Reuters reported. Ticket sales represent a prime business in the U.S.
    [Show full text]
  • Harry Styles Live on Tour Expands World Tour Dates
    HARRY STYLES LIVE ON TOUR EXPANDS WORLD TOUR DATES TO 2018 LOS ANGELES (June 8, 2017) – Due to overwhelming demand, Harry Styles has added 56 new show dates in 2018 to his sold-out world tour. The freshly added dates will begin in MarCh 2018 in Basel, Switzerland and will Conclude in Los Angeles, CA in July. The new dates will be supported by KaCey Musgraves (U.S. and Canada), Warpaint (Asia) and Leon Bridges (South AmeriCa and MexiCo), with speCial guests for Europe and Australia to be announCed soon. The first leg of Harry Styles Live On Tour, whiCh sold out in reCord time, will kiCk off in September 2017 visiting intimate venues around the world and featuring support from MUNA. All tiCkets go on sale on Friday, June 16 via local ticket agents, visit www.hstyles.Co.uk for loCal on sale timings. To ensure fans get tiCkets in their hands direCtly, Fan Registration for the North AmeriCan tour dates is available now here through TiCketmaster’s Verified Fan program, and for Europe here; supplies are limited. Additional fan measures will be made for the International shows on a local level. Harry Styles’ self-titled debut album was released May 12th and soared to the top of the charts around the world. In the U.S. it topped the Billboard 200 album Chart with over 230,000 equivalent album units sold and 193,000 traditional albums sold, making history as the biggest debut sales week for a U.K. male artist’s first full-length album sinCe Nielsen Music began traCking sales in 1991.
    [Show full text]
  • LIVE NATION, INC. (Exact Name of Registrant As Specified in Its Charter) Delaware 20-3247759 (State of Incorporation) (I.R.S
    20072007 ANNUALANNUAL REPORTREPORREPO T TO OUR SHAREHOLDERS We continued to demonstrate success in 2007 in executing our strategic plan. We took multiple steps to transform Live Nation into a vertically integrated live music company that directly unites artists, fans and sponsors across all revenue generating products. We are moving ahead to capitalize on our global concert platform as artists look for expanded and new business partners. Reaching an agreement in principle with U2 for a 12-year exclusive partnership is another signifi cant validation that Live Nation is the most attractive option for the biggest artists in the world. Madonna, and now U2, believe in Live Nation and our promising future as a highly innovative music company that is responding quickly to changes in the music business landscape. As a result, we believe Live Nation is a signifi cantly stronger organization, strategically and fi nancially, than only one year ago. Over the next year, we will continue to build on our three core strategies: • Grow our global concert platform internally • Prepare to launch our global ticketing, online business in 2009 • Continue to enter relationships with touring artists for longer and wider product lines centered around our core concert business When we launched Live Nation in December 2005, the company had been declining in overall profi tability for the previous few years. We set out to stop the decline and turn Live Nation into a growth company by running our core business better and by expanding into new revenue streams. In 2007, we set out to do four main things, all of which we achieved – to improve our North American Music operations, grow our International Music platform, launch the Live Nation Artist division and defi ne our Ticketing/ Online future.
    [Show full text]
  • Hoogoorddreef 60 | Center Point Amsterdam
    HOOGOORDDREEF 60 | CENTER POINT AMSTERDAM TE HUUR I FOR RENT INHOUD | CONTENTS Samenvatting Summary Het gebouw The property Locatie Location Bereikbaarheid Accessibility Plattegrond Floor plans Foto’s Photos Contact Contact Colliers International Colliers International Samenvatting Het gebouw is gelegen aan de Hoogoorddreef 60 in het centrum van Amsterdam Zuid-Oost, en ligt zeer dicht bij het NS-station Amsterdam Bijlmer ArenA. In de nabije omgeving zijn veel grote bedrijven gevestigd waaronder ABN AMRO, ING Bank, DTG, de Bijenkorf hoofdkantoor en Tesla. Daarnaast bevinden evenementenlocaties zoals de Johan Cruijff ArenA, Ziggo Dome en AFAS Live zich op loopafstand van het gebouw. Bij de toekomstige inrichting van het gebouw wordt zeer veel aandacht besteed aan thema’s als circulair bouwen, duurzaamheid (ook materiaal), het gebruik van contrasten, fris kleurgebruik en het creëren van een connectie tussen binnen en buiten. Verschillende verdiepingen kunnen inclusief inbouwpakket worden opgeleverd, en de entree op korte termijn een grootschalige renovatie ondergaan. Summary The building is located on the Hoogoorddreef 60 in the center of Amsterdam Zuid-Oost (South-East) and is very close to the Amsterdam Bijlmer Arena Station. In the surrounding area there are many established businesses such as ABN AMRO, ING BANK, DTG, de Bijenkorf head office and Tesla. Moreover, in the area event locations such as the Johan Cruijff ArenA, Ziggo Dome and AFAS Live are at a walking distance from the building. With future renovations, a lot of attention will be given to themes such as circular building, sustainability (materials included), the use of contrasts, use of light colours and creating a connection between the inside and the outside.
    [Show full text]
  • Historic Preservation Statement of Qualifications 2020
    Historic Preservation Statement of qualifications 2020 PRESERVATION RESTORATION CONSERVATION Table of Contents Company Information Information and Services 3 Projects Hearst Castle (National Register) 4 Santa Barbara Mission (National Register) 5 Villa Riviera (National Register) 6 One Colorado 7 Millenium Biltmore Hotel 8 Frank Lloyd Wright’s Ennis House 9 Pantages Theater 10 El Dorado Theater (National Register) 11 Glenarm Power Plant (National Register) 12 Downtown Women’s Center 13 Lopez Adobe (National Register) 14 Balboa Park - Museum of Man (National Register) 15 Catalina Casino 16 Company Experience Historic Project Experience List 17 Team Biographies 18 SpectraCompany.com • 2510 Supply Street, Pomona, CA 91767 • TEL: 800.375.1771 Page 2 Company Information Founded in 1985, the company's main construction focus is Historic Restoration, Preservation and Conservation. As a pioneer and leader in California, Spectra Company is committed to the protection and preservation of our country's most cherished architectural, historic and cultural landmarks. Company Overview License Classifications West Coast - #1 – Specialty "Historic" Contractor General Contractor Licenses held in Preservation - as per “The Secretary of the Interior Standards” California, Nevada and Arizona Excellent Job Safety Record Preservation Award Winning Company Services | Historic California Classifications Materials Restoration Construction and Design B–1 General Contractor • Stone/Marble/Granite/Terracotta • General Contracting C–29 Masonry / Adobe • Masonry/Brick/Adobe/Concrete
    [Show full text]
  • Shawn Mendes Announces 2017 Illuminate Arena World Tour
    For Release: Wednesday, September 7, 2016 at 4:15PM EST (1:15PM PST) SHAWN MENDES ANNOUNCES 2017 ILLUMINATE ARENA WORLD TOUR TO PERFORM AT STAPLES CENTER JULY 12th, 2017 ON SALE SATURDAY, SEPTEMBER 17th AT 10AM Fan Club presales begins Sunday, September 11th at 4PM American Express® Card Members can purchase tickets before the general public beginning Monday, September 12th at 10AM through Friday, September 16th at 10AM Tickets available at AXS.com or by phone at 888.929.7849 ILLUMINATE ALBUM AVAILABLE SEPTEMBER 23rd (Los Angeles, CA) - Today, in support of his sophomore album Illuminate (out September 23rd on Island Records), multi-platinum singer/songwriter Shawn Mendes announces his first-ever headlining arena world tour for 2017. The 44 announced Illuminate World Tour dates will kick off in the U.K. on April 27th, running through August 23rd in Boston, MA with many more dates still yet to be announced in North America & globally. The North American leg of the arena tour will begin July 6th and will make stops in major cities across the U.S. and Canada, including a night at Los Angeles’ legendary STAPLES Center (see full list of dates below and get ticket info at http://shawnmendesofficial.com/tour). For fan club presale info, head to http://ShawnAccess.com. American Express® Card Members will have access to purchase tickets in advance beginning Monday, September 12th*. The upcoming album Illuminate features Shawn’s hit lead single “Treat You Better,” which has entered the Top 10 on both Billboard’s Hot 100 and Radio Songs charts. This is Shawn’s second Top 10 single on the Hot 100 after “Stitches” reached #4 last year.
    [Show full text]
  • Jeremy Larochelle Strategic Analysis of Live Nation Entertainment
    Strategic Analysis of Live Nation Entertainment 1 Strategic Analysis of Live Nation Entertainment Jeremy Larochelle, MBA Strategic Analysis of Live Nation Entertainment 2 Executive Summary The following is an in-depth analysis of Live Nation Entertainment’s strategy, competitive position and business execution practices based on concepts from the book Crafting and executing strategy by Arthur A. Thompson Jr., Dr. A.J. (Lonnie) Strickland, John E. Gamble and Margaret A. Peteraf. Data for this study were gathered from the organization’s internal documents including Live Nation’s 2013 Annual Report and the Investor Relations section of their website as well as third-party research, news clippings and industry analysis. The report also calls upon the author’s experience in the music promotion market as a booking agent and marketing specialist. The research revealed an organization executing a well-crafted strategy to vertically integrate the unique value chain elements of their main concert business. As a result, Live Nation has catapulted past their competition in the U.S. concert and event promotion market as well as the global online ticketing industry where they hold commanding market shares in each. Despite this success, there is still opportunity for the publically traded company to grow and improve. For example, management has stated that they will continue to expand globally and advance their mobile ticketing platform. In addition, the author offers recommendations in a number of key areas to help propel the business even further. These are found at the end of each section along with a full recommendation to conclude the paper. Strategic Analysis of Live Nation Entertainment 3 Table of Contents Executive Summary .............................................................................................................................
    [Show full text]
  • Abbotsford Centre 2017 Annual Report
    COUNCIL REPORT Regular Council Report No. PRC 010-2018 Date: May 24, 2018 File No: 7900-20 To: Mayor and Council From: Kurt Houlden, Interim GM, Parks, Recreation & Culture Subject: Abbotsford Centre Annual Report for 2017, presented by Andrew Nash, General Manager, Abbotsford Centre RECOMMENDATION THAT Council receive for information the 2017 Annual Report of the Abbotsford Centre. REPORT CONCURRENCE General Manager City Manager The Interim General Manager concurs with The City Manager concurs with the the recommendation of this report. recommendation of this report. SUMMARY OF THE ISSUE The Abbotsford Centre 2017 Annual Report provides Council with an overview of the success of the operation including a highlight of the activities, trends and financial performance of the facility. BACKGROUND Spectra Venue Management (Spectra) has operated the Abbotsford Centre - a multi-use community, entertainment, cultural and sports facility on behalf of the City of Abbotsford since 2008. In 2014, the City of Abbotsford and Spectra Venue Management agreed to a new five year management and operating agreement, which included the “New Game Vision” (New Game), with enhanced community access; streamlined operating agreements; and revenue positive special events and anchor tenants. DISCUSSION In the past four years since the New Game was launched, the venue has increased community access, and generated a significant economic vibrancy for the businesses and residents of Abbotsford and surrounding area through successful event and community bookings. Report No. PRC 010-2018 Page 2 of 2 The “Abbotsford Centre 2017 Annual Report” (Attachment A) provides substantial detail. It was clearly another good year for the venue with 52 concerts and special events and hosting over 175,000 guests last year.
    [Show full text]
  • Over 150 Unique Venues Nationwide
    OVER 150 UNIQUE VENUES 2 LIVENATION.COM/SPECIALEVENTSNATIONWIDE PB LEGENDARY VENUES, EPIC EVENTS! 2 LIVENATION.COM/SPECIALEVENTSLIVENATION.COM/SPECIALEVENTS 3 LIVENATION.COM/SPECIALEVENTS TABLE OF CONTENTS 06 WHO WE ARE 08 WHAT WE DO 10 UNIQUE VENUES 18 EXCLUSIVE SPACES 22 EVENT TYPES 24 CORPORATE EVENTS 25 SOCIAL GATHERINGS 26 WEDDINGS 27 PRIVATE DINING 28 ENTERTAINMENT 30 SERVICES 32 SERVICE TYPES 34 CUSTOM MENUS & MIXOLOGY 36 LIVE ENTERTAINMENT 38 CLIENTS 4 4LIVENATION.COM/SPECIALEVENTS 5 LIVENATION.COM/SPECIALEVENTS WHO WE ARE YOUR NATIONWIDE VENUE SOLUTION. Our incredible spaces are the perfect location to host your corporate event, private concert, wedding, reception or business meeting. With access to the world’s greatest musical entertainment, full service event production, state-of-the-art lighting and sound, custom menus and mixology - our unique venues will exceed expectations of even the most discerning guest. Our talented staff handles every detail, so you don’t have to. Make your next meeting or private event one to remember! CONTACT US National Sales 310.360.3077 [email protected] 6 LIVENATION.COM/SPECIALEVENTSLIVENATION.COM/SPECIALEVENTS 7 WHAT WE DO ONE SOLUTION, COUNTLESS OPPORTUNITIES! With over 150 venues across North America, we offer unique event spaces, state-of-the-art production and branding capabilities, as well as an experienced staff ready to exceed your guests’ expectations. 8 LIVENATION.COM/SPECIALEVENTS 9 VENUES ARIZONA SACRAMENTO PHOENIX Ace of Spades [email protected] Comerica Theatre
    [Show full text]
  • Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB
    10,000 Maniacs;1988-07-31;Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB 10,000 Maniacs;Eden's Children, The Greek Theatre, Los Angeles, California, USA (SBD)[MP3-224];150 577 KB 10.000 Maniacs;1993-02-17;Berkeley Community Theater, Berkeley, CA (SBD)[FLAC];550 167 KB 10cc;1983-09-30;Ahoy Rotterdam, The Netherlands [FLAC];398 014 KB 10cc;2015-01-24;Billboard Live Tokyo, Tokyo, Japan [MP3-320];173 461 KB 10cc;2015-02-17;Cardiff, Wales (AUD)[FLAC];666 150 KB 16 Horsepower;1998-10-17;Congresgebow, The Hague, Netherlands (AUD)[FLAC];371 885 KB 16 Horsepower;2000-03-23;Eindhoven, Netherlands (Songhunter)[FLAC];514 685 KB 16 Horsepower;2000-07-31;Exzellenzhaus, Sommerbühne, Germany (AUD)[FLAC];477 506 KB 16 Horsepower;2000-08-02;Centralstation, Darmstadt, Germany (SBD)[FLAC];435 646 KB 1975, The;2013-09-08;iTunes Festival, London, England (SBD)[MP3-320];96 369 KB 1975, The;2014-04-13;Coachella Valley Music & Arts Festival (SBD)[MP3-320];104 245 KB 1984;(Brian May)[MP3-320];80 253 KB 2 Live Crew;1990-11-17;The Vertigo, Los Angeles, CA (AUD)[MP3-192];79 191 KB 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2002-10-01;Queen Elizabeth Hall, London, England [FLAC];619 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2004-04-29;The Key Club, Hollywood, CA [MP3-192];174 650 KB 2wo;1998-05-23;Float Right Park, Sommerset, WI;Live Piggyride (SBD)(DVD Audio Rip)[MP3-320];80 795 KB 3 Days Grace;2010-05-22;Crew Stadium , Rock On The Range, Columbus, Ohio, USA [MP3-192];87 645 KB 311;1996-05-26;Millenium Center, Winston-Salem,
    [Show full text]