101 Books to Read Before You Grow Up
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Better Nate Than Ever Free
FREE BETTER NATE THAN EVER PDF Tim Federle | 296 pages | 21 Feb 2014 | SIMON & SCHUSTER | 9781442446915 | English | New York, United States Book for Kids Raises Eyebrows Over Young Gay Character | HuffPost The plot centers on Nate Foster, a year-old musical theater Better Nate Than Ever who runs away from his Pennsylvania home to audition for "E. Upon his arrival in Big Apple, Nate meets the colorful denizens of Manhattan's theater world -- from child prodigies to rigid casting directors and ultra-conniving stage mothers -- but he never looks back on his dreams of Broadway glory. Check out Tim Federle's 10 Nate inspirations in the slideshow below, then scroll down to keep reading:. Despite its hero's whimsical journey, Federle's literary debut has a more realistic core than "Pitch Perfect," with twice the heart of a weekly "Glee" episode. To be fair, Nate's New York mishaps would be entertaining enough in their own right, but Federle adds depth and texture by exploring his pudgy protagonist's checkered family relationships and encounters with bullying. Theatrical authenticity is present in no short supply throughout the book, too; Nate substitutes the titles of Broadway flops like "Carrie" and "Dance of the Vampires" for curse words in chats with his gal pal Libby, Better Nate Than Ever his Aunt Heidi a character, Federle reveals, who was partly inspired by his "Little Mermaid" co-star Heidi Blickenstaff serves as his eventual Better Nate Than Ever Mame. Though Federle shares his passion for theater and a mid-Atlantic upbringing with his teen protagonist, he said Better Nate Than Ever is altogether more of an aspirational than autobiographical work. -
Better Nate Than Ever by Tim Federle
Better Nate Than Ever by Tim Federle An eighth-grader who dreams of performing in a Broadway musical concocts a plan to run away to New York and audition for the role of Elliot in the musical version of "E.T." Why you'll like it: Hilarious. Insightful. Heartfelt. About the Author: Tim Federle is "a prolific scribe whose breezy wit isn't bound to a single genre" (Huffington Post). Tim's award-winning novels include The New York Times Notable Books The Great American Whatever and the Nate series. Tim co-wrote both the Tony-nominated Broadway musical Tuck Everlasting, and the Golden Globe and Oscar-nominated Best Animated Feature Ferdinand, starring John Cena and Kate McKinnon. A native of San Francisco who grew up in Pittsburgh, Tim now divides his time between New York and the internet (@TimFederle). Questions for Discussion 1. As the novel begins, readers meet Nate and Libby in the Fosters’ backyard. After reading this first chapter, list at least three worries Nate has about his upcoming adventure to New York. Also, list at least three concerns Nate has about how life is going in Jankburg. 2. Nate and Libby use a kind of shorthand in their conversations by referring to Broadway shows and song lyrics. Can you think of any shared experiences that you and your friends or family use to communicate in a special way? Explain your answer. 3. Throughout his stay in New York City, Nate finds himself delighted by the diversity and open-mindedness of its citizens. Give at least for specific examples of this delight that makes Nate love the city more and more. -
"HIGH SCHOOL MUSICAL: the MUSICAL: the HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo Plays the Lead Role O
"HIGH SCHOOL MUSICAL: THE MUSICAL: THE HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo plays the lead role of "Nini" on "High School Musical: The Musical: The Series." With nearly 300 million streams worldwide, the season one hit she wrote and composed, "All I Want," entered the Billboard Hot 100 chart at #90 and has been certified Gold in the U.S. and Canada. Rodrigo also debuted at #18 on the Billboard Emerging Artists chart. Prior to HSMTMTS, Rodrigo stared as Paige Olvera in Disney Channel's live-action comedy "Bizaardvark." Her first professional acting job was in an Old Navy commercial and she then went on to star as the bubbly Grace Thomas in the popular direct-to-DVD movie, "An American Girl: Grace Stirs Up Success." Born and raised in Temecula, California, Rodrigo began taking singing and acting classes when she was six. Her love for performing continued to grow and she soon landed roles in several school plays as well as regional musical theater. Rodrigo currently resides in Los Angeles with her parents. In her spare time, she enjoys singing, playing piano, hanging out with friends and shopping at vintage stores. She loves to travel and explore new places. Twitter: @Olivia_Rodrigo; IG: @Olivia.Rodrigo Joshua Bassett Joshua Bassett plays the lead role of "Ricky" on "High School Musical: The Musical: The Series." He co-wrote and performed "Just For a Moment" with Olivia Rodrigo for season one and will debut an acoustic version of "The Perfect Gift," a song he penned for season two, on "High School Musical: The Musical: The Holiday Special." He is also known for his recurring role as Aidan Peters on Disney Channel's "Stuck in the Middle." He recently guest starred on "Dirty John" and ABC's "Grey's Anatomy." An artist with Warner Records, Bassett unveiled his solo debut “Common Sense” in 2020. -
The Case of Philip Pullman's Northern Lights
Translating and Adapting Fictional Speech: the Case of Philip Pullman’s Northern Lights A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2013 Andrew Read School of Arts, Languages and Cultures Contents List of figures ....................................................................................................6 Editions used and abbreviations.....................................................................8 Abstract .............................................................................................................9 Declaration ......................................................................................................10 Copyright statement .......................................................................................10 Dedication........................................................................................................11 Acknowledgements ........................................................................................12 Statement about the author ...........................................................................13 1 INTRODUCTION..................................................................... 14 1.1 Background to the study.....................................................................14 1.2 The distinctive nature of fictional speech..........................................16 1.3 Philip Pullman’s His Dark Materials trilogy........................................19 1.3.1 The trilogy and its -
The Exploration of Will's Maturation Through Intersubjectivity in Philip
DOI: 10.7816/idil-06-35-03 idil, 2017, Cilt 6, Sayı 35, Volume 6, Issue 35 THE EXPLORATION OF WILL’S MATURATION THROUGH INTERSUBJECTIVITY IN PHILIP PULLMAN’S HIS DARK MATERIALS TRILOGY1 Gözde ERSOY2 ABSTRACT This paper, through focusing on Philip Pullman’s The Subtle Knife (1997) and The Amber Spyglass (2000) from His Dark Materials trilogy, analyses the maturation process of young co-protagonist Will, who in the beginning is introduced to the readers as a boy carrying the world on his shoulders. It showcases his gradual coming of age through the effect of his actions with others, and whilst doing this social thinker Jürgen Habermas’s interpretation of the intersubjectivity theory helps to trace the changes in him. Moreover, the article briefly discusses the way in which intersubjectivity differs from Bakhtinian interpretation of multi-voiced narratives. Therefore, concepts such as mutual understanding and self-reflection are shown to affect the process of maturation in quest style young adult narratives. In the meantime, the whole discussion is backed up with a framework belonging to the doyen of fantasy literature critic John Clute, whose “full fantasy Story” (1997; 2011) model with its gradual four phases, is incorporated into the analysis. Keywords: Intersubjectivity, Growth and Maturation, Philip Pullman, Full- fantasy Story, Jürgen Habermas. 1 This article has partly been produced from the author’s Ph.D. thesis, for which she was awarded the degree in 2016 from Brunel University London, entitled: “Trajectories, Theresholds, Transformations: Coming of Age in Classic Modern Fantasy Fiction.” 2 Research Assistant Dr. Gözde ERSOY, Süleyman Demirel University (Isparta / Turkey), Faculty of Arts and Letters, Department of Western Languages and Literatures, contact e-mail: gozdeersoy(at)sdu.edu.tr 1915 www.idildergisi.com Ersoy, G. -
Philip Pullman, CS Lewis, and the Fantasy Tradition
Volume 28 Number 3 Article 4 4-15-2010 The Marriage of Heaven and Hell? Philip Pullman, C.S. Lewis, and the Fantasy Tradition Marek Oziewicz University of Wroclaw, Poland Daniel Hade Pennsylvania State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Oziewicz, Marek and Hade, Daniel (2010) "The Marriage of Heaven and Hell? Philip Pullman, C.S. Lewis, and the Fantasy Tradition," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 28 : No. 3 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol28/iss3/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Closely scrutinizes Pullman’s frequent denials of his quite obvious debt to C.S. Lewis, finding the hidden nuances in Pullman’s statements by separating out his responses to Lewis as a reader, author, and critic. -
The Golden Compass Library Lessons
The Golden Compass Grades 4–7 • Library Lessons • by | Lynne Farrell Stover The Golden Compass is the first in Philip Pullman’s His Dark Materials trilogy. Lyra Belacqua, an unruly child, finds herself at Jordon College, where she is free to roam as she pleases unaware that she is a key player in an ancient prophecy. Here she is visited by Lord Asriel who she believes to be her uncle. He has returned to get support for his return to the North to study Dust. He considers this mysterious phenomenon a threat from an alternate universe. After Lord Asriel returns to the artic wastelands, Lyra’s best friend, Roger, is kidnapped. Lyra takes advantage of an offer made by the power- ful Mrs. Coulter to become her apprentice and uses this opportunity as a chance to search for Roger. (The reader knows that Mrs. Coulter is not a nice person because in Lyra’s world, every human has a daemon, an animal counterpart that is an extension of that person’s soul and Mrs. Coulter’s is a nasty golden monkey.) Before Lyra leaves, the Master of Jordon College gives her an alethiometer, a rare and magical device used to discover the truth. After escaping Mrs. Coulter, Lyra locates Roger who is being held captive in a research facility. They are rescued by the Lee Scoresby and Iorek Byrnison, an armored bear and escape in a hot air balloon. Many adventures follow including the reinstatement of Iorek Byrnison’s reign as bear-king, the cruel death of Roger, and Lord Asriel’s entry into another world. -
Trends in American Culture in the Post-1960S Period: Proceedings of the 9Th Biennial Conference of the Hungarian Association of American Studies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SZTE Publicatio Repozitórium - SZTE - Repository of... Trends in American Culture in the Post-1960s Period: Proceedings of the 9th Biennial Conference of the Hungarian Association of American Studies Líceum Kiadó Eger, 2013 Editors: Zoltán Peterecz, Judit Szathmári, András Tamóc Reader, native reviewer: Jack Judson ISBN 978-615-5250-27-9 A kiadásért felelős az Eszterházy Károly Főiskola rektora Megjelent az EKF Líceum Kiadó gondozásában Igazgató: Kis-Tóth Lajos Felelős szerkesztő: Zimányi Árpád Műszaki szerkesztő: Nagy Sándomé Borítóterv: Bíró Tünde Megjelent: 2013-ban Készítette: az Eszterházy Károly Főiskola nyomdája Felelős vezető: Kérészy László Table of contents Foreword ..................................... ........................................................... 5 American History, .......... ................................... .................................. 9 Andrea Kökény: A Foreigner in His Native Land: Juan Nepomuceno Seguin and the Texas Revolution...........................11 Károly Pintér: Livin’ on a Prayer: The Supreme Court and the Constitutionality of Religious Activities in Public Schools .........27 Zoltán Peterecz: The Obama Phantom Doctrine...............................53 American Literature, .................................................. ....... ................ 71 Márta Asztalos: Instances of Patricide and Fathering in Flannery O’Connor’s The Violent Bear it Away..........................................73 Shohreh -
0Ff2727 Pdf the Golden Compass: His Dark Materials
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"Tuck Everlasting"?
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..7 Background…………………………………….………….….……..……8 My Most Beautiful Day: Creating a Song From Life Events …….……..……….…..26 Everlasting: Inspiring Words.……………………..…..…….…..44 The Forest of Tuck Everlasting: The Scenery Creates the Setting.…...……………63 The Homes of Tuck Everlasting: Scenery Creates the Setting ………….….……131 Additional Resources……………………………….…..….……...169 2 | P a g e Teacher’s Notes Book by Claudia Shear and Tim Federle Music by Chris Miller • Lyrics by Nathan Tysen Based on the novel “Tuck Everlasting” by Natalie Babbitt Synopsis: Eleven-year-old Winnie Foster yearns for a life of adventure beyond her white picket fence, but not until she becomes unexpectedly entwined with the Tuck Family does she get more than she could have imagined. When Winnie learns of the magic behind the Tuck’s unending youth, she must fight to protect their secret from those who would do anything for a chance at eternal life. As her adventure unfolds, Winnie faces an extraordinary choice: return to her life, or continue with the Tucks on their infinite journey. The “beautifully drawn, evocative tale” (Entertainment Weekly) of 11-year- old Winnie Foster, a free spirit who longs for adventure. Tuck Everlasting is the story of journeys and locations, physical and personal. This Study Companion investigates these journeys by providing opportunities for further consideration of three adaptations of the story: Natalie Babbitt’s book, the Disney film Tuck Everlasting and the musical created by Chris Miller and Nathan Tysen. -
Religion, Death and Love in Philip Pullman's His Dark Materials A
A Myth of Loss: - Religion, Death and Love in Philip Pullman’s His Dark Materials A Thesis Submitted to Leiden University In Partial Fulfillment of the Requirements for the Master’s Degree In Literary Studies Specialization English Literature and Culture By Durba I. Telkamp S1496115 June 2015 Supervisor: Michael Newton Second Reader: Evert van Leeuwen Telkamp 2 Tell them stories. They need the truth. You must tell them true stories, and everything will be well, just tell them stories. Philip Pullman, The Amber Spyglass Telkamp 3 This paper is dedicated to Shudha/Dobby-chan. First of all, thank you for reading every chapter and giving me feedback, and for discussing ideas with me, even when I made no sense whatsoever. But most of all, thank you for existing! For being such a huge part of my life, being who you are, and being around for me every single time I needed you, and even when I didn’t. Although you might not know this, you’ve been a wonderful inspiration to me, and a very good reason to live. I guess, in the end, we learned it the hard way that truth and courage work together to make a person strong and beautiful. And being true to yourself and fighting for what you believe in is what makes existence worth the effort. That’s something you have done so well, besides also giving me the strength to fight for what I believe in. I hope that by telling you stories of (my) life, pain and loss, I have not made your own life too heavy, and hope that you understand why there were not too many happy stories to tell. -
Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials Jordan Pace Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Biblical Studies Commons, Catholic Studies Commons, Children's and Young Adult Literature Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Comparative Philosophy Commons, Feminist Philosophy Commons, History of Christianity Commons, Literature in English, British Isles Commons, New Religious Movements Commons, Other Feminist, Gender, and Sexuality Studies Commons, Practical Theology Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Women's Studies Commons Recommended Citation Pace, Jordan, "God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/620 TRINITY COLLEGE Senior Thesis God the Father or Mother Divine? : Subversive Theology in John Milton’s Paradise Lost and Philip Pullman’s His Dark Materials submitted by Jordan Pace 2017 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts 2017 Director: Professor Sarah Bilston Reader: Professor Chloe Wheatley