Hamada Shōji (1894-1978)
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Kaori Someya C.V
Kaori Someya C.V. Career 1977 Born in Shimane Prefecture, Japan 1999 Completed Undergraduate Program - Nihonga Japanese Painting Major - Department of Fine Arts, Tokyo University of the Arts 2002 Completed Masters Program - Conservation and Restoration of Cultural Assets Major -Graduate School of Fine Arts, Tokyo University of the Arts 2004 Research Assistant at the Tokyo National Research Institute for Cultural Properties (~’06) 2008 Adjunct Instructor at Keio University (~’13) 2009 Adjunct Instructor at the Graduate School of Fine Arts, Tokyo University of the Arts (~’14) 2014 Research Assistant at the Graduate School of Fine Arts, Tokyo University of the Arts (~’17) 2015 Received Nomination to become Tokutai Ranking Member of Nihon Bijutsuin 2017 Assistant Professor at the Graduate School of Fine Arts, Tokyo University of the Arts (~’20) Present Tokutai Ranked Member of the Japan Arts Institute (Nihon Bijutsuin) Public Collections Permanent collections Adachi Museum of Art / Sato Sakura Museum / Niimi Museum of Art / Imai Art Museum Noteworthy Solo Exhibitions 2005 Kaori Someya Solo Exhibition, Gallery Tomo (Ginza) 2008 The Shape of Life, Gallery Goto (Ginza) 2010 Various Shapes, Tobu - Ikebukuro 2012 A Woman’s Heart Changes Like the Weather, Tobu - Ikebukuro 2013 The Colour of Flowers, Sogo - Hiroshima 2014 Hanamamire (Covered in Flowers), Tobu - Ikebukuro The Colour of Flowers, Seibu - Otsu and Sogo - Kobe 2015 Synchronicity - A Meaningful Coincidence, Tobu - Ikebukuro 2016 Exhibition of Kaori Someya’s Works Featured on the Cover -
The Leach Pottery: 100 Years on from St Ives
The Leach Pottery: 100 years on from St Ives Exhibition handlist Above: Bernard Leach, pilgrim bottle, stoneware, 1950–60s Crafts Study Centre, 2004.77, gift of Stella and Nick Redgrave Introduction The Leach Pottery was established in St Ives, Cornwall in the year 1920. Its founders were Bernard Leach and his fellow potter Shoji Hamada. They had travelled together from Japan (where Leach had been living and working with his wife Muriel and their young family). Leach was sponsored by Frances Horne who had set up the St Ives Handicraft Guild, and she loaned Leach £2,500 as capital to buy land and build a small pottery, as well as a sum of £250 for three years to help with running costs. Leach identified a small strip of land (a cow pasture) at the edge of St Ives by the side of the Stennack stream, and the pottery was constructed using local granite. A tiny room was reserved for Hamada to sleep in, and Hamada himself built a climbing kiln in the oriental style (the first in the west, it was claimed). It was a humble start to one of the great sites of studio pottery. The Leach Pottery celebrates its centenary year in 2020, although the extensive programme of events and exhibitions planned in Britain and Japan has been curtailed by the impact of Covid-19. This exhibition is the tribute of the Crafts Study Centre to the history, legacy and continuing significance of The Leach Pottery, based on the outstanding collections and archives relating firstly to Bernard Leach. -
Bernard Leach and His Circle
Bernard Leach and his Circle Spring 2008 26 January – 11 May 2008 Notes for Teachers Information and practical ideas for groups Written by Angie MacDonald Ceramics by Bernard Leach and key studio potters who worked alongside him can be seen in the Showcase (Upper Gallery 2). These works form part of the Wingfield-Digby Collection, recently gifted to Tate St Ives. For discussion • There has been much discussion in recent years as to whether ceramics is an art or a craft. Leach insisted that he was an ‘artist-potter’ and he always regarded his individual pots as objects of art rather than craft. • Why do you think he considered these pots more important than the standard ware (tableware)? • What do you think the display at Tate St Ives says about the status of these objects? Are they sculptures or domestic objects? • The Japanese critic Soetsu Yanagi complimented Leach by describing his earthenware as ‘born not made’. What do you think he meant by this? • Leach said he wanted his pots to have ‘vitality’ – to capture a sense of energy and life. Can you find examples that you feel have this quality? • The simplified motif of a bird was a favourite for Leach. He considered it a symbol of freedom and peace. Can you find other motifs in his work and what do you think they symbolise? Things to think about This stoneware tile has the design of a bird feeding its young, painted in iron. It has sgraffito detailing where Leach scratched through the wet clay slip before firing. It is an excellent example of Leach’s commitment to quiet, contemplative forms with soft, muted colours derived from the earth. -
Bernard Leach and British Columbian Pottery: an Historical Ethnography of a Taste Culture
BERNARD LEACH AND BRITISH COLUMBIAN POTTERY: AN HISTORICAL ETHNOGRAPHY OF A TASTE CULTURE by Nora E. Vaillant B. A. Swarthmore College, 1989 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in The Faculty of Graduate Studies (Department of Anthropology and Sociology) We accept this thesis as conforming to the required standard The University of British Columbia October 2002 © Nora E. Vaillant, 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of J^j'thiA^^ The University of British Columbia Vancouver, Canada Date DE-6 (2/88) ABSTRACT This thesis presents an historical ethnography of the art world and the taste culture that collected the west coast or Leach influenced style of pottery in British Columbia. This handmade functional style of pottery traces its beginnings to Vancouver in the 1950s and 1960s, and its emergence is embedded in the cultural history of the city during that era. The development of this pottery style is examined in relation to the social network of its founding artisans and its major collectors. The Vancouver potters Glenn Lewis, Mick Henry and John Reeve apprenticed with master potter Bernard Leach in England during the late fifties and early sixties. -
Japanese Department Stores: a Failure in Globalisation
Japanese Department Stores: A Failure in Globalisation Dr. Rika Fujioka Professor Faculty of Business Administration, Osaka University of Economics 2-2-8 Osumi, Higashiyodogawa-ku, Osaka, 533-8533, Japan E-mail: [email protected] Globalisation for Japanese department stores has been far from successful compared with UK grocery retailers such as Tesco and Marks & Spencer; Japanese convenience stores such as Seven-Eleven and Family Mart; and Japanese manufacturers such as Toyota and Sony. However, Japanese department stores have been around since the globalisation of Japanese enterprises began. The managers of department stores carefully considered their overseas market and their international activities. Although they made a decision to adopt this kind of strategy, they did not, until recently, conduct a full-scale globalisation operation. This paper traces the globalisation process that Japanese department stores underwent, and examines the impact that this process had on them. In this study, it will become clear why Japanese department stores failed in their attempts at globalisation, by analysing the significant turning points in their history. The Early Development of Department Stores Department stores were in the vanguard of foreign trade in Japan. After the Meiji Restoration, Japan became more outward-looking in the late 19th century. Some managers at large dry goods stores, the predecessors of department stores, went to Europe and the US in order to obtain training in Western-style store management and learn skills to improve Japanese production systems. By the end of the 19th century, some of these managers had opened overseas branches in Europe with expatriate staff to import Western products and samples of merchandise to Japan, and to trade textile products with European countries. -
List of Points of Sale Participating in Guerlain’S International Fund Drive for 2021 World Bee Day
LIST OF POINTS OF SALE PARTICIPATING IN GUERLAIN’S INTERNATIONAL FUND DRIVE FOR 2021 WORLD BEE DAY DOOR NAME CATEGORY CITY AREA DAVID JONES Melbourne Bourke Street Mall DEPARTMENT STORE Melbourne AUSTRALIA DAVID JONES Sydney Elizabeth Street DEPARTMENT STORE Sydney AUSTRALIA BOUTIQUE Bruxelles GUERLAIN BOUTIQUE Brussels BELGIUM HOLT RENFREW Calgary DEPARTMENT STORE Calgary CANADA HOLT RENFREW Square One DEPARTMENT STORE Mississauga CANADA HOLT RENFREW Ogilvy DEPARTMENT STORE Montreal CANADA HOLT RENFREW Bloor DEPARTMENT STORE Toronto CANADA HOLT RENFREW Vancouver DEPARTMENT STORE Vancouver CANADA LE BON MARCHÉ RIVE GAUCHE DEPARTMENT STORE Paris FRANCE BOUTIQUE Beaugrenelle GUERLAIN BOUTIQUE Paris FRANCE BHV MARAIS DEPARTMENT STORE Paris FRANCE BOUTIQUE Vendôme GUERLAIN BOUTIQUE Paris FRANCE MAISON GUERLAIN 68 Champs-Élysées GUERLAIN BOUTIQUE Paris FRANCE INSTITUT Paris 68 Champs-Élysées INSTITUTES & SPAS Paris FRANCE GALERIES LAFAYETTE HAUSSMANN DEPARTMENT STORE Paris FRANCE BOUTIQUE Marionnaud Convention GUERLAIN BOUTIQUE Paris FRANCE PRINTEMPS HAUSSMANN BEAUTÉ DEPARTMENT STORE Paris FRANCE BOUTIQUE Francs-Bourgeois GUERLAIN BOUTIQUE Paris FRANCE BOUTIQUE Haussmann GUERLAIN BOUTIQUE Paris FRANCE BOUTIQUE Passy GUERLAIN BOUTIQUE Paris FRANCE BOUTIQUE Sèvres GUERLAIN BOUTIQUE Paris FRANCE KADEWE Berlin DEPARTMENT STORE Berlin GERMANY ALSTERHAUS Hamburg DEPARTMENT STORE Hamburg GERMANY KAUFHOF Düsseldorf Königsallee DEPARTMENT STORE Düsseldorf GERMANY BREUNINGER Stuttgart DEPARTMENT STORE Stuttgart GERMANY BOUTIQUE München oberpollinger -
Cool Japan Strategy
Cool Japan Strategy January 2012 Creative Industries Division Ministry of Economy, Trade and Industry The Japanese economy—status and issues: Population decline and decreased growth potential Japan’s nominal GDP decreased by 55 trillion yen over the three years from 2008 to 2011. Japan's real economic growth rate fell to 1% and below during the 2000s. In the future, the declining population of productive age is expected to lower growth potential. 55 trillion yen decrease ○ Nominal GDP (annualized), January–March 2008: 517 trillion yen in nominal GDP in ○ Nominal GDP (annualized) April–June 2011: 462 trillion yen three years Past and projected change in Japan's population of Past and projected economic growth rates productive age (10,000 persons) 00~–1414 population歳人口 1515–~6464 population歳人口 6565 歳以上人口and older population (Change(年度平均変化率:%) in average annual rate: %) Impact就業者数の変化の影響 on number of persons employed 14,000 Productivity生産性(就業者一人当たり実質 (real GDP per employed person)GDP )成長率growth rate 13,000 4.5 Real実質 GDPGDP growth成長率 rate 12,000 2,941 4.0 1.2 11,000 10,000 3.0 9,000 8,000 2.0 3,764 1.5 7,000 3.3 0.7 0.4 0.3 0.5 1.0 6,000 8,128 1.0 1.0 1.0 1.0 5,000 0.0 4,000 4,930 -0.3 -0.6 -0.7 3,000 -1.0 2,000 19801980s年代 19901990s年代 20002000s年代 20102010s年代 20202020s年代 (fiscal(年度) years) 1,000 1,648 821 0 Note: Labor force participation rates by sex and age are assumed to remain level from 2009. -
The Life of Animals in Japanese Art Jun 2–Aug 18, 2019
UPDATED: 5/30/2019 3:04:02 PM Rotation Checklist: The Life of Animals in Japanese Art Jun 2–Aug 18, 2019 Works from rotation A are on view through July 7. Works will be rotated on a rolling basis during the week of July 8-12. Some works from rotation A will go off view and not be replaced with another work. Works from rotation B are on view following July 13. The exhibition is curated by Robert T. Singer, curator and department head, Japanese art, LACMA, and Masatomo Kawai, director, Chiba City Museum of Art, in consultation with a team of esteemed of Japanese art historians. Coorganized by the National Gallery of Art, Washington, the Japan Foundation, and the Los Angeles County Museum of Art, with special cooperation from the Tokyo National Museum. LACMA is presenting an abbreviated version of the exhibition, titled Every Living Thing: Animals in Japanese Art from September 22 through December 8, 2019. Made possible through the generous support of the E. Rhodes and Leona B. Carpenter Foundation. The Robert and Mercedes Eichholz Foundation also kindly provided a leadership gift for this exhibition. Additional funding is provided by The Exhibition Circle of the National Gallery of Art and the Annenberg Fund for the International Exchange of Art. Additional support is provided by All Nippon Airways (ANA). The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. The exhibition is part of Japan 2019, an initiative to promote Japanese culture in the United States. Press Release: https://www.nga.gov/press/exh/4874.html Order Press Images: https://www.nga.gov/press/exh/4874/images.html Press Contact: Isabella Bulkeley, (202) 842-6864 or [email protected] 1 A Cat. -
Isetan Mitsukoshi Holdings Ltd. 5-16-10, Shinjuku, Shinjuku-Ku, Tokyo, Japan
Convocation Notice Securities Code: 3099 May 27, 2019 To Shareholders with Voting Rights Ken Akamatsu Chairman and Representative Director Isetan Mitsukoshi Holdings Ltd. 5-16-10, Shinjuku, Shinjuku-ku, Tokyo, Japan NOTICE OF THE CONVOCATION OF THE 11TH ORDINARY GENERAL MEETING OF SHAREHOLDERS You are cordially invited to attend the 11th Ordinary General Meeting of Shareholders of Isetan Mitsukoshi Holdings Ltd. (the “Company”). The meeting will be held as described below. If you are unable to attend the meeting, you can exercise your voting rights in writing or via the Internet, etc., as described in “Guide to Exercising Voting Rights” on the next page. Please review the Reference Documents for the General Meeting of Shareholders in the following pages and exercise your voting rights by 8 p.m., Friday, June 14, 2019. 1. Date and Time: Monday, June 17, 2019, at 10:00 a.m. The reception is scheduled to begin at 9:00 a.m. 2. Place: Palais Royal, B1F, Grand Nikko Tokyo Daiba 2-6-1, Daiba, Minato-ku, Tokyo, Japan * Please be aware that if Palais Royal is full, you will be shown to a second meeting room. 3. Agenda of the Meeting: Matters to be reported: 1. The Business Report and the Consolidated Financial Statements for the 11th term (from April 1, 2018 to March 31, 2019) and results of audits by the Accounting Auditor and the Board of Corporate Auditors of the Consolidated Financial Statements 2. The Nonconsolidated Financial Statements for the 11th term (from April 1, 2018 to March 31, 2019) Proposals to be resolved: Proposal No. -
Sight-Seeing Area
Yakiniku Musashi Yoshinoya Makuhari Saizeriya Makuhari Chinese Restaurant DENNY’S Makuhari Dontei Baskin-Robbins Makuhari Kaihimmakuhari Station Map Mark Bamiyan Makuhari Makuhari Road side sight-seeing area Makuhari Koban ? Information 〒 Post Office 1 Higashi-Funabashi Taizantei Nishi-Funabashi P ¥ 2 A P Parking¥ Bank & ATM Funabashi Keisei Main Line Don Quijote Makuhari YAMADA DENKI FUJIYA Chiba Makuhari Tsudanuma Restaurant Convenience Store Futamata-Shinmachi 1 1 Messe Mall C Tecc.Land New Makuhari A Keisei Chiba Line bo u 3 t Minami-Funabashi Makuhari-Hongo A long, open space for guests to take a walk or a break. Under Gas Station Bus stop Kisoji Makuhari McDonalds Makuhari 15 JR Keiyo Line Japanese Restaurant KEIYO ROAD the mall are parking lots that can hold up to 739 cars. m i TONDEN Makuhari Makuhari n u Shin-Narashino Makuhari Minami Ito Yokado Makuhari HIGASHI-KANTO EXPWY Color t es Wangan Chiba IC HIGASHI-KANTO EXPWY Elementary School Funadamariato 2 Makuhari Home Fashion t o o Makuhari Sohgoh High school building Tokyo Bay Park JR Shopping Mall Restaurant Royal Host Makuhari NITORI Makuhari Makuhari Messe Ma Shin-Kemigawa for nursing course Chiba Urban Monorail Chiba Shigoto Plaza S kuhari Kaihimmakuhari Hotel Office Inage (Techno Pyramid) Chiba Prefectural 3 The Open University of Japan Kemigawa- University of Health Sciences Hama 4 Educational and tat SHOPPING 2 Makuhari Seaside Park Other Showa Gakuen Shuei occupational facilities by ion JR Sobu Line Junior & Senior High Schools 1 LaLaport TOKYO-BAY Inage-Kaigan 4 Nishi-Chiba Four times the size of Hibiya Park, this park consists of diverse B Japan Academy Chiba General bus. -
Inage Kaigan Area 5 Chiba Minato Area 2 Makuhari New Urban Center
1 Chiba City 市内全域略図 A B C D E Katsutadai Keisei-oowada Sakura Sakura Takanodai CC Ibaraki Sawara Yachiyodai Saitama Katsutagawa River Tsukuba Express Costco Wholesale Kashiwa Japan 2 幕張新都心エリア Higashikanto Express way Narita Makuhari New Urban Center Area Choshi Matsudo Narita Sakura Airport A B C D Yokodo Akihabara Kaihin To Tokyo 1 1 Shinjuku Keiyo Express way Chiba Togane Express way makuhari Naruto Tokyo N AEON MALL Chiba Tokyo Maihama Chiba MAKUHARI-SHINTOSHIN Soga City Mimomi Miharuno Strawberry Farm To Tokyo Hamada Nokyo-maeHaneda Oami Keisei Main Line Monoi Driver's License Center To Tokyo Airport Kotehasidanchi Kanagawa Tokyo Bay Aqualine Keisei-Ookubo Iriguchi Yotsukaido IC Naganuma-Funabashi road Hanashima koen (park) Kayabasidai Chiba Makuhari Messe Parking Area Kashiwai Leisure Farm Yokohama Yotsukaido-Kamishizu road Tateyama Express way Sapporo License Center Tenpuku-ji (Temple) Kisarazu Railway Naha 1 Hamadagawa green space Tanjyo Farm Road Toyosuna Amadodai Higashi Kanto Expressway Messe Ohashi Furusato Farm Otaki Ohara Choin-ji Hamadagawa River Seiko Instruments (Temple) Kotehashi Onsui Pool Kazusa To Tokyo Kameyama Onjuku Anagawa-Amado road Anagawa-Amado Makuharihongo road Anagawa-Amado Chiba Kita Police Station Hamadagawa-dori St. ACCESS Hanamigawa River MARINES MUSEUM Tokyo Gas Makuhari PA Chibakita IC Katsuura Fujitsu SHARP FAMY INN MAKUHARI Tokyo STARTS To Tokyo Takeishi IC Awa Kyoto KITZ Chiba H Kamogawa Osaka Nagoya Kotehasi Kaizuka Shimada Family's Buildings Fukuoka Koyasu-Jinja (shell mound) Park nakase 2 (Shrine) Naganuma (Late Edo Period) Business-dori St. Business-dori Houdou-ji (Temple) (National historic site) Tateyama QVC Marine Field Keiyo Road Yotsukaido Cannon MJ Komamori-Jinja (Shrine) Miyanogi Sports Center Messe-odori St. -
Leach Pottery Announce Collaborative Project to Restore Documentary Film Compendium on Bernard Leach and the Mingei Movement
Leach Pottery Announce Collaborative Project to Restore Documentary Film Compendium on Bernard Leach and the Mingei Movement The Leach Pottery and Marty Gross Film Productions, Canada, announce their collaboration in the restoration and re-release of historically important films from the 1930’s to the 1970’s which profile key figures in the history of The Leach Pottery and the Japanese Mingei Movement. The Great Britain Sasakawa Foundation have provided a generous £5000 donation in support of this unique project, and following this initial funding further funding has been pledged or received from The Museum of Ceramic Art New York, Ceramica Stiftung Basel, Warren and Nancy MacKenzie, scholar Dr. Paul Griffith and art collector Dr. John Driscoll. Film subjects include Bernard Leach, Shoji Hamada, Soetsu Yanagi, Janet Leach, William Marshall and others. Bernard Leach, founder of The Leach Pottery, was an important figure in the history of contemporary ceramics and a key member of the group that founded the Mingei Movement. His writings on Japan and its ceramic traditions are central documents in the history of the Modern craft movement. Over the neXt three years, the project will restore and digitize important and never before seen footage which documents the studies of Bernard Leach and his colleagues in Japan as they developed ideas that became central to the Mingei movement. The resulting compendium will consist of DVDs and a booklet containing the following films and new documentation: ▪ Trip to Japan, filmed by Bernard Leach, 1934-35 ▪ Mashiko Village Pottery, Japan 1937 ▪ Bernard Leach visit to San Francisco, 1950 ▪ The Art of the Potter (1971), by David Outerbridge and Sidney Reichman ▪ Excerpts from 10 hours of unseen film footage from The Art of the Potter ▪ An exclusive Video Interview by Marty Gross with Mihoko Okamura, D.T.