DOCSLIB.ORG

Download the LFCCM 2011 Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the LFCCM 2011 Brochure Aims of the LFCCM Welcome to the London Festival of Contemporary Church Music In 201 1 the Festival celebrates its tenth year, fulfilling our principal aim of The 201 1 Festival runs from 7th to 1 5th May, in numerous venues across showcasing performances of recent and contemporary liturgical music London, and, through the highly successful Call for Scores, features an and organ music at the very highest levels, in the context of both services unprecedented number of World, UK and London premières. and concerts. The Festival is a week-long event around St Pancrastide, Building upon our raft of exhilarating commissions in 201 0, the Festival is running from 7th to 1 5th May. very pleased to have been able to commission four works this year. L F C C M Our subsidiary aims are as follows: Having commissioned our first work for organ in 201 0, we follow this with Thomas Hyde’s Easter Alleluyas, which will receive its première in a To encourage and enthuse people to experience such music in live live broadcast of Choral Evensong from St Pancras on 1 1 th May. This London Festival of performances, rather than through recorded media service will include two further 201 1 commissions: Antony Pitts’ Te Deum and Andrew Simpson’s gentle introit, Save us, O Lord, waking. We are To add to the living musical tradition through newly commissioned works delighted to be able to commission Gordon Crosse to write a setting of Contemporary the compline responsory As watchmen look for the morning. To provide a platform for composers to present and to discuss their work Alongside our own commissions, the LFCCM 201 1 includes a significant Church Music Patrons number of premières. We present world premières from Alan Gibbs, The Rt Revd Richard Chartres – Bishop of London Gregory Rose, Andrew Gant and Tim Ambler; UK premières from Rachel The Rt Revd Peter Wheatley – Bishop of Edmonton deVore Fogarty, Lowell Liebermann, Timothy Bowlby, Raymond Helble Kerry Andrew Cecilia McDowall and Lukasz Urbaniak; and London premières from James Macmillan, John 7-1 5 M ay 201 1 Michael Berkeley James MacMillan McCabe, Geoffrey Burgon, Alberto Colla and Phillip Cooke. th Diana Burrell Sir Peter Maxwell Davies Concerts within the LFCCM allow the opportunity to focus upon the 1 0 Anniversary Year Jonathan Dove Antony Pitts repertoire in a variety of ways. The Opening Concert showcases a broad Michael Finnissy Gregory Rose array of works by contemporary composers, including Gabriel Jackson’s Sebastian Forbes Graham Ross Requiem. Composer concerts enable us to celebrate particular Alan Gibbs Robert Saxton contributions; this year we feature Bob Chilcott, Cecilia McDowall, Deirdre Gribbin Ian Wilson Jonathan Harvey and Ronald Corp. Organ recitals are an important Jonathan Harvey David Wordsworth dimension within the Festival, juxtaposing established repertoire Gabriel Jackson alongside contemporary offerings. The RAM concert at Southwark Cathedral is particularly notable for its inclusion of the world première of Ticket Bookings Diana Burrell’ Vigils, the last segment of her cycle The Hours, which Tickets for the evening concerts on Saturday 7th May (The Choir of Clare explores relationships for the organ as part of a chamber music context. College, Cambridge) and Thursday 1 2th May (Elysian Singers) can be Education is a significant strand of the Festival. As well as contributions purchased in the following ways: from RAM and UCL we are delighted to work again with St Clement Danes Primary School, whose commitment to contemporary music in Online: www.lfccm.com worship is notable. Post: please send a cheque for the amount due specifying the number of tickets, and any concessions to LFCCM, St Pancras Church, Euston Road, Collaboration is central to the LFCCM, enabling the Festival to achieve its London, NW1 2BA. Cheques should be made payable to 'St Pancras aims across London. Long-standing relationships with St Paul’s Cathedral, Church PCC'. Please note postal bookings will incur a booking fee of50p per Westminster Abbey, Southwark Cathedral, Westminster Cathedral, the transaction which should be included in the total amount. Royal Hospital, the Temple Church, the Chapels Royal St James’s Palace and St Paul’s Covent Garden, contribute much to the success of the Tickets for the New London Children's Choir concert (Friday 1 3th May) can event. This year it is a pleasure to welcome the Savoy Chapel Royal, be purchased online at www.lfccm.com or on the door. Lincoln’s Inn, St Dunstan-in-the-West and St Alban’s Holborn. supported by Creating such a wide-ranging programme across London is possible only Festival Information with the support and encouragement of composers, clergy, directors of Artistic Director: Christopher Batchelor music and organists, educational institutions and our patrons. I am Administrator: Rosemary Galton delighted that Antony Pitts, Kerry Andrew and Graham Ross have Contact: [email protected], 020 7388 1 461 recently become patrons of the Festival. The Festival is also most grateful LFCCM, St Pancras Church, Euston Road, London NW1 2BA to St Pancras PCC, the Thanet Street Trust, PRSforMusic, the RVW Trust, www.lfccm.com the Holst Foundation and a number of individuals who have particularly helped us to commission works for this year's Festival. www.lfccm.com Cover image: Ascension stained glass window at St Pancras Church I very much look forward to meeting you at the 201 1 LFCCM. Photographer: John R Salmon Christopher Batchelor – Artistic Director London Festival of Contemporary Church Music: 7th to 1 5th May 201 1 Events take place at St Pancras Parish Church unless otherwise stated, and are free to attend unless ticket information is specified Saturday 7th May Introit: Burke Lumen ad revelationem gentium* Friday 1 3th May 5pm Choral Evensong at St Paul’s Cathedral Burgon Conditor alme siderum (lp) 1 2.30pm Pre-concert talk at the Purcell Room: Cecilia McDowall to include McDowall Deus, portus pacis Nunc Dimittis: Paul Drayton New College Service 1 pm In celebration of Cecilia McDowall's Choral Music 7pm Pre-concert talk: Gabriel Jackson Colla Te lucis ante terminum* (ukp) Purcell Room, Southbank Centre 7.30pm Opening night concert The Choir of St Pancras Church, The Choir of Clare College, Cambridge Tuesday 1 0th May directed by Christopher Batchelor Graham Ross, director 1 .05pm Organ Recital at Lincoln’s Inn: Léon Charles McDowall A Canterbury Mass, Regina Caeli, Ave Regina, Gabriel Jackson Requiem, works by Robin Holloway, Michael programme to include McDowall Sounding Heaven and Earth, Ave Maria, Alma Redemptoris Mater (lp), Psallite Domino (lp), Berkeley, Cecilia McDowall, Kerry Andrew, Howard Skempton Dove Niagra, Pott Toccata I have done what is mine to do (lp) Tickets: Adults £1 0, concessions £8 5.1 5pm Evensong at St George’s Chapel, Windsor Castle 5.30pm The Choral Music of Jonathan Harvey Responses: Paul Spicer University College London Chamber Choir Sunday 8th May Easter III Canticles: David Bednall ‘Gloucester’ Service directed by Charles Peebles perform The Angels, Remember O 1 0am Choral Eucharist Anthem: Pott O Lord, make thy servant Elizabeth our Queen Lord, I love the Lord, The Royal Banners Forward go, Thou Preacher: The Revd Professor Ben Quash, Professor of Voluntary: MacMillan Gaudeamus in loci pace Mastering me God, and God is our Refuge Christianity and the Arts, King’s College, London 7pm The Ice Mountain at St Alban-the-Martyr, Holborn Introit: DeVore Fogarty Dignus est* (ukp) Wednesday 1 1 th May A semi-staged opera by Ron Corp Mass: MacMillan Missa Dunelmi (lp) 1 .1 5pm Organ Recital at The Temple Church: Ian le Grice The New London Childrens’ Choir Gradual Motet: Fokkens Jesu dulcis memoria performs Thalben-Ball Poema & Toccata Beorma, Tickets: £1 0 adults, £8 concessions Communion Motet: McCabe The last and greatest Herald (lp) Mathias Partita, Kropfreiter Toccata Francese Voluntary: McDowall Sounding Heaven and Earth 4pm Choral Evensong BBC Radio 3 live broadcast Saturday 1 4th May 1 1 am Choral Matins at the Royal Hospital, Chelsea Please be seated by 3.45pm 5pm Choral Evensong at Westminster Abbey Introit: Brown Adoro te devote Responses: McDowall (lfccm1 0) Responses: Ben Parry Introit: Simpson Save us, O Lord (lfccm1 1 ) Sunday 1 5th May Easter IV Anthem: MacMillan A new song Psalms: Léon Charles 1 0am Choral Eucharist and Confirmation Voluntary: Leighton Paean Canticles: Rose Fifth Service ‘The Bells’ Preacher: The Right Revd Peter Wheatley, Bishop of Edmonton 1 1 am Choral Eucharist at HM Savoy Chapel Anthem: Pitts Te Deum (lfccm1 1 ) Introit: Crosse As the watchmen look for the morning (lfccm1 1 ) Mass: Corp Missa San Marco Voluntary: Hyde Easter Alleluyas (lfccm1 1 ) Mass: Liebermann Missa Brevis 4.45pm Organ Recital at Westminster Cathedral: Martin Baker 4.30pm Pre-concert talk at St Dunstan-in-the-West: Andrew Gant Gradual Motet: Helble Anima Christi* (ukp) demonstrates the power of improvisation 5pm Easter and Christmas, Winter and Spring: Communion Motet: Urbaniak Exaltabo te Domine* (ukp) 6pm Choral Evensong A concert of music for boys' voices and harp. Voluntary: Hyde Easter Alleluyas Preacher: The Venerable Adrian Harbidge, Vicar of Seale & St Dunstan-in-the-West, Fleet Street 1 0.30am Solemn Mass at Westminster Cathedral Puttenham The Children of Her Majesty's Chapel Royal Mass: MacMillan Westminster Mass Responses: McDowall (lfccm1 0) Directed by Andrew Gant, with Rachel Wick, harp 1 1 am Choral Matins at HM Chapel Royal, St James’s Palace Introit: Gorton Alma Redemptoris Mater* Britten A Ceremony of Carols, Swayne O my dear heart, Gant This Introit: Rutter This is the Day Psalms: Léon Charles have I done for my true love: a sequence of Easter carols (wp) Responses: Gant Pentatonic responses Canticles: Gregory Rose Fifth Service 'The Bells' (wp) Te Deum: Britten in E Anthem: Pitts Te Deum (lfccm1 1 ) Thursday 1 2th May St.
Load more

Recommended publications
  • London, an Intimate Picture
    i Class. M^ol:' Book. Copyright ]^^ COPYRIGHT DEPOSn^ LONDON AN INTIMATE PICTURE N By HENRY JAMES FORMA IN THE FOOTPRINTS OF HEINE THE IDEAL ITALIAN TOUR LONDON—AN INTIMATE PICTURE Horseguard at Entrance to Whitehall LONDON AN INTIMATE PICTURE BY HENRY JAMES FORMAN AUTHOR OF " THE IDEAL ITALIAN TOUR, " ETC. NEW YORK McBRIDE, NAST & COMPANY 1913 ^"^ y^<( Copyright, 1913, by McBeide, Nast & Co. Published, November, 1913 ©CI,A357790 TO FILSON YOUNG COXTEXTS PAGE I The Lure of Loxdox 1 II The Atmosphere of London . 7 III Trafalgar Square and the Strand . 14 IV A Walk in Pall Mall and Piccadilly 36 V Fleet Street and the Temple . 58 VI From St. Paul's to Charter House . 77 VII The City: Some Milton, Shakespeare and Dickens Land 95 VIII The To"vver 117 IX Whitehall and Westminster 127 X Galleries and Pictures 151 XI Here and There 171 XII The London of Homes . 185 THE ILLUSTRATIONS Horseguard at Entrance to Whitehall . Frontispiece Thames Embankment and Cleopatra's Needle . 2, Trafalgar Square 16 Waterloo Bridge^ showing entrance to subway . 24 St. Clement Danes Church 32 Piccadilly Circus 40 St. Mary le Strand 60 Queen Anne Statue, before St. Paul's .... 78 Sentry at Buckingham Palace 86 Fishing in the Green Park 98 St. Saviour's Church 112 On Tower Bridge 120 " " Westminster Bridge, showing Big Ben . .134 One of Landseer's Lions and the National Gallery . 154 The British Museum 172 Thomas Carlyle Statue on Chelsea Embankment . 194 LONDON AN INTIMATE PICTURE London: An Intimate Picture THE LURE OF LONDON those of us whose tongue is English, Lon- TOdon is the most romantic spot on earth.
    [Show full text]
  • Report and Accounts Year Ended 31St March 2016
    Report and Accounts Year ended 31st March 2016 Preserving the past, investing for the future annual report to 31st March 2016 Annual Report Report and accounts of the Duchy of Lancaster for the year ended 31 March 2016 Presented to Parliament pursuant to Section 2 of the Duchies of Lancaster and Cornwall (Accounts) Act 1838. annual report to 31st March 2016 River Hodder, Whitewell Estate, Lancashire. annual report to 31st March 2016 Introduction The Duchy of Lancaster is a private History estate owned by Her Majesty The In 1265, King Henry III gifted to his Queen as Duke of Lancaster. It has son Edmund the baronial lands of been the personal estate of the Simon de Montfort. A year later, he reigning Monarch since Henry IV in added the estate of Robert Ferrers, 1399 and is held separately to all other Earl of Derby and then the ‘honor, Crown possessions. county, town and castle of Lancaster’, giving Edmund the new title of Earl of The ancient inheritance began over Lancaster. 750 years ago. Historically, its growth was achieved via legacy, alliance In 1267, Edmund also received from his and appropriation. In more modern father the manor of Newcastle-under- times, growth has been delivered Lyme in Staffordshire, together with through active asset management. lands and estates in both Yorkshire and Lancashire. This substantial Her Majesty The Queen, Today, the estate covers 18,542 inheritance was further added to Duke of Lancaster. hectares of rural land divided into by Edmund’s mother, Eleanor of five Surveys: Cheshire, Lancashire, Provence, who bestowed on him the Southern, Staffordshire and Yorkshire.
    [Show full text]
  • Jubilee Pack3
    Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations.
    [Show full text]
  • Report and Accounts Year Ended 31St March 2019
    Report and Accounts Year ended 31st March 2019 Preserving the past, investing for the future LLancaster Castle’s John O’Gaunt gate. annual report to 31st March 2019 Annual Report Report and accounts of the Duchy of Lancaster for the year ended 31 March 2019 Presented to Parliament pursuant to Section 2 of the Duchies of Lancaster and Cornwall (Accounts) Act 1838. annual report to 31st March 2019 Introduction Introduction History The Duchy of Lancaster is a private In 1265, King Henry III gifted to his estate in England and Wales second son Edmund (younger owned by Her Majesty The Queen brother of the future Edward I) as Duke of Lancaster. It has been the baronial lands of Simon de the personal estate of the reigning Montfort. A year later, he added Monarch since 1399 and is held the estate of Robert Ferrers, Earl separately from all other Crown of Derby and then the ‘honor, possessions. county, town and castle of Lancaster’, giving Edmund the new This ancient inheritance began title of Earl of Lancaster. over 750 years ago. Historically, Her Majesty The Queen, Duke of its growth was achieved via In 1267, Edmund also received Lancaster. legacy, alliance and forfeiture. In from his father the manor of more modern times, growth and Newcastle-under-Lyme in diversification have been delivered Staffordshire, together with lands through active asset management. and estates in both Yorkshire and Lancashire. This substantial Today, the estate covers 18,481 inheritance was further enhanced hectares of rural land divided into by Edmund’s mother, Eleanor of five Surveys: Cheshire, Lancashire, Provence, who bestowed on him Staffordshire, Southern and the manor of the Savoy in 1284.
    [Show full text]
  • The Portcullis Revised August 2010
    Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512.
    [Show full text]
  • Faith-Centres-Report
    SE Faith Brochure-8aug_Layout 1 07/08/2012 16:35 Page 1 Promoting ethnic diversity across sport & physical activity The role of faith centres in the provision of sport and physical activity June 2012 Summary Report by Sporting Equals SE Faith Brochure-8aug_Layout 1 07/08/2012 16:35 Page 2 Contents 1 Introduction 3 2 Methodology 3 3 The National Picture 4 4 The Regional Picture 6 5 Faith Centre Research 8 5.1 Churches in the UK 8 5.2 Mosques in the UK 9 5.3 Synagogues in the UK 12 5.4 Temples in the UK 14 5.5 Gurdwaras in the UK 15 6 Insight Research 17 6.1 The Role of Faith Centres 17 6.2 On-line Participant Research 19 7 Sporting Equals Faith Centre Model 20 8 Selection of Case Studies 21 9 Conclusion 23 10 Recommendations 24 11 Appendices 25 Appendix 1 – Faith Centre Model 25 Appendix 2 – Faith Centres in London 26 Appendix 3 – Faith Centres in Birmingham 30 Appendix 4 – Faith Centres in Leicester 33 02 www.sportingequals.org.uk SE Faith Brochure-8aug_Layout 1 07/08/2012 16:35 Page 3 Promoting ethnic diversity across sport & physical activity 1 2 Introduction Methodology Religion plays an extremely important role for many The research methods used in this report include a communities in the UK and earlier research carried out mixture of desktop and on-line research, questionnaires by Sporting Equals into the role of faith centres to help and telephone surveys. These surveys were carried out drive growth in sports participation 1 revealed that faith between April and June 2012.
    [Show full text]
  • Handel US 12/2/07 4:08 Pm Page 12
    557935bk Handel US 12/2/07 4:08 pm Page 12 Andrew Gant Andrew Gant was a Choral Scholar at St John’s College, Cambridge under George Guest. After several years as a professional singer, including two years as a Tenor Lay Vicar in the choir of Westminster Abbey, he has followed a career as a choirmaster and church musician, holding positions at Selwyn College, Cambridge, Worcester College, Oxford, and The Royal Military Chapel (The Guards’ Chapel), Wellington Barracks. In 2000 he took up his present post of Organist, Choirmaster and Composer at Her Majesty’s Chapels Royal. Under his direction the choir has performed at a number of State events and other occasions as required by Her Majesty, has broadcast on BBC Radio HANDEL and television and Classic fm, performed at the Proms and worked closely with the Master of the Queen’s Music, Sir Peter Maxwell Davies, who has written four works specially for the choir and two other large-scale choral and orchestral works in which the choir has taken part. Andrew Gant’s compositions include operas, (including May we borrow your husband?, an a cappella opera commissioned by the Lichfield Festival), an oratorio, The Vision of Piers Plowman, for the Three Choirs Festival, works for James Bowman and Catrin Finch, A Hymn for the Golden Jubilee Music for the with Andrew Motion, Poet Laureate (recorded by the choir of St Paul’s Cathedral), church music, works for children and his British Symphony, commissioned for performances by the Brighton Philharmonic Orchestra and Barry Wordsworth in February 2007.
    [Show full text]
  • Northbank Book
    STRANDS OF HISTORY Northbank Revealed Clive Aslet Strands of History Northbank Revealed by Clive Aslet First published in 2014 by Wild Research, 40 Great Smith Street, London SW1P 3BU www.wildsearch.org © Wild Research 2014 All rights reserved The Northbank BID West Wing, Somerset House, Strand, London WC2R 1LA www.thenorthbank.org ISBN 978-0-9576966-2-4 Printed in Poland by ? ‘Looking to Northumberland House, and turning your back upon Trafalgar Square, the Strand is perhaps the finest street in Europe, blending the architecture of many periods; and its river ways are a peculiar feature and rich with associations.’ Benjamin Disraeli, Tancred: or, The New Crusade, 1847 ‘I often shed tears in the motley Strand for fullness of joy at so much life... Have I not enough, without your mountains?’ Charles Lamb, turning down an invitation from William Wordsworth to visit him in the Lake District Contents Foreword 10 Chapter One: The River 14 Chapter Two: The Road 26 Chapter Three: Somerset House 40 Chapter Four: Trafalgar Square 50 Chapter Five: Structural Strand: Charing Cross Station and Victoria Embankment 58 Chapter Six: Serious Strand: The Law Courts 64 Chapter Seven: Playful Strand: Shopping, Hotels and Theatres 72 Chapter Eight: Crown Imperial: The Strand Improvement Scheme 82 Chapter Nine: Art Deco and Post War 94 Chapter Ten: The Future 100 Image Acknowledgements 108 Further Reading 110 About Wild Research 111 7 8 About the Author Acknowledgements Clive Aslet is an award-winning writer and Maecenas molestie eros at tempor malesuada. journalist, acknowledged as a leading authority Donec eu urna urna.
    [Show full text]
  • This Christmas Night Stephen F the Choir Ofw Arr Orcester College, Oxford Hafliði Hallgrímsson (B
    This Christmas Night The Choir of Worcester College, Oxford Stephen Farr RES10113 Hafliði Hallgrímsson (b. 1941) Mark-Anthony Turnage This Christmas Night 11. Claremont Carol * Contemporary Carols 1. Joseph and the Angel * [3:43] [4:08] Anthony Piccolo (b. 1946) Howard Skempton (b. 1947) 2. I look from afar [6:19] 12. There is no rose * [2:39] Thomas Hyde (b. 1978) Gabriel Jackson (b. 1952) 13. Hush! my dear * [3:30] The Choir of Worcester College, Oxford 3. Sweet was the song * [2:07] Peter Maxwell Davies (b. 1934) 1, 3, 5-7, 9-10, 12-15, 18-19 2, 4, 8, 11, 16-17, 20 Mark-Anthony Turnage (b. 1960) Stephen Farr conductor and organ 4. Christmas Night * [2:45] 14. Fleecy Care Carol * [2:58] Edward Turner conductor 2, 4, 11, 16, 17 and organ 7, 9, 13, 19 John McCabe (b. 1939) Cecilia McDowall (b. 1951) 6 Nicholas Freestone organ 5. Mary laid her child [2:21] 15. Of a Rose * [2:48] Malcolm Williamson (1931-2003) Geoffrey Bush (1920-1998) 6. This Christmas Night [3:06] 16. ‘Twas in the year that King Uzziah died [3:05] Matthew Martin (b. 1976) 7. I sing of a Maiden * [2:29] Elisabeth Lutyens (1906-1983) 17. Nativity [5:55] About Stephen Farr: Thomas Hyde 8. Improvisation on ‘Puer Natus’ * [5:16] Edmund Rubbra (1901-1986) ‘[Farr’s]breadth of vision, intense sense of purpose and brilliant technique 18. Let us securely enter [2:18] combine to make this a recording which [...] deserves repeated listening’ Judith Bingham (b.
    [Show full text]
  • Westminster City Archives
    Westminster City Archives Information Sheet 4 Westminster Registers not held at Westminster City Archives This list includes the records of Anglican churches, chapels, chapels royal and workhouses within the current City of Westminster which, for various reasons, are not held at City of Westminster Archives Centre. Microfilm copies of the parish registers for St Marylebone and Paddington are kept here. There is a brief section on Orthodox Christian and Jewish records. For Roman Catholic records, see Information Sheet 2, and for Non-Conformist records, see Information Sheet 3. Chapels Royal For further information, contact Royal Household Enquiries on 020-7930 4832 or the National Archives at Kew (formerly the Public Record Office). The Chapel Royal, St James’s Palace by Thomas H Shepherd Chapels Royal Registers held at St James’s Palace St James's Palace 1675-1709 and 1647 Now at TNA, copy only at St James's Baptisms 1709-1755 1789-1897 1897-1905 1906-the present Churchings 1869-1873 Confirmations 1885 1959-the present Marriages 1709-1754 1905-the present 1933-the present City of Westminster Archives Centre 10 St Ann’s Street, London SW1P 2DE Tel: 020-7641 5180, fax: 020-7641 5179 E-mail: [email protected] Website: www.westminster.gov.uk/archives January 2010 Westminster City Archives Westminster Registers not held Information Sheet 4 at Westminster City Archives Chapels Royal Registers held at St James’s Palace (continued) Buckingham Palace Baptisms 1843-1864 Marriages 1843, 1849 & 1857 Churchings 1843-1857 Kensington Palace Baptisms 1721-1764 & 1789 1840-1900 Marriages 1721-1751,1872 & 1889 Whitehall Palace Baptisms 1753-1796 1817-1825, 1853-1890 Marriages 1704-1754 & 1807 1824 & 1829 1839-1889 NB Marriage licences are at TNA.
    [Show full text]
  • Annual Report and Accounts 2014
    Report and accounts of the Duchy of Lancaster for the year ended 31 March 2014 The Duchy of Lancaster Annual Report 2014 The Duchy seeks to achieve a balance between long-term commitments to the environment, social responsibility, and commercial objectives. This approach helps to protect the interests of those individuals living in, working on and visiting the Duchy’s land and buildings while safeguarding the estate for future generations. I would like to welcome Nathan Thompson who joined the Duchy as Chief Executive Officer in 2013. Nathan has a wealth of experience in senior property roles and will certainly make a very valuable contribution. I would also like to thank both Council and all the Duchy staff for their continued loyalty, hard work and enthusiasm over the year. Shuttleworth Chairman Cover story Cover photograph: John O’Gaunt Gate, Lancaster Castle. The John O’Gaunt Gate was opened to the public in 2013 for the first time in centuries. Annual Report Report and accounts of the Duchy of Lancaster for the year ended 31 March 2014 Presented to Parliament pursuant to Section 2 of the Duchies of Lancaster and Cornwall (Accounts) Act 1838. 1 The Duchy of Lancaster Annual Report 2014 Goathland Moors Yorkshire 2 Introduction The Duchy of Lancaster is a private estate owned by Her The Estate Majesty The Queen, as Duke of Lancaster. The rural estate The rural estate comprises commercial, agricultural and consists of 18,454 hectares of land in England and Wales. residential property the majority of which are in Lancashire, Yorkshire, Cheshire, Staffordshire and Lincolnshire.
    [Show full text]
  • June 27, 2021 Fifth Sunday After Pentecost Holy Eucharist Rite II, Proper 8 9:00 Am
    June 27, 2021 Fifth Sunday after Pentecost Holy Eucharist Rite II, Proper 8 9:00 AM Welcome 2. Formless, all lovely forms Welcome to St. Paul’s Episcopal Cathedral; we are so declare his loveliness; glad you are here. St. Paul’s is a safe and welcoming holy, no holiness of earth place for all people. If you are new to St. Paul’s we can his express. encourage you to get connected with our weekly email Lo, he is Lord of all. newsletter. You can sign up online at stpaulsokc.org. Creation speaks his praise, and everywhere above, below, A friendly reminder to those who are worshiping in- his will obeys. person: if you are not fully vaccinated against Cov- id-19, please have your mask on (covering your mouth 3. His Spirit floweth free, and nose). If you are fully vaccinated, wearing a mask high surging where it will: is not required. We are no longer social distancing in in prophet’s word he spoke of old; the Cathedral, but if you desire this, the service will he speaketh still. be livestreamed in Dean Willey Hall and socially- Established is his law, distanced seating is available there. We thank you in and changeless it shall stand, advance for adhering to these protocols which keep deep writ upon the human heart, us all safe and allow for us to worship in person. on sea, on land. 4. Eternal life hath he Prelude implanted in the soul; Prelude on “Westminster Abbey” Andrew Gant his love shall be our strength and stay while ages roll.
    [Show full text]