Gillian Wearing Biography
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Jelena Bulajic
JELENA BULAJIC Born in 1990, Vrbas, Serbia Lives and works in Serbia and London, UK SOLO EXHIBITIONS 2017 Jelena Bulajic, carlier | gebauer, Berlin, Germany 2016 Collision, Unit 1 Gallery | Workshop, London, UK 2014 Museum Collection of Cultural Centre of Vrbas, Vrbas, Serbia 2013 Old Age Cultural Centre of Belgrade, Belgrade Old Age Likovni Susret Gallery, Subotica 2012 Old Age Nadežda Petrovic Gallery,Cacak Portraits Gallery of the Association of Visual Artists of Vojvodina, Novi Sad 2011 Mladi dolaze Platoneum Gallery, Branch of Serbian Academy of Sciences and Arts, Novi Sad GROUP EXHIBITIONS 2016 Wasted Time, Ferenczy Museum Centre Art Mill, Szentendre, Hungary I Prefer Life, The Weserburg, Bremen, Germany Champagne Life, The Saatchi Gallery, London, UK 2015 New London Figurative, Charlie Smith london, London, UK Summer Exhibition 2015, Royal Academy of Arts, London, UK 2014 Premonition, Blood, Hope: Art in Vojvodina and Serbia 1914 – 2014, Künstlerhaus, Vienna, Austria Saatchi’s New Sensations and The Future Can Wait, Victoria House, London, UK BP Portrait Award 2014, National Portrait Gallery, London, UK. Travelled to Sunderland Museum & Winter Gardens, WWW.SAATCHIGALLERY.COM JELENA BULAJIC Sunderland and Scottish National Portrait Gallery, Edinburgh, UK The open west 2014, The Wilson Cheltenham Art Gallery & Museum, Cheltenham, UK Culture Escape: Toward a Better World, Galerie Nest, Geneva, Switzerland Young Gods, Charlie Smith london and The Griffin Gallery, London, UK. Curated by Zavier Ellis 2013 Young, Niš Art Foundation Art -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
WG Museums & Creative Industries Study Visit to Serbia from 13 to 15
WG Museums & Creative Industries study visit to Serbia From 13th to 15th of May, 2020 Wednesday, 13th of May – Belgrade Visit of several national museums: National Museum in Belgrade http://www.narodnimuzej.rs/) – presentation of the WG Museums & Creative Industries Museum of Contemporary Art (https://www.msub.org.rs/) Museum of Yugoslavia (https://www.muzej-jugoslavije.org/) – presentation of the Council for Creative Industries – Serbia Creates (under the auspices of the Prime Minister's Cabinet https://www.serbiacreates.rs/) Thursday, 14th of May – Novi Sad Visit to: The Gallery of Matica Srpska (http://www.galerijamaticesrpske.rs/) Museum of Vojvodina (https://www.muzejvojvodine.org.rs/) Foundation ”Novi Sad 2021 – European Capital of Culture” (https://novisad2021.rs/) In the late afternoon departure for Mokrin (accommodation in Mokrin House https://www.mokrinhouse.com/) – we will book the accommodation when we get the exact number of WG members - participants; also, we will check with Mokrin House if there is any possibility to make a discount for the WG members) Friday, 15th of May – Mokrin House 10.00 – 12.00: WG Museum & Creative Industries meeting If there is enough time (it depends on your departure time) visit to the Kikinda National Museum (http://www.muzejkikinda.org.rs/) The end of the study visit – organized transfer from Mokrin/Kikinda to Belgrade or to the airport. Organization: Netork of Euorpean Museum Organisations - NEMO WG Museums & Creative Industries and The Gallery of Matica Srpska with the support of the Council for Creative Industries – Serbia Creates and Foundation ”Novi Sad 2021 – European Capital of Culture”. Accommodation Recommended accommodation (in the city center) you may find on booking.com: Five Points Square – City Center Hotel Savoy Hotel Majestic Or any other accommodation on your choice Accommodation will be in Belgrade (1 or 2 nights) and in Mokrin House (1 night). -
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 Diphe Contextual Theology, St Mellitus
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 DipHE Contextual Theology, St Mellitus College 1992-1994 MA Fine Art, Goldsmiths' College 1989-1991 PGDip Youth & Community Work, Thames Polytechnic 1977-1980 BA (Hons) Fine Art, Brighton Polytechnic Solo Exhibitions & Projects 2020 Stations 2020, Arts Chaplaincy Projects (online project with socially distanced contributors) 2019 Where We Are, Laban Theatre, London (video and dance collaboration) 2019 All Angels, Marlborough College Chapel 2019 Color Motet, Austin Forum, London 2019 Pastiche Mass, Arts Chaplaincy Projects, London 2017 Stations of the Resurrection, St Paul's Cathedral, London (dance by Lizzi Kew Ross & Co) 2017 Stations of the Cross, St Stephen Walbrook, London 2014 Christian Disco, Museum Boijmans Van Beuningen, Rotterdam 2011 My Mum (V2-Sensitive), Beaconsfield, London 2010 The Beginning of The End, Beaconsfield, London 2007 Scorpio Rising 2, Holy Trinity & St Mary, Berwick-upon-Tweed 2006 Masochistic Opposite, Matthew Bown Gallery, London 2005 (Version) for Lightsilver, Beaconsfield, London 2004 Disco Maquette, Sketch, London 2002 The Return of JacKie & Judy (+Joey), Laurent Delaye Gallery, London 2002 MarK Dean, Volker Diehl Gallery, Berlin 2001 MarK Dean, IKON Gallery, Birmingham 2001 MarK Dean, Evolution, Leeds International Film Festival 2000 Ascension, Laurent Delaye Gallery, London 2000 MarK Dean, Imago 2000, Casa de las Conchas, Salamanca 1999 Dust, Laurent Delaye Gallery, London 1996 MarK Dean, City Racing, London Selected -
Henry Moore Grants Awarded 2016-17
Grants awarded 2016-17 Funding given by Henry Moore Grants 1 April 2016 – 31 March 2017 New projects Pallant House Gallery, Chichester, Exhibition: The Mythic Method: Classicism in British Art 1920-1950, 22 October 2016-19 February 2017 - £5,000 Fundação Bienal de São Paulo, Exhibition: Heather Phillipson and Ruth Ewan's participation in 32nd Bienal de São Paulo - Live Uncertainty, 7 September-11 December 2016 - £10,000 Serpentine Gallery, London, Exhibition: Helen Marten: Drunk Brown House, 29 September-20 November 2016 - £7,000 Auto Italia South East, London, Exhibition: Feral Kin, 2 March-9 April 2017- £2,000 Art House Foundation, London, Exhibition: Alison Wilding Arena Redux, 10 June-9 July 2016 - £5,000 Parasol Unit Foundation for Contemporary Art, London, Exhibition: Robert Therrien: Works 1975- 1995, 2 October-11 December 2016 - £5,000 South London Gallery, Exhibition: Roman Ondak: The Source of Art is in the Life of a People, 29 September 2016-6 January 2017 - £7,000 York Art Gallery (York Museums Trust), Exhibition: Flesh, 23 September 2016-19 March 2017 - £6,000 Foreground, Frome, Commissions: Primary Capital Programme: Phase 1, 8 September 2016-31 January 2017 - £6,000 Barbican Centre Trust, London, Exhibition at The Curve: Bedwyr Williams: The Gulch, 29 September 2016-8 January 2017- £10,000 Glasgow Sculpture Studios, Exhibition: Zofia Kulik: Instead of Sculpture, 1 October-3 December 2016 - £5,000 Tramway, Glasgow: Exhibition/Commission: Claire Barclay: Yield Point, 10 February-9 April 2017 - £3,000 Nasher Sculpture Center, -
Gillian Wearing 28 March – 17 June 2012, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9)
Gillian Wearing 28 March – 17 June 2012, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9) The Whitechapel Gallery presents the first major international survey of Turner Prize-winning British artist Gillian Wearing’s photographs and films which explore the public and private lives of ordinary people. Fascinated by how people present themselves in front of the camera in fly- on-the-wall documentaries and reality TV, Gillian Wearing explores ideas of personal identity through often masking her subjects and using theatre’s staging techniques. This major exhibition surveys Wearing’s work from the early photographs Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say (1992–3) to her latest video Bully (2010) and also includes several new photographs made specially for the Whitechapel Gallery exhibition. Visitors to the exhibition enter a film set-style installation showcasing photographs and films in ‘front and back stage’ areas. Highlights include a striking photograph of the artist posing as her younger self, Self-Portrait at 17 Years Old (2003), Dancing in Peckham (1994), a film which blurs the boundaries between public space and private expression as Wearing dances in the middle of a shopping mall, and the UK premiere of recent film Bully (2010). New photographic works shown for the first time include two portraits of Wearing as artists August Sander and Claude Cahun as part of her ongoing series of iconic photographers, as well as still lives of flowers, looking back to th the rich symbolism of the great age of 17 century Dutch painting. -
New Works on Video by Young British Artists to Open at the Museum of Modern Art
The Museum of Modern Art For Immediate Release December 1997 NEW WORKS ON VIDEO BY YOUNG BRITISH ARTISTS TO OPEN AT THE MUSEUM OF MODERN ART New Video from Great Britain December 16,1997-February 1,1998 New Video from Great Britain, a survey of the remarkable new wave of work that has emerged from London and Glasgow in recent years, opens at The Museum of Modern Art on December 16, 1997. The program presents notable work by already established figures, such as Sam Taylor-Wood and Douglas Gordon, as well as emerging artists, some of whom are showing in New York for the first time. The two-hour program will be shown continuously in the Garden Hall Video Gallery on the Museum's third floor through February 1, 1998. The exhibition highlights the continuing penchant for conceptual- and performance-based works among young British video artists. Addressing themes of the body, personal identity, and subjectivity in ways that are provocative and playful, ironic and insightful, these works reveal an easygoing familiarity with popular culture that characterizes much of contemporary British life. "Simply and spontaneously shot (often on little more than a domestic camcorder), these 20 or so pieces have a visual impact, flair and invention that belies their low-tech origins and reverberates long after each tape has played," writes Steven Bode, Director of the Film and Video Umbrella, London, who organized the exhibition in conjunction with Barbara London, Associate Curator, and Sally Berger, Assistant Curator, Department of Film and Video, The Museum of Modern Art. -more- 11 West 53 Street, New York, New York 10019 Tel: 212-708-9400 Fax: 212-708-9889 2 "At first glance the young artists in this show appear to use the video camera to capture ordinary gestures, such as simply putting on clothes. -
Novi-Sad 2021 Bid Book
CREDITS Published by City of Novi Sad Mayor: Miloš Vučević City Minister of Culutre: Vanja Vučenović Project Team Chairman: Momčilo Bajac, PhD Project Team Members: Uroš Ristić, M.Sc Dragan Marković, M.Sc Marko Paunović, MA Design: Nada Božić Logo Design: Studio Trkulja Photo Credits: Martin Candir KCNS photo team EXIT photo team Candidacy Support: Jelena Stevanović Vuk Radulović Aleksandra Stajić Milica Vukadinović Vladimir Radmanović TABLE OF CONTENT 7 BASIC PRINCIPLES 7 Introducing Novi Sad 9 Why does your city wish to take part in the I competition for the title of European Capital of CONTRIBUTION TO THE Culture? LONG-TERM STRATEGY 14 Does your city plan to involve its surrounding 20 area? Explain this choice. Describe the cultural strategy that is in place in your city at the Explain the concept of the programme which 20 18 time of the application, as well as the city’s plans to strengthen would be launched if the city designated as the capacity of the cultural and creative sectors, including European Capital of Culture through the development of long term links between these sectors and the economic and social sectors in your city. What are the plans for sustaining the cultural activities beyond the year of the title? How is the European Capital of Culture action included in this strategy? 24 If your city is awarded the title of Europian Capital of Culture, II what do you think would be the long-term cultural, social and economic impact on the city (including in terms of urban EUROPEAN development)? DIMENSION 28 25 Describe your plans for monitoring and evaluating the impact of the title on your city and for disseminating the results of the evaluation. -
List of References For
LIST OF REFERENCES FOR HOSPITALS AND HEALTH INSTITUTIONS Accident and Emergency clinic, UKC, Banja Luka, Bosnia and Herzegovina Accident and Emergency, Belgrade, Serbia Accident and Emergency, hospital building, Novi Sad, Serbia Angio KSW, Cantonal hospital, Winterthur, Switzerland Bacteriological institute, Kirov, Russia Beolab, laboratory, Belgrade, Serbia Care for elderly and inferm, Osijek, Croatia Cleangrad, Ljutomer, Slovenia Clinical center Dr Dragisa Misovic, Belgrade, Serbia Clinical center of Nis, Nis, Serbia Clinical center Zemun, Zemun, Serbia Clinical center of Montenegro, Laboratory, Podgorica, Montenegro Clinical center of Serbia, Belgrade, Serbia Clinical center Sofie Medgroup, Aktau, Kazakhstan Community Health Centre Ugrinovci, Belgrade, Serbia Community Health Centre Borča, Belgrade, Serbia Community Health Centre Veliko Gradište, Veliko Gradište, Serbia Day surgery complex Jedro, Belgrade, Serbia Day surgery of Railway, Belgrade, Serbia Dental surgery, Novi Sad, Serbia DNA laboratory of Police, Belgrade, Serbia ETH laboratory, Zürich, Switzerland FPC, hospital, Antwerpen, Belgium General Hospital, Požarevac, Serbia General Hospital, Aranđelovac, Serbia General hospital Nevesinje, Nevesinje, Bosnia and Herzegovina General hospital, Subotica, Serbia General hospital, Loznica, Serbia Gerontology center, Sombor, Serbia Gerontology center, Belgrade, Serbia Gerontology center “Oaza”, Novi Sad, Serbia Health center, Sremska Kamenica, Serbia Healthcare center, Neder Over Heembeek, Belgium Hematology hospital, Wrocław, Poland -
MUSEUMS AS CULTURAL HUBS the FUTURE of TRADITION MUSEUMS AS CULTURAL HUBS the Future of Tradition
THE NATIONAL COMMITTEE MAGAZINE NO 9 | JUNE 2019 | ISSN 2683-5282 MUSEUMS AS CULTURAL HUBS THE FUTURE OF TRADITION MUSEUMS AS CULTURAL HUBS The Future of Tradition May 13-19, 2019 FOR MUSEUMS MUSEUMS OF SERBIA International Museum Day - European Night of Museums - National Museum Week Free Admission 2 ICOM SRBIJA A WORD FROM PRESIDENT Jubilee Year From content This year, museum pro- fessionals will gather at the jubilee, 25th ICOM General Conference in magical Kyoto. There is plenty of symbol- 4 ism in the fact that the ICOM 25th General Conference - Kyoto 2019 Land of the Rising Sun is hosting 3,000 partic- Redefined Future of Tradition ipants who are going to discuss important is- sues of concern to the international museum 6 Interview community. This will be the right opportunity for Suay Aksoy, the new museum defi- nition to “rise” so as to ICOM President reflect the changed role of museums which have developed a closer bond 16 with the audience and New Museums become a more active part of the community The Largest Serbian Museum they belong to. Abroad The central theme of this year’s Conference, Museums as Cultural Hubs: The Future of Tradition, was exactly the thread that bonded 26 museums all over Serbia during the event Museums for 10, coor- International Cooperation dinated by ICOM Serbia. For the fifth time, the largest museum ini- Museum Connections tiative in Serbia presented museums as places where creativity and On The Silk Road knowledge unite, and visitors take an active part in creating and -ex changing ideas, and interact with each other, prioritizing the quality of knowledge exchange and development of critical awareness of major issues. -
BRIAN SEWELL, LESLIE WADDINGTON and ART of the NINETIES: the COLLECTORS THAT DEFINED LONDON's ART WORLD from the 1950S TO
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE : 2 6 SEPTEMBER 2 0 1 6 BRIAN SEWELL, LESLIE WADDINGTON AND ART OF THE NINETIES : THE COLLECTORS THAT DEFINED LONDON’S ART WORLD FROM THE 1950s TO PRESENT DAY Top Row (L to R): Matthias Stomer, Brian Sewell and John Craxton, Middle Row (L to R): Leslie Waddington, Jean Dubuffet and Francis Picabia, Bottom Row (L to R): Douglas Gordon, Damien Hirst and Glenn Brown London – This autumn Christie’s will offer works from three private collections that trace the development and trajectory of the London art scene from the 1950s to present day. This begins with the collection of Brian Sewell, the Evening Standard’s late art critic, who was a Specialist in the Old Master Department at Christie’s in the 1950s and 60s, having graduated in Art History at the Courtauld Institute, and nurtured a keen appetite for Renaissance works that span the 1500s through to Modern British artists of the mid-20th century. He built up a distinctive collection and 248 lots will be offered on 27 September including paintings by the Flemish artist Matthias Stomer, works on paper by the likes of Daniele da Volterra and Joseph Anton Koch, and the British Modernism of Duncan Grant and Eliot Hodgkin. One of the most influential collectors that developed London’s tastes was Leslie Waddington, who arrived in the city in 1957 and went on to become one of the most prominent fine art dealers in modern times, introducing the art world to artists from Jean Dubuffet to Patrick Caulfield, bringing the British and European aesthetic to America for the first time, and American Abstract Expressionism to London. -
Download PDF Title Sheet
New title information Dimensions Variable Product Details New Works for the British Council Collection £15 Artist(s) Fiona Banner, Don Brown, Angela Bulloch, Mat Collishaw, Martin Creed, artists: Fiona Banner, Don Brown & Stephen Murphy, Angela Bulloch, Willie Doherty, Angus Fairhurst, Ceal Floyer, Douglas Gordon, Graham Mat Collishaw, Martin Creed, Willie Doherty, Angus Fairhurst, Ceal Gussin, Mona Hatoum, Damien Hirst, Floyer, Douglas Gordon, Graham Gussin, Mona Hatoum, Damien Hirst, Gary Hume, Michael Landy, Stephen Gary Hume, Michael Landy, Chris Ofili, Simon Patterson, Vong Murphy, Chris Ofili, Simon Patterson, Phaophanit, Georgina Starr, Sam Taylor-Wood, Mark Wallinger, Gillian Vong Phaophanit, Georgina Starr, Wearing, Rachel Whiteread, Catherine Yass Sam Taylor-Wood, Mark Wallinger, Gillian Wearing, Rachel Whiteread, Catherine Yass The title of this book and the choice of George Stubbs’s painting of a zebra on its cover points to one of the underlying preoccupations of the Publisher British Council artists selected: the constantly shifting perspectives that new ISBN 9780863553769 information, new technologies and new circumstances make evident. Format softback Dimensions Variable features recent purchases for the British Council Pages 112 Collection of works by a generation of artists who have come to Illustrations over 100 colour and 9 b&w prominence in the last decade. The works, each illustrated in full colour, illustrations represent a variety of approaches, concerns and means of realisation. Dimensions 295mm x 230mm Weight 700 The influence of past movements in 20th Century art – particularly Conceptualism, but also Minimalism, Performance and Pop Art – are readily discerned in much of the work. Young British artists have received a great deal of attention in the past few years and have often been perceived as a coherent national grouping.