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Silverlens / Searching Sanctuary Curated by Gregory Halili
POPE BACAY, MARIONNE CONTRERAS, JIGGER CRUZ, ROCELIE DELFIN, DINA GADIA, MARK ANDY GARCIA, GREGORY HALILI, PAOLO ICASAS, BREE JONSON, POW MARTINEZ, MAYA MUÑOZ, RAFFY T. NAPAY, WAWI NAVARROZA, ELAINE NAVAS, BERNARDO PACQUING, PATRICIA PEREZ EUSTAQUIO, CHRISTINA QUISUMBING RAMILO, POPO SAN PASCUAL, NICOLE TEE, RYAN VILLAMAEL, LIV VINLUAN Copyright © 2020 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Gregory Halili. 2020 All rights reserved. No part of this essay may be reproduced, modified, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.88160044 F +632.88160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] If the current state of environmental decline continues its destructive path, then inevitably, nature will only exist as a memory. We live in a country blessed by natural abundance. Yet, we seem to believe that our resources are unlimited, depleting its wealth dry. In 1904, The Bureau of Forestry released the “The Forest Manual”, which contained the National Forest Act (No.1148) from the Philippine Commission pertaining to forest services and regulations. At this time, it is estimated that the Philippine forest cover was at 70%. -
Dr. Riz A. Oades Passes Away at Age 74 by Simeon G
In Perspective Light and Shadows Entertainment Emerging out Through the Eye Sarah wouldn’t of Chaos of the Needle do a Taylor Swift October 9 - 15, 2009 Dr. Riz A. Oades passes away at age 74 By Simeon G. Silverio, Jr. Publisher & Editor PHILIPPINES TODAY Asian Journal San Diego The original and fi rst Asian Philippine Scene Journal in America Manila, Philippines | Oct. 9, It was a beautiful 2008 - My good friend and compadre, Riz Oades, had passed away at age 74. He was a “legend” of San Diego’s Filipino American Community, as well day after all as a much-admired academician, trailblazer, community treasure and much more. Whatever super- Manny stood up. His heart latives one might want to apply was not hurting anymore. to him, I must agree. For that’s Outside, the rain had how much I admire his contribu- stopped, making way for tions to his beloved San Diego Filipino Americans. In fact, a nice cool breeze of air. when people were raising funds It had been a beautiful for the Filipinos in the Philip- day after all, an enchanted pines, Riz was always quick to evening for him. remind them: “Don’t forget the Bohol Sunset. Photo by Ferdinand Edralin Filipino Americans, They too need help!” By Simeon G. I am in Manila with my wife Silverio, Jr. conducting business and visit- Loren could be Publisher and Editor ing friends and relatives. I woke up at 2 a.m. and could not sleep. Asian Journal When I checked my e-mail, I San Diego read a message about Riz’s pass- temporary prexy The original and fi rst ing. -
Wawi Navarroza: Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Copyright © 2019 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Wawi Navarroza. 2019 All rights reserved. No part of this essay may be reproduced, modiied, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.8160044 F +632.8160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] Coming from a string of moving places and foreign travels after the fire which destroyed her Taguig studio, Navarroza re-established herself in Manila at the end of 2018, signaling her return to studio practice, providing the venue for the elaborate mise-en-scènes we see in this new exhibition. The artist looks back and forward, coming full circle to a genre that has defined her early art-making and has punctuated an arc of more than a decade: Self-Portraits. Navarroza employs formal composition in tableau vivant large format which is staged for the camera. At the same time, she subverts photography in a way that the final image is rendered almost as a flat collage, deliberately controlled by lighting techniques and careful arrangements in the scenography. -
GMA Films, Inc., Likewise Contributed to the Increase Our Company
Aiming Higher About our cover In 2008, GMA Network, Inc. inaugurated the GMA Network Studios, the most technologically-advanced studio facility in the country. It is a testament to our commitment to enrich the lives of Filipinos everywhere with superior entertainment and the responsible delivery of news and information. The 2008 Annual Report’s theme, “Aiming Higher,” is our commitment to our shareholders that will enable us to give significant returns on their investments. 3 Purpose/Vision/Values 4 Aiming Higher the Chairman’s Message 8 Report on Operations by the EVP and COO 13 Profile of the Business 19 Corporate Governance 22 A Triumphant 2008 32 GMA Network Studios 34 Corporate Social Responsibility 38 A Rewarding 2008 41 Executive Profile 50 Contact Information 55 Financial Statements GMA ended 2008 awash with cash amounting to P1.688 billion and free of debt, which enabled us to upgrade our regional facilities, complete our new building housing state-of-the-art studios and further expand our international operations. AIMING HIGHER THE CHAIRMAN’S MESSAGE Dear Fellow Shareholders: The year 2008 will be remembered for the Our efforts in keeping in step with financial crisis that started in the United States and its domino-effect on the rest of the world. The the rest of the world will further Philippine economy was not spared, and for the first time in seven years, gross domestic product improve our ratings and widen our (GDP) slowed down to 4.6%. High inflation, high reach as our superior programs will oil prices and the deepening global financial crisis in the fourth quarter caused many investors serious be better seen and appreciated by concerns. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Download ART ARCHIVE 01
ART ARCHIVE 01 CONTENTS The Japan Foundation, Manila Introduction ART ARCHIVE 01 NEW TRAJECTORIES OF CONTEMPORARY VISUAL AND PERFORMING ARTS IN THE PHILIPPINES by Patricia Tumang Retracing Movement Redefining Contemporary Histories & Performativity Visual Art EXCAVATING SPACES AND HISTORIES: UNDERSTANDING THE CONTEMPORARY FILTERS: The Case of Shop 6 IN PHILIPPINE THEATER A View of Recent by Ringo Bunoan by Sir Anril Pineda Tiatco,PhD Philippine Contemporary Photography by Irwin Cruz VISUAL ARTS AND ACTIVISM IN THE PHILIPPINES: MAPPING OUT CONTEMPORARY DANCE Notes on a New Season of Discontent IN THE PHILIPPINES GLOBAL FILIPINO CONTEMPORARY ARTISTS by Lisa Ito-Tapang by Rina Angela Corpus by Jewel Chuaunsu BRIDGE OVER THE CURRENT: S A _ L A B A S / O U T S I D E R S: CONTEMPORARY VISUAL ART IN CEBU Artist-Run Festivals in the Philippines A Brief History of Why/When/Where We Do by Duffie Hufana Osental by Mayumi Hirano What We Do in Performance by Sipat Lawin Ensemble Contributor Biographies reFLECT & reGENERATE: A Community Conversation About Organizing Ourselves by Marika Constantino Directory of Philippine Art and Cultural Institutions ABOUT ART ARCHIVE 01 The Japan Foundation is the only institution dedicated to carrying out Japan’s comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding. With a global network consisting of its Tokyo headquarters, the Kyoto office, two Japanese-language institutes, and 24 overseas offices in 23 countries, the Japan Foundation is active in three areas: Arts and Cultural Exchange, Japanese-Language Education, and Japanese Studies and Intellectual Exchange. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla. -
2011 Annual Report.Pmd
CONTENTS A. The Cultural Center of the Philippines B. Vision, Mission, Objectives C. Functions D. Chairman’s Message E. President’s Report F. Artistic Programs • CCP Productions • Co- Productions • Resident Companies • Lessee Shows • Exhibitions • Film Showings • Arts Festivals • Film/Broadcast Arts/Video Productions • Training and Education -Summer Workshops • International Linkages • Special Events and Other Programs • Artistic Services G. Resource Development •Administrative Services Department •Human Resource Management Department •Theater Operations Department H. CCP Organizational Chart I. Financial Report J. CCP Board of Trustees & Officials CULTURAL CENTER OF THE PHILIPPINES The Cultural Center of the Philippines was The CCP rises on a 21-hectare piece of created under Executive Order No. 30 dated reclaimed land from Manila Bay. It remains one of June 23, 1966, and inaugurated on September 8, the most important landmarks in both the cultural 1969 by the former First Lady and CCP Founding and architectural history of the Philippines. Chairman Imelda Romualdez Marcos. CCP was established at a critical time in Philippine cultural In seeking to preserve, promote, and history as a trust for the benefit of the Filipino enhance the artistic and cultural heritage of the people. The Center’s founding objective was to Filipino people, the CCP showcases Filipino preserve and promote Philippine culture in all its artistic achievements, encourages the creation of varied aspects and phases and to provide original works inspired by authentic Filipino physical home for the promotion and themes and traditions, and helps make Filipino art development of Philippine art and culture. accessible to all sectors of Philippine society. VISION Arts as a way of life Arts and culture as a fundamental part of life of every Filipino MISSION The CCP is a home for culture and the arts that nurtures and promotes artistic excellence, Filipino creativity, positive values and identity in a humanistic, self-sustaining eco-friendly environment, towards a responsible global society. -
Vilma Santos Is the Greatest Actress of All Time”
Mar Garces’ part 1 of 3 series “Vilma Santos is the greatest actress of all time” Election Coverage T H E V I L M A 10 Most M A G A Z I N E Influential Vilmanians Vilma Santos Recto - 475,740 Featured Armand Sanchez - 344,959 Vilmanian: Samuel Guzman Interview with Luis Manzano SweetVICTORY JUNE 2007 NO. 11 { e - mails } From Around the GLOBE “THE fans of Vilma Santos are announcing that they have just released the new issue of the Vilma Santos Newsletter. We’re glad they continued this as it was announced last year that they’re not coming out with it anymore. This can be downloaded at the Internet.” - Mario Bautista People's Journal, 03/08/07 Ang sarap ulit-uliting basahin V mag, thanks a lot. Mabuhay ka at lahat ng Thanks a million for the ad- mga writers ng "V". Again, thank you. vanced copy of V Magazine, o Franco, California, USA di ba magazine na ang tawag ko hindi lang basta bastang I've read the latest edition of our v mag!!! Love it! Thanks! for including newsletter kasi naman tipong my articles!!! Congratulation to the other contributors!! Looking forward to magazine ang arrive ng work mo. Kitang kita ang pinaghirapan mo. CON- another edtion!! I hope mayor vi will see the result of our labor of love - GRATULATIONS and a big HUG to you and to all the contributing writ- THE V MAG!!! Regards to all!! ers...saludo na talaga ako sa mga talents n’yo which unfortunately I don't Bunso, Philippines have kaya Rendt sorry na kung di talaga ako maka-submit ng article kasi I'm Congratulations to the writers sa first quarter issue ng ating V Magazine worried na ihinto mo ang pag-release ng V sakaling mag-compose ako ng (now ko lang nabasa kasi na-binding na sya, nahihilo kasi ako pag matagal atricle sa sobrang walang saysay nito, hahaha...If ever magtangka akong nakatutok sa computer). -
2019 Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Born in 1979, Manila, Philippines Lives and works in Manila, Philippines EDUCATION 2012 Master Europeo de Fotografía de Autor (European Master of Fine Art Photography), Istituto Europeo di Design-Madrid, Spain, scholarship award 2009 International Center of Photography, New York City, continuing education 2002 BA Communication Arts, with honours, De La Salle University, Manila, Philippines SELECTED SOLO EXHIBTIONS 2019 Self-Portraits & The Tropical Gothic, Silverlens Galleries, Manila 2017 Medusa, Silverlens Galleries, Manila 2014 Tierra Salvaje, Silverlens, Manila 2013 Ultramar pt. 2: Hunt & Gather, Terraria, Silverlens, Manila 2012 Ultramar pt. 1: Falling Into Place Gathered Throng, Silverlens, Manila 2012 On Landscape & Some Dislocations, Galería Patrick Domken, Cadaqués, Spain 2011 DOMINION, Silverlens, Manila 2009 Perhaps it was possibly because, Silverlens, Manila 2008 When All Is Said And Done, Artesan Gallery, Singapore 2007 100 Años Entre Nosotros/100 Years Between Us (Navarroza homage Frida Kahlo centennial), Instituto Cervantes de Manila 2007 Saturnine: A Collection of Portraits, Creatures, Glass & Shadow, Silverlens, Manila / McDermott Gallery, Siem Reap, Cambodia / ArtReflex Gallery, Saint- Petersburg, Russia 2005 Polysaccharide: The Dollhouse Drama, Blacksoup Project Artspace, Manila / Ateneo Art Gallery, Manila / La Trobe University, Bendigo, Australia SELECTED GROUP EXHIBITIONS 2021 (Upcoming) Tonight The Air Is Warm, Kristin Hjellegjerde Gallery, London (Upcoming), SF Camerawork, San Francisco (Upcoming)