L6780 the LOST COMMAND (USA, 1966) (Other Titles: the Centurions; Mando Perdido; Sie Furchten Weder Tod Noch Teufel)

L6780 THE LOST COMMAND (USA, 1966) (Other titles: The Centurions; Mando perdido; Sie furchten weder Tod noch Teufel) Credits: director, Mark Robson ; writer, Nelson Gidding ; novel, Jean Larteguy. Cast: Anthony Quinn, Alain Delon, George Segal, Claudia Cardinale. Summary: War melodrama set in Algeria in 1954. LTC Pierre Raspeguy (Quinn), defeated in Indochina, seeks a chance to redeem himself in a bloody campaign against the Arab rebels in Algeria. Adair, Gilbert. Vietnam on film [GB] (p. 31, 171) Bean, Robin. [Lost command] Films and filming 12/12 (Sep 1966), p. 12. “Cinema: Horatio Algeria” Time 88/15 (Oct 7, 1966), p. C11-C12. Coleman, John. “Films: Les paras” New statesman 71 (Jun 24, 1966), p. 939-40. Devine, Jeremy M. Vietnam at 24 frames a second [GB] (p. 2, 4, 22-6, 40, 91, 257) “Dienbienphooey” Newsweek 68 (Sep 26, 1966), p. 114. Gill, Brendan. “The current cinema: Wrong turns” New Yorker 42/31 (Sep 24, 1966), p. 111-12. Holzl, Gebhard and Peipp, Matthias. Fahr zur Holle, Charlie! [GB] (p. 60, 286-7) Knight, Arthur. “SR goes to the movies: Good intentions” Saturday review 49/25 (Jun 18, 1966), p. 50. Lanning, Michael Lee. Vietnam at the movies [GB] (p. 266-7) [Lost command] American cinematographer 47/7 (Jul 1966), p. 467. “Lost command” American Film Institute catalog [GB] (Entry F6.2848) [Lost command] Ave 104 (Aug 6, 1966), p. 23. [Lost command] Christian science monitor (Jun 10, 1966), p. 4. [Lost command] Columbia (New Haven) 46 (Jul 1966), p. 23. [Lost command] Daily cinema n.9235 (Jun 27, 1966), p. 3. [Lost command] Extension 61 (Aug 1966), p. 46. [Lost command] Film daily 128/101 (May 25, 1966), p. 7. [Lost command] Filmfacts 9 (Oct 15, 1966), p. 217-18. [Lost command] Furrow 17 (Nov 1966), p. 723. [Lost command] Hollywood reporter 190/46 (May 25, 1966), p. 3. [Lost command] Kine weekly n.3065 (Jun 30, 1966), p. 9. [Lost command] Monthly film bulletin 33/391 (Aug 1966), p. 125. “Lost command, The” Motion picture guide (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1985. (v. 5, p. 1732) [Lost command] Motion picture herald 235/20 (May 25, 1966), p. 526. [Lost command] Playboy 13 (Jul 1966), p. 26. [Lost command] Tablet 220 (Jun 25, 1966), p. 734. [Lost command] Times (London) (Jun 23, 1966), p. 7. Marill, Alvin H. The films of Anthony Quinn Secaucus, N.J. : Citadel Press, 1975. (p. 209-10) Murphy, Arthur D. (Murf). “Lost command” Variety (May 25, 1966), p. 6. Peipp, Matthias (see under Holzl, Gebhard) Rothschild, Elaine. [Lost command] Films in review 17/6 (Jun-Jul 1966), p. 379-80. Schickle, Richard. “Life movie review: Hunting big issues with a popgun: Lost command” Life 60/22 (Jun 3, 1966), p. 12. Smith, Julian. Looking away: Hollywood and Vietnam (book) [GB] (p. 125-6, 154) Walker, Mark Edward. Vietnam veteran films [GB] (p. 5) Walsh, Moira. “The Lost command” America 115/3 (Jul 16, 1966), p. 78-9. Weiler, A. H. “Quinn at war again” New York times (Sep 15, 1966), p. 51. Willingham, David R. “The Lost command” Vietnam war feature filmography (1992 draft) [GB] (p. 238-9) and Vietnam war films [GB] (Entry 347) .

Copy Link

Recommended publications

Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
[Show full text]
The French New Wave and the New Hollywood: Le Samourai and Its American Legacy
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 3 (2010) 109–120 The French New Wave and the New Hollywood: Le Samourai and its American legacy Jacqui Miller Liverpool Hope University (United Kingdom) E-mail: [email protected] Abstract. The French New Wave was an essentially pan-continental cinema. It was influenced both by American gangster films and French noirs, and in turn was one of the principal influences on the New Hollywood, or Hollywood renaissance, the uniquely creative period of American filmmaking running approximately from 1967–1980. This article will examine this cultural exchange and enduring cinematic legacy taking as its central intertext Jean-Pierre Melville’s Le Samourai (1967). Some consideration will be made of its precursors such as This Gun for Hire (Frank Tuttle, 1942) and Pickpocket (Robert Bresson, 1959) but the main emphasis will be the references made to Le Samourai throughout the New Hollywood in films such as The French Connection (William Friedkin, 1971), The Conversation (Francis Ford Coppola, 1974) and American Gigolo (Paul Schrader, 1980). The article will suggest that these films should not be analyzed as isolated texts but rather as composite elements within a super-text and that cross-referential study reveals the incremental layers of resonance each film’s reciprocity brings. This thesis will be explored through recurring themes such as surveillance and alienation expressed in parallel scenes, for example the subway chases in Le Samourai and The French Connection, and the protagonist’s apartment in Le Samourai, The Conversation and American Gigolo. A recent review of a Michael Moorcock novel described his work as “so rich, each work he produces forms part of a complex echo chamber, singing beautifully into both the past and future of his own mythologies” (Warner 2009).
[Show full text]
The Age of Innocence Showcase Tribute to Claudia Cardinale
PRESS RELEASE The age of innocence showcase Tribute to Claudia Cardinale From Monday 5 to Monday 26 March 2018, 3.30 p.m. “Mario Gromo” Library/Mediatheque – Events Room - Via Matilde Serao 8/A, Turin tel. +39 011 8138 599 - email: [email protected] Following the success of the showcases offered by the Mario Gromo Library/Mediatheque over the past months, in March it is the turn of a tribute to one of the most representative and beloved Italian actresses: Claudia Cardinale. Focusing on the time span between 1959 and 1961, during which the actress shot a good 15 films, The age of innocence. Tribute to Claudia Cardinale is proposing a significant selection of titles which illustrate this thespian’s maturity well and her sensitive capability for offering intensely dramatic introspective characters. Fragility and determination, naiveté and innocence, awareness and disenchantment are the emotional and- personality traits that young Cardinale – provided with charm, allure and a natural, luminous beauty – expresses in this first phase of her long and fortunate career. Extraordinarily photogenic, the actress imposed herself at the beginning of the Sixties as a new female diva model in Italian cinema, working with some of the most important authors of that period, who found a degree of expressiveness that was both sunny and enigmatic in her person, capable of expressing the establishment of a new, signally modern type of woman. The showcase will be inaugurated by the screening of Vento del sud, the only film by Enzo Provenzale (a trusted collaborator of Francesco Rosi), in which Cardinale plays the role of an aristocratic and unhappy Sicilian scion.
[Show full text]
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI
[Show full text]
Amici Vol6issue1
A UR LT U C A M I C I S Z VOLUME 12 ISSUE 1 T I O A R IA I Y A PUBLICATION OF THE ITALIAN CULTURAL SOCIETY TAL IET IAN CULTURAL SOC ICS PRESIDENT’S PERSPECTIVE Cari amici, T he fall season of the Italian Cultural Society is beginning as the summer season comes to an end. I hope all of you had a pleasurable summer and are looking forward to our 2010/11 season of cultural programs and events. For the members who are in the Naples area in October, there is a Columbus Day luncheon planned for the 11th of Castel Sant’Angelo — Ancient Rome October at Molino’s Ristorante in Bonita Springs. allowed no tombs within its walls, so Emperor Hadrian chose a This season we continue to focus our programs on the region of Lazio with commanding position across the river lectures on ancient times to Middle Ages to contemporary Italy. The for the site of his mausoleum built in “Welcome Back Brunch” will be held on Sunday, November 14, 2010 at The 139 A.D. Renamed after the Plantation Restaurant at The Dunes and will feature a presentation by Archangel Michael appeared to Pope members Ron Diorio and Ken Pedini. Their topic is “The Etruscans and Early Gregory the Great, Castel Sant’Angelo Roman Kingdom: History or the Real Story”. This venue offers a comfortable connects to the Vatican by a corridor. setting for our new members to meet our society membership, and for all to get reacquainted after our summer season.
[Show full text]
The Queer History of Films and Filming by Justin Bengry
The Queer History of Films and Filming By Justin Bengry It would be hard to exaggerate the sense of repression that many queer men felt in 1950s Britain. Assailed by the press, stalked by the police and dispar- aged by the state, homosexuals experienced almost universal hostility. In 1952, for example, the Sunday Pictorial’s infamous ‘Evil Men’ series ridiculed queer men as “freaks” and “degenerates”; they were, the Pictorial warned, a potent threat to British society.1 In 1953 alone, sensational coverage of charges against Labour M.P. William Field for importuning, author Rupert Croft-Cooke for gross indecency and Shakespearean actor Sir John Gielgud for importuning in a Chelsea lavatory all highlighted the plight of homosexuals. More than any other case, however, the Lord Montagu affair of 1953-4 exposed the dangers posed to homosexuals in Britain. At its conclusion, Lord Montagu, his cousin Michael Pitt-Rivers and Daily Mail diplomatic correspondent Peter Wildeblood were all imprisoned. By 1954, the scandals, trials and social disruption had reached such a frenzy, that amid calls for state intervention, the government relented and called the Departmental Committee on Homosexual Offences and Prostitution (The Wolfenden Committee) to evaluate the state of criminal law in Britain. That same year, Philip Dosse introduced Films and Filming. Long before homosexual activity between consenting men was decrimina- lised in Britain in 1967, Films and Filming subtly included articles and images, erotically charged commercial advertisements and same-sex contact ads that established its queer leanings. From its initial issues in 1954, the magazine sought Britain’s queer market segment by including articles on the censorship of homosexual themes in film and theatre, profiles and images of sexually ambigu- ous male actors like Dirk Bogarde and Rock Hudson and photo spreads selected specifically for their display of male flesh.
[Show full text]
Italiani Brava Gente
Cineforum della formica Stagione 2010-2011 ITALIANI BRAVA GENTE Commedia e impegno nel grande cinema italiano www.cineformica.org Cineforum della formica Stagione 2010-2011 IITTAALLIIAANNII BBRRAAVVAA GGEENNTTEE Commedia e impegno nel grande cinema italiano I soliti ignoti Regia Mario Monicelli Interpreti Vittorio Gassman (Peppe ), Marcello Mastroianni (Tiberio ), Renato Salvatori (Mario ), Totò (Dante Cruciani ), Carlo Pisacane (Capannelle ), Tiberio Murgia (Ferribotte ), Memmo Carotenuto ( Cosimo ), Carla Gravina (Nicoletta ), Claudia Cardinale (Carmelina ) Sceneggiatura Mario Monicelli, Suso Cecchi D'Amico, Age & Scarpelli Fotografia Gianni Di Venanzo Montaggio Adriana Novelli Italia, 1958, b/n, 111 min E' una doppia svolta: per la commedia che il cinema italiano coltiva in maniera pedissequa e spesso volgare, per Monicelli che mette a fuoco l'orizzonte dei suoi interessi. Una struttura efficiente e snella, grazie all'ottima sceneggiatura, una distribuzione di ruoli che rappresentò una vera sorpresa (Gassman per la prima volta in un personaggio comico, Mastroianni e Salvatori perfettamente caratterizzati, la presenza di due straordinarie macchiette come Capannelle/Carlo Pisacane e Ferribotte/Tiberio Murgia, un assolo formidabile di Totò maestro scassinatore), la felice coincidenza di una situazione sociale nuova (il boom economico) con l'intuizione che a tempi nuovi appena iniziati occorrano strumenti espressivi inediti, slegati dal populismo neorealistico: tutto questo confluisce in un film leggero, scettico e in apparenza disimpegnato, che lascerà un segno sul destino della commedia all'italiana e che troverà imitatori in Italia e fuori. (Fernaldo Di Giammatteo, Dizionario dei capolavori del cinema , B. Mondadori, 2004) Frasi famose Capannelle: Dimmi un po' ragassolo, tu conosci un certo Mario che abita qua intorno? Bambino: Qui de Mario ce ne so' cento.
[Show full text]
Giuseppe Miale Di Mauro
Giuseppe Miale di Mauro Autore, drammaturgo e regista teatrale. Diplomato all’Accademia d’Arte Drammatica. È stato uno dei protagonisti dello spettacolo Gomorra andato in scena dal 2007 al 2012, vincitore del premio Gli Olimpici del Teatro. È autore di Quattro, scritto con Mario Gelardi, vincitore dei premi “Girulà” e “Scenario”. Ha scritto con Roberto Saviano la trasposizione teatrale di Santos, prodotto da Nuovo Teatro di Marco Balsamo. Ha diretto nell’edizione 2010 del “Napoli Teatro Festival Italia” lo spettacolo La Città di dentro, scritto con Angelo Petrella. Ha diretto lo spettacolo 12 baci sulla bocca, per sei anni di repliche. Ha scritto con Nicolai Lilin la trasposizione teatrale di Educazione Siberiana. Spettacolo di cui è anche regista, prodotto dal Teatro Stabile di Torino in collaborazione con ERT e Teatro Metastasio Stabile della Toscana. Ha diretto All In prodotto dal Teatro Stabile di Napoli, teatro Nazionale. Ha diretto la trasposizione teatrale del film Mi manda Picone, prodotta da Michele Gentile con Biagio Izzo. È stato il regista collaboratore di Mario Martone per la messinscena de Il sindaco del Rione Sanità di Eduardo De Filippo, prodotto dal Teatro Stabile di Torino e dalla Elledieffe srl. Dal 2016 inizia una collaborazione con il Teatro Ghione di Roma, dirigendo lo spettacolo Certe Notti con Antonio Grosso, e prosegue il rapporto con il debutto di Miseria e Nobiltà 2.0 con Francesco Procopio di cui firma l’adattamento e la regia. È uno dei soci fondatori e direttore artistico del Nest Napoli est Teatro. È il regista stabile della Compagnia Nest con la quale ha messo in scena diversi spettacoli tra cui Love Bombing, Otello, Gli onesti della banda scritto a quattro mani con Diego De Silva.
[Show full text]
Book Factsheet Federico Fellini
Book factsheet Federico Fellini Cinema 240 pages Published by Diogenes as Aufsätze und Notizen 11.3 × 18 cm January 1974 World rights are handled by Diogenes Movie adaptations 1990: La voce della luna Director: Federico Fellini Cast: Roberto Benigni, Paolo Villaggio, Nadia Ottaviani 1986: L’intervista Director: Federico Fellini Cast: Anita Ekberg, Marcello Mastroianni, Federico Fellini 1985: Ginger e Fred Director: Federico Fellini Cast: Giulietta Masina, Marcello Mastroianni 1983: E la nave va Director: Federico Fellini Cast: Freddie Jones, Barbara Jefford 1979: Città delle donne Director: Federico Fellini Cast: Marcello Mastroianni, Ettore Manni, Bernice Stegers 1978: Prova d’orchestra Director: Federico Fellini Cast: Balduin Baas, Clara Colosimo, Giovanni Javarone 1976: Il Casanova di Fellini Director: Federico Fellini Cast: Donald Sutherland, Tinau Aumont, Mary Marquet 1973: Amarcord Director: Federico Fellini Cast: Magali Noel, Pupella Maggio 1971: Roma Director: Federico Fellini Cast: Marcello Mastroianni, Federico Fellini 1969: Satyricon Director: Federico Fellini Cast: Martin Potter, Hiram Keller 1965: Giulietta degli spiriti Director: Federico Fellini Cast: Giulietta Masina, Sandra Milo 1962: Otto e mezzo Director: Federico Fellini Cast: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée 1 / 2 Movie adaptations (cont'd) 1959: La dolce vita Director: Federico Fellini Cast: Marcello Mastroianni, Anita Ekberg, Anouk Aimée 1957: Le notti di Cabiria Director: Federico Fellini Cast: Giulietta Masina, François Périer, Franca Marzi 1955: Il bidone Director: Federico Fellini Cast: Broderick Crawford, Giulietta Masina 1954: La strada Director: Federico Fellini Cast: Giulietta Masina, Anthony Quinn 1953: I vitelloni Photo: Archiv Diogenes Verlag Director: Federico Fellini Cast: Franco Fabrizi, Alberto Sordi, Franco Interlenghi Federico Fellini was born in Rimini in 1920 and died in Rome in 1993.
[Show full text]
La Notte (1961), and L’Eclisse (1962)
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 08, ISSUE 02, 2021 THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962) GELAREH HAJMOUSA Affiliation Faculty of literature and Philosophy, Sapienza university of Rome, Italy Address: Via dei Volsci, 122, 00185 Roma RM Email: [email protected] Phone: 00393511926186 Abstract In realistic films, the architecture of the cinematic exploitation can be seen. In this regard Antonioni's films has an exceptional place. His films point and desire to create a cinematic experience through the use of filming techniques due to the interplay between architecture and the characters. Antonioni, in his films, uses architecture to depict the mental state of the characters, or perhaps as an arena for closure their logical inconsistencies and contrary qualities.Three films: The adventure (L’Avventura, 1960),The night (La Notte, 1961),and The eclipse(L’Eclisse, 1962) are closely related to the concept and text and are known as the trilogy of the Antonioni. In all of these films, director tries to link the process of emotional development of characters to their position in the film.The emphasis on urban-industrial texture, the unusual story structure, the minimal role of dialogue, and in particular the movements of the camera, which follow the unique methods of cinematic expression, all appear in his work.The Antonionitrilogy are an example of a series of films that are suited to study the purpose of any study on a serious approach to the question of the relationship between two types of substances and artistic creatures.
[Show full text]
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
[Show full text]
Movie Museum MARCH 2013 COMING ATTRACTIONS
Movie Museum MARCH 2013 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! 2 Hawaii Premieres! THE INTOUCHABLES SHIRLEY VALENTINE THE INTOUCHABLES MA PETITE MONSIEUR GANGSTER (2011-France) (1989-UK/US) (2011-France) ENTREPRISE aka Les tontons flingueurs in French with English with Pauline Collins, Tom in French with English (1999-France) (1963-France/WGermany/Italy) subtitles & in widescreen Conti, Julia McKenzie, subtitles & in widescreen French w/Eng subtitles, w.s. French w/Eng subtitles, w.s. with François Cluzet, Omar Alison Steadman. Vincent Lindon, Roschdy Zem. Lino Ventura, Bernard Blier. Sy, Anne Le Ny, Audrey 12, 6 & 8pm only with François Cluzet, Omar 12:00 & 8:30pm only 12:00, 6:30 & 8:30pm only Fleurot, Clotilde Mollet. ---------------------------------- Sy, Anne Le Ny, Audrey ---------------------------------- ---------------------------------- Hawaii Premiere! Fleurot, Clotilde Mollet. THE POOL MA PETITE Written and Directed by THE ITALIAN KEY (2007-US) ENTREPRISE Olivier Nakache, Eric Toledano (2011-Finland/US/Italy/UK) Written and Directed by Hindi w/Eng subtitles, w.s. (1999-France) in English in widescreen Olivier Nakache, Eric Toledano with Venkatesh Chavan. French w/Eng subtitles, w.s. 1:30, 3:30, 5:30 with Gwendolyn Anslow. Directed by Chris Smith. Vincent Lindon, Roschdy Zem. & 7:30pm 2 & 4pm only 12, 2, 4, 6 & 8pm 1:30, 3:15, 5 & 6:45pm 7 8 9 10 2, 3:30 & 5pm only 11 Hawaii Premiere! LIFE OF PI Hawaii Premiere! LIFE OF PI St. Patrick's Day LE MAGNIFIQUE MICKYBO AND ME LE CASSE (2012-US/Taiwan) (2012-US/Taiwan) aka The Burglars (1973-France/Italy) (2004-UK) in widescreen French w/Eng subtitles, w.s.
[Show full text]