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CONGRESSIONAL RECORD— Extensions of Remarks E1492 HON. DENNIS J. KUCINICH HON. DALE E. KILDEE HON. ROBERT HURT HON. DENNIS J
E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
CONGRESSIONAL RECORD— Extensions Of
January 7, 2011 CONGRESSIONAL RECORD — Extensions of Remarks E43 with international challenges. Our armed Arms Control and Non-Proliferation; David of the federation’s Executive Council from forces are a uniquely expensive asset and for Gold, Graduate Program in International Af- 1998 until 2005, vice president of the New some tasks no other instrument will do. For fairs, The New School; William Hartung, York State AFL–CIO and of the New York City many challenges, however, the military is Arms and Security Initiative, New America not the most cost-effective choice. We can Foundation. Central Labor Council. An honors graduate of achieve greater efficiency today without di- David Hendrickson, Colorado College; Mi- Brandeis University and Harvard Law School, minishing our security by better discrimi- chael Intriligator, UCLA and Milken Insti- he previously served as Chief House Counsel nating between vital, desirable, and unneces- tute; Robert Jervis, Columbia University; of the Democratic National Committee and as sary military missions and capabilities. Sean Kay, Ohio Wesleyan University; Eliza- Executive Assistant to the Secretary of the There is a variety of specific options that beth Kier, University of Washington; Charles State of Connecticut. would produce savings, some of which we de- Knight, Project on Defense Alternatives; A skilled and tireless political activist who scribe below. The important point, however, Lawrence Korb, Center for American has dedicated his life to progressive causes, is a firm commitment to seek savings Progress; Peter Krogh, Georgetown Univer- through a reassessment of our defense strat- sity; Richard Ned Lebow, Dartmouth Col- Stu Appelbaum was elected a Delegate to the egy, our global posture, and our means of lege; Walter LaFeber, Cornell University; 1996, 2000, 2004, and 2008 Democratic Na- producing and managing military power. -
Fine Arts Series Brochure (Pdf)
Fine Arts concerts are free and open to all. To learn more about Palms Presbyterian Church, Nursery provided. visit www.palmschurch.org or call (904) 246.6427. Stay connected! The Charlestones Organist Saturday Cathy Fortson Green November 4 Friday, February 23 7:30pm • Sanctuary 7:30pm • Sanctuary Singer David LaMotte Friday, September 15 The Charlestones, a professional male a cappella quartet Catherine Fortson Green is a native of Jacksonville and 7:30pm • Sanctuary based in Charleston, SC, make their Florida debut with has served as Organist at Palms Presbyterian Church for The Charlestones Sing Everything, a concert of a 11 years. She began music studies at the age of six and David is a singer/songwriter and guitarist, with 11 CDs cappella favorites spanning the genres of Renaissance, became organist at the Naval Air Station Hospital Chapel and 2,500 concerts on 4 continents to his credit. He has musical theatre, hymns, barbershop, jazz, country, and at the age of 16. Catherine also served churches in a long-running passion for peace and “worldchanging” pop. Formed in 2014, the Charlestones have delighted Texas and Georgia. She graduated from Jacksonville work, leading him to found and direct a non-profit that audiences throughout the Southeast with their flawless University with a Bachelor’s Degree and a Double Major supports education in Guatemala, chair the American intonation, tight blend, and rocksteady camaraderie. in Organ and Voice. She earned a Master’s Degree in Friends Service Committee Nobel Peace Prize Their new CD is titled Holy City Harmony. Organ Performance at Southwestern Seminary, Ft. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Material on This Site May Be Quoted Or Reproduced for Personal and Educational Purposes Without Prior Permission, Provided Appropriate Credit Is Given
COPYRIGHT / USAGE Material on this site may be quoted or reproduced for personal and educational purposes without prior permission, provided appropriate credit is given. Any commercial use of this material is prohibited without prior permission from The Special Collections Department - Langsdale Library, University of Baltimore. Commercial requests for use of the transcript or related documentation must be submitted in writing to the address below. When crediting the use of portions from this site or materials within that are copyrighted by us please use the citation: Used with permission of the University of Baltimore. If you have any requests or questions regarding the use of the transcript or supporting documents, please contact us: Langsdale Library Special Collections Department 1420 Maryland Avenue Baltimore, MD 21201-5779 http://archives.ubalt.edu Saturday and Sunday. August 7 - 8. 1976 Charles Center and Hopkins Plaza AFRAM-EXPO 76 STEERING COMMITTEE The Honorable William Donald Schaefer Mrs. Marguerite Campbell Mrs. Lenora Johnson Mayor of the C ity of Baltimore Community Relations Specialist Urban Services Agency Mayor's Office Baltimore, Maryland Mr. Lenwood Ivey, General Chairman Baltimore, Maryland Executive Director Mrs. Louise Johnson Urban Services Agency Mr. Lou Cavallaro President City of Baltimore Department of Parks Black Women's City of Baltimore Consciousness Raising Mr. Norman E. Ross Baltimore, Maryland Project Director Dr. John Crew, Superintendent Cultural Arts Program Baltimore City Public Schools Mrs. Enolia McMillan, President Urban Services Agency Baltimore, Maryland Baltimore N.A.A.C . P. 1390 West North Avenue Mrs. Marie Henderson Mr. Dennis Ferrell Baltimore, Maryland Program Coordinator Baltimore Black Promotional Council Mayor's Coordinating Council Chairman, NAACP Community Mr. -
Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz
Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S First published online February Dr. Billy Taylor, “America’s Classical Music,” and the Role of the Jazz Ambassador TOM ARNOLD-FORSTER The idea of jazz as “America’s classical music” has become a powerful way of defining the music, asserting its national and artistic value, and shaping its scholarly study. The present article pro- vides a history of this idea through a close analysis of its primary theorist and most visible spokes- person, Dr. Billy Taylor. It argues that the idea was not a neoclassical and conservative product of the s, but had important roots in the Black Arts imperatives of the later s and early s. It suggests that Taylor initially made the idea work inventively and productively in a variety of contexts, especially through his community arts project Jazzmobile, but that these con- texts diverged as his public profile was stretched thin across and beyond the United States. The idea’s disintegration into clichéd ubiquity in the mid-s then provides a critical perspective on the idea of the “jazz renaissance,” and an opportunity to consider the role of the jazz ambas- sador in the context of debates about African American intellectuals. “America’s classical music” has been a prominent answer to the persistent question of what jazz is. It challenges the drugs-and-brothels imagery that has long lingered around the music, and it rejects, perhaps too confidently, the notion that jazz is essentially enigmatic. In , the critic Grover Sales published Jazz: America’s Classical Music, which portrayed a grand artistic heritage. -
2009 Tour Dates
Randy Brecker 2009 Tour Dates Website: http://www.randybrecker.com/ Email: [email protected] January 20 Special Guest with Saleno Jazz Orchestra Salerno, Italy January 28-31 w/Marc Copland, Dave Liebman and others Birdland, NYC February 3 Manhattan School of Music Interactive Clinic to be broadcast live to Toronto Schools February 4 Piano Jazz w/Marian McPartland taping February 6 Randy Brecker Quintet 11 AM - 12 NOON - Children's Concert Tribute to Miles Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 7 Randy Brecker Quintet 7:30 PM - Randy Brecker Quintet Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 8 West Chester State Trumpet Festival w/ Bobby Shew,Chase Sanborn, Criterions Jazz Ensemble and others February 13 Featured guest with Richard Sussman Trio Riverspace Jazz Cafe, Nyack NY February 15 Special guest w/Dave Liebman Group Baltimore, Maryland February 20 - 21 Special guest w/James Moody Quartet Burmuda Jazz Festival March 1-2 Northeastern State Universitry Concert/Clinic Tahlequah, Oklahoma March 6-7 Concert/Clinic for Frank Foster and Break the Glass Foundation Sandler Perf. Arts Center Virginia Beach, VA March 17-25 Dates TBA European Tour w/Lynne Arriale quartet feat: Randy Brecker, Geo. Mraz A. Pinciotti March 27-28 Temple University Concert/Clinic Temple,Texas March 30 Scholarship Concert with James Moody BB King's NYC, NY April 1-2 SUNY Purchase Concert/Clinic with Jazz Ensemble directed by Todd Coolman April 4 Berks Jazz Festival w/Metro Special Edition: Chuck Loeb, Dave Weckl, Mitch Forman and others April 11 w/ Lynne Arriale Jazz Quartet Ft. -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
Yes, Virginia, Rock and Roll Is Dead, and Flesht<>
Yes, Virginia, Rock and Roll is dead, and Flesht<>nes is its potent spirit. The brain-child of Playhouse of the Ridic:ulous alumni ./ Sterling Blak, (Mario Montez, Taylor Mead, and Charles Ludlahm were his classmates), and fellow avant-gardist Larry Lean, (son of famed L.A. session-man Mel Moore), Fleshtones is Rock and Roll in the boldest of colors; the rightful l:eirs to Professor Longhair and The Velvet Underground ••• the fulfillment of rock's promise of long ago, and a triumph for hard rockers everywhere. Egged on by their bone-crunching bant L, vocalists Blak and Lean bend and twist the musical express:'.on of ecstacy and despair to their most tormented limits. Those to be held personally responsible are fat-1.:at drummer Walt 'twhammy" Douglas (who parlayed a ho-hum bat·:;ing average into one of the most impressive slugging records in ·rock history), power-bassist Marko Roxx (his name tells the tale), ' guitarists Chance Fleeting (who's searing leads ,Uld .relentless rhythms on such instant classics as "Rock and Ro:Ll Hell" and "Bitch Boy" assure his niche in rock's Hall of F:Lame), and Mario David (his solo at the end of the catharti·! masterpiece, "No More", makes it clear once and for all that Jimi and Robin are nice names for girls). But mostly credit is due composer-vocalist Lean ( a high-yellow baby Jean Genet with the voice of Carmen McRae gone mad), and lyricist-vocalist Blak (a tantalizing flash of pure terror guaranteed to drive psycho-drama out of the clos~t with a single blood-freezing scream). -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Grover Kemble and Za Zu Zaz Reunion
Volume 39 • Issue 7 July/August 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. above: Winard Harper Sextet; below: Allan Harris. Photos by Tony Mottola. 2011 “Ring dem Bells!” azzfest 2011 on June 11 at the College of Saint J Elizabeth in Morristown kicked off with the ringing of the noon bells at Anunciation Hall just as Emily Asher’s Garden Party was set to begin playing outside its entrance. That caused only a minor setback at our brand new venue where the benefits outweighed any clouds and drizzle. All activities had been seamlessly moved indoors, which turned out to be a boon for one and all, with no missed notes. Dolan Hall proved to be a beautiful venue and the Jazz Lobsters easily fanned across its stage. The languid start to “Splanky” gave way to a crisp, sparking horn crescendo. Bari sax man Larry McKenna was featured as arranger and soloist on “You Go to My Head,” and his velvety, luxurious tone sparked bandleader/ pianist James Lafferty’s continued on page 30 New JerseyJazzSociety in this issue: Deconstructing Dave NEW JERSEY JAZZ SOCIETY April Jazz Social: Dave Frank . 2 Dave Frank digs into Dave McKenna at April Jazz Social Bulletin Board . 2 Governor’s Island Jazz Party 2011 . 3 Text and photos Mail Bag. 3 by Tony Mottola NJJS Calendar . 3 Co-Editor Jersey Jazz Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 ianist and educator May Jazz Social: Sue Giles . 52 PDave Frank explored Crow’s Nest .