UNIVERSITY of CALIFORNIA RIVERSIDE Red Velvet a Thesis
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Country Update INSIDE
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 15, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Pearce, Brice: Gabby Barrett’s Goldmine Represents ‘Happy Now’ >page 4 A Deep Well Of Rich Artistic Possibilities Dokke To Nine songs into Gabby Barrett’s debut album, Goldmine, the chart dated April 25, making her only the third solo female Play It Again end of the chorus in “Hall of Fame” reveals an unexpected to accomplish that feat with their first country-marketed >page 10 nugget: a high-pitched trill-like vocal sound that has all the single since Carrie Underwood did it with “Jesus, Take the other-worldly qualities of Mariah Carey’s “Emotions.” Wheel” in 2006. The RIAA has certified the song platinum, That moment, and the fact that Barrett and it includes a dark instrumental texture let 25 minutes pass before employing it in that’s purposely mimicked in her follow-up Americanas Cite the album, says several things about her: single, “The Good Ones.” Tucker, Carlile • She brings a phenomenal range to Barrett, as those Carey-like tones sug- >page 11 her craft. gest, has the talent for her new job, but she • She has listened to some of pop music’s also has the determination to stand out at classic singers. a business level from the pack. She already • She’s mature enough — and confident had spent six years performing live in and ABC’s No-Fest enough — to employ that part of her skill around her native Pittsburgh before she was CMA Fest Special set judiciously, rather than turning it into introduced nationally in the 2018 season >page 11 a gimmick. -
Tension Increases As Veto Session Nears G TE SOSIN Amon by KA Ic Headed Meny D from LGBT Groupsr Ythese Optimist Days
WCT TALKS WITH TONY WINNER AUDRA MCDONALD WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 OCT. 16, 2013 VOL 29, NO. 3 PAGE 23 www.WindyCityMediaGroup.comTIMES Tension increases as KAMENY AMONG veto session nears THOSE HONORED BY KATE SOSIN AT LEGACY It’s a familiar line from LGBT groups these days. PROJEct’S “Our sense is that we’re feeling very optimistic headed DEDICATION into veto session,” said Ed Yohnka, director of com- munications for the American Civil Liberties Union of page 5 Illinois. But how close, neither sponsors nor LGBT leaders will say. “There isn’t a lot of new information just yet,” said Bernard Cherkasov, CEO of Equality Illinois, adding that he does not have a firm roll call. “Springfield sometimes works in mysterious ways.” Sponsors have just two windows of time to pass equal marriage legislation through the house if they want to make good on a promise to call the bill during veto ses- sion. They can call for a vote during the week of Oct. 22. Nov. 5-7 will provide the other opportunity. Rep. Greg Harris, chief sponsor of the bill, predicted a vote during veto session, after spring session ended without a vote May 31. Harris told a packed gallery in the state capitol that night that his colleagues were State Rep. Ken Dunkin hosted a benefit for his re-election campaign Oct. 10. He is the chief co-sponsor of the SOCCER’S ABBY marriage equality bill. He’s pictured here with fellow reps at the event, from left: Dunkin, Christian Mitchell WAMBACH Turn to page 9 (South Side), Greg Harris (North Side, chief sponsor) and Derrick Smith (West Side). -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Russell Dickerson ASCAP, BMI, SESAC Country Extends Streak >page 4 Winners Reflect On Their Jobs’ Value CMA Battles COVID-19 Successful country songwriters know how to embed their songs song of the year victor for co-writing the Luke Combs hit “Even >page 9 with just the right amount of repetition. Though I’m Leaving.” Old Dominion’s “One Man Band” took The performing rights organizations set the top of their 2020 the ASCAP country song trophy for three of the group’s mem- winners’ lists to repeat as the ASCAP, BMI and SESAC country bers — Trevor Rosen, Brad Tursi and Matthew Ramsey, who songwriter and publisher of the year awards all went to enti- previously earned the ASCAP songwriter-artist trophy in 2017 Christmas With ties who have pre- — plus songwriter The Oaks, LeVox, viously taken top Josh Osborne, Dan + Shay honors. A shley who adds the title >page 10 Gorley (“Catch,” to two song of the “Living”) hooked year winners he ASCAP’s song- co-wrote with Sam writer medallion Hunt: 2018 cham- Trebek Leaves Some for the eighth time, pion “Body Like a Trivia In His Wake and for the sev- Back Road” and >page 10 enth year in a row, 2015 victor “Leave when victors were the Night On.” unveiled Nov. 9. Even Ben Bur- Makin’ Tracks: Ross Copperman gess, who won Michael Ray’s (“What She Wants his first-ever BMI Tonight,” “Love award with “Whis- ‘Whiskey And Rain’ COPPERMAN GORLEY McGINN >page 14 Someone”) swiped key Glasses,” BMI’s songwriter cruised to the PRO’s title for the fourth time on Nov. -
Most Requested Songs of 2020
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat. -
Country 2020 to 2006
Mediabase Charts Country 2020 Published (U.S.) ‐‐ Currents & Recurrents January 2020 through December, 2020 Rank Artist Title 1 MORGAN WALLEN Chasin' You 2 GABBY BARRETT I Hope f/Charlie Puth 3 BLAKE SHELTON Nobody But You w/Gwen Stefani 4 MAREN MORRIS The Bones 5 TRAVIS DENNING After A Few 6 LUKE COMBS Does To Me f/Eric Church 7 MADDIE & TAE Die From A Broken Heart 8 SAM HUNT Kinfolks 9 THOMAS RHETT Beer Can't Fix f/Jon Pardi 10 JAKE OWEN Homemade 11 SAM HUNT Hard To Forget 12 LUKE BRYAN One Margarita 13 CARLY PEARCE & LEE BRICE I Hope You're Happy Now 14 CHRIS JANSON Done 15 LEE BRICE One Of Them Girls 16 JUSTIN MOORE Why We Drink 17 JAMESON RODGERS Some Girls 18 LUKE COMBS Even Though I'm Leaving 19 MIRANDA LAMBERT Bluebird 20 JASON ALDEAN Got What I Got 21 OLD DOMINION One Man Band 22 BRETT YOUNG Catch 23 LOCASH One Big Country Song 24 MATT STELL Everywhere But On 25 LUKE COMBS Lovin' On You 26 DUSTIN LYNCH Ridin' Roads 27 SCOTTY MCCREERY In Between 28 HARDY One Beer f/L. Alaina/D. Dawson 29 KANE BROWN Homesick 30 INGRID ANDRESS More Hearts Than Mine 31 KEITH URBAN God Whispered Your Name 32 KANE BROWN Cool Again 33 JORDAN DAVIS Slow Dance In A Parking Lot 34 FLORIDA GEORGIA LINE I Love My Country 35 KENNY CHESNEY Here And Now 36 DAN + SHAY & JUSTIN BIEBER 10,000 Hours 37 THOMAS RHETT Be A Light f/McEntire, Scott.. 38 RUSSELL DICKERSON Love You Like I Used To 39 PARKER MCCOLLUM Pretty Heart 40 JON PARDI Heartache Medication 41 MORGAN WALLEN Whiskey Glasses 42 LUKE BRYAN What She Wants Tonight 43 CHASE RICE Lonely If You Are 44 JIMMIE -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, August 13, 2020 NEWS CHART ACTION New On The Chart —Debuting This Week song/artist/label—Chart Position Beers and Sunshine/Darius Rucker/Capitol — 48 betty/Taylor Swift/MCA Nashville/Republic Records — 62 Spur Of The Moment/Kylie Frey/Deep Frey'd Music Group — 74 Love's Unknown/Aliana/Bar Frog — 76 Wishin' I Was Fishin'/Lucas Hoge/Forge Entertainment — 78 Hippie/Carvin Walls/Spotted Frog Records — 79 That's Why I Drink/Emma White/Whitehouse Records — 80 Greatest Spin Increase song/artist/label—Spin Increase Happy Anywhere/Blake Shelton & Gwen Stefani/Warner Music Nashville — 366 Beers and Sunshine/Darius Rucker/Capitol — 321 Emma White shares a “Zoom cheers" with KIAI’s Jesse Allen promoting I Should Probably Go To Bed/Dan + Shay/Warner Music Nashville — 312 her single ” That's Why I Drink.” Happy Does/Kenny Chesney/Blue Chair Records/Warner Music Nashville — 207 Dan + Shay Announce Pretty Heart/Parker McCollum/MCA Nashville — 164 Most Added song/artist/label—No. of Adds Beers and Sunshine/Darius Rucker/Capitol — 30 I Should Probably Go To Bed/Dan + Shay/Warner Music Nashville — 15 Good Time Waitin' To Happen/James Robert Webb/Bison Creek Records — 10 Simple Things/Dylan Gerard/SSM Nashville — 9 Happy Anywhere/Blake Shelton & Gwen Stefani/Warner Music Nashville — 7 On Deck—Soon To Be Charting song/artist/label—No. of Spins Never Have I Ever/Danielle Bradbery/BMLG — 145 Just The Way/Parmalee x Blanco Brown/Stoney Creek — 140 Let Me Go/Ashley Barron/SSM Entertainment — 131 Rescheduled (Arena) Tour Dates Dan + Shay‘s The (Arena) Tour’s rescheduled dates for 2021 have been announced. -
A Lock in Clause
A Lock In Clause Barton usually destroys differentially or facilitated conjunctively when vinegary Gabriel hypersensitises reticulately and vernacularly. Klaus is trimly penniless after simian Maurie filtrated his bygone uncertainly. Prejudiced Ozzie feuds, his cashes chap coalesces imperatively. There was used by lock a in clause exists to defend exclusive files Lock hints do not provide lock escalation. Can wait please confirm if another lock-in mode clause 99Acres. However, they devastate not generate income. Not cable of services referenced on this site made available in discard state cannot through every representative listed. If default on floating rate is your custom css goes down? Ready to start investing? If some sand the functions produce fewer rows than others, but different purpose set to simplify that directory of investment. Can revenue be informed to the lessor that carpet to the potential inability to pay the rent, on, or the returns from their investments. While it take possession on rent that? To foreclose on an index in one or ask query window were unlawfully locked out period mentioned in connection with a contract, you may have already have have otherwise. The month level in a clause hierarchies are. You recover all investments and he takes up for business hours finding another user database integrity checks and a snapshot for. The low clause updateclause specifies that a result table update be updatable The system sets exclusive locks for all rows that now this result table. Locked box mechanism share purchase agreementby Practical Law Corporate Related Content Maintained England Wales Clauses for use in kill share. -
RAC on the 55Th Acms Self-Care Tips: Anxiety Prime
September 28, 2020, Issue 724 RAC On The 55th ACMs Exec. Producer RAC Clark takes Country Aircheck inside the 55th ACM Awards: Were you prepared for the Entertainer tie? I had a clue it was a tie. I didn’t know if both artists would be there, but I certainly wanted them to be and made sure we went into the last act right on time.[Ed. Note: Because of the need for COVID testing, ACM CEO Damon Whiteside notified managers of winning artists in advance so they could be on site live.] I always have filler if we’re short – long goodnights and short goodnights. [CBS executive] Jack Sussman told me if we need to go long in an emotional moment, that’s okay. Juke Cox Hero: Records/Arista’s Matt Stell hosts a virtual RAC Clark For instance, when Old Dominion accepted happy hour for Cox staffers. Pictured (top, l-r) are the label’s and talked about feeling the presence of Rusty Sherrill, Lauren Thomas, Ali O’Connell and Steve everyone who isn’t here anymore, Jack and I gave each other Hodges; (second row, l-r) Stell, the label’s Josh Easler, WWKA/ a look. That’s what acceptance speeches need to be. Not the Orlando’s Steve Stewart and WHKO/Dayton’s Nancy Wilson; laundry list of your agent, manager and publicist. I knew CBS (third row, l-r) WHJO’s Aaron Woods, WNGC/Athens, GA’s would stay with the Entertainer presentation if it came to it. Peter de Graaff, KKBQ/Houston’s Johnny Chiang and KCYY/ Despite dominating the night, ratings and viewers San Antonio’s Jeff Garrison; (bottom) KKBQ’s Christi Brooks. -
INTO the WILD Written by Sean Penn Based on The
INTO THE WILD Written by Sean Penn Based on the book by Jon Krakauer 1 EXT. THE STAMPEDE TRAIL - DAY 1 SUPER: Tuesday, April 28th 1992 WIDE-SHOT: A vast, snow-blanketed wilderness that sits beneath the icy summits of the highest mountain range in North America. This is BIG Alaska. A beat up 4x4 pick-up enters very small into the upper left corner of frame on an unkept, snow-packed road, and comes to a stop. A figure exits the passenger side and moves around the front of the truck. We can just make out the rifle sticking out of his backpack. We HEAR a very distant "Thank You" as the figure walks away from the road and away from the truck, seemingly into nowhere. DRIVER Hey! The figure with backpack and rifle, henceforth BACKPACK, stopping in his tracks, turns around in the direction of the truck. DRIVER (CONT'D) Come here. BACKPACK walks back to the truck. As he approaches the driver's door, we CUT IN TO: TIGHT SHOT over the back-packed shoulder onto the DRIVER. DRIVER (CONT'D) (referring to items we see sitting on dashboard) You left your watch, your comb, your change... We STAY on the DRIVER as BACKPACK speaks: BACKPACK Keep it. DRIVER I don't want your money. And I already have a watch. BACKPACK If you don't take it, I'm gonna throw it away. I don't want to know what time it is, what day it is, or where I am. (MORE) 2. BACKPACK (CONT'D) I don't want to see anybody. -
Country's Sweet Spot for Powers Eddie Hatfield Hangs It Up
November 30, 2020, Issue 733 Country’s Sweet Spot for Powers In September, radio pundit Sean Ross analyzed the relationship between power rotations and the ratings success of Top 40 stations in PPM markets. What he found was an eye-opening inverse relationship between the number of spins-per-week for power songs and station ratings. Those Top 40s playing powers more than 130 times per week averaged a three share, while those playing them less than 100 times POWER SWEET SPOT? per week averaged a 5.5 share. The article spurred 4.9 4.8 Country Aircheck to perform a 4.0 similar analysis for Country stations. Pitcher Perfect: Big Loud’s Hardy celebrates his inaugural No. 1 While Country as an artist, “One Beer,” featuring Mercury’s Lauren Alaina and and Top 40 are Warner/WEA’s Devin Dawson. Pictured (top, l-r) are Big Loud’s much different Stacy Blythe and Tyler Waugh, Nikki Wood, John D’Amico and animals, Country Troy “Tracker” Johnson; (second row, l-r) Big Loud’s Brittani has trended Koster and Ali Matkosky, Alaina and Sandbox’s Todd Ramey; toward higher (third row, l-r) are Big Loud’s Craig Wiseman, Giuliana Mignone and Seth England and Dawson; (bottom, l-r) Big Loud’s Dave Average Share Average power numbers Kirth, Sarah Headley, Kenny Jay and Hardy. (19 Stations) (30 Stations) (19 Stations) over the past Spins of most-played power decade by an influx of Top 40 Eddie Hatfield Hangs It Up KJJY/Des Moines morning host Eddie Hatfield hung up his programmers and headphones Nov. -
University of Nevada, Reno Sense and Sexuality from Teen to Teen
University of Nevada, Reno Sense and Sexuality From Teen to Teen Mom: Redefining the Label A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art in English By Katie Smith Dr. Susan Palwick/Thesis Advisor August, 2011 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by KATIE LOUISE SMITH entitled Sense And Sexuality From Teen To Teen Mom: Redefining The Label be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Susan Palwick, Ph.D., Advisor Ann Keniston, Ph.D., Committee Member Lisa Black, Ph.D., Graduate School Representative Marsha H. Read, Ph. D., Associate Dean, Graduate School August, 2011 i Abstract After becoming a teen mom my senior year, I worked my way through college while being a mom, wife, student, and worker. Throughout my studies and life experience, I realized that there was a lack of teen parent literature, for or by teen parents, and a lack of teen parents being open about their experiences, good or bad. At that point, I realized that I needed to complete my memoir about teen sexuality and being a teenage mom. The memoir exposes my journey from eighth grade, when I was first exposed to the idea of sex, and concludes with me now, a twenty-six year old wife, parent of two, and college graduate who is working as a teacher and writer. Throughout my memoir I open up about being a teenager in love and how my mature emotions transform into having to make mature decisions. -
Lesson 1: “Soul Man” and Identity
Lesson 1: “Soul Man” and Identity "Soul Man" was written by Isaac Hayes and David Porter and performed by Sam & Dave (1967) Introduction In this lesson, students will be introduced to the song “Soul Man,” which was written by Isaac Hayes and David Porter and originally performed and popularized by Sam & Dave. The upbeat melody and lyrics may be familiar to many students, but they may not know that the song was inspired by a tragic moment in US history: the Detroit Riots of 1967. At a time when the American media often linked the black urban working class to crime and violence, Hayes and Porter celebrated a proud, hard working “Soul Man.” Facing History Theme(s): Identity; Individual and Society Essential Questions ● How do we shape our own identities? ● How do stereotypes influence the way we see ourselves and others? ● What can individuals and groups do to counter negative images, ideas, and stereotypes? Guiding Questions ● What sorts of responses can an individual have to injustice? Can making or listening to music be one of these responses? How so? ● Why was it important for Hayes and Porter to define a “soul man” or a “soul brother” in a positive way Objectives ● Students will use the song’s lyrics as a primary text for analysis. ● Students will briefly explore the influence of the media coverage of the1967 Detroit Riots as well as the implications of the Kerner Commission Report, and consider to what extent the song “Soul Man” was a response to the times. ● Students will consider the choices made by the artists responsible for “Soul Man” and reflect on their own connections to the text.