DOCSLIB.ORG

DONGI LEE Selected Biography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DONGI LEE Selected Biography 1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 DONGI LEE Selected biography From Seoul. Korea. Education M.F.A in Painting, Graduate School, Hong-Ik University, Seoul, Korea B.F.A in Painting, College of Fine Arts, Hong-Ik University, Seoul, Korea Selected Exhibitions 2020 LeeDongi : Atomaus and Friends, Sheraton Seoul Palace Gangnam Hotel, Seoul, Korea 2019 LeeDongi : 1993 ~ 2014, Back to the Future, PIBI GALLERY, Seoul 2018 LeeDongi : 2015 ~ 2018, PIBI GALLERY, Seoul Words, Gallery2, Seoul, Korea Hashtag, Handok Museum of Medicine and pharmacy, Eumsung, Korea 2017 Dongi Lee Unplugged, Gallery 2 Jungsun Nongwon, Jeju, Korea Dongi Lee, CL Art, Seoul, Korea 2016 Abyss, Gallery2, Seoul, Korea 2014 Zero Gravity, Gallery Hyundai, Seoul, Korea 2013 Don't Look Back in Anger, Songwon Art Center, Seoul, Korea Dongi Lee, Johyun Gallery, Busan, Korea 2012 Garden of Uncertainty, Gallery2, Seoul, Korea Bittersweet, Mandarin Oriental Hotel (Rm.527), Hong Kong 2011 Role Playing Game, Lotte Gallery, Seoul, Korea 2010 Bittersweet, Gallery2, Seoul, Korea Bubbles, Goozee Gallery, Daegu, Korea 2009 Double Vision, Galerie Michael Schultz, Berlin, Germany 2008 Bubbles, Willem Kerseboom Gallery, Amsterdam, Netherlands Dongi Lee, Keumsan Gallery Tokyo, Tokyo, Japan Bubbles, Gallery2, Seoul, Korea Double Vision, Gallery2, Seoul, Korea 2007 Atomaus, Gallery Mook of Contemporary Art, Beijing, China 2006 Smoking, One and J Gallery, Seoul, Korea 2005 Dongi Lee, Kim Jae-Sun Gallery, Busan, Korea 2003 Crash, Ilmin Museum of Art, Seoul, Korea 2002 Dongi Lee, Kobayashi Gallery, Tokyo, Japan NYBGALLERY.COM 2001 The Adventures of Atomaus, Gallery Dong Dong, Seoul, Korea 1999 Money Honey, Seonam Art Center, Seoul, Korea Money Honey, Gallery Grimsi, Suwon, Korea Money Honey, Shinsegae Gallery, Incheon, Korea 1998 Underworld, Kaywon Gallery, Uiwang, Korea 1995 Program, Hongik University Art Museum, Seoul, Korea Man & Woman 1988-1995, Gallerie de Seoul, Seoul, Korea 1993 1st solo exhibition, Gallery On, Seoul, Korea Group Exhibitions 2020 To the Moon with Snoopy, Wooyang Museum of Contemporary Art, Gyeongju Painting, Gyeonggi Museum of Modern Art, Ansan, Korea 2019 To the Moon with Snoopy, Lotte Museum of Art, Seoul Pop Corn, DAEGU Art Museum, Deagu, Korea 2018 Sky Earth People - SEMA New Collection, Seoul Museum of Art, Seoul, Korea Object of the Light: Highlight of Korean Contemporary Art, Pyeongchang Olympic Culture ICT Pavilion, Pyeongchang, Korea Double Vision, DTC Gallery D2, Daejeon, Korea 2017 Winter Festival, Coex, Seoul, Korea On View, Baahng Gallery, New York, USA Media Ecstasy, Art Museum KNU, Daegu, Korea The Portrait of Youth, National Museum of Korean Contemporary History, Seoul, Korea This Is Contemporary Art Museum: Everyone Is an Artist, Everything Is Art, K Museum of Contemporary Art, Seoul, Korea With Companions, Sejong Museum of Art, Seoul, Korea Crack in the Concrete, National Museum of Modern and Contemporary Art, Gwacheon, Korea 2016 X: Korean Art in the Nineties, Seoul Museum of Art, Seoul, Korea 30 Designers’ City Project: Seoul, 751 D-Park, Beijing, China Very Addictive - Re extention of Aesthetics in Daily Life, MOCA Yinchuan, Yinchuan, China Atelier Story, Hangaram Museum in Seoul Art Centre, Seoul, Korea Be My Love, Avenuel Art Hall, Seoul/ Lotte Gallery, Seoul, Korea Group Show, Galerie Laurent Strouk, Paris, France 2015 Convergence Between Consumer Goods and Art, KOTRA Open Gallery, Seoul, Korea Fermented Soul, Waterfall Mansion, New York, USA Do the Right Thing, Gallery Seongbuk, Seoul, Korea Uproarious, Heated, Inundated, National Museum of Modern and Contemporary Art, Seoul, Korea Hur Young-Man: Secret of the Creation, Hangaram Design Museum in Seoul Art Centre, Seoul, Korea Using the Eye in Order to See, Doosan Gallery, Seoul, Korea 2014 Spectrum-Spectrum, Plateau, Seoul, Korea Dongi Lee + Hyunsoo Kim, Leeahn Gallery, Daegu, Korea Scarlet Innocence: Prologue of Desire, Daelim Museum project space Bin-Zip, Seoul, Korea Korea Tomorrow, DDP - Dongdaemun Design Plaza, Seoul, Korea NYBGALLERY.COM Jump for the Dreams, Uijeongbu Arts Center, Uijeongbu, Korea Love:100, Zippo Museum, Jeju Island, Korea Good Morning, Mr.Robot, Buk Seoul Museum of Art, Seoul, Korea Be My Love, Lotte Gallery, Seoul/ Lotte Gallery, Busan, Korea Graphic Novel, Arario Gallery, Seoul, Korea 2013 Animamix Biennale, Daegu Art Museum, Daegu, Korea Korean Art from the Museum Collection: Grand Narrative II, National Museum of Modern and Contemporary Art, Gwacheon, Korea The Brilliant Art Project: Dream Society, Culture Station Seoul 284, Seoul, Korea Collection, Hagkgojae Gallery, Seoul, Korea Black Square, Gallery 101, Seoul, Korea 2012 Newly, Daily, Truly, POSCO Building, Seoul, Korea Art of Painting, Hagkgojae Gallery, Seoul, Korea Dialogs-Korean Contemporary Art, Metaphysical Art Gallery, Taipei, Taiwan Future Pass, National Taiwan Museum of Art, Taichung, Taiwan Love between Dog and Human, Gallery Artside, Seoul, Korea Diagnostic Mind: Catastrophe, Dongdaemun Design Plaza, Seoul, Korea Cartoon: Beyond the Frame, Gallery Viva, Hongcheon/ Chungkang Museum, Icheon, Korea Cheerful Comics, Pleasant Art, Lotte Gallery, Seoul/ Lotte Gallery, Paju, Korea Seeing the World through the Cartoons, Soma Museum of Art, Seoul, Korea Art in Schoolbook, Seoul National University Museum of Art, Seoul, Korea High Times, Hard Times, Interalia, Seoul, Korea 2011 Future Pass, Wereldmuseum, Rotterdam, Netherlands Korean Rhapsody, Leeum, Samsung Museum of Art, Seoul, Korea New Artists, Gallery Sho Contemporary, Tokyo, Japan Future Pass: from Asia to the World - Collateral Event of the 54th Venice Biennale, Abbazia di San Gregorio, Venice, Italy Seekers of the Future of Memories, Gana Art Center, Seoul, Korea Henkel InnoART Project, Alternative Space Loop, Seoul, Korea Lee Dongi and Janson Rapisarda: Street Attack, Platoon Kunsthalle, Seoul, Korea 2010 Made in Popland, National Museum of Contemporary Art, Gwacheon, Korea INDAF (Inchon International Digital Art Festival)- Mobile Vision: Unbounded Aesthetics, Tomorrow City, Inchon, Korea Korean Avant-Garde Drawing, Soma Museum of Art, Seoul, Korea Coexistence ’, Gallery Is, Seoul, Korea Rambling Criticism, Gallery Holston, Daejon, Korea Pop Art, Gimhae Arts and Sports Center, Gimhae, Korea Artists' Production, Seoul Museum of Art, Seoul, Korea Busan Motor Show, BEXCO, Busan, Korea 2009 Pieces of My Puzzle, Kunsthalle Rostock, Rostock, Germany The World, a Cartoon, Willem Kerseboom Modern & Contemporary Art, Amsterdam, Netherlands Enliven - In Between Realities and Fiction: Animamix Biennal 2009-2010, Today Art Museum, Beijing, China Metaphors of Un/Real-Animamix Biennial 2009-2010, Museum of Contemporary Art, Shanghai, China NYBGALLERY.COM Logic of Sensibility, Interalia, Seoul, Korea Museum2, Korea Art Gallery, Busan, Korea Monuments in Time, Michael Schultz Gallery, Beijing, China Lead in Korea II, With Space Gallery, Beijing, China Korean Pop Art, Insa Gallery, Seoul, Korea 2008 B-Side, Gallery Hyundai, Seoul, Korea Today's Korean Art: The World of Expression, Hangaram Art Museum in Seoul Art Center, Seoul, Korea Beyond Cartoon: Asian Contemporary Art Group Show, Beyond Art Space, Beijing, China Art and Capital, Alternative Space Loop, Seoul, Korea Art at Home: Wonderful Life, Doosan Gallery, Seoul, Korea Love Love, Gallery Ssamzie, Seoul, Korea 2007 3L4D of Ultra-new Vision of 21st Century Animamix Metaphysical Art Gallery, Taipei, Taiwan Contemporary Korean Art: Wonderland, National Art Museum of China, Beijing, China ANIMANGA, Maison des Arts de Créteil, Créteil, France Think Green, Gallery Ssamzie, Seoul, Korea 2006 The Power of Imagination, Korea University Museum, Seoul, Korea Fiction@Love, Shanghai Museum of contemporary Art, Shanghai, China The Originals, Neo-Aesthetics of Animamix: 2nd Annual Chinese International Cartoon and Animation Festival, Hangzhou Peace International Convention & Exhibition Center, Hangzhou, China Living Furniture, Busan Biennale, Busan Museum of Modern Art, Busan, Korea Who Are You?, Kumho Museum of Art, Seoul, Korea Portrait of the juvenile mind, Garam Gallery, Seoul, Korea Who's Who?, Hyundai Department Gallery, Seoul, Korea Play the Rainbow, Bambini Art Museum, Seoul, Korea Wake Up Andy Warhol, Gallery Ssamzie, Seoul, Korea Memory of the Books, Gallery Book house, Paju, Korea 2005 Encounters with Modernism: Highlights from the Stedelijk Museum and the National Museum of Contemporary Art, Korea, National Museum of Art Deoksugung, Seoul, Korea Pop Pop Pop, Gana Art Center, Seoul, Korea Contemporary Art from North and South Korea, Gallery Canvas International Art, Amsterdam, Netherlands Packed/ Unpacked II: Alice in My Heart, Ssamzie Art Warehouse, Paju, Korea First Peak, Enthenhalle, Zurich, Switzerland Animate, Fukuoka Asian Art Museum, Fukuoka, Japan The Adelaide Film Festival, Adelaide, Australia AniMate, Sungkok Art Museum, Seoul, Korea Imaginary Play, Paik Hae Young Gallery, Seoul, Korea Famous Artists for Art Education, Dong-A Museum/ KBS Museum, Daegu, Korea South Man North Woman, Gana Forum Space, Seoul, Korea Open Art for the Kids, Gana Art Center, Seoul, Korea Buddy Bear Festival, Olympic Park, Seoul, Korea Art Toon, Toon Art, Gail Art Museum, Gapyong, Korea NYBGALLERY.COM 2004 Time Travel with Art Works, Leeum, Samsung Museum of Art, Seoul, Korea Fiction@Love: Ultra New Vision in Contemporary Art, MoCA Taipei, Taipei, Taiwan Beauty & the Beast, Marronnier Art Center, Seoul, Korea New Collection 2004, National Museum of Contemporary Art, Gwacheon, Korea
Load more

Recommended publications
  • Birthdays Susan Cole
    Volume 29 Number 4 Issue 346 September 2016 A WORD FROM THE EDITOR Kimber Groman (graphic artist) and others August was Worldcon in Kansas City. MidAmericon 2 $25 for 3 days pre con, $30 at the door had a lot going on. There were two Hugo Ceremonies. There spacecoastcomiccon.com were a lot of exhibits and of course 5,000 items on the program. I did a lot of work pre-con and got to see aKansas City at the Animate! Florida same time. The con was great and I need to start working on my September 16-19 report. Port St Lucie Civic Center This month I may checkout some local events. I may try 9221 SE Civiv Center Place to squeeze in a review. Port St Lucie FL As always I am willing to take submissions. Guests: Tony Oliver (Rick Hunter, Robotech) See you next month. Julie Dolan (Star Wars: Rebels) Erica Mendez (Ryoka Matoi, Kill La Kill) Events and many more $55 for 3 days pre con Comic Book Connection animateflorida.com/ September 3-4 Holiday Inn Treasure Comic Con 2300 SR 16 September 16-19 ST Augustine, FL 32084 Greater Fort Lauderdale Convention Center $5 at the door 1950 Eisenhower Blvd, thecomicbookconnection.com Fort Lauderdale, FL 33316 Guests: Space Coast Comic Con Billy West (Phil Fry, Futurama) September 9-11 Kristin Bauer (Maleficient, Once Upon a Space Coast Convention Center Time) 301 Tucker Ln Beverly Elliot(Granny, Once Upon a Time) Cocoa, FL 32926 and many more Guests: Terance Baker (comic artist) $35 for 3 days pre con, $40 at the door Jake Estrada (comic artist) www.treasurecoastcomiccon.com Fusion Con II September 17 Birthdays New Port Richey Recreation & Aquatic Center 6630 Van Buren St Susan Cole - Sept.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • Whisper Only to You 12.10.2019-13.01.2020 from an Idea of Sylvain Bellenger and Andrea Viliani with Sabrina Rastelli
    Whisper Only to You 12.10.2019-13.01.2020 From an idea of Sylvain Bellenger and Andrea Viliani with Sabrina Rastelli Madre · museo d'arte contemporanea Donnaregina Curated by Sabrina Rastelli and Andrea Viliani Museo e Real Bosco di Capodimonte Curated by Sabrina Rastelli, Paola Giusti and Maria Rosaria Sansone The Fondazione Donnaregina per le arti contemporanee and Museo e Real Bosco di Capodimonte present Whisper Only to You (12.10.2019-13.01.2020), the first solo show of the South Korean artist Yeesookyung (Seoul, 1963) in two Italian public institutions, realized from an idea of Sylvain Bellenger and Andrea Viliani with Sabrina Rastelli. The exhibition is curated by Sabrina Rastelli and Andrea Viliani for the Madre · museo d'arte contemporanea Donnaregina, and by Sabrina Rastelli, Paola Giusti and Maria Rosaria Sansone for the Museo e Real Bosco di Capodimonte. For this project, the Fondazione Donnaregina per le arti contemporanee received the support of Fund for Korean Art Abroad 2019, promoted by Ministry of Culture, Sports, and Tourism of Korea, and of Korea Arts Management Service. Yeesookyung is a visual artist whose practice includes the use of different media, among which video-installation and painting, with a predilection for sculpture. The project of this double exhibition is divided into two complementary exhibition paths. The Facade Galleries of the Madre museum host some works that belong to the multimedia and multi-material production of the artist. Whisper Only to You (2019), which gives the title to the exhibition itself, is composed by the recording of a performance by Yeesookyung, who, in voice-over, whispers in Korean a never-ending story, while the images show the details of a drawing in red cinnabar – precious pigment of mineral origin, full of symbolic meanings in East Asia – entitled Flame.
    [Show full text]
  • Mapping the Oriental Sky
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchOnline at James Cook University Mapping the Oriental Sky Proceedings of the Seventh International Conference on Oriental Astronomy (ICOA-7) Edited by Tsuko NAKAMURA, Wayne ORCHISTON, Mitsuru SOMA & Richard STROM Held on September 6-10, 2010 National Astronomical Observatory of Japan Mitaka, Tokyo I ..: � a Q) rJ) co - Mapping the Oriental Sky Proceedings of the Seventh International Conference on Oriental Astronomy (ICOA-7) Edited by Tsuko NAKAMURA, Wayne ORCHISTON, Mitsuru SOMA, & Richard STROM Held on September 6 -1 0, 2010 National Astronomical Observatory of Japan Mitaka, Tokyo Printed in Tokyo, 2011 3 TABLE OF CONTENTS Page Preface 7 Conference Participants 8 Conference Program 9 A Selection of Photographs from the Conference 11 Part I. Archaeoastronomy and ethnoastronomy "Megaliths in Ancient India and Their Possible Association with Astronomy" Mayank N. VAHIA, Srikumar M. MENON, Riza ABBAS, and Nisha YADAV 13 "Megalithic Astronomy in South IndiaH Srikumar M. MENON and Mayank N. VAHIA 21 "Theoretical Framework of Harappan Astronomy" Mayank N. VAHIA and Srikumar M. MENON 27 "Orientation of Borobudur's East Gate Measured against the Sunrise Position during the Vernal Equinox" Irma I. HARIAWANG, Ferry M. SIMATUPANG, Iratius RADIMAN, and Emanuel S. MUMPUNI 37 "The Sky and the Agro-Bio-Climatology of Java. 15 There a Need for a Critical Reevaluation due to Environmental Changes?" Bambang HIDAYAT 43 "Prospects for Scholarship in Archaeoastronomy and Cultural Astronomy in Japan: Interdisciplinary Perspectivesn Steven L. RENSHAW 47 "The Big Dipper, Sword, Snake and Turtle: Four Constellations as Indicators of the Ecliptic Pole in Ancient China?" Stefan MAEDER 57 PartII.
    [Show full text]
  • Part 1 Samsung
    PART 1 SAMSUNG 1 ATNC Monitoring Network 1 2 Asia Monitor Resource Centre CHAPTER 1 SAMSUNG MOVES: A PORTRAIT OF STRUGGLES DAE-OUP CHANG INTRODUCTION The corporation ‘Samsung’ has been engaged in continuous struggles with the market, labour, the state, and society as a whole within which it develops. This article is a portrait of the struggles: the struggles that were made by every step of the movement of Samsung and made Samsung move again. It captures the way in which an individual capital, a very progressive one in many senses of modern management and corporate strategy, absorbs all possible social resources, including human sweat, soul, and lives, and turns them into corporate energy on which a miraculous capital accumulation has been made possible. Each part of its history will describe Samsung’s efforts to move out of old challenges, and new challenges created by its own moves. While it is written as a short corporate history, it is a corporate history written in labour’s language. In other words, it is a corporate history in relation to labour. This article particularly emphasises the other side of a multinational corporation’s history, namely the way in which ‘work’ is recomposed by mobile capital in Asia, tracing the interaction between multinational companies and local labour. The history of Samsung 3 therefore starts with Korean labour in 1938 and ends with Asian labour in 2006. The analysis will show how Samsung gradually grasps its own workers’ soul both by helping the workers to realise their own small dreams with superior economic compensation and by threatening them not to take their soul back.
    [Show full text]
  • Kwang Young Chun B. 1944, Hongchun, Korea; Currently Lives and Works in Shanghai
    Kwang Young Chun b. 1944, Hongchun, Korea; Currently lives and works in Shanghai EDUCATION & BACKGROUNG 1967 Korean Contemporary Artist’s Invited Exhibition Special Prize, held by Chosun Press Group, National Museum of Modern Art, Seoul, Korea. 1968 Bachelor of Fine Arts, Hong-Ik University, Korea. 1969 Special Prize in the 18th Korean National Art’s Exhibition sponsored by the Korean Culture and Arts Foundation, Seoul, Korea. 1971 Masters in Fine Arts, Philadelphia College of Art, Philadelphia, PA. 1973 Special Prize in the Earth Art II sponsor Civic Center Museum, Philadelphia, PA. 1974 Silver Prize in the 27th Cheltenham Art Center Exhibition sponsored by Cheltenham Art Center. 1966-97Special Prize in the 5th, 6th Shin Sang Group Exhibition, held by Shin Sang Group, National Museum of Modern Art, Seoul, Korea. 2009 Presidential Prize in the 41st Korean Culture and Art Prize, the Ministry of Culture, Sports and Tourism, Seoul, Korea . Chun Kwang Young; Artist of the Year 2001, National Museum of Contemporary Art, Seoul, Korea. SELECTED SOLO EXHIBITIONS 2018 Chun Kwang Young - Aggregation , Sundaram Tagore Gallery, New York 2017 CHUN KWANG YOUNG , Pearl Lam Galleries, Central Hong Kong 2015 Aggregation,, Pearl Lam Galleries, Singapore 2014 Kwang Young Chun, Hasted Kraeutler, New York 2013 Chun Kwang Young - Assemblage, Art Plural Gallery, Singapore 2012 Kwang Young Chun, Hasted Kraeutler, New York 2011 Knoxville Museum of Art, Tennessee, USA Gallery Hyundai, Seoul, Korea Conny Dietzschold Gallery, Sydney, Australia 2009 Singapore Tyler
    [Show full text]
  • Integration of Design and Construction of the Tallest Building in Korea
    ctbuh.org/papers Title: Integration of Design and Construction of the Tallest Building in Korea Authors: Ahmad Abdelrazaq, Executive Director, Samsung E&C William Baker, Partner, Skidmore, Owings & Merrill Kwang Ryang Chung, Principal, Dong Yang Structural Engineers J Pawlikowski, Vice President, Samsung E&C Insoo Wang, Manager, Samsung E&C Subjects: Building Case Study Structural Engineering Keywords: Concrete Foundation Outriggers Publication Date: 2004 Original Publication: CTBUH 2004 Seoul Conference Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Ahmad Abdelrazaq; William Baker; Kwang Ryang Chung; J Pawlikowski; Insoo Wang Integration of Design and Construction of the Tallest Building in Korea, Tower Palace III, Seoul, Korea A.K. Abdelrazaq1, W. F. Baker2, K.R. Chung3, J. Pawlikowski4, Insoo Wang 5, K.S. Yom6 1 Executive Director, Samsung Corporation, Engineering and Construction Group 2Partner, 4Associate, Skidmore, Owings & Merrill LLP, Chicago, USA 3Principal, Dong Yang Structural Engineering Co., Ltd, Seoul, Korea 4Vice President, 5Manager, Samsung Corporation, Construction & Engineering Group Abstract Tower Palace III was conceived as a 93-story residential tower soaring 320 meters into Seoul’s skyline. However, concerns of the local residents and authorities over the building height resulted in a 73-story tower with the same gross floor area. The early integration of aerodynamic shaping and wind engineering considerations played a major role in the architectural massing and design of the tower. The Contractor’s input in selecting the optimum structural system resulted in a cost effective tower that served the clients needs and the tower was completed ahead of schedule.
    [Show full text]
  • Unit 1: University and Me
    English II UNIT 1: UNIVERSITY AND ME Class 1 Introduce yourself and others Be - Personal pronouns / adj. Talk about university Present simple, frequency, like Descriptions There is/are – a/ some - lot of Ask and answer about routines Class 2 and 3 The best university? Routines Describing and comparing universities Descriptions Comparatives and superlatives Class 4 Classroom language Focus on speaking revising previous Situations at university: classes Getting to know a new student 1 group makes the summary of this unit The perfect classroom The crazy classroom Class 5 Revision Summary Assignment: Advertise your university (poster? Audio spot? Audiovisual spot?) INTRODUCE YOURSELF AND OTHERS 1.What do you know about your classmates? Write sentences using these prompts: His/her name is (S)he loves (S)he likes (S)he hates (S)he usually (S)he sometimes (S)he never Last semester s(he) (S)he doesn’t like (S)he can (S)he has 2.Introduce yourself 3.What do you remember about your classmates’ introductions? 1 English II TALK ABOUT UNIVERSITY 2 English II 1 1 Taken from: New Language Leader Elementary (p.16-17) 3 English II THE BEST UNIVERSITY? Reading: what university do you prefer? Why? AL-FARABI KAZAKH NATIONAL UNIVERSITY (KAZNU) The country’s oldest and largest university is situated in the former capital city, Almaty. Al-Farabi Kazakh National University (KazNU) was established in 1934 and currently teaches more than 20,000 students, both undergraduates and postgraduates. The university’s “Kazgugrad” campus is the largest in the country, covering a total area of 100 hectares, and holding all of the 14 faculties and 98 departments.
    [Show full text]
  • {PDF EPUB} Hetalia Axis Powers Vol. 2 by Hidekaz Himaruya Lillypadgraphics :The Art and Writings of Rachel Brazeale
    Read Ebook {PDF EPUB} Hetalia Axis Powers Vol. 2 by Hidekaz Himaruya LillyPadGraphics :the art and writings of Rachel Brazeale. Hetalia, Axis Powers volume two ranked 1 st place in the New York Time’s Best Selling mangas. “Okay,” you say to me, “But what’s Hetalia?” (Or maybe you’re a long standing fan and are gushing in your seat as you read.) Hetalia, Axis Powers (also known as “Axis Powers Hetalia,” “APH,” or simply “Hetalia”) is a webcomic turned manga/television series. Its creator, Hidekaz Himaruya, has captured the hearts of millions all over the world from his home in Japan. Himaruya continues to make new characters and draw up new short or long comic strips on his blog (which is written in Japanese, though often one can find translations on LiveJournal.) Currently, two manga books of the series have been released in America, and three have been released in Japan. The television series (anime) is currently 52 episodes long, 2 seasons running (each season running for 26 episodes) and a 3ed season has been confirmed. “Okaaaaaay,” my in-the-dark readers are saying to me, “But what is it? What’s it about, if it’s so good?” Well, now that I have confused your brain with numbers, I will tell you. As the more history savvy readers are aware of already, the title has already told you that this is a story about World War II. “Axis Powers” were the countries who opposed the Allies during WWII. The two sides were mostly remembered for looking like this: Axis Powers: Germany, Italy, Japan, etc.
    [Show full text]
  • THE NEXT PHASE the NEXT PHASE Samsung Annual Report 2003
    Samsung Annual Report 2003 THE NEXT PHASE THE NEXT PHASE Samsung Annual Report 2003 THE NEXT PHASE MOTIVATION To understand where we’re going, it helps to take a look at what’s driving us there. 9 COLLABORATION Successful companies no longer always go it alone. 23 EXPECTATION Customers are all about expectations. 35 DEMONSTRATION It is important to demonstrate that our standards, values and goals are indeed real. 44 COMPUTATION 61 All Samsung products and services mentioned in this publication are the property of Samsung. ORGANIZATION Published by Samsung in coordination with Cheil Communications Inc. The power of Samsung as a brand is tied Printed by Samsung Moonwha Printing Co., Seoul, Korea to the strength of its organizations. Written by Denis Jakuc 65 Principal Photography by Ashton Worthington Created by The Corporate Agenda: www.corporateagenda.com TEN YEARS AGO, Samsung launched its New Management initiative, with the ultimate goal of becoming one of the world’s premier companies. 1993 June Samsung adopts New Management initiative 1994 1995 1996 February January January January July Chairman Kun-Hee Lee holds Japanese headquarters opens Samsung opens headquarters Samsung Electronics begins Samsung Everland opens Carribean electronics products comparison in USA, Europe and China mass production of 64Mb DRAMs Bay, world’s first indoor and outdoor and evaluation conference July water park in Los Angeles, California, USA Samsung Corporation is the February March first Korean company to reach Samsung Electronics completes Samsung Electronics
    [Show full text]
  • Modernismus Im Tanz Und Die Entwicklung Des Koreanischen Sinmuyong –
    Zwischen Vertrautheit und Fremdheit – Modernismus im Tanz und die Entwicklung des koreanischen Sinmuyong – zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin vorgelegt von Okju Son Berlin 2013 Erstgutachterin: Prof. Dr. Gabriele Brandstetter Zweitgutachterin: Prof. Dr. Eun-jeung Lee Tag der Disputation: 15. Januar 2014 Inhalt 1. Einleitung ----------------------------------------------------------------------------------------------1 2. Tanzmoderne im Westen 2.1. Tanz und Wissen: Geistige Wahrnehmung von Tanz im modernen Zeitalter ------------- 11 2.1.1. Einfluss der natur- und geisteswissenschaftlichen Diskurse ------------------------------ 13 2.1.2. Die technische Entwicklung und ihr Effekt auf den Tanz --------------------------------- 20 2.1.3. Kulturkonsum ----------------------------------------------------------------------------------- 26 2.2. Zwei Physiognomien der modernen westlichen performativen Künste: Der Einfluss des Anderen und die Interpretation des Anderen ------------------------------------------------------- 34 2.2.1. Der Kontakt der Theateravantgarde mit der ostasiatischen Bühnenkunst -------------- 36 2.2.2. Die Interpretation des Anderen im modernen westlichen Tanz -------------------------- 43 3. Die Begegnung der japanischen Tänzer mit der westlichen Tanzmoderne 3.1. Multiple Modernities: Modernität und Performative Künste in der Meiji-Zeit ---------- 51 3.1.1. Reformierung der traditionellen japanischen Bühnenkunst -------------------------------
    [Show full text]
  • This Document Was Updated April 18, 2020. for Reference Only and Not for Purposes of Publication
    This document was updated April 18, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. ___________________________________________________________________________________ Yoo Geun-Taek (b. 1965 Asan, South Chungcheong Province, Korea) Currently teaches at Oriental Painting Department of Sungshin University, Seoul, Korea Education 1997 / M.F.A. in Oriental Painting at Hongik University, Seoul, Korea 1988 / B.F.A. in Oriental Painting at Hongik University, Seoul, Korea Selected Solo Exhibitions 2017 / Stroll: Visual Realities, Gallery Hyundai, Seoul, Korea 2017 / The Whole Gravity of Painting, Summoned, Tama Art University Museum, Tokyo, Japan 2017 / Breath of Life, The Korea Society Gallery, New York, USA 2016 / Life on the Corner, Shinsegae Gallery, Busan, Korea 2015 / Everlasting Tomorrow, Force Gallery, Beijing, China 2015 / A Passage – The Scenery outside the Window, Bongsan Cultural Center, Daegu, Korea 2014 / Everlasting Tomorrow, OCI Museum of Art, Seoul, Korea 2013 / Landscape, Gallery Dugahun, Seoul, Korea 2012 / The One Day, Gallery Hyundai, Seoul, Korea 2010 / Yoo Geun-Taek, Gallery Bundo, Daegu, Korea 2010 / Depiction of the Universe, Artside Gallery, Beijing, China 2009 / Depiction of the Universe, Savina Museum of Contemporary Art, Seoul, Korea 2009 / Yoo Geun-Taek, LA Artcore Gallery, Los Angeles, USA 2008 / Yoo Geun-Taek, 21+Yo Gallery, Tokyo, Japan 2007 / Skin of Life – Drawings on the Diagonal Lines that Sustain Me, Dongsanbang Gallery, Seoul, Korea 2005 / Yoo
    [Show full text]