Christopher Connel Chris Has Been an Actor and Television Presenter for Almost Thirty Years

Total Page：16

File Type：pdf, Size：1020Kb

Christopher Connel Chris has been an Actor and Television Presenter for almost thirty years. Theatre credits include:THE PITMAN PAINTERS, Friedman Theatre Broadway New York and National Theatre/Live Theatre. BRASSED OFF, Wolverhampton Grand Theatre. BOUNCERS, Ambassadors Theatre Group. AND A NIGHTINGALE SANG, Cheltenham Everyman. THE STEAL, York Theatre Royal. ALADIN Durham Gala, CLOSE THE COAL HOUSE DOOR, Northern Stage/ Live Theatre, WET HOUSE Soho Theatre/Live Theatre, BOUNCERS, Hull Truck Theatre. LOOT, Hull Truck Theatre. SHOOTING THE LEGEND,Theatre Royal Newcastle. The Premiere of COOKING WITH ELVIS, Live Theatre, TOAST, Live Theatre. NATIVITIES, Live Theatre. STUDS, UP ON ROOF, A KICK IN THE BAUBLES, COOKING WITH ELVIS Hull Truck Theatre. BLACK ON WHITE SHORTS, Paines Plough. THE GIRLS OF POPPY FIELD CLOSE Live Theatre, PEER GYNT, Three Over Eden Theatre Company, CUDDYS MILES, Customs House. YOU REALLY COULDN'T MAKE IT UP, Live Theatre. THE FIGHTING BRADFORDS, Gala Theatre Durham. Television and Film credits include: Feature Films GOAL and PURELY BELTER, EMMERDALE, YTV, CROCODILE SHOES, BBC/RED ROOSTER. GEORGE GENTLY, Company Pictures. THE ROUND TOWER, Festival Films, CORONATION STREET Granada/ ITV. BADGER, BBC. QUAYSIDE, Zenith/Tyne Tees. THE BILL, ITV, BYKER GROVE, BBC/Zenith. KING LEEK, Granada Television, HEARTBEAT, YTV, HOW WE USED TO LIVE, YTV, FINNEY, Zenith/Carlton, THE BLOCK, Channel4, TAKE ME, Scottish TV/Coastal Productions, BREEZE BLOCK, BBC, STEEL RIVER BLUES, Granada TV. LAWLESS, Company/ITV.NAVY OF THE DAMNED October/Channel 4. Chris is also very proud to have presented many features for BBC North East and Cumbria and is the host of The Journal Culture Awards..

Copy Link

Recommended publications

THE CHILDREN's MEDIA YEARBOOK 20 17 ••• Edit E D B Y Te
The Children’s Media Yearbook 2017 ••• EditEd by tErri LANGAN & frANcEs tAffiNdEr 8 The Children’s Media Yearbook is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2017 © Terri Langan & Frances Taffinder for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. You must not circulate this book in any other binding or cover. ISBN 978-0-9575-5188-6 (paperback) ISBN 978-0-9575518-9-3 (digital version) Book design by Jack Noel Welcome to the 7 2017 Yearbook research Greg Childs can reading improve 38 children’s self esteem? editor’s introduction 9 Dr Barbie Clarke and Alison David Terri Langan the realitY of 41 virtual for kids current Alison Norrington can You groW an open 45 affairs and mind through plaY? industrY neWs Rebecca Atkinson children’s media 11 rethinking 47 foundation revieW toddlers and tv Anna Home OBE Cary Bazalgette concerns about kids and fake neWs 51 media 14 Dr Becky Parry Anne Longfield OBE coming of age online: 54 animation uk 17 the case for Youth-led Helen Brunsdon and Kate O’Connor digital
[Show full text]
I Am Writing to You to Express My Deep Concern About the Recent
I am writing to you to express my deep concern about the recent news from the BBC that they have applied to OFCOM to ask if they can reduce news output on the CBBC channel – by axing the main afternoon edition of the much loved Newsround. I am appalled that the BBC would even think this is a good decision. As far as i understand, they say that less children are watching Newsround and more are getting their news online, from the Newsround website and other sources. I cannot understand this reasoning. This is same reasoning they applied to the removal of BBC3 as linear service – and we all know that the end result of that was the BBC reached even less young people. To say more children are watching things online is a cop out. Why are children spending more time watching online? The answer is because they are poorly catered for by linear services. Don’t children spend enough time online as it is? Do we really want to encourage them to spend more time online? Newsround has been a fixture in the CBBC schedule for over 40 years. Surely, this is what the BBC should be spending their money on – a daily news programme for children aged 7- 15. CBBC broadcasts for 14 hours a day- is it really too much to ask that they provide 7 minutes of news in the afternoon / evening? The CBBC channel narrowed its focus to 7-12 year olds in 2013. Some of the continuity presenters can hardly string a legible sentence together and others would be more suited to Cbeebies.
[Show full text]
Philip Harrison
PHILIP HARRISON Height: 6’3 Hair: Light Brown Eyes: blue/grey Training and skills: Trained at A.L.R.A 3 year acting course, Sorrell Carson Stockton Billingham Tech, Foundation drama, 2 yrs. Ken Parkin Fencing (Most Bladed weapons) A.F.A Basic coach Foil, Epee, Sabre. Eskrima (stick fighting). Martial arts: Basic Kung Fu, (Sholin Golden Fist) Karate (Wado Ryu) Progressive combat. Archery. Guitar. Video Production. Juggling, Stilt walking. Film credits include: The Boy on the Bus Simon Pitts Flourishing Pictures Harrigans Nick Tall Trees Films Sleepworking Gavin Williams Hook Pictures Television credits include The Dumping Ground Di Patrick BBC Inspector George Gently Gillies Mackinnon BBC Inside Out Dan Farthing BBC Vera Paul Whittington ITV Emmerdale John Anderson/Micky Jones Granada Television ('North') Byker Grove Rob Bailey BBC/Zenith North ('Ollie’s Dad') Badger Paul Harrison BBC/Zenith North ('Egger') Fighting for Gemma Julian Jarrold Granada ('Frank') Clock Shock 999 Katie Thomas BBC ('Father') Per Chance To Dream Tim Putnam Channel 4 ('Hobbs') Heartbeat Tim Dowd Yorkshire Whispers of the Rock David Sands Border TV ('Lt Wallingford') Glass Virgin Sarah Hellings Tyne Tees ('Big fella') Harry Mary MacMurray BBC Commercial and corporate credits Newcastle Brown Ale commercial Droga 5 Arberia Roman Fort museum film Centre Screen Medical in house film Scenario Role Play NHS Stroke Awareness film Tyne Media Rally Car film Landau Reece Theatre credits include: Shortcuts Rosie Kellegher Live Theatre Cuckoo Jack Janet Nettleton No Limits
[Show full text]
David Mason Response to the Future of Children's Programming
The Future of Children’s TV 1. Introduction Page 2 2. What’s the purpose of Children’s TV? Page 2 3. BBC Children’s Television Failings Page 2 4. Recommendations Page 4 5. Conclusion Page 4 Appendix A Page 5 Appendix B Page 7 Appendix C Page 8 Appendix D Page 10 1 1. Introduction In response to the OFCOM consultation of 3rd October 2007 Children's TV is in crisis. But why does anyone care? Why would it matter if children's television disappeared completely? Is this just about losing jobs in an industry, or is it an issue of providing an important and worthwhile service to young people and therefore to society as a whole? 2. What’s the purpose of Children’s TV? There is a children's TV crisis, and although the reason is due in part to advertising restrictions that doesn't in any way excuse the BBC's shoddy treatment of children detailed in this submission to OFCOM. Jocelyn Hay, from the Voice of the Listener and Viewer, told BBC News 24 on 15 May 2007 that children need programmes made in this country, and pointed out that they "want to be entertained but they also have a right to information, to educational programmes, live programmes, programmes that reflect their own rich heritage of speech, language, culture and their own environment and locations which help them to grow up to be informed citizens of this country, not of some mid-Atlantic fantasy world." Mrs Hay's statement goes to the heart of why it is so important that this country has our own good quality children's programmes.
[Show full text]
Response to Ofcom Discussion Paper: Citizens, Communications and Convergence
Response to discussion paper: Citizens, Communications and Convergence The starting point in my response to Ofcom's discussion paper on Citizens, Communications and Convergence is the wording from paragraph 2.21, namely "An important principle is that all citizens are equal and have the same rights and responsibilities. In relation to media and communications services, this includes a right to have the access to services and content that are needed to participate in society." My concern is that the BBC, one of the world's most renowned broadcasting organisations, does not abide by this principle - resulting in harm to UK society. If all citizens are equal, shouldn't they be entitled to roughly equal services by public service broadcasters? But if we look at BBC children's television services, which are split into different age groups, we find that the Corporation fails to treat teenagers as anything like equal to younger children. CBBC, which is aimed at 6 to 12 year olds, provides about 100 hours of TV programmes per week, including a choice of channel at some times of the day. BBC Switch, on the other hand, provides only two hours per week of programmes for 13-17 year olds. There isn't even any pretence that the BBC treats teenagers as equal citizens. In 2006 the Corporation implemented a covert policy which discarded feedback to CBBC Newsround from children over the age of 13. It seems that this malfeasant practice has now been relaxed, though wrongdoing hasn’t been admitted and the paucity of services for teens is worse than it has been for some time.
[Show full text]
Rare Investment/Development Opportunity for Sale
RARE INVESTMENT/DEVELOPMENT OPPORTUNITY FOR SALE FORMER BYKER GROVE STUDIOS THE MITRE BUILDING BENWELL TERRACE NEWCASTLE UPON TYNE NE15 6LX Potential investment/development opportunity, subject to planning. Currently under lease to a Grade A covenant or available with vacant possession. Misrepresentation Act 1967: Sanderson Weatherall for itself and for the vendor(s) or lessor(s) of this property whose agent it is give notice that:- Approximate area – 1,474m² (15,866 sq ft). 1 These particulars do not constitute any part of an offer or contract 2 None of the statements contained in these particulars as to the property(s) are to be relied on as statements or representations of fact. Site area – 1.14 hectares (2.83 acres). 3 Any intending purchasers must satisfy themselves by inspection or otherwise as to the correctness of each of the statements contained in these particulars 4 The vendor(s) or lessor(s) do not make or give and neither Sanderson Weatherall Limited nor any person in its employment has any authority to make or give any representation or warranty whatsoever in relation to the property. 5 None of the buildings services or service installations (whether these be the specific responsibility of the freeholder, lessor or lessee) have been tested and are not warranted to be in safe working order Finance Act 1989: Unless otherwise stated all prices and rents are quoted exclusive of V.A T 22-24 Grey Street Newcastle upon Tyne NE1 6AD 0191 261 2681 Fax 0191 261 4761 sandersonweatherall.com Property Misdescriptions Act l99l LEEDS LONDON NEWCASTLE MANCHESTER TEESSIDE Every reasonable effort has been made by Sanderson Weatherall to ensure accuracy.
[Show full text]
Rebecca Stevens
Agent: Emily Hickman [email protected] +44 (0)20 7727 1346 Rebecca Stevens In addition to her television writing, Becky has written two children's novels for Chicken House - VALENTINE JOE and ROSE IN THE BLITZ, and a retelling of Jane Austen's EMMA for Oxford University Press. She is currently writing another retelling for OUP. Children’s Television: RHYME TIME TOWN Current DreamWorks/Netflix 2 x 11’ episodes LITTLE PRINCESS series 4/5 Current Illuminated Films 5 X 11’ episodes NODDY: TOYLAND DETECTIVE Current DreamWorks Animation / Gaumont 3 x 11’ episodes SHANE THE CHEF 2018 HoHo Productions Ltd / Milkshake 1 x 11’ episode MESSY GOES TO OKIDO series 2 2018 Doodle Productions Ltd / CBeebies 2 x 11’ episodes SCHOOL OF ROARS 2016/17 Monster Paw Productions / CBeebies 5 x 7’ episodes THE HIVE 2014/5 Lupus Films / CBBC 3 x 7’ episodes NODDY 2014/5 Gaumont Animation / France 5 2 x 11’ episodes ZIG AND ZAG 2014/5 CBBC / RTE 2 x 11’ episodes PRISONER ZERO 2013/4 Planet 55 / ABC 2 x 30' episodes MESSY GOES TO OKIDO 2014 Squint Opera 4 x 11' TOPSY AND TIM 2013 Darrall Macqueen / CBeebies 2 x 11' episode of live action series BING BUNNY 2012/3 Acamar Films 1 episode POSTMAN PAT 2012 Classic Media 6 episodes MIKE THE KNIGHT 2011 Hit Entertainment Limited 4 x 11' Episodes THE HIVE 2010 Lupus Films/GMTV/Disney Worldwide 15 x 7’ Episodes CASPER'S SCARE SCHOOL 2010 Series 2: 3 x 12' Episodes MoonSccop / Classic Media LASSIE 2010 Classic Media Storylining MUDDLE EARTH 2009-10 CBBC 4 x 10’ Episodes Based on the novel by Paul Stewart & Chris Riddell
[Show full text]
Cbeebies and CBBC
CBeebies and CBBC Fimbles CBeebies Ace Lightning CBBC A new world is revealed when the Fimbles invite viewers to visit a Prepare to face the fear with the latest world full of magic, inspiration, exploration and discovery – essential elements and most unlikely hero for the modern world! of pre-school development. Thirteen-year-old Mark Hollander is new in The Fimbles – Fimbo, Florrie and Baby Pom – live in an enchanted valley – a town, arriving in Conestoga Hills, USA, from soft and happy place with such enchanting locations as Purple Meadow and England with his mum and dad. One stormy Happy Hollow.The Tinkling Tree and the Bubble Fall add to its magic. night Mark accidentally discovers a mysterious hidden level on his favourite video game, Ace Fimble “finds” can be anything – an object such as a button, a key or a seashell, Lightning And The Carnival Of Doom. natural elements, even abstract colours or numbers. Everything they find provides a starting point for a rich tapestry of imagining, storytelling, song, Simultaneously, lightning strikes the house and a learning and humour. freak accident releases pixellated hero Ace Lightning from the confines of the game into Joining the Fimbles on their adventures are Ruby, a bird; Ribbett, a frog; Roly Mo, the real world. But Ace did not make the journey alone. Lord Fear and five evil henchmen are also the mole; and Ruby’s baby, Chick. unleashed on an unsuspecting world and Ace must join forces with Mark Hollander in the age-old battle of good against evil. Call The Shots CBBC Returning series
[Show full text]
Malcolm Tomlinson Photo: MUG Photography
59 St. Martin's Lane London WC2N 4JS Phone: 0207 836 7849 Email: [email protected] Website: www.nikiwinterson.com Malcolm Tomlinson Photo: MUG Photography Location: London, United Kingdom Eye Colour: Green Height: 6' (182cm) Hair Colour: Greying Weight: 12st. 10lb. (81kg) Hair Length: Short Playing Age: 56 - 60 years Voice Quality: Silky Appearance: White Voice Character: Sincere Other: Equity Television Television, Sir Robert Thyrwhitt, Elizabeth I, Channel 5, Chris Holt Television, Thomas Cranmer, Henry VIII and His Six Wives, Channel 5, Chris Holt Television, Steve Burwick, Doctors, BBC, James Larkin Television, John Gaule, Witch Hunt, Channel 5, Chris Holt Television, Quentin, Casualty, BBC, Joss Agnew Television, Nathan Hewland, Emmerdale, ITV, Nicky Lister Television, Mr Davies, Hollyoaks (recurring), Lime Pictures, Lee Skelly Television, Bruce Baines, Emmerdale (6eps), YTV, Various Television, Ron, The Chase (3 eps), Rollem Productions, Sue Tully Television, John Smith QC, Emmerdale, Granada Television, Tony Prescott Television, Dr.Evans, Emmerdale, Yorkshire Television, Tony Prescott Television, David Wallis, The Royal, Yorkshire Television, Judith Dine Television, Deakin's Solicitor, Blue Murder, Granada Television, Paul Wroblewski Television, Pofessor Craig, Silver Wedding, FFP Media for Germany, Dieter Kehler Television, Dr Cole, The Bill, Fremantle Media, Sue Tully Television, Jonathon, Cold Feet, Granada Television, Simon Delaney Television, Ed Jones, Crossroads, Carlton UK, Michael Kerrigan Television, Mr.Tanner, Grange
[Show full text]
Andrew Walsh: Breaking Into Gameswriting
How did I get here? Andrew Walsh: Breaking into gameswriting Andrew Walsh has been writing professionally for fourteen years and his credits span theatre, radio, animation, television, film and video games. Aside from television credits with Granada, HTV, Zenith North, Risk, Diamond, and Yorkshire Television on shows such as Byker Grove, Emmerdale, and Family Affairs, and radio work for the BBC, Andrew has worked extensively in the videogames industry for companies such as EA, Sony, SEGA, Koch, THQ Wireless, Egosoft, Games Workshop, G5 Software, P.M Studios and Bam! His games credits include Harry Potter and the Order of the Phoenix (writer), Medieval II:Total War (Director) and a further 25 titles. As for the money…that’s the difference between writing as a hobby or as a profession. Not the Hello, Andrew, and welcome to Scribe Quiz. payment bit, but the fact you have to keep writing Thanks for inviting me. so you can keep yourself in beer and T-Shirts. This sometimes means scribing things people For your first question, who are you and what will pay you to, rather than a project that sets you do you do? on fire creatively. Whatever the origins of a Erm, I’m a writer working predominantly in project, though, you still have to be passionate scriptwriting. I’ve written for television, radio, about it… it’s easy to tell when someone’s just animation, theatre and film, but currently I do writing for the money. most of my work in videogames. I ride a motorbike and own an Aloe Vera plant that’s But can you actually earn a living from beginning to look scarily like it drinks blood and gameswriting? has a penchant for dentists… Oh yes.
[Show full text]
Download the Adobe
Downloaded from simongarfield.com © Simon Garfield 2005 Ant Always Stands on the Left Ant and Dec are always together on television. And in real life too. The Observer, May 2002 The most striking thing about Ant and Dec is not that you can't tell them apart, but that you can: apart from the light entertainment and children's shows that went before them, and apart from other people who made it famous and rich when they were young. Ant and Dec, both aged 26 (Ant is always on the left in photos), represent a new generation of TV hosts - not comedians (though occasionally they can be funny), not singers (though they used to do that all the time) and not really celebrities (slender tabloid interest, very polite when you meet them, only one uncharacteristic incident at a lap-dancing establishment) - but they can stand in front of a camera and talk to it as if it was a friend they used to know from school. To do this without artifice is a very valuable thing in television. You can twist yourself in knots trying to explain their achievement, but all you need to understand is that they used to climb trees and weren't the sort of people who liked to watch children's television with an educational flavour. Their appeal is embedded in a little-remembered programme, their first, that went out at teatime in 1996. The Ant and Dec Show on Children's BBC featured a novel item called Beat The Barber, a quiz in which young people could win fantastic prizes such as computer consoles.
[Show full text]
`Dear BBC': Children, Television Storytelling and the Public Sphere
`Dear BBC': Children, Television Storytelling and the Public Sphere MaÂire Messenger Davies published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb 22ru,UK 40 West 20th Street, New York ny 10011±4211, USA 10 Stamford Road, Oakleigh, vic 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 80011, South Africa http://www.cambridge.org # MaÂire Messenger Davies 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Printed in the United Kingdom at the University Press, Cambridge Typeface Plantin 10/12 pt System 3b2 [ce] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Davies, MaÂire Messenger. `Dear BBC': Children, Television Storytelling and the Public Sphere / MaÂire Messenger Davies. p. cm. Includes bibliographical references and index. ISBN 0 521 78077 2 (hardback) ± ISBN 0 521 78560 X (paperback) 1. Television programmes for children ± Great Britain. 2. Television and children ± Great Britain. I. Title. PN1992.8.C46 D37 2001 791.45'75'0830941±dc21 00-067490 isbn 0 521 78077 2 hardback isbn 0 521 78560 X paperback Contents List of tables page vi Acknowledgements vii Introduction 1 Part I:
[Show full text]