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Broadcast Bulletin Issue Number 228 22/04/13
Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS. -
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Archived BBC public responses to complaints 2014 The One Show, BBC One, 14 January 2014 Complaint We have received complaints about Paul O'Grady's appearance on the One Show on 14 January. Some viewers felt that his views on benefit reform were not adequately challenged. BBC's Response The One Show is a topical magazine programme which occasionally reports on prominent news stories. Following media coverage of the debate around Channel Four's Benefits Street, The One Show asked members of the public for their views on the programme. A variety of opinions were heard from all sides of the debate. Following this, and in keeping with One Show tradition, the presenters discussed the issues raised with that day's studio guest, Paul O'Grady. Paul was clearly identified as a Labour supporter, and he was challenged on how he would reduce the benefits bill. Paul's views were forthright, and on reflection more could have been done to put them into context, but it is important to note that balance can be achieved across a number of programmes, and this is a subject that the One Show has covered before and hopes to revisit again in the future. EastEnders, BBC One, 14 January 2014 Complaint We received complaints from some viewers who were unhappy with a comment made by Shabnam during EastEnders on 14 January 2014. The BBC's response EastEnders has a rich history of tackling social issues. The show does not advocate racism or intolerance in any way; in fact it seeks to challenge these negative views. -
House of Commons Welsh Affairs Committee
House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales. -
Racism in Europe: a Challenge for Democracy?
Chapter Two Racism in Europe: A Challenge for Democracy? Leila Hadj-Abdou Democracy is a form of government, not a steambath of popular feelings. —Ralf Dahrendorf1 The Anti-Racist Founding Myth of Europe and the Perseverance of Racism In recent decades the Shoah has become a central reference point for a common European identity. Especially in the 1990s, after the end of the Cold War, the heritage of the Nazi past and the involvement of many European countries in the exploitation and extermination of Jews gained a special role in the public discourse of the newly unified Europe.2 The commemoration of the Shoah is not only a source of symbolic legitimacy, but it also suggests a commitment to political val- ues such as the rejection of racism, antisemitism, and xenophobia3. In 2007, denial of the Shoah became a punishable crime across the Euro- pean Union.4 However, despite the relevance of this founding myth it would be misleading to believe that it implies a clear cut rupture with Europe’s racist past, and the end of exclusionary practices. On the contrary, several factors indicate that racism continues to be a feature of contemporary Europe. For instance, in a publication released by the civil society organization European Network Against Racism (ENAR) in 2015, it was revealed that in 2013 alone there were 47,210 racist crimes reported across the European Union. The organization stressed that this is only the tip of the iceberg as many crimes go unre- 1. Margaret Canovan, “Trust the People! Populism and the Two Faces of Democracy,” Political Studies, vol. -
A Multimodal Discourse Analysis Exploring How Katie Hopkins Asserts Power Over Katie Waissel in Their Debate on the Television Programme ‘This Morning’
13 Trent Notes on Linguistics, VOL 2. 2019 A multimodal discourse analysis exploring how Katie Hopkins asserts power over Katie Waissel in their debate on the television programme ‘This Morning’ Charlotte-Rose Kennedy PhD student in Linguistics Nottingham Trent University Through the employment of multimodal interaction analysis (Norris, 2004), this study seeks to show how Katie Hopkins asserts power over her opponent Katie Waissel on a televised interview on This Morning, through features of non-verbal communication such as interruption and floor holding devices, and posture and gesture. The results of my analysis show that Katie Hopkins dominates Katie Waissel through face-threatening acts in the forms of beat gesture, expansive posture, competitive interruptions and floor holding devices. 1. Introduction and literature review Katie Hopkins is a self-nominated spokesperson for the people, who helps shape social views through being an ‘outspoken columnist’, ‘controversial TV personality’ and a ‘motormouth’ (Baker, 2015; Rutter, 2016). Many people find Hopkins to be a ‘vile Tory troll’ (Bussey, 2015) causing ‘offence on an almost daily basis on her twitter account’ due to her ‘shocking and often insulting views’ on topics such as immigration, mental illness, and even ginger babies (Baker, 2015). This project seeks to explore how Katie Hopkins asserts power over Katie Waissel in their debate on the television programme ‘This Morning’ through both verbal and non-verbal communication. I conduct a multimodal discourse analysis of the debate between Katie Hopkins and Katie Waissel (a heavily tattooed former X Factor contestant), on the topic of whether tattooed celebrities are good role models for children. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Sport & Society Research Network
Tenth International Conference On Sport & Society Sports Media Vectors: Digitization, Expanding Audiences, and the Globalization of Live Sport 20–21 June 2019 Ryerson University Toronto, Canada Tenth International Conference on Sport & Society “Sports Media Vectors: Digitization, Expanding Audiences, and the Globalization of Live Sport” 20–21 June 2019 | Ryerson University | Toronto, Canada www.SportAndSociety.com www.facebook.com/SportAndSocietyResearchNetwork @onsportsociety | #ICSS19 Tenth International Conference on Sport & Society www.sportandsociety.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please visit the CGScholar Knowledge Base (https://cgscholar.com/cg_support/en). Common Ground Research Networks may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. By attending this conference, you consent and hereby grant permission to Common Ground to use pictures which may contain your appearance at this event. Designed by Ebony Jackson and Brittani Musgrove Sport & Society Table of Contents Welcome Letter - Ryerson University -
The Trolling of Gina Miller
The remoaner queen under attack: the trolling of Gina Miller What happens when a private individual takes on a very public cause? Amy Binns and John Mair examine how the case of Gina Miller demonstrates how fast social media can whip up a storm of abuse Gina Miller shot to fame after taking the British government to court for attempting to force through Article 50, the mechanism, which started the Brexit process. It was a case that, like the 2016 Referendum itself, polarised Britain. While Leavers were outraged that their vote to exit the EU was not the final word, Remainers watched with bated breath in hope that their disaster could turn to triumph. In the middle was the previously unknown financier Gina Miller. Articulate, photogenic and unafraid to comment on a controversial issue, she might have been made for the media. Widespread coverage led to her becoming a hate figure online, with two men arrested for making threats to kill her. In her own words, in her book Rise (Miller, 2018), she outlines the hate her campaign had generated: “Over the past two years I’ve been the target of extreme bullying and racist abuse. Ever since I took the UK government to court for attempting to force through Article 50, the mechanism for starting Brexit which would have led to the nation leaving the European union without Parliamentary consent, I live in fear of attacks. “I receive anonymous death threats almost every day. Strangers have informed me graphically that they want to gang rape me and slit the throats of my children, how the colour of my skin means I am nothing more than an ape, a whore, a piece of shit that deserves to be trodden into the gutter.” This study analyses 18,036 tweets, which include the username @thatginamiller, from October 1, 2016 to February 27, 2017, from just before the opening of her High Court case to beyond the Supreme Court ruling on January 26 . -
Katie Hopkins
KATIE HOPKINS IMPACT: Katie Hopkins is a self-described “Christian conservative” English media personality and columnist for multiple media outlets. She uses her online platforms to spread misinformation and has a history of making anti- Muslim, anti-immigrant, and anti-black comments. ● Katie Hopkins writes a mixed-media column called Hopkins World for The Rebel Media, a far-right Canadian political and social commentary media website. A former Rebel staffer told Vice that The Rebel Media founder, Ezra Levant, is willing to put money into any reporter or story “as long as they are willing to say things about Muslims.” On The Rebel, Hopkins is listed as a Shillman fellow, a fellowship run through the anti-Muslim organization, David Horowitz Freedom Center (DHFC), and funded by tech billionaire Robert Shillman. ● Hopkins previously served as a columnist for the UK paper, The Sun, from October 2013 to September 2015, and Mail Online, affiliate website of The Daily Mail, from October 2015 to October 2017. Hopkins has also written columns for Breitbart, an online conservative media site which Atlantic journalist, Peter Beinart, describes as being filled with “generalized, anti-Muslim sentiment.” ● Hopkins has made numerous derogatory and generalizing statements about Muslims, immigrants, and refugees in her columns, on her radio show, and on Twitter. In April 2015, Hopkins wrote a column for The Sun titled “Rescue boats? I’d use gunships to stop migrants” in which she began by stating “NO, I don’t care. Show me pictures of coffins, show me bodies floating in water, play violins and show me skinny people looking sad. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Work History Testimonials Contact Blog
Wales – West Midlands – London – +44 7813 064680 Home Work History Testimonials Contact Blog Wo r k H i s t o r y Here's a table of work so far this year. Below it is a full list of previous credits. Production Title Broadcaster/Client Director Notes/Project description Date Company Connected Virgin Trains Virgin Trains Jon Ayres Two days recording members of staff reading lines from a poem and also Nov Pictures poem being interviewed. 2019 Kalel Rich Kids Go Channel 5 Star Nana Wilson Two days recording in Great Yarmouth for this returning series where a young Oct 2019 Productions Skint person from a privileged background lives in the home of a family from the other end of the wealth divide, to experience life on a budget. Boundless Grand Designs Channel 4 Marc Beers A presenter-day at the very early stages of what looks like an incredibly Oct 2019 Productions challenging building conversion Only Today TV Facebook/WCMX Instagram Joyce Tsang Two days working with an incredible, young, WCMX competitor for an Oct 2019 Instagram promo Arrow Yet to be Co- Kenny Scott A day working on this doc (undiclosable content), near Cirencester. Oct 2019 International announced production/multiple Media Ltd. territories Kalel Rich Kids Go Channel 5 Star Nana Wilson Two days recording in Southend on Sea for this returning series where a Oct 2019 Productions Skint young person from a privileged background lives in the home of a family from the other end of the wealth divide, to experience life on a budget. Kalel Rich Kids Go Channel 5 Star Nana Wilson Two days recording in Lincoln for this returning series where a young person Oct 2019 Productions Skint from a privileged background lives in the home of a family from the other end of the wealth divide, to experience life on a budget.